939:
198:
While he hopes to be paid for his services, he knows some of the passengers will not pay because they have no income or do not usually. Sometimes, all he gets is a handshake. Among his customers is a man delivering his child's body to the cemetery. When the man is not allowed in because he does not
206:
In the next scene, the cart driver has only his horse, as his cart has been confiscated in lieu of the fine. When he arrives home, the cart driver informs his wife that he has no money. His wife hands their baby to him and assures him that she will make sure they will eat and leaves the premises.
202:
In another sequence, a well dressed man asks to be taken to the French quarter. The cart driver does not want to take him there because carts are not allowed there. The customer asserts that the customer's connections enable him to disregard the rule. However, they are stopped by a police man who
626:
203:
demands the cart driver's papers. The customer leaves without paying his fare or defending the cart driver. When the cart driver pulls out his paperwork, a medallion drops to the ground. The policeman steps on it.
156:; the first "professional" African film; or the first such film to be shown widely outside of Africa. However, this is disputed, with some other films, such as
1020:
784:
718:
1010:
976:
1030:
627:"Samba Gadjigo and Jason Silverman, directors. Sembène! 2015. 90 minutes. Wolof, Peul, French, and English. The Film Sales Company. £200.00"
1000:
167:
having arguably been produced earlier. Thus, some authors refer to it as "among the first" films made in Africa by an
African filmmaker.
330:
822:
745:
705:
179:, showing that independence has not solved the problems of its people. It was shown as part of the Cannes Classics section of the
152:, the first film over which he had full control. It is often called the first film (or first narrative film) made in Africa by an
777:
1015:
1005:
578:"Through the Eye of a Film Festival: Toward a Curatorial and Spectator-Centered Approach to the Study of African Screen Media"
1025:
969:
195:
tells the story of a poor man trying to make a living as a cart driver in Dakar. Subtitles refer to him as "The
Wagoner".
770:
1040:
1035:
180:
962:
153:
861:
631:
387:
199:
have the correct papers, the cart driver abandons the body and leaves the man lamenting over his loss.
808:
430:. Estrella Sendra. Screen Worlds: 1–10 – via University of Southampton Institutional Database.
995:
656:
607:
558:
511:
470:
404:
363:
355:
306:
265:
48:
793:
149:
30:
757:
701:
648:
599:
550:
503:
462:
396:
347:
298:
257:
216:
176:
946:
896:
640:
591:
542:
454:
442:
339:
249:
238:"Complex Realism: Paulin Soumanou Vieyra and the Emergence of West African Documentary Film"
158:
133:
582:
141:
989:
660:
562:
474:
367:
269:
889:
829:
815:
675:
494:
289:
910:
917:
546:
343:
253:
458:
652:
603:
554:
507:
466:
400:
351:
302:
261:
875:
903:
595:
751:
644:
611:
577:
515:
489:
408:
382:
310:
284:
938:
868:
359:
325:
145:
530:
423:
237:
854:
762:
172:
882:
428:
Decolonising Film and Screen
Studies Nigeria Workshop - Toolkits
766:
490:"Ousmane Sembène: 'We are no longer in the era of prophets'"
171:
is 18 minutes long and tells a story about a cart driver in
326:"Africa and the Moving Image: Television, Film and Video"
950:
285:"The appeal of hybrid documentary forms in West Africa"
839:
800:
111:
103:
93:
70:
62:
54:
44:
36:
26:
21:
970:
778:
8:
977:
963:
785:
771:
763:
18:
719:"Cannes Classics 2013 line-up unveiled"
228:
191:Senegalese director Ousmane Sembène's
945:This short film–related article is a
696:Kristin Thompson and David Bordwell,
383:"The Significance of Ousmane Sembène"
7:
935:
933:
674:Sendra Fernandez, Estrella (2019).
625:Fernández, Estrella Sendra (2016).
331:Journal of African Cultural Studies
949:. You can help Knowledge (XXG) by
823:The Money-Order with White Genesis
700:, 2nd edition (McGraw Hill, 2003)
14:
1021:Films directed by Ousmane Sembène
748:(video) at africanfilmlibrary.com
441:M'Mbugu-Schelling, Flora (1991).
1011:Senegalese black-and-white films
937:
424:"Toolkit: Senegal on the screen"
422:Sendra, Estrella (2020-04-06).
443:"In the steps of the pioneers"
1:
698:Film History: An Introduction
1031:1963 directorial debut films
1001:1960s French-language films
547:10.2979/blackcamera.12.2.13
344:10.1080/1369681032000169276
254:10.2979/blackcamera.11.2.03
175:. The film illustrates the
1057:
932:
676:"Ousmane Sembène's Cinema"
488:Atkinson, Michael (1993).
531:"Africa, The Last Cinema"
459:10.1080/03064229108535058
324:Harding, Frances (2003).
181:2013 Cannes Film Festival
576:Dovey, Lindiwe (2015).
381:Adesokan, Akin (2008).
236:Gabara, Rachel (2020).
1016:Senegalese drama films
1006:Senegalese short films
632:African Studies Review
529:Taylor, Clyde (2021).
388:World Literature Today
283:Loftus, Maria (2010).
137:
1026:Films set in Senegal
596:10.1353/cj.2015.0005
66:African Film Library
16:1963 Senegalese film
645:10.1017/asr.2016.73
447:Index on Censorship
809:God's Bits of Wood
958:
957:
927:
926:
217:Cinema of Senegal
177:poverty in Africa
119:
118:
1048:
1041:Short film stubs
1036:1963 short films
979:
972:
965:
941:
934:
897:Camp de Thiaroye
787:
780:
773:
764:
733:
732:
730:
729:
715:
709:
694:
688:
687:
671:
665:
664:
622:
616:
615:
573:
567:
566:
526:
520:
519:
485:
479:
478:
438:
432:
431:
419:
413:
412:
378:
372:
371:
321:
315:
314:
280:
274:
273:
233:
159:Song of Khartoum
86:
84:
19:
1056:
1055:
1051:
1050:
1049:
1047:
1046:
1045:
986:
985:
984:
983:
930:
928:
923:
835:
796:
794:Ousmane Sembène
791:
742:
737:
736:
727:
725:
717:
716:
712:
695:
691:
680:Critical Muslim
673:
672:
668:
624:
623:
619:
575:
574:
570:
528:
527:
523:
487:
486:
482:
440:
439:
435:
421:
420:
416:
380:
379:
375:
323:
322:
318:
282:
281:
277:
235:
234:
230:
225:
213:
189:
150:Ousmane Sembène
96:
89:
82:
80:
73:
58:Ousmane Sembène
40:Ousmane Sembène
31:Ousmane Sembène
17:
12:
11:
5:
1054:
1052:
1044:
1043:
1038:
1033:
1028:
1023:
1018:
1013:
1008:
1003:
998:
988:
987:
982:
981:
974:
967:
959:
956:
955:
942:
925:
924:
922:
921:
914:
907:
900:
893:
886:
879:
872:
865:
858:
851:
843:
841:
840:Films directed
837:
836:
834:
833:
826:
819:
812:
804:
802:
798:
797:
792:
790:
789:
782:
775:
767:
761:
760:
749:
741:
740:External links
738:
735:
734:
710:
689:
666:
639:(2): 317–319.
617:
590:(2): 126–132.
583:Cinema Journal
568:
541:(2): 220–235.
521:
480:
433:
414:
373:
316:
297:(2/3): 37–55.
275:
227:
226:
224:
221:
220:
219:
212:
209:
188:
185:
117:
116:
113:
109:
108:
105:
101:
100:
97:
94:
91:
90:
88:
87:
76:
74:
71:
68:
67:
64:
63:Distributed by
60:
59:
56:
52:
51:
46:
42:
41:
38:
34:
33:
28:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1053:
1042:
1039:
1037:
1034:
1032:
1029:
1027:
1024:
1022:
1019:
1017:
1014:
1012:
1009:
1007:
1004:
1002:
999:
997:
994:
993:
991:
980:
975:
973:
968:
966:
961:
960:
954:
952:
948:
943:
940:
936:
931:
920:
919:
915:
913:
912:
908:
906:
905:
901:
899:
898:
894:
892:
891:
887:
885:
884:
880:
878:
877:
873:
871:
870:
866:
864:
863:
859:
857:
856:
852:
850:
849:
845:
844:
842:
838:
832:
831:
827:
825:
824:
820:
818:
817:
813:
811:
810:
806:
805:
803:
801:Books written
799:
795:
788:
783:
781:
776:
774:
769:
768:
765:
759:
755:
754:
750:
747:
744:
743:
739:
724:
720:
714:
711:
707:
706:9780070384293
703:
699:
693:
690:
685:
681:
677:
670:
667:
662:
658:
654:
650:
646:
642:
638:
634:
633:
628:
621:
618:
613:
609:
605:
601:
597:
593:
589:
585:
584:
579:
572:
569:
564:
560:
556:
552:
548:
544:
540:
536:
532:
525:
522:
517:
513:
509:
505:
501:
497:
496:
491:
484:
481:
476:
472:
468:
464:
460:
456:
452:
448:
444:
437:
434:
429:
425:
418:
415:
410:
406:
402:
398:
394:
390:
389:
384:
377:
374:
369:
365:
361:
357:
353:
349:
345:
341:
337:
333:
332:
327:
320:
317:
312:
308:
304:
300:
296:
292:
291:
286:
279:
276:
271:
267:
263:
259:
255:
251:
247:
243:
239:
232:
229:
222:
218:
215:
214:
210:
208:
204:
200:
196:
194:
186:
184:
182:
178:
174:
170:
166:
162:
160:
155:
151:
147:
143:
139:
138:Le Charretier
135:
131:
130:
125:
124:
114:
110:
106:
102:
98:
92:
78:
77:
75:
69:
65:
61:
57:
53:
50:
47:
43:
39:
35:
32:
29:
25:
20:
951:expanding it
944:
929:
916:
909:
902:
895:
888:
881:
874:
867:
860:
853:
848:Borom Sarret
847:
846:
828:
821:
816:Tribal Scars
814:
807:
753:Borom Sarret
752:
746:Borom Sarret
726:. Retrieved
723:Screen Daily
722:
713:
697:
692:
683:
679:
669:
636:
630:
620:
587:
581:
571:
538:
535:Black Camera
534:
524:
502:(4): 63–69.
499:
495:Film Comment
493:
483:
453:(3): 16–17.
450:
446:
436:
427:
417:
395:(1): 37–39.
392:
386:
376:
338:(1): 69–84.
335:
329:
319:
294:
290:French Forum
288:
278:
248:(2): 32–59.
245:
242:Black Camera
241:
231:
205:
201:
197:
193:Borom Sarret
192:
190:
169:Borom Sarret
168:
164:
157:
128:
127:
123:Borom Sarret
122:
121:
120:
95:Running time
72:Release date
22:Borom Sarret
686:(1): 73–80.
129:The Wagoner
55:Narrated by
49:Ly Abdoulay
27:Directed by
996:1963 films
990:Categories
862:Black Girl
728:2013-04-30
223:References
146:Senegalese
99:18 minutes
37:Written by
911:Faat Kiné
708:, p. 548.
661:151975317
653:0002-0206
604:0009-7101
563:236664722
555:1947-4237
508:0015-119X
475:146907165
467:0306-4220
401:0196-3570
368:145268230
352:1369-6815
303:0098-9355
270:219881718
262:1947-4237
165:Mouramani
148:director
918:Moolaadé
904:Guelwaar
612:43653096
516:43453971
409:40159606
311:41306661
211:See also
161:, Sarzan
144:film by
112:Language
45:Starring
869:Mandabi
360:3181386
154:African
140:) is a
107:Senegal
104:Country
81: (
876:EmitaĂŻ
704:
659:
651:
610:
602:
561:
553:
514:
506:
473:
465:
407:
399:
366:
358:
350:
309:
301:
268:
260:
163:, and
134:French
115:French
890:Ceddo
855:Niaye
657:S2CID
608:JSTOR
559:S2CID
512:JSTOR
471:S2CID
405:JSTOR
364:S2CID
356:JSTOR
307:JSTOR
266:S2CID
173:Dakar
947:stub
883:Xala
830:Xala
758:IMDb
702:ISBN
649:ISSN
600:ISSN
551:ISSN
504:ISSN
463:ISSN
397:ISSN
348:ISSN
299:ISSN
258:ISSN
187:Plot
142:1963
83:1963
79:1963
756:at
641:doi
592:doi
543:doi
455:doi
340:doi
250:doi
126:or
992::
721:.
684:30
682:.
678:.
655:.
647:.
637:59
635:.
629:.
606:.
598:.
588:54
586:.
580:.
557:.
549:.
539:12
537:.
533:.
510:.
500:29
498:.
492:.
469:.
461:.
451:20
449:.
445:.
426:.
403:.
393:82
391:.
385:.
362:.
354:.
346:.
336:16
334:.
328:.
305:.
295:35
293:.
287:.
264:.
256:.
246:11
244:.
240:.
183:.
136::
978:e
971:t
964:v
953:.
786:e
779:t
772:v
731:.
663:.
643::
614:.
594::
565:.
545::
518:.
477:.
457::
411:.
370:.
342::
313:.
272:.
252::
132:(
85:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.