752:, decided to build the set because "we couldn't find the atmosphere we wanted naturally." According to Larbalestier, Black Francis came up with the idea for the cover as he wrote songs in his father's "topless Spanish bar"; Larbalestier added the crucifix and torn poster, and they "sort of loaded that with all the Catholicism." Commenting on the cover in 2005, Francis said, "I just hope people find it tasteful." The cover booklet expands on the theme, and features photographs of the flamenco dancer in several other poses; there are no song lyrics or written content, apart from album credits, in the booklet.
498:
466:" and "Gigantic", he moved the equipment to record into a studio bathroom to achieve more "roomy" echo. John Murphy, Deal's then husband, said, "Albini didn't like the studio sound". Albini later said that the record could have been completed in a week, but "we ended up trying more experimental stuff basically to kill time and see if anything good materialized." An example was "Something Against You", where Albini filtered
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of refusing royalties from records he produces, viewing it as "an insult to the band." Along with Albini in the studio, Q Division's Jon Lupfer acted as studio assistant. The recording process took the entire booked period of ten working days to complete, with extra vocal mixes subsequently added in the studio. Albini planned to mix the record "somewhere else", but according to Lupfer, "He was unhappy there with it."
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759:, Black Francis described the concept as referring to "a surfer girl," who "walks along the Beach of Piñones, has a surfboard, very beautiful." When questioned about the topless element, he replied, "For the first record, I told them I liked nudity. I like body lines—not necessarily something in bad taste, didn't even have to be female, just body lines ... like that
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583:". The album includes heavier material, and prominently features the band's trademark quiet-loud dynamic. Frontman and principal songwriter Black Francis wrote the material, the only exception being "Gigantic," which was co-written with Kim Deal. "Gigantic" is one of only two Pixies album tracks on which Deal sang lead vocals.
482:"I'm Amazed" begins with Deal recounting a story in which one of her former teachers who was "into field hockey players" was discreetly fired. Francis finishes Deal's sentences, joking that her response to hearing of the teacher's activities was to try to join the team. Albini later observed the use of studio banter on
486:: "It's on their record forever so I think now they are obliged to say that they're ok with it, but I honestly don't know that that idea would've ever come up if I hadn't done it. There are times when things like that are revealing and entertaining and I kind of felt it was a bit gimmicky on this record."
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was "a patchwork pinch loaf from a band who at their top dollar best are blandly entertaining college rock", and said of the band: "Their willingness to be 'guided' by their manager, their record company and their producers is unparalleled. Never have I seen four cows more anxious to be led around by
478:
The recording of a conversation held between
Francis and Albini can be heard at the end of "Oh My Golly!". Lupfer writes that "it was a concept he was going for to get some studio banter." As Deal was leaving the studio to smoke a cigarette, she exclaimed "If anybody touches my stuff, I'll kill ya."
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the following week. It spent 60 weeks in the chart, peaking at number 2. Until August of that year it was only available in the U.S. as an import. Although the label held worldwide distribution rights to Pixies, they did not have access to a distributor outside the UK. When 4AD signed a distribution
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Pixies entered Q Division in
December 1987, booking ten working days of studio time in which to record the album. 4AD allocated Pixies a budget of US$ 10,000, with the total costs amounting to about $ 18,000. Albini's producer's fee was US$ 1,500, and he received no royalties; Albini had a practice
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Gil Norton's production leans towards the harsh garage grunge of 'Surfer Rosa', although the songs retain the strong melodies of 'Doolittle'. In many ways, 'Bossanova' is the composite Pixies LP, the most positive elements of its two predecessors blended together to make one of the most intriguing
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in "Break My Body" and "Broken Face", while references to superheroes appear on "Tony's Theme". Voyeurism appears in "Gigantic", and surrealistic lyrics are featured on "Bone
Machine" and "Where Is My Mind?". Puerto Rico references and Spanish lyrics are found on the tracks "Oh My Golly!" and
479:
Francis replied with "I'll kill you, you fucking die, if anybody touches my stuff". The track begins at this point, with
Francis explaining the conversation to Albini, whose voice is not heard on the track. Lupfer later admitted that Albini knew "perfectly well what was going on."
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The untitled eleventh track consists of a quiet recording of conversation in the studio. It exists as a separate track on some CD releases but is not listed on the artwork. As such, after track 10, the track listing numbering on the artwork does not match actual tracks on those
2018:
The Boston band debuted in 1988 with "Surfer Rosa," introducing its unique form of quiet-to-loud art-punk and, over the course of a few years, hit the college airwaves with such songs as "Gigantic," "Monkey Gone to Heaven" and "Here Comes Your
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as "the one that made me go, 'holy shit'. It was so fresh. It rocked without being lame." Corgan was impressed by the album's drum sound, and acknowledged that The
Smashing Pumpkins used to study the record for its technical elements. Musician
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1223:.' That was my immediate reaction, in other words, incredibly raw." Gary Smith, who at the time was in a disagreement with the band, admitted he "was really happy that they had made such a forceful, aggressive, record."
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as one of the quintessential alternative rock records of the 1980s. The album has appeared on several all-time best album lists, and is consistently placed as one of the best albums of the 1980s in any genre.
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their nose rings." In 2005, Albini apologized for the remarks, saying: "To this day I regret having done it. I don't think that I regarded the band as significantly as I should have." In 2023, he said
755:
The booklet's photographs were taken in one day at a pub opposite the 4AD offices, because, according to
Larbalestier, "it was one of the few places that had a raised stage". In a 1988 interview with
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found the band's guitar riffs recognizable and their strong rhythms unique, but felt they had been overrated by critics who hailed them as "the
Amerindie find of the year". In a 2003 review of
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magazine found the songs "well crafted, well delivered sketches which embrace commercial ideals as well as bizarre left-field out of control moments". John Dougan of
American music magazine
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1173:'s songwriting. When he first heard the album, Cobain discovered a template for the mix of heavy noise and pop he was aiming to achieve. He remarked in 1992 that he "heard songs off of
441:
to Albini. This created tension between Smith and
Kolderie, and Kolderie later remarked that "Gary almost killed me for the suggestion, he thought I was scheming to get the project."
621:" is narrated by a prison inmate who requests his girlfriend smear her dress with blood and mail it to him. "Gigantic" is about an illicit love affair and borrows from the 1986 film
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displays a mix of musical styles; pop guitar songs such as "Broken Face", "Break My Body", and "Brick Is Red" are featured alongside slower, more melodic tracks exemplified by "
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has remained in print on CD in the UK, subsequent U.S. releases have seen the two released on separate CDs. These separate releases first appeared in
January 1992, when
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1055:'s Ian Cranna wrote that "what sets the Pixies apart are their sudden bursts of memorable pop melody," and noted that "they could have a bright future ahead of them."
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at Blackwing Studios in London, early in May 1988. The remixed single was well met by critics. The single failed to sell, and spent just one week at number 93 on the
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Albini met the band that evening, and they discussed how the next record should sound and be recorded. Albini said that, " were in the studio the next day."
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described it as "beautifully brutal", and the magazine later named Pixies their musicians of the year. In a less enthusiastic contemporary review for
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552:. This sample contains the end of the third verse and part of the chorus. Santiago's erratic lead guitar plays a key part in the song's melody.
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first reissued the band's first two albums. After 4AD reacquired rights to the band's U.S. distribution, they released both as separate CDs.
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that I'd written but threw out because I was too afraid to play them for anybody." Cobain hired Albini to produce Nirvana's 1993 album
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414:, Pixies ended up looking for a new producer and recording studio. On the advice of a 4AD colleague, Watts-Russell looked to hire
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635:. He later said he had "this very small fish trying to chase me. I don't know why—I don't know too much about fish behavior."
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s Mark Sinker, reviewing the album in March 1988, said "they force the past to sound like them", while Dave Henderson from
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People connected with the band were impressed by the record. Ivo Watts-Russell recalled: "I remember when I first heard
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392:, suggested they return to the studio to record a full-length album. The original plan was to record new material at
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526:. This sample contains part of the chorus, with Francis' distorted screaming and a repeated guitar rhythm prominent.
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1088:, Christgau wrote that while he initially found Francis' fey and philosophically limited lyrics somewhat annoying,
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as a rerecorded version of the original song. Many of the themes explored on previous recordings are revisited on
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1763:. The studio banter that makes up the untitled track on other releases is on the same track as "Oh My Golly!".
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and "Gigantic", Ivo Watts-Russell has said that the response to the album was "times five" compared with
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as one of the top 50 albums he thought were most influential to Nirvana's sound in his journal in 1993.
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was named one of the year's best albums on English critics' year-end lists. Independent music magazines
315:; however, it failed to chart in either country. Only one single was released, a rerecorded version of "
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contains many of the elements of Pixies' earlier output, including Spanish lyrics and references to
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placed the album 10th and 14th, respectively. A number of music magazines have since positioned
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2638:. Vol. 7, no. 11. New York. p. 86. Archived from the original on April 21, 2009
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1208:"blew my mind," and that she "immediately went to track down Steve Albini." Cobain listed
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Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991
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As of 2015, sales in the United States have exceeded 705,000 copies, according to
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features a photograph of a topless "friend of a friend" of the band, posing as a
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Britt, Bruce (September 6, 1989). "Bands Bring Fresh Sound to the Big Time".
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655:'s U.S. branch, the album was released on vinyl and cassette as part of the
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alongside experimental recording techniques and a distinctive drum sound.
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as the record's engineer and producer. Having sent a pre-release tape of
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3047:"Pixies — Ephemera — Kurt Cobain on Pixies and The Breeders"
2701:. London. p. 31. Archived from the original on September 30, 2000
2495:
470:' voice through a guitar amp for "a totally ragged, vicious texture."
406:. However, due to differences between the band's manager Ken Goes and
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and Steve Albini's production of the album have been influential on
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Other unusual and offbeat subject matter is raised on the album. "
49:
2190:"They Don't Call Him the Martin Hannett of the '90s For Nothing."
311:, distribution in the United States was handled by British label
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to Albini, Goes invited him to a Boston dinner party at drummer
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3212:"Musik Express/Sounds — Popular Music Best-Of-Lists lists"
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646:
was released in the UK by 4AD on March 21, 1988, entering the
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is often included on critics' lists of the best rock albums.
3324:"Rolling Stone – the 500 Greatest Albums of All Time (2012)"
3298:"Rolling Stone – the 500 Greatest Albums of All Time (2003)"
496:
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The album was re-mastered and released in 2007 as a Hybrid
610:; however, unlike on the band's later albums, the songs in
2865:(1995). "Pixies". In Weisbard, Eric; Marks, Craig (eds.).
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was "a better record than I thought it was at the time".
3548:
Fool the World: The Oral History of a Band Called Pixies
3527:"American album certifications – Pixies – Surfer Rosa"
3465:"Canadian album certifications – Pixies – Surfer Rosa"
2135:
Fool the World: The Oral History of a Band Called Pixies
1092:
now seemed "audaciously funny and musically prophetic".
357:
have cited it as an inspiration; it was an influence on
3483:"British album certifications – Pixies – Surfer Rosa"
3157:"Steve Albini said he was "ashamed" of Pixies backlash"
3239:"Pitchfork: Staff Lists: Top 100 Albums of the 1980s"
2935:
Henderson, Dave (April 1988). "Pixies: Surfer Rosa".
1219:
thinking, 'I didn't know the Pixies could sound like
598:"Vamos." The latter track was previously featured on
2671:
Cameron, Keith (September 2019). "Perfectly Frank".
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1231:, comparing the record to the later Pixies albums
702:. Despite the poor commercial performance of both
3561:Sisario, Ben. "Doolittle 33⅓." Continuum, 2006.
2843:. Vol. 20, no. 9. New York. p. 73
740:dancer, pitched against a wall which displays a
614:are not preoccupied with one overarching topic.
2960:. Vol. 4, no. 4. New York. p. 93
1926:Shipments figures based on certification alone.
722:"Surfer Rosa#2" from the album's cover booklet.
1788: – vocals, rhythm guitar, acoustic guitar
679:in 2005, 17 years after its original release.
280:, released in March 1988 on the British label
3622:
1772:All information taken from the CD release of
8:
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977:
939:
877:
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801:
589:'s lyrical content includes examinations of
2628:Dolan, Jon (December 2008 – January 2009).
1755:from recently discovered, first-generation
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3503:. Capital Public Radio. February 3, 2015.
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1832: – cover image, album booklet imagery
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272:is the debut studio album by the American
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3531:Recording Industry Association of America
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2399:Biel, Jean-Michel; Gourraud, Christophe.
2226:
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748:, who contributed pictures to all Pixies
677:Recording Industry Association of America
337:Recording Industry Association of America
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2383:
2106:
2104:
2094:
2092:
2001:"Pixies will play Stage AE in September"
1530:
1311:Mojo 1000, the Ultimate CD Buyers guide
1274:
694:, "River Euphrates", were rerecorded by
3435:"Best Albums of the 1980s | Music"
3304:from the original on September 23, 2020
3112:""Top 50 by Nirvana" [MIXTAPE]"
2916:from the original on September 14, 2015
1939:
1922:
1706:
1183:, primarily due to his contribution to
3272:"A Selection of Lists From Q Magazine"
3191:from the original on February 21, 2018
2988:Christgau, Robert (February 1, 2003).
2816:(March 19, 1988). "Catch This Wave!".
2712:
2649:
559:
3990:In Heaven (Lady in the Radiator Song)
3389:from the original on January 18, 2013
3350:"The 500 Greatest Albums of All Time"
3330:from the original on February 1, 2021
3278:from the original on October 19, 2018
3073:Come as You Are: The Story of Nirvana
2273:
2271:
2184:
2182:
2119:The exact date that the recording of
1835:Published by Rice 'n' Beans Music BMI
1707:
782:
7:
3218:from the original on October 9, 2011
3026:from the original on August 20, 2017
1472:The Best Albums of the 80s, by Year
1453:Top 100 Albums of the Last 20 Years
453:
375:Before the release of Pixies' debut
3507:from the original on April 16, 2019
3000:from the original on April 25, 2003
2748:from the original on April 10, 2022
2677:. No. 310. London. p. 39.
2468:from the original on March 12, 2022
2031:Staunton, Terry (August 11, 1990).
1415:The 500 Greatest Albums of All Time
1393:The 50 Heaviest Albums of All Time
3849:Wave of Mutilation: Best of Pixies
3409:"Treble's Best Albums of the '80s"
2835:"Rock Music: A Pixies Discography"
2609:from the original on April 1, 2019
2407:from the original on April 1, 2019
2210:. Little Brown and Company, 2001.
2056:and listenable albums of the year.
1246:In 1991, as Pixies were recording
560:Problems playing these files? See
25:
3501:"The Record: Unfinished Business"
3445:from the original on May 29, 2012
3362:from the original on May 12, 2021
3251:from the original on May 23, 2010
3020:"The Record: Unfinished Business"
2781:The New Rolling Stone Album Guide
2286:from the original on May 16, 2011
979:
941:
879:
841:
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686:" was the only single taken from
4067:
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1523:", written by Black Francis and
1332:The 50 Best Albums from the 80s
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319:", and reached number 93 on the
4105:Albums produced by Steve Albini
3237:Pitchfork (November 21, 2002).
2833:Milner, Greg (September 2004).
2734:Powell, Mike (April 25, 2014).
2691:Sinker, Mark (March 19, 1988).
1506:(*) designates unordered lists.
1252:, Albini told the fan magazine
1086:the Pixies' 2002 self-titled EP
3592:(streamed copy where licensed)
3155:Starkey, Arun (May 20, 2024).
2232:"Pixies Profile — Page 2"
2067:The Pixies' previous release,
1999:Mervis, Scott (June 8, 2021).
1540:
396:, where the band had produced
367:, which Albini also produced.
1:
4135:1980s Spanish-language albums
4034:Frank Black and the Catholics
3487:British Phonographic Industry
2990:"Consumer Guide: The Prelude"
2868:Spin Alternative Record Guide
1734:release, the eight tracks of
1022:Spin Alternative Record Guide
934:The Rolling Stone Album Guide
454:Albini's recording techniques
2904:"Christgau's Consumer Guide"
2265:Frank, Ganz, 2005. pp. 80–81
1959:. March 19, 1988. p. 38
1893:Surfer Rosa/Come On Pilgrim
1740:appear after "Brick is Red".
1353:Top 100 Albums of the 1980s
1113:as their album of the year;
763:ad, you know?" According to
327:was rereleased in the US by
296:. It includes references to
80:November & December 1987
3546:Frank, Josh; Ganz, Caryn. "
661:Surfer Rosa/Come On Pilgrim
657:Surfer Rosa/Come On Pilgrim
426:'s house a few weeks after
27:1988 studio album by Pixies
4151:
4130:Rough Trade Records albums
2950:Dougan, John (July 1988).
2939:. No. 13. p. 18.
2784:(4th ed.). New York:
2132:Frank, Josh; Ganz, Caryn.
1045:UK music press reviews of
4062:
3644:
3101:Frank, Ganz, 2005. p. 120
3092:Frank, Ganz, 2005. p. 220
2952:"The Pixies: Surfer Rosa"
2770:(2004). "The Pixies". In
2719:: CS1 maint: unfit URL (
2656:: CS1 maint: unfit URL (
2584:Wolk, Douglas. "Pixies –
2538:. PolyHex. Archived from
2345:Francis, Black. Lyrics. "
2304:Francis, Black. Lyrics. "
2077:rather than a full album.
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1493:Best Albums of the 1980s
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331:in 1992, and in 2005 was
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253:Released: August 22, 1988
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3411:. Treble. Archived from
3145:Frank, Ganz, 2005. p. 86
3136:Frank, Ganz, 2005. p. 85
2693:"Surf Pixies: Must Buy!"
2575:Frank, Ganz, 2005. p. 84
2563:Frank, Ganz, 2005. p. 87
2525:Frank, Ganz, 2005. p. 88
2377:Frank, Ganz, 2005. p. 80
2336:Frank, Ganz, 2005. p. 79
2256:Frank, Ganz, 2005. p. 83
2110:Frank, Ganz, 2005. p. 77
2098:Frank, Ganz, 2005. p. 76
2086:Frank, Ganz, 2005. p. 75
548:is the seventh track of
462:'s vocals takes during "
445:Recording and production
65:March 21, 1988
3550:". Virgin Books, 2005.
3187:. RockListMusic.co.uk.
2006:Pittsburgh Post-Gazette
1578:"Something Against You"
508:"Something Against You"
4115:Elektra Records albums
3358:. September 22, 2020.
3185:"Mojo Ultimate Albums"
2902:(September 27, 1988).
2456:"Surfer Rosa – Pixies"
2426:Lazell, Barry (1997).
2280:"Pixies, by Joy Press"
2172:Los Angeles Daily News
1515:All tracks written by
723:
522:is the third track of
501:
3881:Monkey Gone to Heaven
3049:. 4AD. Archived from
2630:"Pixies: Surfer Rosa"
2603:"Pixies Titles/Names"
2401:"Pixies Titles/Names"
2234:. 4AD. Archived from
1189:The Smashing Pumpkins
721:
500:
284:. It was produced by
4125:Pixies (band) albums
2978:Sisario, 2006. p. 20
2875:. pp. 301–302.
2786:Simon & Schuster
2516:Sisario, 2006. p. 43
2488:"RIAA Certification"
2430:. Cherry Red Books.
2428:Indie Hits 1980–1999
2389:Sisario, 2006. p. 19
2159:Sisario, 2006. p. 46
2033:"Pixies – Bossanova"
1819: – production,
1372:100 Greatest Albums
1095:At the end of 1988,
778:Professional ratings
690:. The track and its
4023:Frank Black Francis
3888:Here Comes Your Man
3828:Death to the Pixies
3118:on October 18, 2014
3075:. Doubleday, 1994.
2542:on December 7, 2008
2123:began is uncertain.
2045:on October 12, 2000
1981:. Continuum, 2006.
1849:
1845:Certifications for
1800: – lead guitar
1536:
1280:
779:
744:and a torn poster.
624:Crimes of the Heart
533:"Where Is My Mind?"
394:Fort Apache Studios
313:Rough Trade Records
18:Bone Machine (song)
3976:Wave of Mutilation
3842:Complete 'B' Sides
3071:Azerrad, Michael.
2536:"UK Singles Chart"
2352:2007-11-13 at the
2311:2011-06-11 at the
2204:Azerrad, Michael.
1844:
1826:Simon Larbalestier
1531:
1275:
777:
773:Critical reception
746:Simon Larbalestier
724:
502:
349:artists including
91:Downtown Recorders
4095:1988 debut albums
4080:
4079:
3969:Where Is My Mind?
3923:Letter to Memphis
3835:Pixies at the BBC
3746:Beneath the Eyrie
3415:on April 28, 2007
3053:on April 21, 2007
2994:The Village Voice
2909:The Village Voice
2900:Christgau, Robert
2736:"Pixies: Catalog"
2454:Phares, Heather.
1932:
1931:
1927:
1898:
1821:audio engineering
1717:
1716:
1628:Where Is My Mind?
1615:"River Euphrates"
1507:
1503:
1502:
1167:as the basis for
1133:Nielsen SoundScan
1077:The Village Voice
1043:
1042:
1034:The Village Voice
602:, and appears on
581:Where Is My Mind?
543:
517:
464:Where Is My Mind?
386:Ivo Watts-Russell
384:in October 1987,
309:independent label
265:
264:
221:
220:
16:(Redirected from
4142:
4070:
4069:
4000:Related articles
3631:
3624:
3617:
3608:
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3405:
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3398:
3396:
3394:
3385:. RockList.net.
3378:
3372:
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3367:
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3340:
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3337:
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3294:
3288:
3287:
3285:
3283:
3274:. RockList.net.
3267:
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3173:
3171:
3169:
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3137:
3134:
3128:
3127:
3125:
3123:
3114:. Archived from
3108:
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3093:
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3084:
3069:
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2776:Hoard, Christian
2772:Brackett, Nathan
2764:
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2498:on March 8, 2007
2494:. Archived from
2484:
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2052:
2050:
2041:. Archived from
2028:
2022:
2021:
2015:
2013:
1996:
1990:
1975:
1969:
1968:
1966:
1964:
1952:
1944:
1925:
1896:
1892:
1888:
1882:United Kingdom (
1850:
1710:
1542:
1537:
1505:
1281:
1149:alternative rock
1082:Robert Christgau
1063:
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827:
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821:
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815:
811:
810:
806:
805:
780:
731:
700:UK Singles Chart
545:
544:
519:
518:
499:
435:Paul Q. Kolderie
347:Alternative rock
321:UK Singles Chart
274:alternative rock
254:
251:
190:
189:
152:
151:
147:
118:Alternative rock
72:
70:
44:
32:
21:
4150:
4149:
4145:
4144:
4143:
4141:
4140:
4139:
4110:Art punk albums
4085:
4084:
4081:
4076:
4058:
3995:
3949:
3909:Planet of Sound
3861:
3815:
3776:
3771:Come On Pilgrim
3758:
3725:Trompe le Monde
3691:
3670:Emma Richardson
3640:
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3576:
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3210:Musik Express.
3209:
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2670:
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2639:
2627:
2626:
2622:
2612:
2610:
2605:. Alec Eiffel.
2601:
2600:
2596:
2583:
2579:
2574:
2567:
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2555:
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2543:
2534:
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2471:
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2438:
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2420:
2410:
2408:
2403:. Alec Eiffel.
2398:
2397:
2393:
2388:
2381:
2376:
2372:
2354:Wayback Machine
2344:
2340:
2335:
2331:
2313:Wayback Machine
2303:
2299:
2289:
2287:
2277:
2276:
2269:
2264:
2260:
2255:
2251:
2241:
2239:
2238:on June 6, 2011
2230:
2229:
2222:
2203:
2199:
2193:Forced Exposure
2188:Albini, Steve.
2187:
2180:
2168:
2167:
2163:
2158:
2154:
2131:
2127:
2118:
2114:
2109:
2102:
2097:
2090:
2085:
2081:
2070:Come On Pilgrim
2066:
2062:
2048:
2046:
2030:
2029:
2025:
2011:
2009:
1998:
1997:
1993:
1976:
1972:
1962:
1960:
1950:
1946:
1945:
1941:
1937:
1909:United States (
1894:
1890:
1887:
1860:Certified units
1842:
1770:
1737:Come On Pilgrim
1732:Come On Pilgrim
1723:
1718:
1708:
1567:"Break My Body"
1513:
1273:
1255:Forced Exposure
1249:Trompe le Monde
1240:Trompe le Monde
1155:in particular.
1141:
1061:
999:
994:
989:
984:
961:
956:
951:
946:
899:
894:
889:
884:
861:
856:
851:
846:
823:
818:
813:
808:
775:
729:
716:
708:Come On Pilgrim
665:Elektra Records
659:release. While
641:
600:Come On Pilgrim
572:Come On Pilgrim
567:
566:
558:
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546:
538:
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527:
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497:
492:
476:
456:
447:
428:Come On Pilgrim
420:Come On Pilgrim
408:The Purple Tape
404:Come On Pilgrim
399:The Purple Tape
381:Come On Pilgrim
373:
329:Elektra Records
257:
252:
245:
244:
216:
207:
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195:Come On Pilgrim
149:
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57:
28:
23:
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15:
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5:
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4019:
4014:
4009:
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3994:
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3983:Crackity Jones
3979:
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3823:
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3806:
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3792:
3784:
3782:
3781:Extended plays
3778:
3777:
3775:
3774:
3766:
3764:
3760:
3759:
3757:
3756:
3749:
3742:
3735:
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3721:
3714:
3707:
3699:
3697:
3693:
3692:
3690:
3689:
3687:Paz Lenchantin
3684:
3679:
3673:
3672:
3667:
3660:
3657:David Lovering
3653:
3645:
3642:
3641:
3636:
3634:
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3626:
3619:
3611:
3605:
3604:
3593:
3575:
3574:External links
3572:
3571:
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3559:
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3539:
3537:
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3518:
3492:
3474:
3456:
3439:Slant Magazine
3426:
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3315:
3289:
3262:
3229:
3202:
3175:
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3045:Melody Maker.
3037:
3011:
2980:
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2888:
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2863:Weisbard, Eric
2854:
2825:
2814:Wilkinson, Roy
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1991:
1977:Sisario, Ben.
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1840:Certifications
1838:
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1830:Vaughan Oliver
1823:
1813:
1812:
1808:
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1804:David Lovering
1801:
1795:
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1782:
1781:
1769:
1766:
1765:
1764:
1749:Super Audio CD
1745:
1741:
1722:
1719:
1715:
1714:
1711:
1705:
1704:
1701:
1700:"Brick Is Red"
1698:
1694:
1693:
1690:
1687:
1683:
1682:
1679:
1676:
1672:
1671:
1668:
1667:"Oh My Golly!"
1665:
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1660:
1657:
1656:"Tony's Theme"
1654:
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1556:"Bone Machine"
1554:
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1500:
1497:
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1485:Slant Magazine
1480:
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1467:
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1276:Accolades for
1272:
1269:
1140:
1137:
1041:
1040:
1037:
1029:
1028:
1025:
1017:
1016:
1013:
1005:
1004:
975:
967:
966:
937:
929:
928:
925:
917:
916:
913:
905:
904:
875:
867:
866:
837:
829:
828:
799:
793:
792:
789:
785:
784:
774:
771:
715:
712:
648:UK Indie Chart
640:
637:
557:
547:
536:
531:
530:
521:
511:
506:
505:
504:
495:
494:
493:
491:
488:
475:
472:
455:
452:
446:
443:
424:David Lovering
372:
369:
361:'s 1993 album
307:As 4AD was an
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262:
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125:
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113:
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94:
86:
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78:
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63:
59:
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53:
46:
45:
37:
36:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4147:
4136:
4133:
4131:
4128:
4126:
4123:
4121:
4120:Grunge albums
4118:
4116:
4113:
4111:
4108:
4106:
4103:
4101:
4098:
4096:
4093:
4092:
4090:
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4005:
4004:
4002:
3998:
3991:
3987:
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3701:
3700:
3698:
3696:Studio albums
3694:
3688:
3685:
3683:
3680:
3678:
3675:
3674:
3671:
3668:
3666:
3665:
3664:Joey Santiago
3661:
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3652:
3651:
3650:Black Francis
3647:
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3567:0-8264-1774-4
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3556:0-312-34007-9
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3449:September 14,
3444:
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3414:
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3404:
3401:
3388:
3384:
3377:
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3355:Rolling Stone
3351:
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3329:
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3319:
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3303:
3299:
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3098:
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3081:0-385-47199-8
3078:
3074:
3068:
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3052:
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3041:
3038:
3025:
3021:
3015:
3012:
2999:
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2910:
2905:
2901:
2895:
2893:
2889:
2884:
2882:0-679-75574-8
2878:
2874:
2873:Vintage Books
2870:
2869:
2864:
2858:
2855:
2842:
2841:
2836:
2829:
2826:
2821:
2820:
2815:
2809:
2806:
2801:
2799:0-7432-0169-8
2795:
2791:
2787:
2783:
2782:
2777:
2773:
2769:
2768:Wolk, Douglas
2763:
2760:
2747:
2743:
2742:
2737:
2730:
2727:
2722:
2716:
2715:cite magazine
2700:
2699:
2694:
2687:
2685:
2681:
2676:
2675:
2667:
2664:
2659:
2653:
2652:cite magazine
2637:
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2437:0-9517206-9-4
2433:
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2217:
2216:0-316-78753-1
2213:
2209:
2208:
2201:
2198:
2194:
2191:
2185:
2183:
2179:
2175:. p. L9.
2174:
2173:
2165:
2162:
2156:
2153:
2149:
2148:0-312-34007-9
2145:
2141:
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2129:
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2034:
2027:
2024:
2020:
2008:
2007:
2002:
1995:
1992:
1988:
1987:0-8264-1774-4
1984:
1980:
1979:Doolittle 33⅓
1974:
1971:
1958:
1957:
1949:
1943:
1940:
1934:
1928:
1918:
1915:
1912:
1907:
1903:
1900:
1897:
1885:
1880:
1876:
1873:
1870:
1865:
1861:
1856:Certification
1851:
1848:
1839:
1834:
1831:
1827:
1824:
1822:
1818:
1815:
1814:
1810:
1809:
1806: – drums
1805:
1802:
1799:
1798:Joey Santiago
1796:
1793:
1790:
1787:
1786:Black Francis
1784:
1783:
1779:
1778:
1777:
1775:
1767:
1762:
1758:
1754:
1750:
1746:
1742:
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1733:
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1720:
1712:
1709:Total length:
1702:
1699:
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1617:
1614:
1610:
1606:
1603:
1599:
1595:
1591:
1589:"Broken Face"
1588:
1584:
1580:
1577:
1573:
1569:
1566:
1562:
1558:
1555:
1551:
1538:
1535:track listing
1534:
1528:
1526:
1522:
1518:
1517:Black Francis
1511:Track listing
1510:
1508:
1498:
1495:
1492:
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1477:
1474:
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1421:
1418:
1416:
1408:
1407:
1406:Rolling Stone
1402:
1398:
1395:
1392:
1389:
1387:
1386:
1381:
1377:
1374:
1371:
1368:
1366:
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1355:
1352:
1349:
1347:
1346:
1341:
1337:
1334:
1331:
1328:
1326:
1325:
1324:Musik Express
1320:
1316:
1313:
1310:
1307:
1305:
1304:
1299:
1282:
1279:
1270:
1268:
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1166:
1162:
1158:
1154:
1150:
1146:
1138:
1136:
1134:
1129:
1126:
1122:
1121:
1120:Record Mirror
1116:
1112:
1108:
1107:
1102:
1098:
1093:
1091:
1087:
1083:
1079:
1078:
1073:
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1060:
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1023:
1019:
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1007:
1006:
976:
974:
973:
969:
968:
938:
936:
935:
931:
930:
926:
924:
923:
919:
918:
914:
912:
911:
907:
906:
876:
874:
873:
869:
868:
838:
836:
835:
831:
830:
800:
798:
795:
794:
786:
783:Review scores
781:
772:
770:
768:
767:
762:
758:
753:
751:
750:album sleeves
747:
743:
739:
735:
734:cover artwork
728:
720:
713:
711:
709:
705:
701:
697:
693:
689:
685:
680:
678:
674:
670:
666:
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638:
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584:
582:
578:
574:
573:
565:
563:
551:
534:
525:
509:
489:
487:
485:
480:
474:Studio banter
473:
471:
469:
468:Black Francis
465:
461:
451:
444:
442:
440:
436:
431:
429:
425:
421:
417:
413:
409:
405:
401:
400:
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391:
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383:
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344:
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305:
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83:
79:
75:
64:
60:
56:
51:
47:
43:
38:
33:
30:
19:
4082:
4044:The Martinis
4029:The Breeders
4021:
3902:Dig for Fire
3854:
3847:
3840:
3833:
3826:
3820:Compilations
3808:
3801:
3794:
3787:
3769:
3751:
3744:
3739:Head Carrier
3737:
3730:
3723:
3716:
3709:
3703:
3702:
3682:Kim Shattuck
3669:
3662:
3655:
3648:
3596:
3580:
3521:
3509:. Retrieved
3495:
3477:
3469:Music Canada
3459:
3447:. Retrieved
3438:
3429:
3417:. Retrieved
3413:the original
3403:
3391:. Retrieved
3383:"Spin Lists"
3376:
3366:February 25,
3364:. Retrieved
3353:
3344:
3334:February 25,
3332:. Retrieved
3318:
3308:February 25,
3306:. Retrieved
3292:
3280:. Retrieved
3265:
3253:. Retrieved
3242:
3232:
3220:. Retrieved
3205:
3193:. Retrieved
3178:
3166:. Retrieved
3160:
3150:
3141:
3132:
3120:. Retrieved
3116:the original
3106:
3097:
3088:
3072:
3067:
3055:. Retrieved
3051:the original
3040:
3028:. Retrieved
3014:
3004:September 5,
3002:. Retrieved
2996:. New York.
2993:
2983:
2974:
2962:. Retrieved
2955:
2945:
2936:
2930:
2920:September 5,
2918:. Retrieved
2912:. New York.
2907:
2871:. New York:
2867:
2857:
2845:. Retrieved
2838:
2828:
2817:
2808:
2780:
2762:
2750:. Retrieved
2739:
2729:
2703:. Retrieved
2696:
2672:
2666:
2642:September 5,
2640:. Retrieved
2633:
2623:
2611:. Retrieved
2597:
2592:. July 2005.
2589:
2585:
2580:
2544:. Retrieved
2540:the original
2530:
2521:
2512:
2500:. Retrieved
2496:the original
2482:
2470:. Retrieved
2459:
2427:
2421:
2409:. Retrieved
2394:
2373:
2357:
2341:
2332:
2316:
2300:
2288:. Retrieved
2278:Press, Joy.
2261:
2252:
2240:. Retrieved
2236:the original
2205:
2200:
2192:
2170:
2164:
2155:
2140:Virgin Books
2133:
2128:
2120:
2115:
2082:
2068:
2063:
2054:
2047:. Retrieved
2043:the original
2036:
2026:
2017:
2010:. Retrieved
2004:
1994:
1978:
1973:
1961:. Retrieved
1954:
1948:"Music Week"
1942:
1924:
1895:1993 release
1889:
1869:Music Canada
1846:
1817:Steve Albini
1773:
1771:
1761:master tapes
1735:
1731:
1727:
1689:"I'm Amazed"
1532:
1514:
1504:
1483:
1464:
1443:
1404:
1383:
1364:
1343:
1322:
1301:
1284:Publication
1277:
1264:
1259:
1253:
1247:
1245:
1238:
1232:
1225:Dinosaur Jr.
1216:
1214:
1209:
1205:
1196:
1193:Billy Corgan
1184:
1178:
1174:
1168:
1164:
1144:
1142:
1130:
1124:
1118:
1114:
1110:
1104:
1101:Melody Maker
1100:
1096:
1094:
1089:
1075:
1069:
1065:
1056:
1050:
1046:
1044:
1032:
1020:
1008:
970:
932:
920:
908:
870:
832:
766:Melody Maker
764:
754:
726:
725:
707:
703:
687:
681:
675:gold by the
668:
660:
656:
643:
642:
629:scuba diving
622:
616:
611:
607:
603:
599:
586:
585:
576:
570:
568:
549:
523:
483:
481:
477:
457:
448:
432:
430:'s release.
427:
419:
416:Steve Albini
407:
403:
397:
379:
374:
362:
351:Billy Corgan
342:
341:
335:gold by the
324:
306:
289:
286:Steve Albini
268:
267:
266:
235:Surfer Rosa
234:
211:
203:
202:
193:
175:Steve Albini
50:Studio album
29:
4054:Zoo TV Tour
4049:Grand Duchy
4007:Discography
3954:Other songs
3916:Alec Eiffel
3763:Mini-albums
3732:Indie Cindy
3704:Surfer Rosa
3597:Surfer Rosa
3586:Adobe Flash
3581:Surfer Rosa
2937:Underground
2788:. pp.
2586:Surfer Rosa
2358:Surfer Rosa
2317:Surfer Rosa
2121:Surfer Rosa
1847:Surfer Rosa
1774:Surfer Rosa
1728:Surfer Rosa
1533:Surfer Rosa
1278:Surfer Rosa
1265:Surfer Rosa
1260:Surfer Rosa
1217:Surfer Rosa
1210:Surfer Rosa
1206:Surfer Rosa
1197:Surfer Rosa
1185:Surfer Rosa
1175:Surfer Rosa
1165:Surfer Rosa
1161:Kurt Cobain
1145:Surfer Rosa
1125:Surfer Rosa
1111:Surfer Rosa
1097:Surfer Rosa
1090:Surfer Rosa
1066:Underground
1047:Surfer Rosa
727:Surfer Rosa
704:Surfer Rosa
688:Surfer Rosa
669:Surfer Rosa
653:Rough Trade
644:Surfer Rosa
612:Surfer Rosa
608:Surfer Rosa
604:Surfer Rosa
587:Surfer Rosa
577:Surfer Rosa
550:Surfer Rosa
524:Surfer Rosa
484:Surfer Rosa
343:Surfer Rosa
325:Surfer Rosa
294:Puerto Rico
290:Surfer Rosa
269:Surfer Rosa
204:Surfer Rosa
35:Surfer Rosa
4100:4AD albums
4089:Categories
3083:, p. 103–4
3030:August 20,
2347:I'm Amazed
2282:. Option.
2195:#17. 1991.
2049:August 29,
2012:October 6,
1963:January 4,
1956:Music Week
1935:References
1519:, except "
1204:said that
1195:described
696:Gil Norton
651:deal with
591:mutilation
562:media help
439:Q Division
412:Gary Smith
388:, head of
377:mini-album
371:Background
298:mutilation
184:chronology
123:indie rock
101:Somerville
97:Q Division
69:1988-03-21
3944:Bam Thwok
3718:Bossanova
3711:Doolittle
3590:Radio3Net
3511:April 16,
3282:March 27,
3244:Pitchfork
2964:April 14,
2847:April 14,
2822:. London.
2752:April 25,
2741:Pitchfork
2613:April 15,
2546:March 31,
2502:March 25,
2472:March 31,
2290:April 15,
2073:, was an
1811:Technical
1768:Personnel
1759:original
1345:Pitchfork
1290:Accolade
1271:Accolades
1234:Bossanova
1202:PJ Harvey
1170:Nevermind
1151:, and on
922:Pitchfork
761:Obsession
757:Joy Press
714:Packaging
673:certified
633:Caribbean
410:producer
355:PJ Harvey
333:certified
302:voyeurism
213:Doolittle
4072:Category
4039:The Amps
4017:Tributes
3895:Velouria
3874:Gigantic
3856:Minotaur
3753:Doggerel
3677:Kim Deal
3505:Archived
3443:Archived
3419:April 8,
3393:April 7,
3387:Archived
3360:Archived
3328:Archived
3302:Archived
3276:Archived
3249:Archived
3222:April 8,
3216:Archived
3195:April 8,
3189:Archived
3057:April 1,
3024:Archived
2998:Archived
2914:Archived
2778:(eds.).
2746:Archived
2607:Archived
2466:Archived
2461:AllMusic
2411:April 7,
2405:Archived
2350:Archived
2309:Archived
2284:Archived
2242:April 6,
2218:, p. 344
2142:, 2005.
1919:705,000
1904:100,000
1867:Canada (
1792:Kim Deal
1751:disc by
1726:For the
1602:Gigantic
1525:Kim Deal
1521:Gigantic
1365:Pure Pop
1329:Germany
1287:Country
1229:J Mascis
1221:The Fall
1180:In Utero
797:AllMusic
742:crucifix
738:flamenco
684:Gigantic
460:Kim Deal
458:During
364:In Utero
317:Gigantic
248:Gigantic
170:Producer
128:art punk
93:(Boston)
77:Recorded
62:Released
52: by
3937:Debaser
3930:Head On
3866:Singles
3602:Last.fm
3541:Sources
3255:May 30,
3168:May 28,
3162:Far Out
2790:639–640
2705:May 26,
2635:Blender
2150:. p. 75
1989:. p. 18
1877:50,000
1862:/sales
1853:Region
1678:"Vamos"
1369:Mexico
1157:Nirvana
834:Blender
639:Release
631:in the
359:Nirvana
231:Singles
217:(1989)
208:(1988)
199:(1987)
67: (
3962:Cactus
3789:Pixies
3638:Pixies
3565:
3554:
3381:Spin.
3183:Mojo.
3122:May 8,
3079:
2879:
2819:Sounds
2796:
2434:
2214:
2146:
1985:
1780:Pixies
1757:analog
1643:Cactus
1548:Length
1465:Treble
1163:cited
1153:grunge
1139:Legacy
1109:named
1106:Sounds
972:Sounds
915:9.5/10
791:Rating
788:Source
692:B-side
619:Cactus
595:incest
278:Pixies
182:Pixies
141:Length
133:grunge
85:Studio
55:Pixies
4012:Songs
3588:) at
2368:1988.
2327:1988.
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