94:"Of the singers there were three or foure so excellent that I thinke few or none in Christendome do exell them, especially one, who had such a peerelesse and ... supernaturall voice for sweetnesse, that I thinke there was never a better singer in the world ... I alwaies thought that he was an
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for a total of over 150 pieces. He often published two separate versions of the solo voice part for each work: one heavily ornamented and extremely difficult to sing (most likely he sang this version himself); and a simplified version intended for a less accomplished singer.
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Nothing is known about his early life; his birthdate is inferred from the description by an
English visitor in 1608 who described him as being "about forty." The first record concerning him is from 1593, when he was employed as an alto in
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B. Barbarino da
Fabriano detto Il Pesarino, Ave Maria per Soprano (o Tenore) e Organo. Prefazione, realizzazione del basso continuo e revisione di M. Genesi, Piacenza, P.I.R., 2004, pp. 12.
98:, which if he had beene, it had taken away some part of my admiration, because they do most commonly sing passing wel; but he was not, therefore it was much the more admirable."
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185:(Gabrieli Consort and Players, directed by Paul McCreesh). Archiv: Deutsche Grammophon GmbH, Hamburg, 1996. (Mostly contains music by
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126:. His last collection of works, a book of madrigals dated to 1617, is for three voices, but also accompanied by basso continuo.
118:. Unusually for the time, he often indicated the instruments which were best to use as accompaniment, including chitarrone,
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In the preface to one of his books of motets, Barbarino wrote that he would sing his works to the accompaniment of the
193:"La Musica Per San Rocco"(Melodi Cantores & La Pifarescha conducted by Elena Sartori).ARTS MUSIC LC2513 (SACD)
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Almost all of
Barbarino's music is in the monodic style, using a single virtuoso solo voice part accompanied by
79:. Evidently his fame as a singer was widespread at this time, as he was one of the most distinguished visitors.
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133:, both in Venice, as well as thirteen separate sacred pieces; additionally he published five books of
22:(known as "il Pesarino") (c. 1568–c. 1617 or later) was an Italian composer and singer of the early
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by Paul McCreesh (Gabrieli
Consort and Players, directed by Paul McCreesh)
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30:, and one of the most enthusiastic composers of the new style of
189:, although it includes two monodies by Barbarino)
156:The New Grove Dictionary of Music and Musicians
59:. From 1602 to 1605 he worked as organist at
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86:, left this description of his singing (
106:, "for my voice is hoarse and frail."
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63:Cathedral, and afterwards worked in
47:at Santa Casa. Until 1602 he was in
246:17th-century Italian male musicians
154:Article "Bartolomeo Barbarino," in
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129:Barbarino published two books of
51:, where he served both Monsignor
216:Italian male classical composers
75:to take part in the Festival of
241:17th-century Italian composers
82:An English visitor to Venice,
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226:Italian Renaissance composers
16:Italian composer and singer
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221:Italian Baroque composers
26:era. He was a virtuoso
71:. In 1608 he went to
53:Giuliano della Rovere
170:Music for San Rocco,
20:Bartolomeo Barbarino
236:17th-century deaths
183:Music for San Rocco
168:CD notes for disk
187:Giovanni Gabrieli
90:, London, 1611):
88:Coryats Crudities
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137:and one book of
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124:harpsichord
210:Categories
177:Recordings
140:canzonette
104:chitarrone
28:falsettist
135:madrigals
77:San Rocco
67:for the
55:and the
149:Sources
120:theorbo
24:Baroque
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131:motets
122:, and
96:Eunuch
73:Venice
61:Pesaro
49:Urbino
45:Loreto
32:monody
110:Works
65:Padua
160:ISBN
38:Life
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