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186:, within which he describes tricks with balls. He recommends using candlesticks with a hollow underneath, or bowls, or salt cellars covers to cover the balls. He describes the routine with three or four balls, and as many covers. He describes placing a ball under each cover, lifting the covers to show the balls vanished, and then having the balls all re-appear under one cover. Although Scot describes a method, it is considered by magicians to be unlikely as some of the moves described would be impossible to perform invisibly.
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knob handle on the top. They are often held between the first two fingers by this handle. The shallow nature of the cups means that a large item cannot be produced at the end of the routine, so the routine is often ended with the production of many of the same sized balls, although
Shankar Junior would end with the production of black powder from one of the bowls. The number of cups and balls used varies, with between one and five balls in play during the routine, and between two and four cups.
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to perform the trick. However, as part of the joke, they do the trick so fast as to make it difficult to follow. They claim that this version of the cups and balls breaks all four rules of magic: not to tell the audience how a trick is done, not to repeat the same trick twice, not to show the audience the secret preparation, and the "unwritten rule" never to perform the cups and balls with clear plastic cups.
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143:, possibly dates back to Ancient Egypt. Because of its context, modern Egyptologists regard the image as a game using pots or cups but details of the game are unknown. The illustration is unique in ancient Egyptian art, so whether or not the game utilizes sleight of hand trickery may never be known unless a future discovery produces a similar image in a more explanatory context.
208:" where the performer passes the bowls from hand to hand, showing them empty in a dance-like manner. The routine has been described as having a reverent, ceremonial air. The routine was also performed kneeling on the floor, for a kneeling audience. Unlike other cups and balls routines the Japanese magician would usually work inside, and to music.
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the shell forward. In a similar way, the pea can be introduced under a shell by drawing it back. These moves are made casually in swapping the positions of the shells. The spectator is supposed to follow by eye which shell has the pea, but in reality, they have no chance of success as the performer is always one step ahead of the spectators.
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Starting with three cups set down in a line with three balls visible, one of the balls is put on top of the centre cup and the other two cups nested above. With a tap of the wand, the three cups are lifted, revealing that the ball has "penetrated" the cup. Again the cups are set in a line, the middle
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is similar in some respects to the three cup routine. In it, the main move is a steal of the pea from the back of the shell. This is achieved by using a flexible pea and performing the trick on a soft surface. The pea is squeezed out under the back of the shell into the fingers in the act of pushing
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The Vernon routine consists of vanishing the three balls, to reappear under the cups, the penetration of the balls through the cups, the spectator choosing which cup to invisibly transport a ball to, the removal and return of the balls, and the revelation of the final large production items, usually
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The cups and balls have a long history, and the routines performed by today's performers are built upon the work of previous masters. In ancient Greece and Rome magicians would perform standing behind a table, as opposed to on the ground as seen in Egypt, India and Turkey, to allow a larger audience
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The most widely performed version of the effect uses three cups and three small balls. The magician makes the balls appear to pass through the solid bottoms of the cups, jump from cup to cup, disappear from the cup and appear in other places, or vanish from various places and reappear under the cups
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balls and plastic cups. The trick ends with the appearance of larger foil balls under the cups, and the surprise appearance of an extra unrelated object, such as a potato or a lime, under one or more cups. They then repeat the trick using transparent plastic cups, claiming that they will reveal how
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The props used consisted of a fan, a mat, between two and six bowls, and between three and ten beans. The most common variant used two bowls with either three or five beans. The
Chinese method is unusual in that an extra bean or ball is rarely used, and it employs atypical methods of concealing the
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Owan To Tama, the "Turning of Bowls" is the
Japanese version of the cups and balls. The magician uses three bowls, and traditionally four soft silk covered balls, a fan and three final productions, either oranges or boxes, sometimes of cigarettes. The movements of the Japanese routine are based on
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In India, the cups and balls were performed seated on the ground, with an audience stood, or in chairs around the performer. This unique line of sight for the audience gave rise to some unique sleight of hand moves. The cups that are used are shaped like a shallow bell, a shallow bowl with a small
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One popularly circulated picture, thought to date from 2500 B.C. from the walls of a burial chamber in Beni Hasan, Egypt, shows two men kneeling over four inverted bowls. It was taken by early
Egyptologists Wilkinson and Newberry as evidence that the cups and balls effect, or its related deceptive
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who performed a
Chinese-costumed act with the name "Chop Chop". The chop cup is a variation with one cup and (seemingly) one ball, hugely popular because it requires only a very small flat area to perform, unlike the considerable table space needed for the classic three-cup routine. The Chicago
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only water before) the lower bowl is seemingly overflowing with ("a million") tiny beans. While, as with the Indian routine, the
Chinese do not always conclude this performance in dramatic fashion, one performer that is known to is 王鬼手 ("Wang Gui Shou"), whose name means "king of ghost hands".
163:(sometimes under the same cup), often ending with larger objects, such as fruit, larger balls, small animals such as baby chicks, or a combination of the different final loads. Many magicians use fruit, as each one is different in shape and size, thus increasing the element of surprise.
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with innumerable adaptations. Street gambling variations performed by conmen were known as Bunco Booths. A typical cups and balls routine includes many of the most fundamental effects of magic: the balls can vanish, appear, transpose, reappear and transform. Basic skills, such as
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cup covering the ball which has already penetrated. Another of the visible balls is placed on top of the centre cup and covered with the other two cups, the cups being tapped and lifted to show the second ball has penetrated. This is repeated with the third ball.
298:, of whom Louis Falanga, President of L&L Publishing, said: "Ammar has literally led the industry in shaping the thinking and performing of this generation of magicians", created his own routine based upon what his teacher had taught him.
380:. In this version of the "follow the ball" cups and balls game, the magician uses clear glass cups and the audience can watch as the balls visually vanish and jump to underneath another cup. The effect was debuted by Jason Latimer in 2003 at
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Another typical element of the
Chinese routine is to both begin and end the performance in dramatic fashion. Common routines include changing a small peach into an egg, producing water (sometimes with fish), or producing
83:, and audience management are also essential to most cups and balls routines. As a result, mastery of the cups and balls is considered by many as the litmus test of a magician's skill with gimmick style tricks. Magician
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had expressed the opinion that no one could be considered an accomplished magician until he had mastered the cups and balls. Professor
Hoffman called the cups and balls "the groundwork of all legerdemain".
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Such quibbles are just as harmlessly deceptive as the juggler's cup and dice, in which it is the very trickery that pleases me. But show me how the trick is done, and I have lost my interest therein.
261:. The finale "Harvesting a Million Beans" involves placing two bowls mouth to mouth one on top of the other, then, when the top bowl is slowly lifted from the bottom bowl (which may have contained,
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became popular using shorter, more squat cups that were about as tall as the hand. Similar squat cups were popularised by the likes of Paul Fox, Charlie Miller and Ross
Bertram.
323:' routine with the chop cup has also done a lot for the routine's popularity. The chop cup can be handled entirely by the top, creating a more seemingly impossible performance.
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Sic ista sine noxa decipiunt quomodo praestigiatorum acetabula et calculi, in quibus me fallacia ipsa delectat. Effice ut quomodo fiat intellegam: perdidi lusum.
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The
Chinese routine of the cups and balls is often called "The Immortal Sowing Beans" and originated in ancient agricultural society prior to the
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to see the show, and this tradition has continued today. Tall conical shaped metal cups were the norm in Europe and Egypt until the routine by
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beans. Traditionally the routine was performed on the ground, but in present times it is more commonly performed on a table.
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performed his streamlined chop cup routine on television. and was immediately copied by magicians all over the world.
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58:, 1475–1480. Notice the person on the far left is stealing a man's purse while he is distracted by the game
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performs a version of the cups and balls trick in their act. Initially, they perform the trick with small
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fruit. Watching a modern performance of cups and balls, one is likely to see a similar sequence followed.
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It takes its name from the saying "Plant melons and you get melons; sow beans and you get beans".
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Dai Vernon's influence can be seen in many modern routines. Jim Cellini, a student of
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A fairly modern development is the 'chop cup'. This cup was invented around 1954 by
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and teacher of many street performers, credits his routine to Vernon, Miller, and
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Instead of cups, other types of covers can be used, such as bowls or hats. The
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Japanese classical dance. There is a display to show the bowls used called "
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899:"Perceptual elements in Penn & Teller's "Cups and Balls" magic trick"
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Wilkinson, John Gardner (1878). Birch, Samuel; Murray, John (eds.).
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is an illusion, created and performed by American illusionist
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Cellini - The Royal Touch, A Guide To The Art Of Street Magic
586:. The American University in Cairo Press. pp. 123, 124.
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Seneca, Lucius Annaeus (1917–25). Gummere, Richard M (ed.).
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The Manners and Customs of the Ancient Egyptians, Volume II
601:. Cairo: Supreme Council of Antiquities Press. p. 43.
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Beni Hassan - Art and Daily Life in an Egyptian Province
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con is a rogue variant of the cups and balls used as a
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RNT2 – World's Largest Manufacturer of Cups and Balls
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Christopher, Maurine; Christopher, Milbourne (2006).
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885:Cups and Balls Magic – Reviews, Articles and News
582:Decker, Wolfgang (1993). Guttman, Allen (ed.).
507:. Cambridge, Mass.: The Loeb Classical Library.
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786:"Youtube.com: Penn and Teller cups and balls"
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274:Modern cups and balls: the Dai Vernon routine
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755:"Paul Daniels Magic Show - Chop Cup Routine"
807:"Penn and Teller Expose the Cups and Balls"
597:Kanawati, Naguib; Woods, Alexandra (2010).
382:International Federation of Magic Societies
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552:: CS1 maint: location missing publisher (
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33:performing a cups and balls routine at
1204:Mark Wilson's Complete Course In Magic
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391:The Late Late Show with Craig Ferguson
668:The Amazing Miracles of Shigeo Takagi
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527:. New York: Avalon Publishing Group.
461:Introduction to Cups and Balls Magic
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855:"World Champion of Magic Winners"
584:Sports and Games of Ancient Egypt
571:. London: Egypt Exploration Fund.
158:performs Cups and Balls on stage.
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765:from the original on 2014-07-13.
708:Chinese Classical Illusion Magic
525:The Illustrated History of Magic
423:from the original on 2020-03-17
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41:can be seen around his waist.
35:Maryland Renaissance Festival
1180:The Expert at the Card Table
1164:The Discoverie of Witchcraft
897:Rieiro; et al. (2013).
706:Fu, QiFeng; Xu, Qiu (2009).
632:The Discoverie of Witchcraft
413:"History Of The Bunco Booth"
374:Latimer Clear Cups And Balls
368:Latimer Clear Cups and Balls
183:The Discoverie of Witchcraft
180:In 1584 Reginald Scot wrote
1196:Thirteen Steps to Mentalism
725:. Zurich: Magical Classics.
617:The complete cups and balls
388:), and on US television on
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492:. Encyclopædia Britannica.
474:Professor Hoffman (1878).
444:Darbyshire, Lydia (1997).
417:Oddle Entertainment Agency
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147:Performance and variations
111:The effect, also known as
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805:Musgrave, Andrew (2010).
666:Kaufman, Richard (1990).
684:Nemoto, Takeshi (1982).
567:Newberry, Percy (1893).
294:. Dai Vernon's student,
19:Not to be confused with
630:Scot, Reginald (1584).
619:. L & L Publishing.
615:Ammar, Michael (1998).
505:Moral Epistles Volume 1
243:likely as early as the
176:Medieval cups and balls
1245:Hugard's Magic Monthly
829:"This Is A Nice Trick"
721:McFalls, E.M. (1997).
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1316:Films about magicians
811:Ye Olde Magick Blogge
737:"Don Alan - Chop Cup"
459:Osborne, Tim (1937).
190:Indian cups and balls
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113:acetabula et calculi
66:is a performance of
16:Magic illusion trick
1362:Midnight ghost show
1287:Smoke & Mirrors
569:Beni Hassan Part II
975:Magic and illusion
411:Patterson, Alice.
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999:Conventions
312:Al Wheatley
206:Owan-Gaeshi
87:wrote that
1294:The Sphinx
1156:Guidebooks
1127:Levitation
1120:techniques
1118:Tricks and
1084:Mathemagic
1074:Escapology
1059:Children's
1043:techniques
989:Assistants
861:31 January
839:31 January
427:2020-03-17
398:References
346:Clear Cups
339:shell game
337:The three
333:Shell game
292:Johnny Fox
281:Dai Vernon
141:thimblerig
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31:Johnny Fox
1321:Magicians
1212:Conjuring
1049:Cardistry
548:cite book
542:. London.
394:in 2004.
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1377:Category
1336:Timeline
1273:Magigram
1252:The Jinx
1094:Platform
1004:Exposure
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763:Archived
421:Archived
317:Don Alan
306:Chop cup
232:–
1350:Related
1326:Museums
1280:Mahatma
1191:(1928–)
1053:history
1034:Bizarre
982:General
928:3628988
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