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C-stand

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Lighting. In later years, studios, grips and gaffers began to manufacture the earliest versions of what we now call C-Stands. The original C-Stands had welded bases that did not fold up or adjust but the fact that they easily nested together made them invaluable on the stage. Today, the term C-stand is a popular name for the grip stand made by Matthews Studio Equipment, Inc. and has been copied by other manufacturers. C-stands are an important component in the image maker's arsenal of tools.
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These popular stands are available in many different configurations, lengths and finishes. The unique staggered leg design allows C-Stands to be nested and therefore be placed extremely close to one another on set. The lower leg can also be slid under many objects. The C+ offers a removable base for
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The term C-stand comes from the early history of lighting equipment. The C-Stand, or century stand, was named for the company that first produced bespoke lighting gear for live theater and filmmaking: Century Lighting based in New York City, which later became Century Strand and eventually Strand
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Using a C-stand safely is a matter of proper technique, and on the job training. When setting and tightening a grip arm, flag or other equipment in the grip head, it is crucial that the gear be set to one side of the grip head such that the weight causes the locking knob to tighten clockwise, or
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Since a stand is used to hold a piece of gear high above or far off to the side, the base of the stand must be weighed down, commonly with shotbags, sometimes with sandbags. The bag is slung over the top of the tall stand leg so the weight is fully on the stand and not the ground.
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In 1974, Matthews Studio Equipment introduced the industry's first folding base C-Stand. Matthews produces a wide range of C-Stands and related accessories to assist the motion picture, television and photographic professional in lighting and lighting modification support.
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head and a gobo arm, also known as a grip head and grip arm, which provide the ability to articulate a light modifier without moving the stand itself. The legs of C stands are designed to be nested, so many stands can be placed around a light source.
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A C-stand with a removable base is called a C+ stand. The removable base is referred to as a turtle base. The opening at the top of the turtle base is a junior receiver. Turtle bases are great for setting up a light very low to the ground.
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from the stand column, so that the stand itself can be placed out of shot, while the backlight hovers somewhere above the top edge of frame. In recent years, C-stands have found a new use, supporting the brackets used for balancing
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the risers known as a "turtle", providing an even lower base for positioning as well as making disassembly for travel simple and easy. The sliding leg allows for use on stairs, off curbs and even as high as a desk or countertop.
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A C-stand with an upper most leg which is moveable on the vertical axis is called a Stair Leg C-stand or a Sliding Leg C-Stand, as the unit can be placed on a stairway. Also called a Rocky Mountain Leg.
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department always—and sometimes the electrical department—carries C stands for use with lights that don't mount onto baby or junior stands, such as
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C-Stands come in multiple sizes: 20", 30", 40", and 60" - the most common sizes are 20" and 40". They may be chrome or black.
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An Avenger brand 2-riser C-stand with a Rocky Mountain leg, 2.5" grip head and 40" grip arm. This stand extends to 10'.
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A secondary use of C-stands is to position smaller light fixtures. A typical use would be to offset a
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A Punky C-Stand is a 20" C-Stand with a smaller base and footprint than the standard 20" size.
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A "baby C-stand" is only 20 inches at its shortest height. It is nicknamed a "
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Cinematography: imagemaking for cinematographers, directors and videographers
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Richard K. Ferncase - (1995) - Film and Video Lighting Terms and Concepts
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A C-stand is sometimes referred to as a "grip stand". The
301:Set Lighting Technician's Handbook, Fourth Edition 8: 520:"20" C-STAND - "PUNKY" W/SPRING LOADED BASE" 122:Learn how and when to remove this message 518:Matthews Studio Equipment (2022-07-26). 493:Matthews Studio Equipment (2022-07-26). 468:Matthews Studio Equipment (2022-07-26). 443:Matthews Studio Equipment (2022-07-26). 376:Matthews Studio Equipment (2022-07-26). 327:Matthews Studio Equipment (2022-07-26). 221:Professional Cine Photographer magazine 329:"40" C+Stand Spring Loaded Turtle Base" 202: 7: 322: 320: 294: 292: 290: 288: 262: 260: 258: 256: 104:adding citations to reliable sources 25: 80: 303:. Focal Press. pp. 75–82. 271:. Focal Press. pp. 93–98. 91:needs additional citations for 1: 353:"20" History of the C-Stand" 239:. Focal Press. p. 252. 64:(and similar) camera sleds. 571: 524:Matthews Studio Equipment 499:Matthews Studio Equipment 474:Matthews Studio Equipment 449:Matthews Studio Equipment 223:How to use grip equipment 267:Uva, Michael G. (2009). 225:August 1953 p. 325, 338. 299:Box, Harry C. (2010). 32: 555:Photography equipment 235:Brown, Blain (2002). 30: 100:improve this article 33: 430:www.Manfrotto.com 310:978-0-240-81075-1 278:978-0-240-81291-5 132: 131: 124: 16:(Redirected from 562: 534: 533: 531: 530: 515: 509: 508: 506: 505: 490: 484: 483: 481: 480: 465: 459: 458: 456: 455: 440: 434: 433: 422: 416: 415: 413: 412: 398: 392: 391: 389: 388: 373: 367: 366: 364: 363: 349: 343: 342: 340: 339: 324: 315: 314: 296: 283: 282: 264: 251: 250: 232: 226: 219: 213: 207: 127: 120: 116: 113: 107: 84: 76: 21: 570: 569: 565: 564: 563: 561: 560: 559: 550:Film production 540: 539: 538: 537: 528: 526: 517: 516: 512: 503: 501: 492: 491: 487: 478: 476: 467: 466: 462: 453: 451: 442: 441: 437: 424: 423: 419: 410: 408: 400: 399: 395: 386: 384: 375: 374: 370: 361: 359: 351: 350: 346: 337: 335: 326: 325: 318: 311: 298: 297: 286: 279: 266: 265: 254: 247: 234: 233: 229: 220: 216: 208: 204: 199: 158: 145: 128: 117: 111: 108: 97: 85: 74: 37:film production 23: 22: 15: 12: 11: 5: 568: 566: 558: 557: 552: 542: 541: 536: 535: 510: 485: 460: 435: 417: 393: 368: 344: 316: 309: 284: 277: 252: 245: 227: 214: 201: 200: 198: 195: 157: 154: 144: 141: 130: 129: 88: 86: 79: 73: 70: 24: 14: 13: 10: 9: 6: 4: 3: 2: 567: 556: 553: 551: 548: 547: 545: 525: 521: 514: 511: 500: 496: 489: 486: 475: 471: 470:"BABY STANDS" 464: 461: 450: 446: 439: 436: 431: 427: 421: 418: 407: 403: 397: 394: 383: 379: 372: 369: 358: 354: 348: 345: 334: 330: 323: 321: 317: 312: 306: 302: 295: 293: 291: 289: 285: 280: 274: 270: 269:The Grip Book 263: 261: 259: 257: 253: 248: 246:0-240-80500-3 242: 238: 231: 228: 224: 218: 215: 212:pp 28-30, 39. 211: 206: 203: 196: 194: 191: 188: 184: 180: 178: 174: 169: 167: 163: 155: 153: 149: 142: 140: 136: 126: 123: 115: 105: 101: 95: 94: 89:This section 87: 83: 78: 77: 71: 69: 65: 63: 58: 53: 50: 46: 45:Century stand 42: 38: 29: 19: 527:. Retrieved 523: 513: 502:. Retrieved 498: 488: 477:. Retrieved 473: 463: 452:. Retrieved 448: 438: 429: 420: 409:. Retrieved 406:kupogrip.com 405: 396: 385:. Retrieved 382:matthewsgrip 381: 371: 360:. Retrieved 356: 347: 336:. Retrieved 333:matthewsgrip 332: 300: 268: 236: 230: 217: 205: 192: 189: 185: 181: 173:Gary Coleman 170: 159: 150: 146: 137: 133: 118: 109: 98:Please help 93:verification 90: 66: 54: 44: 40: 34: 426:"Manfrotto" 357:gripsupport 177:Billy Barty 544:Categories 529:2022-07-26 504:2022-07-26 479:2022-07-26 454:2022-07-26 411:2024-09-29 387:2019-11-06 362:2020-11-26 338:2019-11-06 197:References 112:April 2020 62:Steadicam 57:backlight 175:" or a " 72:History 41:C-stand 18:C-Stand 307:  275:  243:  166:kinos 156:Types 305:ISBN 273:ISBN 241:ISBN 162:Grip 49:gobo 43:(or 39:, a 143:Use 102:by 35:In 546:: 522:. 497:. 472:. 447:. 428:. 404:. 380:. 355:. 331:. 319:^ 287:^ 255:^ 168:. 532:. 507:. 482:. 457:. 432:. 414:. 390:. 365:. 341:. 313:. 281:. 249:. 125:) 119:( 114:) 110:( 96:. 20:)

Index

C-Stand

film production
gobo
backlight
Steadicam

verification
improve this article
adding citations to reliable sources
Learn how and when to remove this message
Grip
kinos
Gary Coleman
Billy Barty
Richard K. Ferncase - (1995) - Film and Video Lighting Terms and Concepts
How to use grip equipment
ISBN
0-240-80500-3




ISBN
978-0-240-81291-5




ISBN

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