435:. He started composing again and became professor of harmony and later Warden at the Royal Academy of Music. He also worked for the BBC's Music Advisory Panel. In the post war period, Dale composed several chamber works for violin (recorded for Dutton Epoch), including a large scale Violin Sonata (1921–22). An anthem,
30:. Dale showed compositional talent from an early age and went on to write a small but notable corpus of works. His best-known composition is probably the large-scale Piano Sonata in D minor he started while still a student at the Royal Academy of Music, which communicates in a potent late
331:. This ambitious work stretched the boundaries of viola technique at the time and remains challenging even today: Tertis frequently played it either with Bowen at the piano, or in a later arrangement of the last two movements with orchestral accompaniment (first performed in a 1911
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Composed between 1902 and 1905 and dedicated to York Bowen, Dale's piano sonata is a large-scale virtuoso work in just two movements, the second of which combines slow movement, scherzo and finale in a set of variations, a form apparently influenced by
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129:). Although ten years Benjamin's elder, Henry always remained close to his younger brother and, like their father, both men had a reputation for being affable and approachable, irrespective of position and fame.
410:, who was in the same barracks. Dale took part in the activities of the Ruhleben Musical Society, formed in 1915 in the wake of a muddy first winter. In particular, he joined forces with the Canadian
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from memory for a full performance in the camp. In 1918, Dale was released early from
Ruhleben after breaking his arm, being allowed to stay on a farm in the Netherlands for the duration.
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While studying at the RAM, Dale worked on several compositions, including the first movement of a piano trio, a complete organ sonata, two concert overtures (one inspired by
Shakespeare's
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Despite an indifferent record at school, by the age of 14 Dale was already an accomplished organist and had written a small collection of compositions, including a concert overture called
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as an enemy alien, Dale wrote three song settings (including two part songs), his first new compositions since 1912. In
November, Dale was interned in the civilian internment camp at
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at the Royal
Academy of Music to address that and similar problems. The society published the sonata in its first publication through its imprint Charles Avison, Ltd.
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orchestration, thus carrying the illusion of symphonic transcription to new places". According to Lisa Hardy, author of an extensive survey of
British piano sonatas,
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at the organ in what was probably its last performance to date. Wood was an admirer of Dale's music and described his once popular voices and orchestral setting of
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for organ and orchestra, and his first published work, the Piano Sonata in D minor. The sonata extended to sixty pages, leading to problems in publication, and the
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158:, another promising pianist-composer, who became a lifelong friend. There he reunited with an early playground companion, the concert pianist and composer
34:
style. Christopher
Foreman has proposed a comprehensive reassessment of Benjamin Dale's music. Dale married one of his students, the pianist and composer
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By this time, Dale had established himself as a successful composer and teacher, having been appointed
Professor of Harmony at the RAM in 1909. In 1912,
316:, 2011), contributing to a current revival of interest in Dale's music. It probably remains the single composition for which Dale is best known today.
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conducted its 1943 première. In a detailed review of the event, Christopher
Foreman hailed the work as a "major British orchestral masterpiece."
260:. In the opinion of Francis Pott, "the swirling arpeggiation and rich variety of gesture imply an attempted pianistic parallel to Wagnerian and
347:(1911) for the unusual combination of six independently scored violas, written for performance by Tertis's pupils (one of whom happened to be
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to an unprecedented level. In a sense, however, it marked the end of an era, as this was as far as late romantic harmonies could be taken."
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Despite deteriorating health after the war, Dale was able to travel round the world, examining in
Australia and New Zealand for the
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418:), who gave lectures on each of the nine symphonies of Beethoven: at the end of each lecture, MacMillan and Dale would perform a
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for small orchestra (1919); arrangement of original (1916) for string octet, also arranged for violin and piano, Op. 10, No. 1
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and London manager of James Bourne & Son. He was also a self-taught but enthusiastic amateur musician, church organist and
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162:, who also remained an especially close friend for the rest of Dale's life. Like the others, Dale studied composition under
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to come and conduct their choral works) and founded a
Metropolitan College of Music in Holloway that would later become the
300:, by the 1920s Dale's sonata had fallen out of fashion. In recent years, however, the work has been championed on CD by
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British musical biography: a dictionary of musical artists, authors, and composers born in Britain and its colonies
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323:—another sonata in all but name—dating from 1906, the first of a series of compositions written expressly for the
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for violin and piano, Op. 10, No.2 (1916); originally intended as an Intermezzo for the play of the same name by
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of the symphony under discussion. Dale was also one of the musicians who helped MacMillan recreate the score of
268:"Dale's sonata was the first outstanding British piano sonata. Its harmonic language avoided the clichés of the
831:, Carol for mixed voices with tenor solo (1925); the words from the Mediaeval anthology collected by Mary Segar
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230:. Commentators have discerned various other influences and echoes within this eclectic work, including Liszt's
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Dale died in July 1943 in London, aged 58, collapsing after having conducted a rehearsal for the première of
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for 4 violins, 2 violas and 2 cellos (1916); originally intended to introduce Act 3 of Beaumont's
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hymn tune writer who nurtured the Finsbury Choral Association (attracting composers such as
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Nevins, Maureen (1994). Sir Ernest MacMillan: portrait of a Canadian musician (1893–1973),
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MacMillan, Sir Ernest; ed. Morey, Carl (1997). MacMillan on music: essays on music,
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who epitomised the progressive musical climate of the RAM under the direction of
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for small orchestra (1925); arrangement of original (1920) for violin and piano
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for small orchestra (1923); arrangement of original (1916) for violin and piano
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818:, Festival Anthem for soloists, chorus and orchestra, Op. 12 (1923); words by
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140:. Dale's father arranged for the overture to be played at the Portman Rooms,
1396:. Library and Archives Canada (electronic collection). Retrieved 2011-09-12.
1082:, Oxford University Press, 2004; online edn, Jan 2011. Retrieved 2011-07-08.
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CD Review—Recording of the Month: Benjamin Dale (1885–1943) Music for Viola
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339:), which he had encouraged Dale to produce. The Suite was followed by the
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on one of his holiday trips to Germany. While being kept under parole in
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50:, Islington, London, to Charles James Dale, a pottery manufacturer from
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for chorus and orchestra, Op. 7 (1912); setting of a Christmas hymn by
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150:. Benjamin left school at the age of 15 to enroll as a student of the
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Despite entering the repertoire of concert pianists like York Bowen,
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Benjamin was the youngest of seven children. One of his brothers was
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1207:, Vol. 60, No. 915 (1 May 1919), pp. 201–205. Retrieved 2011-08-22.
154:(RAM). He started at the RAM in September 1900, on the same day as
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Broadcast, BBC Radio 3, Thursday 25 April 2002—First Impressions
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major for treble voices with piano accompaniment of the poem by
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Modern British Composers, III: Benjamin Dale. The Musical Times
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in what presumably was the first performance of the work since
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for violin and piano, Op. 10, No. 1 (1916); originally titled
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style and utilized the resources of Straussian and Wagnerian
22:(17 July 1885 – 30 July 1943) was an English
439:, followed in 1923. His last major work was the orchestral
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systems that would transform contemporary understanding of
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Benjamin Dale—Complete Music for violin & piano (2005)
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Sonata in E major for violin and piano, Op. 11 (1921–1922)
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Piano Trio in D minor – 1st movement only (performed 1902)
144:(on 10 May 1900) and was rewarded by a positive review in
1105:, Vol. 16, Nov 1970, pp. 77–174. Retrieved 2011-07-09.
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for piano (1923); original (1916) for violin and piano
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for piano (1919); original (1916) for violin and piano
351:). A CD of Dale's viola chamber music is available on
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Romance (also arranged for viola and orchestra, 1909)
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Piano Sonatas by Benjamin Dale and William Hurlstone
1103:
Biographical Memoirs of Fellows of the Royal Society
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319:Dale's next published work was his three movement
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26:and academic who had a long association with the
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822:; composed for the 269th annual festival of the
637:Finale: Allegro (also viola and orchestra, 1909)
109:, he helped uncover important mechanisms of the
1469:. MusicWeb International. Retrieved 2011-07-07.
1339:. MusicWeb International. Retrieved 2011-07-07.
1034:. MusicWeb International. Retrieved 2011-07-07.
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1010:. MusicWeb International. Retrieved 2011-07-07.
913:(arr. York Bowen). Dutton Epoch CDLX7204 (2008)
1570:World War I civilian detainees held by Germany
1426:Paton, Chris (rev 2010). Benjamin J Dale, In:
1146:Brown, James D and Stephen S Stratton (1897).
676:Sonata in D minor for piano, Op. 1 (1902–1905)
673:Organ Sonata in D minor (first performed 1902)
611:in C minor for violin and piano, Op. 15 (1926)
516:(Concert Piece) for organ and orchestra (1904)
433:Associated Board of the Royal Schools of Music
206:was founded by a group of composers including
1032:Benjamin Dale—A reassessment, Parts 3 & 4
1008:Benjamin Dale—A reassessment, Parts 1 & 2
922:Danny Driver. Hyperion CDA67827 (2011) (plus
8:
1323:. Oxford Music Online. Retrieved 2011-08-16.
647:in D minor for viola and piano, Op. 4 (1910)
624:in D major for viola and piano, Op. 2 (1906)
182:, where composition was Stanford's domain).
1306:(2010). SOMM Records. Retrieved 2011-07-07.
659:(1916); arrangement for viola and piano by
602:for violin and piano, Op. 10, No. 3 (1920)
62:and then to London, was a director of the
1487:International Music Score Library Project
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962:Introduction & Andante for Six Violas
907:Introduction & Andante for Six Violas
764:, Op. 9 (1919); Songs from Shakespeare's
1355:for Benjamin Dale. Retrieved 2011-07-15.
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653:for 6 violas, Op. 5 (1911, revised 1913)
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842:Harmony, Counterpoint and Improvisation
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414:(later to become the conductor of the
382:(composed in 1912) as "a choral gem."
1449:. Dutton Epoch. Retrieved 2011-07-07.
1272:Benjamin Dale (1885–1943)—Piano Music
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1137:. Dutton Epoch. Retrieved 2011-07-13.
877:, Op.15. Dutton Epoch CDLX7157 (2006)
443:(1943), which has strong elements of
101:(as well as isolating and describing
7:
1555:Alumni of the Royal Academy of Music
803:Three Christmas Carols, Op. 6 (1911)
791:major for low voice, viola and piano
450:combined with Romanticism. In 2002,
1540:20th-century English male musicians
1240:The British piano sonata, 1870–1945
1219:The British piano sonata, 1870–1945
1076:Dale, Sir Henry Hallett (1875–1968)
859:Complete Music for Violin and Piano
256:'s first piano sonata and Wagner's
919:Mark Bebbington. SOMMCD 097 (2010)
779:in F major for low voice and piano
14:
1178:Foreman, Lewis (1983, rev 2007).
940:. Continuum CCD1044 (1991) (plus
1550:English male classical composers
1530:20th-century classical composers
1074:, rev. Tansey, EM (2004–2011).
1050:Dale, Benjamin James (1885–1943)
742:, setting of a mystical poem by
631:Maestoso – Allegretto espressivo
565:The Knight of the Burning Pestle
46:Benjamin Dale was born in Upper
663:; original for violin and piano
366:for organ and orchestra at the
1535:20th-century English composers
1006:Foreman, Christopher (2011).
887:, Op.4, and two piano pieces (
807:Before the Paling of the Stars
380:Before the Paling of the Stars
1:
1461:Foreman, Christopher (2002).
1180:Bax: A Composer and his Times
1128:Benjamin Dale—Music for Viola
1030:Foreman, Christopher (2011).
964:, Op.5. Naxos 8.573167 (2013)
688:major for piano, Op. 3 (1907)
394:caught Dale traveling to the
16:English composer and academic
1565:People from Holloway, London
1483:Free scores by Benjamin Dale
1315:Foreman, Lewis (2007–2011).
1290:Stewart, Michael. Review in
1099:Henry Hallett Dale 1875–1968
1097:Feldberg, Wilhelm S (1970).
861:: Sonata in E major, Op.11,
341:Phantasy for Viola and Piano
204:Society of British Composers
1545:English classical composers
932:Miniature Suite in C Major,
895:). Etcetera KTC 1105 (1991)
751:in F major, setting of the
711:Music, when soft voices die
420:four hand piano arrangement
1586:
1353:Performance search results
1292:Gramophone, May 1993, p 75
762:Two Songs from Shakespeare
454:was broadcast complete on
416:Toronto Symphony Orchestra
333:Royal Philharmonic Society
1445:28 September 2011 at the
1335:Cookson, Michael (2008).
1156:. Birmingham, Chadfield.
881:Music for Viola and Piano
321:Suite for Viola and Piano
138:Thomas Babington Macaulay
1126:Foreman, Lewis (2008).
916:Piano Sonata in D minor
726:Part-songs, Op. 8 (1914)
651:Introduction and Andante
345:Introduction and Andante
42:Early life and education
1430:. Retrieved 2011-09-12.
1417:. Retrieved 2011-09-14.
1325:(subscription required)
1294:. Retrieved 2011-07-07.
1278:. Retrieved 2011-07-07.
1107:(subscription required)
1084:(subscription required)
1058:(subscription required)
595:Harley Granville-Barker
546:, Tone Poem (1924–1943)
80:London College of Music
1493:Royal Academy of Music
1383:. Retrieved 2011-07-07
1270:Pott, Francis (2011).
1164:. Retrieved 2011-07-08
464:BBC Symphony Orchestra
304:(on Continuum, 1992),
282:
180:Royal College of Music
152:Royal Academy of Music
28:Royal Academy of Music
1498:1 August 2018 at the
1203:Evans, Edwin (1919).
1133:13 March 2012 at the
713:, a song setting in E
266:
212:John Blackwood McEwen
97:and President of the
64:Denby Pottery Company
1367:Wood, Henry (1938).
1238:Hardy, Lisa (2001).
1217:Hardy, Lisa (2001).
1048:Hardy, Lisa (2004).
508:the Shakespeare play
500:for orchestra (1900)
343:(dated 1910) and an
1351:BBC Proms archive:
176:Alexander Mackenzie
20:Benjamin James Dale
1428:The Ruhleben story
1321:Grove Music Online
954:The Romantic Viola
844:by Benjamin Dale,
824:Sons of the Clergy
811:Christina Rossetti
376:Christina Rossetti
327:and RAM professor
290:Benno Moiseiwitsch
186:Early compositions
170:and biographer of
87:Henry Hallett Dale
1506:and Benjamin Dale
1409:. Dundurn Press.
1246:. Boydell Press.
1192:978-1-84383-209-6
1186:. Boydell Press.
1072:Feldberg, Wilhelm
930:and York Bowen's
522:in G minor (1904)
494:, Overture (1899)
396:Bayreuth Festival
362:conducted Dale's
308:(SOMM, 2010) and
232:Sonata in B minor
166:, a supporter of
147:The Musical Times
36:Kathleen Richards
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591:Laurence Housman
544:The Flowing Tide
520:Concert Overture
475:The Flowing Tide
452:The Flowing Tide
441:The Flowing Tide
437:A Song of Praise
412:Ernest MacMillan
390:The outbreak of
372:Frederick Kiddle
208:Frederick Corder
164:Frederick Corder
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983:
981:
979:
975:
968:
963:
959:
955:
952:
947:
943:
942:Night Fancies
939:
936:
933:
929:
925:
924:Night Fancies
921:
918:
917:
915:
912:
911:English Dance
908:
904:
900:
897:
894:
890:
886:
882:
879:
876:
872:
868:
864:
863:English Dance
860:
857:
856:
852:
847:
843:
840:
839:
838:
837:
830:
827:
825:
821:
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802:
801:
800:
799:
784:
781:
778:
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769:
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767:Twelfth Night
763:
760:
759:
754:
750:
747:
745:
735:
732:
731:
730:
729:
725:
722:
712:
709:
708:
707:
706:
699:
696:
693:
692:English Dance
690:
681:
680:Night Fancies
678:
675:
672:
671:
670:
669:
662:
658:
657:English Dance
655:
652:
649:
646:
643:
642:
636:
633:
630:
629:
628:
627:
623:
620:
619:
618:
617:
610:
607:
604:
601:
598:
596:
592:
588:
585:
583:
582:Country Dance
579:
578:English Dance
576:
575:
574:
573:
567:
566:
561:
560:English Dance
558:
555:
554:
553:
552:
545:
542:
539:
536:
533:
530:
527:
526:English Dance
524:
521:
518:
515:
512:
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490:
489:
488:
487:
480:
478:
476:
471:
469:
465:
461:
457:
453:
449:
448:Impressionism
446:
442:
438:
434:
429:
427:
426:
421:
417:
413:
409:
405:
401:
397:
393:
385:
383:
381:
377:
373:
369:
365:
361:
356:
354:
350:
346:
342:
338:
334:
330:
329:Lionel Tertis
326:
322:
317:
315:
311:
307:
303:
299:
298:Moura Lympany
295:
291:
287:
281:
279:
275:
271:
265:
263:
259:
255:
251:
250:
245:
241:
240:Fantasie in C
237:
233:
229:
225:
219:
217:
213:
209:
205:
201:
200:
195:
194:
185:
183:
181:
177:
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169:
165:
161:
157:
153:
149:
148:
143:
139:
135:
130:
128:
124:
120:
116:
112:
108:
107:acetylcholine
104:
100:
99:Royal Society
96:
92:
88:
83:
81:
77:
73:
69:
65:
61:
57:
53:
52:Staffordshire
49:
41:
39:
37:
33:
29:
25:
21:
1502:Portrait of
1464:
1435:
1422:
1401:
1388:
1375:. Gollancz.
1368:
1331:
1320:
1311:
1299:
1239:
1218:
1212:
1199:
1179:
1148:
1142:
1102:
1079:
1053:
961:
957:
953:
945:
941:
938:Peter Jacobs
931:
927:
923:
910:
906:
902:
898:
892:
888:
884:
880:
874:
871:Holiday Tune
870:
866:
862:
858:
848:, Hugo Anson
846:Gordon Jacob
841:
835:
834:
829:Rosa Mystica
828:
815:
806:
797:
796:
782:
776:
765:
761:
748:
733:
710:
704:
703:
697:
691:
679:
667:
666:
656:
650:
644:
621:
615:
614:
608:
599:
586:
581:
577:
571:
570:
563:
559:
550:
549:
543:
537:
531:
525:
519:
514:ConcertstĂĽck
513:
503:
497:
491:
485:
484:
474:
472:
468:Adrian Boult
451:
440:
436:
430:
423:
389:
379:
364:ConcertstĂĽck
363:
357:
353:Dutton Epoch
344:
340:
320:
318:
310:Danny Driver
302:Peter Jacobs
283:
278:chromaticism
267:
247:
220:
199:ConcertstĂĽck
198:
191:
189:
145:
142:Baker Street
133:
131:
95:physiologist
84:
45:
19:
18:
1525:1943 deaths
1520:1885 births
1504:Rowsby Woof
504:The Tempest
456:BBC Radio 3
392:World War I
386:Later years
349:Eric Coates
224:Tchaikovsky
193:The Tempest
119:anaphylaxis
91:Nobel Prize
89:, a future
56:Clerkenwell
1514:Categories
969:References
853:Recordings
744:T.E. Brown
661:York Bowen
486:Orchestral
425:The Mikado
360:Henry Wood
262:Straussian
228:Piano Trio
160:York Bowen
156:Arnold Bax
60:Derbyshire
1407:pp. 25–26
1184:chapter 2
889:Impromptu
734:My Garden
445:Debussian
400:Nuremberg
286:Myra Hess
270:Beethoven
258:Liebestod
244:Balakirev
103:histamine
93:-winning
68:Methodist
38:in 1921.
1496:Archived
1443:Archived
1394:Ruhleben
1244:pp 42–48
1131:Archived
960:, Op.4,
958:Phantasy
946:Prunella
928:Prunella
909:, Op.5,
905:, Op.4,
903:Phantasy
893:Prunella
885:Phantasy
867:Prunella
788:♭
739:♭
716:♭
698:Prunella
685:♭
668:Keyboard
645:Phantasy
587:Prunella
532:Prunella
498:Overture
492:Horatius
404:Ruhleben
314:Hyperion
254:Glazunov
236:Schumann
134:Horatius
127:immunity
76:Stanford
72:Sullivan
48:Holloway
32:romantic
24:composer
1489:(IMSLP)
1485:at the
934:Op. 14)
836:Writing
721:Shelley
609:Ballade
551:Chamber
370:, with
325:violist
249:Islamey
196:), the
123:allergy
115:nervous
1413:
1379:
1250:
1190:
1160:
875:Ballad
798:Choral
723:(1914)
572:Violin
510:(1902)
274:Brahms
168:Wagner
125:, and
111:immune
1373:p 274
1154:p 114
705:Vocal
622:Suite
616:Viola
458:with
368:Proms
172:Liszt
1411:ISBN
1377:ISBN
1248:ISBN
1188:ISBN
1158:ISBN
944:and
891:and
785:in D
736:in A
593:and
296:and
214:and
113:and
105:and
74:and
378:'s
246:'s
238:'s
226:'s
1516::
1454:^
1371:,
1360:^
1344:^
1319:.
1283:^
1274:.
1259:^
1242:,
1227:^
1182:,
1169:^
1152:,
1113:^
1101:.
1090:^
1078:,
1064:^
1052:.
1039:^
1015:^
977:^
926:,
873:,
869:,
865:,
477:.
355:.
292:,
288:,
252:,
242:,
234:,
210:,
121:,
82:.
1254:.
1221:.
1194:.
948:)
312:(
272:-
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