Knowledge

Cura (instrument)

Source 📝

27: 55: 198:). The bowl is made from mulberry wood, juniper, beech, spruce, or walnut, the sound board made of spruce, and the neck is made of beech or juniper. The tuning pegs ( 162:
family of instruments. It is found in nearly every region of the country with varying exact dimensions, tunings, playing techniques, and names including
354: 225:
The two-stringed Kozağaç cura, known as simply “two-stringed” in the Teke region, varies in terms of structural and instrumental features.
369: 202:
literally screw). Frets are tied to the neck with fishing line, which allows them to be adjusted. The cura is usually played with a
34: 364: 359: 41: 214:
made from cherrywood bark or plastic, but in some regions, it is played with the fingers in a style known as
158:) is a plucked string folk instrument from Turkey. It is the smallest and highest pitched member of the 50: 334: 330: 302: 283: 62: 322: 275: 183:
and the largest divan sazı, which are one and two octaves lower than the cura, respectively.
314: 267: 154: 180: 318: 348: 287: 256:"Embodied Elders: Space and Subjectivity in the Music of Metin-Kemal Kahraman" 159: 126: 76: 326: 279: 97: 211: 87: 81: 234: 111: 71: 271: 121: 101: 91: 255: 134: 130: 115: 107: 26: 179:
The two other members of the bağlama family are the larger
61: 49: 33: 186:The instrument has three main parts, the bowl ( 8: 19: 303:"The Social Life of Musical Instruments" 246: 18: 153: 7: 14: 335:10.5406/ethnomusicology.56.3.0363 319:10.5406/ethnomusicology.56.3.0363 25: 51:Hornbostel–Sachs classification 355:Turkish folk music instruments 1: 386: 42:Plucked string instruments 16:Turkish musical instrument 370:Turkish words and phrases 68: 24: 254:Neyzi, L. (2002-01-01). 260:Middle Eastern Studies 151:Turkish pronunciation: 301:Bates, Eliot (2012). 190:), the sound board ( 63:Related instruments 21: 365:Turkish inventions 360:String instruments 272:10.1080/714004432 194:), and the neck ( 143: 142: 377: 339: 338: 298: 292: 291: 251: 157: 155:[dʒuˈɾa] 152: 29: 22: 385: 384: 380: 379: 378: 376: 375: 374: 345: 344: 343: 342: 307:Ethnomusicology 300: 299: 295: 253: 252: 248: 243: 231: 177:tanbura curası. 173:bağlama curası, 150: 17: 12: 11: 5: 383: 381: 373: 372: 367: 362: 357: 347: 346: 341: 340: 313:(3): 363–395. 293: 245: 244: 242: 239: 238: 237: 230: 227: 170:üç telli cura, 141: 140: 139: 138: 124: 119: 105: 95: 85: 79: 74: 66: 65: 59: 58: 53: 47: 46: 45: 44: 37: 35:Classification 31: 30: 15: 13: 10: 9: 6: 4: 3: 2: 382: 371: 368: 366: 363: 361: 358: 356: 353: 352: 350: 336: 332: 328: 324: 320: 316: 312: 308: 304: 297: 294: 289: 285: 281: 277: 273: 269: 266:(1): 89–109. 265: 261: 257: 250: 247: 240: 236: 233: 232: 228: 226: 223: 221: 217: 213: 209: 205: 201: 197: 193: 189: 184: 182: 178: 174: 171: 168: 165: 161: 156: 148: 136: 132: 128: 125: 123: 120: 117: 113: 109: 106: 103: 99: 96: 93: 89: 86: 83: 80: 78: 75: 73: 70: 69: 67: 64: 60: 57: 54: 52: 48: 43: 40: 39: 38: 36: 32: 28: 23: 310: 306: 296: 263: 259: 249: 224: 219: 215: 207: 203: 199: 195: 191: 187: 185: 176: 172: 169: 167:parmak cura, 166: 163: 146: 144: 349:Categories 241:References 164:dede sazı, 127:Tar (lute) 327:0014-1836 288:144894996 280:0026-3206 98:Tambouras 229:See also 212:plectrum 88:Bouzouki 84:(Greece) 82:Baglamas 235:Tzouras 181:tambura 160:bağlama 114:) and ( 112:Lebanon 77:Bağlama 72:Tzouras 56:321.321 333:  325:  286:  278:  208:tezene 204:mızrap 137:(Iran) 133:, and 122:Tanbur 102:Greece 92:Greece 331:JSTOR 284:S2CID 220:şerpe 216:şelpe 200:burgu 192:göğüs 188:tekne 135:setar 131:dutar 116:Syria 108:Buzuq 323:ISSN 276:ISSN 210:, a 175:and 147:cura 145:The 20:Cura 315:doi 268:doi 222:. 218:or 206:or 196:sap 351:: 329:. 321:. 311:56 309:. 305:. 282:. 274:. 264:38 262:. 258:. 129:, 337:. 317:: 290:. 270:: 149:( 118:) 110:( 104:) 100:( 94:) 90:(

Index


Classification
Plucked string instruments
Hornbostel–Sachs classification
321.321
Related instruments
Tzouras
Bağlama
Baglamas
Bouzouki
Greece
Tambouras
Greece
Buzuq
Lebanon
Syria
Tanbur
Tar (lute)
dutar
setar
[dʒuˈɾa]
bağlama
tambura
plectrum
Tzouras
"Embodied Elders: Space and Subjectivity in the Music of Metin-Kemal Kahraman"
doi
10.1080/714004432
ISSN
0026-3206

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.