681:), the CRTC requires that at least 30% of a group's revenue (which is aggregated across all of a group's television services, based on their individual revenue and historical expenditure mandates) must be spent on Canadian programming expenditures (CPEs). CPEs can be reallocated between a group's individual services, and up to 25% of CPEs for local stations can be allocated from a discretionary service. All services must also invest 5% of their revenue towards the production of "programs of national interest" (PNI), which include comedy, drama, long-form documentaries, children's programming, and qualifying awards presentations honouring Canadian creative talent. In 2017, the CRTC instituted a further requirement that 75% of the PNI expenditure must fund productions by independent companies. The CRTC also added credits on CPE for the involvement of producers from
704:, a regulation that allows over-the-air broadcasters to require the substitution of feeds from American broadcast channels on local multichannel television providers if they are airing the same programming in simulcast, thus protecting their exclusive rights to earn revenue off such programming whenever it is broadcast in Canada. Therefore, Canadian networks have made significant effort to import popular American series to take advantage of the rule, which in turn crowds out Canadian programming to less-desirable time slots.
1520:
708:
eight hours of
Canadian "priority programming" per-week between the hours of 7 and 11 p.m.; priority programming included scripted programs, documentaries, entertainment news, and variety programs. This was replaced in 2010 with the current licensing framework, which places a larger focus on overall investments into Canadian content and the similar concept of "programs of national interest", as opposed to scheduling and quantity.
297:), was adopted in 1971 to define and identify Canadian content in pieces of music for the purposes of increasing exposure of Canadian music on Canadian radio through content regulations governing a percentage (25%) of airplay to be devoted to Canadian music. The percentage was increased to 30% in the 1980s, and to 35% effective January 3, 1999. However, most new commercial radio stations licensed since 1999 have been licensed at 40%.
360:, and he did not primarily record the album in Canada, and therefore only fulfilled one of the criteria fully. It was noted that if Adams had written all the lyrics, and Lange all the music (or vice versa), the collaboration would have counted as Canadian content. As a result, under CRTC regulations of the time, none of the album's songs were considered Canadian content.
110:, the CRTC is obligated to ensure that "each element of the Canadian broadcasting system shall contribute in an appropriate manner to the creation and presentation of Canadian programming", and that every broadcast undertaking " maximum use, and in no case less than predominant use, of Canadian creative and other resources in the creation and presentation of programming".
314:
peak listening times. These program blocks became mockingly known as "beaver hours," featuring
Canadian songs selected from the "beaver bin." This practice is now reduced by CRTC regulations stipulating that CanCon percentages must be met between 6 a.m. and 6 p.m., rather than allowing a station to save all their Canadian content for off-peak hours.
593:
series than to finance a new homemade production. Perhaps more importantly, given the reach of the major U.S. broadcast networks in Canada, it is virtually impossible to delay or modify a U.S. program's broadcast schedule, as regularly occurs in other foreign markets, to weed out failures or to otherwise accommodate homegrown programming.
1411:'s office requesting that the Trans-Pacific Partnership (TPP) agreement "be comprehensive in scope, strictly avoiding any sectoral carveouts that preclude the application of free trade disciplines. We note that several market access barriers Canada involve, for example, content quota requirements for television, radio, cable television,
1506:
233:
often choose to meet higher
Canadian content levels than commercial broadcasters, because of their mandate to support independent and underground and provide content not readily available on commercial radio or the CBC; however, this is a voluntary commitment made by these stations rather than a core
1456:
has criticized the current requirements for film and television production to qualify as
Canadian content as being outdated, citing that its requirements being largely dependent on Canadian involvement in specific roles (such as the producer, lead actors, directors, screenwriters, and composers) has
1247:
Canadian commercial television networks schedule a large percentage of their
Canadian productions to air in the summer season; although traditionally a season of low viewership, this practice has actually been beneficial for Canadian television productions, influenced by widespread viewer preference
707:
Over the years the CRTC has tried a number of strategies intended to increase the success of
Canadian programming, including expenditure requirements and time credits for productions with specific requirements. In 1999, the CRTC mandated that stations owned by the largest private groups air at least
330:
had different requirements; the CRTC's Peter G. Fleming explained in 1985 that "perceiving AM as low brow and FM as high brow wanted to ensure the status quo". Hit music was limited on FM radio by restricting a single song to 3 plays per day and a playlist to only 50% top-40 hits. FM stations had
313:
their
Canadian content to dedicated program blocks, in off-peak listening hours such as early mornings or after midnight, during which the music played would be almost entirely Canadian — thus having the effect of significantly reducing how many Canadian songs would actually have to be played during
446:
formats. (Since the late 2000s, AM radio in North
America has been declining as stations have shut down and moved to FM.) The total amount of Canadian-produced content declined as broadcasters could license syndicated radio programs produced in the U.S., while the Cancon regulations were conceived
363:
In
December 2022, the CRTC announced a proposal to update the MAPL system to account for changes in the music industry and reduce regulatory burden. The proposal would remove the "performance" condition entirely, and only require lyrics and music to be principally (at least 50%) written or composed
317:
Artists who were active in the early CanCon era in the 1970s and 1980s have noted that their music was often dismissed by
Canadian audiences as inferior product, propped up by quotas rather than quality, if they were unable to replicate their Canadian success internationally. Yet, at the same time,
661:
The CRTC presently requires that at least 55% of all programming aired annually by broadcast television stations, and at least 50% of programming aired daily from 6:00 pm to midnight, must be Canadian content. In May 2011, the annual CanCon requirement for private television broadcasters was
592:
To an even greater extent than on radio, Canadian television programming has been a perennially difficult proposition for the broadcast industry, particularly dramatic programming in prime-time. It is much more economical for Canadian stations to buy the Canadian rights to an American prime-time
430:
for two years from 2008 to 2010. No rule prevents programs such as Limbaugh or Beck from being aired on Canadian radio stations; such programs are simply not carried because their focus on American politics limits their relevance to Canadian radio audiences, especially given the high rights fees
635:
in Canada devote at least a portion of their schedules to Canadian films, although this is by choice rather than government regulation; a few film festivals are devoted exclusively to Canadian films, although most screen a mix of Canadian and international films. However, as movie-based premium
88:
Current Canadian content percentages are as follows: radio airplay is 35% (with partial exceptions for some specialty formats such as classical). Some stations are required to air a higher percentage based on their "promise of performance" information during their license submission. Broadcast
372:
Unlike music radio, the rules on talk radio are more ambiguous. The vast majority of Canadian commercial English-language talk radio stations operate with local talk for most of the daylight hours, with the exception of two nationally syndicated Canadian talk show hosts: news/talk personality
724:
The producer of the program must be a Canadian citizen or permanent resident, and hold "full responsibility" in overseeing development, creative and financial control. The producer must also receive a remuneration that exceeds the aggregated remuneration of all foreign producer-related
308:
or American acts. This was a major hurdle for Canadian musicians, since they could not gain attention in their home country without having a hit single in the United States or Europe first. Even after MAPL was implemented in the early 1970s, some radio stations were criticized for
758:
Early Canadian programming was often produced merely to fill content requirements, and featured exceedingly low budgets, rushed production schedules, poor writing and little in the way of production values, and as a result did not attract much of an audience. One Canadian series,
1463:) may not necessarily qualify as "Canadian content"—instead being a "foreign location and service production" (FLSP) that uses Canadian resources. Geist noted in some cases that these productions were "frequently indistinguishable" from certified Canadian content, such as
854:
completed long runs, buoyed by critical approval if not overwhelming viewer success (though they have since became mainstays of both Canadian and American syndication). As for CTV, after short-lived runs of planned "flagship" drama series such as
1780:
1426:
in 2018, it was reported that Canada had secured an exemption from a clause in the agreement that prohibits discriminatory rules on foreign audio-video services in order to ask services to financially support the creation of Canadian content.
84:
of content that was at least partly written, produced, presented, or otherwise contributed to by persons from Canada. CanCon also refers to that content itself, and, more generally, to cultural and creative content that is Canadian in nature.
1248:
for new programming over off-season repeats, as well as an increased chance of gaining a lucrative sale to one of the big four American networks—a revenue stream which is generally unavailable during the fall and winter television seasons.
1123:, have also been picked up by American networks and aired in prime time, although the majority of Canadian TV series which have aired in the United States have done so either in syndication, on cable channels, or on minor networks such as
652:
operate on television and thus must follow Canadian content regulations, they do acquire and program Canadian films; this often still represents a Canadian film's best opportunity to attract an audience beyond the film festival circuit.
183:
For the purposes of MAPL, a "Canadian" refers to a citizen, permanent resident, someone whose "ordinary place of residence" has been in Canada prior to their contribution to the musical selection, or someone who is a CRTC licensee.
1835:
1002:
Canadian networks have sometimes fulfilled Cancon requirements by commissioning series filmed in Canada, but intended to be sold to broadcasters in larger foreign markets such as the United States and United Kingdom, such as CTV's
3351:
1443:
as a call for at least one-half of the programming at publicly subsidized theatres to be Canadian content. The numerical goal was not achieved, but the following years saw an increase in Canadian content stage productions.
1359:
in terms of CanCon. In October 2012, Canada formally became a TPP negotiating participant. In order to enter into the TPP agreement, Canada had to accept the terms agreed upon by the nine original signatory countries:
2691:
1636:
1423:
624:), conversely, rely on news and information programs for the bulk of their Canadian content while running mostly American network series, but do still commission some domestic productions for prime time broadcasts.
3508:
381:. The lone restriction is that the station must have a working studio within the region it broadcasts, which prohibits the use of entirely satellite-operated stations (which are commonplace in the United States).
1343:, while continuing to accept Canadian federal tax credits. The company was later purchased in 2004 by former Nelvana executives, and renamed Cookie Jar Group. The company was in turn acquired by Halifax-based
1252:
2317:
2429:
731:
The director or screenwriter for live-action productions, or the scriptwriter or storyboard supervisor for animated productions, and at least one of the two highest-paid lead performers, must be Canadian.
325:
required 30% of the music broadcast in a day be Canadian, and that these selections be "reasonably distributed throughout the broadcast day". Five percent of all records had to be two-count Canadian.
3233:
1770:
465:
reprimanded the stations broadcasting Stern numerous times for Stern's comments, which prompted the two stations to drop him in short order. Stern would later move exclusively to satellite radio.
2594:
2571:
3464:
63:
2112:
1599:
1845:
3347:
2627:
716:
What is considered Canadian content is determined by either the CRTC, or the Canadian Audio-Visual Certification Office (CAVCO) for film and television productions that are seeking its
2660:
197:
Was performed live or recorded after September 1, 1991, meets the criteria for either artist or performance, and a Canadian receives at least half of the credit for music and lyrics.
2895:
700:
programs, local newscasts and public affairs programming, and reruns of Canadian-produced library programs. Further complicating matters for Canadian content is the existence of
2371:
1628:
2788:
2683:
765:, is sometimes claimed as one of the worst television shows ever produced. However, even given these limitations, some productions managed to rise above the mediocre – both
384:
Syndicated programming from the United States invariably airs after 7:00 pm local time in virtually all markets, and usually features non-political programs such as
3405:
1665:
3197:
3015:
2757:
2724:
2307:
1574:
484:, usually have special playlists for airing in Canada to assist in meeting Canadian content requirements. Because of the different requirements, American syndicated
2984:
3266:
2437:
3261:
789:
notably lampooned the Cancon rules, as well a request by the CBC for a filler segment featuring distinctively Canadian content, by developing the characters of
3223:
505:. These shows usually do not substitute Canadian songs, due in part to a fairly large library of Canadian musicians already in rotation in the format (such as
2507:
1404:
746:
At least 75% of all costs incurred for production services, as well as 75% of all costs incurred in post-production, must be for services provided in Canada.
2538:
158:
To qualify as Canadian content a musical selection must generally fulfil at least two of the following conditions (one if recorded prior to January 1972):
3382:
2468:
2604:
331:
to commit to play a certain format and each of these FM formats had a different CanCon quotas (e.g. The "Pop And Rock Softer" stations required 10% for
2561:
1407:, a U.S. private sector coalition representing over 3,200 U.S. producers and distributors of copyright protected materials, sent a submission to the
728:
The production must employ a minimum number of Canadian citizens or permanent residents in key creative positions, as determined by a points system.
3138:
3111:
3049:
1603:
612:
of imported English-language programming, and to prioritize the province's insular "star system" of local talent. The English commercial networks (
2098:
2406:
1985:
627:
Some have suggested that Canadian content minimums be enacted for movie theatres, in order to improve the visibility and commercial viability of
234:
CRTC requirement, and CanCon requirements may be lower for campus and community stations as they often air large quantities of category 3 music.
2619:
869:
2142:
3080:
2169:
551:, the last of which is also carried by several U.S. stations. American syndicated series are usually played in "off peak" and weekend hours.
2650:
1695:
1486:(which both include a number of Canadian actors, personnel in prominent roles, and are set in Canadian locations). He also pointed out that
462:
89:
television is 55% cancon yearly or 50% daily (CBC has a 60% CanCon quota; some specialty or multicultural formats have lower percentages).
2887:
201:
Some stations – especially those playing formats where there may be a limited number of Canadian recordings suitable for airplay, such as
2811:
2492:"Emmys 2020 live updates: 'Schitt's Creek' sweeps all 7 comedy categories; Regina King and Mark Ruffalo win limited series acting awards"
318:
artists who did break through internationally also ran the risk of becoming dismissed by Canadian audiences as no longer truly Canadian.
1277:
for a mid-season premiere in 2022. The third season would also be picked up by NBC, with its U.S. premiere held back to fall due to the
863:
801:. Bob and Doug became the program's most popular characters, and spawned spin-offs such as comedy albums, commercials, the feature film
641:
1457:
led to situations where productions filmed in Canada, using Canadian personnel and talent, or adapted from works by Canadians (such as
1232:
helped to bolster wider public awareness and critical acclaim of the series in the United States and worldwide. This culminated at the
3330:
3303:
2375:
2134:
2075:
1465:
1459:
1261:(which premiered at midseason in Canada) for its fall primetime lineup, filling the timeslot normally filled by its own medical drama
2780:
600:, devotes the vast majority of its prime time schedule to Canadian content, having dropped U.S. network series in the mid-1990s. The
3444:
818:
416:
on tape delay in the evenings for a few months, from April through November 2007, when CFBN stopped broadcasting over the air, and
2198:
1177:
2224:
1912:
3503:
1533:
1290:
1023:
933:
To complement their airings of American or British versions, Canadian networks have also produced local versions of unscripted
785:) grew from local low-budget productions with a limited audience to large production companies with a North American audience.
2284:
2253:
2042:
1946:
1661:
357:
3348:"Bill C-11's Foundational Faults, Part Five: How is "Gotta Love Trump" Cancon But Amazon's Toronto Maple Leafs Series Isn't?"
1879:
1263:
1153:
1145:, a late-night block of crime dramas in the late 1980s and early 1990s which included a number of Canadian series, including
967:
917:
461:
from New York City during prime daytime hours. Stern was forced off the air not because of Canadian content, but because the
3320:
3190:
447:
to apply to music only, and not to spoken-word programming. This became particularly controversial in 1998 when stations in
3007:
321:
By the 1980s, there were a range CanCon requirements depending on the radio band (AM or FM) and music programming format.
3528:
2747:
2714:
1566:
1400:, Canada had no veto power over these terms and accepted the "existing unbracketed text, sight unseen and without input."
1278:
1171:
525:). In other formats, an American syndicated program sometimes is supplemented with an all-Canadian program; for instance,
124:
2976:
692:
Historically, much of these requirements have been fulfilled by lower-cost non-scripted programming, including networked
3256:
682:
262:
1747:
1721:
3295:
2348:
1269:
1188:
1047:
1016:
374:
2855:
2250:"Renewal of licences for the television services of large English-language ownership groups – Introductory decision"
1347:(now WildBrain) in 2012, which made it the largest independent owner of children's television content in the world.
3498:
3434:
2918:
2491:
1301:
in 2000. In the 1990s, Nelvana made several major deals for educational programming with U.S. broadcasters such as
1233:
832:
consistently drew hundreds of thousands of viewers each week. In the latter part of the 1990s and the early 2000s,
1771:"'Final nail in the coffin': Why SiriusXM dropping CBC Radio 3 is 'potentially catastrophic' for Canadian artists"
1494:—was able to receive the CAVCO certification despite only featuring one Canadian citizen as an interview subject.
608:, similarly places a larger emphasis on original productions, as they have historically been more profitable than
3513:
2715:"NBC Acquires Canadian Medical Drama Nurses, From Saving Hope and Rookie Blue EPs — Find Out When It'll Premiere"
1408:
1356:
1241:
1225:
1141:
996:
857:
833:
809:
772:
701:
617:
273:, but these channels were quietly dropped from Sirius XM in 2022 in favour of making them exclusive to the CBC's
93:
3161:
2530:
3523:
3518:
3374:
2460:
1320:
was well known for producing and distributing animated series with tie-ins for the educational market, such as
1195:
specials and received strong viewer support on PBS stations in the northern part of the United States, such as
1105:
697:
352:
202:
31:
1267:(whose premiere was deferred to 2021). NBC subsequently picked up another Canadian medical drama from Global,
92:
The loss of the protective Canadian content quota requirements is one of the concerns of those opposed to the
2339:
Government of Canada, Canadian Radio-television and Telecommunications Commission (CRTC) (January 23, 2006).
2033:
Government of Canada, Canadian Radio-television and Telecommunications Commission (CRTC) (December 7, 2022).
3493:
943:
106:
96:. Canada entered into the Trans-Pacific Partnership, a multilateral free trade agreement, in October 2012.
3533:
3289:
2752:
2684:"NBC Sets September Debut For Canadian Medical Drama 'Transplant' As Pandemic Impacts Fall Schedule Plans"
2655:
2566:
2007:
1257:
1115:
985:
893:
823:
767:
761:
613:
571:
398:
3134:
3041:
1297:
has had interests in both children's television and publishing, and was acquired by Canadian broadcaster
912:
was a moderate success with a loyal fan base, but was nonetheless cancelled in 2006 after three seasons.
3103:
1240:
became the first series to sweep all seven major awards in their respective genre in the same year, and
1077:
1029:
888:
790:
666:
531:
457:
418:
356:
did not qualify as Canadian as Adams co-wrote both the music and the lyrics with South African producer
304:
was regarded with indifference by Canadian radio, and during the 1960s, Canadian radio was dominated by
254:
1600:"U.S. Trade Representative Kirk Welcomes Canada as a New Trans-Pacific Partnership Negotiating Partner"
991:
844:
2398:
1977:
2430:"With Beer, Back Bacon and Banter, SCTV's Bob & Doug Mine Comedy Gold in the 'great White North'"
1543:
1062:
601:
583:
563:
427:
76:
3072:
2070:
1298:
1011:
979:
961:
838:
798:
720:. The CRTC's requirements for a television program to be considered Canadian content include that:
686:
674:
340:
241:
services, Canadian content regulation is applied in aggregate over the whole subscription package.
2165:
1687:
741:
Non-Canadians may not be credited as a producer, co-producer, line producer, or production manager
3477:
2951:
2864:
2832:
2599:
1476:
1322:
1183:
1056:
973:
938:
908:
899:
637:
412:
336:
289:
Following an extensive public hearing process organized by the CRTC, the MAPL system, created by
213:, may be allowed by the CRTC to meet Canadian content targets as low as 20 per cent. Stations in
1871:
1440:
3224:"CPTPP side deals leave door open for Canada to regulate Netflix, experts say | Financial Post"
1836:"CanCon music survivors from Streetheart to Maestro Fresh Wes savouring the new mood in Canada"
1244:
became the first to win awards for acting, directing, producing, and writing in the same year.
221:, are also permitted to meet lower Canadian content targets, due to Windsor's proximity to the
3440:
3326:
3299:
2499:
1885:
1875:
1328:
1220:
955:
934:
926:
913:
850:
567:
490:
392:
386:
194:
Is a "performance of a musical composition that a Canadian has composed for instruments only."
71:
1803:
1355:
There is concern about the Trans-Pacific Partnership Intellectual Property Provisions of the
1085:
777:
628:
587:
510:
305:
242:
214:
66:(CRTC) requirements, derived from the Broadcasting Act of Canada, that radio and television
2065:
1903:
Government of Canada, Canadian Radio-television and Telecommunications Commission (CRTC).
1538:
1416:
880:
645:
301:
266:
238:
226:
55:
245:
produces channels focused on Canadian music, talk, and spoken word programming (such as
3322:
Dramatic Licence: Translating Theatre from One Official Language to the Other in Canada
3228:
2312:
1864:
1412:
1313:
for educational programming), with many of them being adaptations of children's books.
1228:
as its first original scripted series, but its later addition to the streaming service
1165:
1128:
649:
597:
554:
A notable exception to the majority-Canadian spoken word programming came in 2012 when
538:
522:
332:
274:
250:
2194:
1567:"Trans-Pacific Partnership: Canadian Content Rules Under Pressure From U.S. Lobbyists"
574:. CHAM meets its studio requirement by maintaining a locally based interstitial host.
3487:
3473:
2220:
1904:
1744:"The MAPL system uses music, artist, lyrics and performance to define Canadian songs"
1525:
1453:
1389:
1336:
1212:
949:
735:
632:
506:
407:
310:
258:
222:
2308:"CRTC demands Bell, Corus spend more money on Canadian content after feds intervene"
426:, even during the period when it focused on political content. Miller also aired on
2562:"Emmys: 'Schitt's Creek' Sets Record for Most Wins in a Single Season for a Comedy"
2280:
2249:
2103:
2034:
1954:
1840:
1775:
1511:
1491:
1192:
1042:
921:
884:
803:
794:
678:
555:
495:
477:
469:
246:
230:
67:
1664:(Press release). Foreign Affairs and International Trade Canada. October 9, 2012.
165:
A (artist) — the music is, or the lyrics are, performed principally by a Canadian
2923:
1720:. Canadian Radio-television and Telecommunications Commission. August 10, 2009.
1482:
1471:
1436:
1369:
1340:
1051:
1035:
1005:
665:
As part of its current "group-based" approach to the licensing of broadcast and
518:
500:
473:
347:
270:
2283:. Canadian Radio-television and Telecommunications Commission. March 22, 2010.
1501:
1397:
1147:
1090:
1072:
875:
717:
670:
443:
378:
294:
290:
81:
2503:
2252:. Canadian Radio-television and Telecommunications Commission. May 15, 2017.
816:
In the 1980s and early 1990s, distinctly Canadian drama series such as CBC's
346:
The 1991 half credit for music and lyrics provision was added after Canadian
3460:
1743:
1717:
1377:
1373:
1344:
1204:
1200:
1099:
693:
514:
481:
403:
278:
3470:
2340:
662:
lowered from 60% to 55% yearly. The CBC remains subject to the 60% quota.
168:
P (performance) — the musical selection consists of a performance that is:
402:
are rarely picked up by Canadian radio stations, although the now defunct
2108:
1870:(8th ed.). Sherwood Publishing Partners, Sage Publications. p.
1635:. New Zealand Ministry of Foreign Affairs & Trade. October 10, 2012.
1381:
1306:
1208:
452:
439:
435:
327:
322:
265:). All of these channels are incorporated into the overall lineup of the
2928:
2281:"A group-based approach to the licensing of private television services"
269:
service. The CBC also produced channels carried on the service, such as
1393:
1332:
1294:
1229:
1159:
904:
782:
609:
448:
218:
3375:"Why Hollywood Loves Canada: 4 Cities Offering Big Filming Incentives"
2781:"NBC Slots 'Transplant' & 'Weakest Link' On Sundays Post-Olympics"
80:, Internet-based video services) must produce and broadcast a certain
17:
3406:"In 'Turning Red' I finally saw myself reflected in a main character"
3165:
2719:
2011:
1424:
Comprehensive and Progressive Agreement for Trans-Pacific Partnership
1361:
1255:
provided a major exception, with NBC importing the CTV medical drama
1124:
916:
also naturally produce Canadian content, some of which, most notably
828:
621:
605:
485:
210:
2620:"NBC Expands Medical Drama Series Lineup With Canada's 'Transplant'"
130:
For music, the Canadian content requirements are referred to as the
3196:. International Intellectual Property Alliance. September 4, 2012.
2531:"Emmys 2020: Schitt's Creek Makes Emmy History With Complete Sweep"
1889:
1365:
1339:, and had also faced allegations that it paid American writers to
1317:
1253:
impact of the COVID-19 pandemic on television in the United States
2490:
Yahr, Emily; Butler, Bethonie; Rao, Sonia; Andrews-Dyer, Helena.
1385:
1196:
1067:
793:—a caricature of stereotypical Canadians played by cast members
559:
526:
423:
206:
187:
A musical selection may also qualify as Canadian content if it:
1474:, and followed a Canadian sports franchise), and films such as
1470:
which was filmed by Canadian crews, narrated by Canadian actor
566:, two stations in southern Ontario, as full-time affiliates of
3164:. International Intellectual Property Alliance. Archived from
2099:"Quebec's insular star system may be too much of a good thing"
1310:
1302:
1187:
was also a success, being imported into the United States via
1136:
1081:
873:, the network later found ratings success with series such as
191:
Is an instrumental performance of a composition by a Canadian.
749:
The program must fall within a CRTC-defined program category.
2651:"NBC Snags Canadian Drama 'Transplant' to Shore Up Schedule"
689:(25%; French outside of Quebec, and English within Quebec).
3509:
Canadian Radio-television and Telecommunications Commission
123:"MAPL" redirects here. For the MAPL planning language, see
64:
Canadian Radio-television and Telecommunications Commission
3137:. Government of Canada. Ottawa, Ontario, Canada: Hansard.
1490:—a Canadian-produced documentary on former U.S. president
669:
owned by the largest private broadcasting groups (such as
442:
broadcasting license or move away from music in favour of
179:
L (lyrics) — the lyrics are written entirely by a Canadian
1094:(which was partially funded by the CBC) are also common.
3257:"Canadian Content Could Thrive in a New Trade Agreement"
1341:
write for its shows under the names of Canadian citizens
1289:
Canadian studios have had a significant presence in the
174:
Performed wholly in Canada and broadcast live in Canada.
162:
M (music) — the music is composed entirely by a Canadian
2135:"Filmmaker, politician propose Cancon quota for movies"
1088:), and the early seasons of the current incarnation of
3291:
Canadian Content: Culture and the Quest for Nationhood
596:
In English Canada, presently only the public network,
3185:
3183:
2374:. Canadian Communications Foundation. Archived from
1978:"Ruling the Airwaves: The CRTC and Canadian Content"
930:, have been able to generate a strong mass appeal.
468:
American shows that combine talk and music, such as
438:
stations in Canada in the 1990s was to apply for an
434:
As in the United States in the 1980s, the trend for
2816:Moves To Fall On NBC; Network Stays In Scripted As
2595:"For Canadian TV, summer is the new growing season"
1945:Sholin, Dave (March 8, 1985). Sholin, Dave (ed.).
1863:
631:, although none have ever been put in place. Most
27:Portion of Canadian contribution in broadcast work
1662:"Canada Formally Joins Trans-Pacific Partnership"
257:), and carries the CBC's main national networks (
3191:"IIPA Request to Appear and Testimony on-Canada"
2399:"Top 10 SCTV Skits: Great White North: Beer Nog"
1560:
1558:
300:Before the MAPL system was established in 1971,
2748:"'Transplant' Renewed for Second Season at NBC"
2066:"Why Canuck TV sucks - and Quebec shows thrive"
1905:"ARCHIVED - Transcript - Hull, QC - 2001/04/24"
488:programs are widely popular in Canada, such as
343:stations were also at 20% and country at 30%).
3262:Centre for International Governance Innovation
2195:"Broadcasting Regulatory Policy CRTC 2011-288"
1857:
1855:
1415:broadcast services, specialty television, and
368:Talk radio and American syndicated programming
364:by a Canadian to qualify as Canadian content.
1335:. The company collapsed in 2001 following an
30:"CanCon" redirects here. For other uses, see
8:
3480:) talks about his support for CANCON in 1971
2919:"Public TV again turns to Canada for kidvid"
2189:
2187:
1718:"The MAPL system – defining a Canadian song"
1656:
1654:
1405:International Intellectual Property Alliance
1191:member stations. That show's cast often did
543:along with the Canadian syndicated programs
3073:"When it comes to kids' TV, Canada is king"
281:, which does not require any subscription.
2436:. Vol. 17, no. 4. Archived from
1829:
1827:
1825:
1422:After the replacement of the TPP with the
1236:in 2020 following its final season, where
2977:"Cinar co-founder Micheline Charest dies"
2950:Robertson, Virginia (September 1, 1998).
1940:
1938:
1936:
1934:
1932:
1930:
2888:"Corus to buy Nelvana for $ 540-million"
1866:Music Business Handbook and Career Guide
1810:. Vol. 116, no. 14. p. 70
1629:"Canada: Old friends, new opportunities"
1224:was co-produced with U.S. cable network
396:. More political American shows such as
2860:Gets New Season 3 Premiere Date At NBC"
2409:from the original on September 28, 2011
2221:"ARCHIVED - Public Notice CRTC 1999-97"
2172:from the original on September 28, 2011
1668:from the original on September 10, 2013
1554:
1097:A few Canadian drama series, including
3141:from the original on February 20, 2014
3104:"DHX purchase of Cookie Jar completed"
3042:"DHX purchase of Cookie Jar completed"
2727:from the original on December 19, 2020
2560:Feinberg, Scott (September 20, 2020).
2341:"Canadian Program Certification Guide"
2287:from the original on November 24, 2019
2201:from the original on December 21, 2013
2145:from the original on February 28, 2009
2045:from the original on December 21, 2022
1750:from the original on December 20, 2013
1724:from the original on December 20, 2013
1698:from the original on December 28, 2012
1594:
1592:
687:official language minority communities
3373:Vlessing, Etan (September 13, 2016).
3203:from the original on October 30, 2012
3102:Sylvain, Matthew (October 23, 2012).
3040:Sylvain, Matthew (October 23, 2012).
3035:
3033:
2987:from the original on January 17, 2023
2886:Damsell, Keith (September 18, 2000).
2791:from the original on February 9, 2022
2779:Andreeva, Nellie (January 31, 2022).
2760:from the original on January 26, 2021
2713:Roots, Kimberly (November 10, 2020).
2541:from the original on January 18, 2021
2510:from the original on January 18, 2021
2471:from the original on November 1, 2020
2461:"The Unlikely Rise of Schitt's Creek"
2275:
2273:
2271:
2244:
2242:
1947:"Canadian Content—Check or Challenge"
1915:from the original on February 8, 2022
1783:from the original on November 8, 2022
1040:International co-productions such as
231:campus-based community radio stations
7:
2694:from the original on August 23, 2020
2682:Andreeva, Nellie (August 12, 2020).
2351:from the original on August 24, 2022
2320:from the original on October 2, 2019
2256:from the original on October 2, 2019
1639:from the original on August 16, 2013
1623:
1621:
463:Canadian Broadcast Standards Council
3385:from the original on March 31, 2022
3354:from the original on March 20, 2022
3018:from the original on March 14, 2017
2917:Collins, Geneva (August 16, 1999).
2898:from the original on March 12, 2016
2574:from the original on April 28, 2021
1958:. No. 1547. pp. 13–14, 42
1769:Assaly, Richie (October 25, 2022).
1466:All or Nothing: Toronto Maple Leafs
1273:, and ordered the second season of
225:media market in the United States.
3269:from the original on July 24, 2019
3255:Geist, Michael (October 1, 2018).
3236:from the original on July 24, 2019
3114:from the original on July 13, 2017
3052:from the original on July 13, 2017
2854:Petski, Denise (August 28, 2023).
2746:Porter, Rick (December 11, 2020).
2306:Jackson, Emily (August 30, 2018).
2227:from the original on April 5, 2010
2078:from the original on March 2, 2020
2010:. pabsttheater.org. Archived from
1565:Tencer, Daniel (October 5, 2012).
25:
3346:Geist, Michael (March 16, 2022).
3133:Davies, Don (November 19, 2012).
3083:from the original on May 11, 2017
3006:Kelly, Brendan (March 28, 2004).
2663:from the original on May 21, 2020
2630:from the original on May 21, 2020
2115:from the original on May 22, 2016
2064:Bailey, Patricia (July 6, 2003).
2035:"Revised Commercial Radio Policy"
1988:from the original on May 21, 2011
1577:from the original on July 1, 2013
431:Limbaugh charged his affiliates.
3404:Kwong, Evelyn (March 14, 2022).
3222:Jackson, Emily (March 8, 2018).
2459:Adalian, Josef (April 7, 2020).
1802:LeBlanc, Larry (April 3, 2004).
1694:. Department of Justice Canada.
1688:"Broadcasting Policy for Canada"
1518:
1504:
667:discretionary specialty channels
3439:. University of Toronto Press.
2618:Petski, Denise (May 14, 2020).
1534:Canadian cultural protectionism
1452:University of Ottawa professor
74:, and since the passing of the
70:(including cable and satellite
3135:"41st Parliament, 1st Session"
3071:Wong, Jessica (May 11, 2017).
2810:White, Peter (July 19, 2023).
2164:Winton, Ezra (April 3, 2006).
1834:Rayner, Ben (April 19, 2019).
1327:which was distributed on U.S.
1181:in a late-night slot as well.
1139:in the early 1980s. CBS aired
1135:aired in a late night slot on
968:The Great Canadian Baking Show
879:(a sitcom set at an eponymous
570:, a service of the U.S.-based
1:
3436:Broadcasting Policy in Canada
3008:"CINAR turns into Cookie Jar"
2649:Porter, Rick (May 14, 2020).
2593:Taylor, Kate (June 8, 2011).
2223:. Crtc.gc.ca. June 11, 1999.
2097:Woods, Allan (May 21, 2016).
1435:In 1971, a group of Canadian
171:Recorded wholly in Canada, or
125:Multi-Agent Planning Language
1293:market, the domestic studio
1060:(Showcase and BBC America),
738:must be performed in Canada.
636:television services such as
3296:University of Toronto Press
2197:. Crtc.gc.ca. May 3, 2011.
1862:Baskerville, David (2006).
1284:
3550:
3433:Armstrong, Robert (2010).
3319:Ladouceur, Louise (2012).
1602:. Ustr.gov. Archived from
1316:The Montreal-based studio
1234:72nd Primetime Emmy Awards
807:, and the animated series
581:
545:Canadian Country Spotlight
122:
29:
3325:. University of Alberta.
2828:Make Up Revised Schedule"
1746:. CRTC. August 10, 2009.
1409:U.S. Trade Representative
1351:Trans-Pacific Partnership
1279:WGA and SAG–AFTRA strikes
1142:Crimetime After Primetime
702:simultaneous substitution
263:Ici Radio-Canada Première
94:Trans-Pacific Partnership
3288:Edwardson, Ryan (2008).
2372:"The Trouble With Tracy"
2370:Wedge, Pip (July 2002).
1331:by Boston's PBS station
887:, filmed in the town of
734:For animated works, the
602:French-language industry
422:aired for many years on
358:Robert John "Mutt" Lange
353:Waking Up the Neighbours
2008:"Bryan Adams biography"
1804:"Radio Plays Favorites"
1403:In September 2012, the
944:The Amazing Race Canada
3504:Canadian music history
3379:The Hollywood Reporter
2753:The Hollywood Reporter
2656:The Hollywood Reporter
2567:The Hollywood Reporter
2166:"Canadian Dis-Content"
1285:Children's programming
762:The Trouble with Tracy
572:Cumulus Media Networks
399:The Rush Limbaugh Show
59:
2141:. September 7, 2006.
1606:on September 10, 2013
1309:(taking advantage of
1291:children's television
791:Bob and Doug McKenzie
532:Country Countdown USA
458:The Howard Stern Show
419:The Phil Hendrie Show
377:and sports talk host
255:Just for Laughs Radio
3529:Television in Canada
1544:Online Streaming Act
1178:The Kids in the Hall
584:Television in Canada
547:and Hugh McLennan's
503:'s American Hit List
267:U.S. Sirius XM Radio
77:Online Streaming Act
3168:on January 10, 2016
2607:on August 21, 2011.
2071:Winnipeg Free Press
1571:The Huffington Post
1460:The Handmaid's Tale
1299:Corus Entertainment
1024:Twice in a Lifetime
1012:Sue Thomas: F.B.Eye
986:Canada's Got Talent
980:The Bachelor Canada
962:The Traitors Canada
842:and the CBC dramas
578:Film and television
341:album-oriented rock
293:(co-creator of the
134:, referring to the
3478:Sam the record man
2983:. April 15, 2004.
2892:The Globe and Mail
2865:Deadline Hollywood
2833:Deadline Hollywood
2624:Deadline Hollywood
2600:The Globe and Mail
2440:on October 2, 2019
1848:on April 19, 2019.
1396:. According to MP
1337:accounting scandal
1184:The Red Green Show
1175:, and later aired
992:Canada's Drag Race
974:Big Brother Canada
939:reality television
935:television formats
914:Specialty channels
909:This Is Wonderland
845:Da Vinci's Inquest
698:entertainment news
549:Spirit of the West
413:Glenn Beck Program
337:adult contemporary
72:specialty channels
3499:Canadian identity
2952:"The CBS Kidshow"
2820:& New Dramas
1329:public television
1311:new U.S. mandates
956:MasterChef Canada
927:Trailer Park Boys
870:The Eleventh Hour
851:Republic of Doyle
778:Smith & Smith
568:24/7 Comedy Radio
393:Coast to Coast AM
387:The Jim Rome Show
104:In enforcing the
16:(Redirected from
3541:
3514:Cinema of Canada
3450:
3421:
3420:
3418:
3416:
3410:The Toronto Star
3401:
3395:
3394:
3392:
3390:
3370:
3364:
3363:
3361:
3359:
3343:
3337:
3336:
3316:
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3309:
3285:
3279:
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3274:
3252:
3246:
3245:
3243:
3241:
3219:
3213:
3212:
3210:
3208:
3202:
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3187:
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3175:
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3148:
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3119:
3099:
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3090:
3088:
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3023:
3003:
2997:
2996:
2994:
2992:
2973:
2967:
2966:
2964:
2962:
2947:
2941:
2940:
2938:
2936:
2931:on March 1, 2006
2927:. Archived from
2914:
2908:
2907:
2905:
2903:
2883:
2877:
2876:
2874:
2872:
2851:
2845:
2844:
2842:
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2807:
2801:
2800:
2798:
2796:
2776:
2770:
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2765:
2743:
2737:
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2734:
2732:
2710:
2704:
2703:
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2699:
2679:
2673:
2672:
2670:
2668:
2646:
2640:
2639:
2637:
2635:
2615:
2609:
2608:
2603:. Archived from
2590:
2584:
2583:
2581:
2579:
2557:
2551:
2550:
2548:
2546:
2526:
2520:
2519:
2517:
2515:
2487:
2481:
2480:
2478:
2476:
2456:
2450:
2449:
2447:
2445:
2428:Durkee, Cutler.
2425:
2419:
2418:
2416:
2414:
2394:
2388:
2387:
2385:
2383:
2367:
2361:
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2234:
2232:
2217:
2211:
2210:
2208:
2206:
2191:
2182:
2181:
2179:
2177:
2168:. The Dominion.
2161:
2155:
2154:
2152:
2150:
2131:
2125:
2124:
2122:
2120:
2094:
2088:
2087:
2085:
2083:
2061:
2055:
2054:
2052:
2050:
2030:
2024:
2023:
2021:
2019:
2014:on July 16, 2012
2004:
1998:
1997:
1995:
1993:
1974:
1968:
1967:
1965:
1963:
1951:
1942:
1925:
1924:
1922:
1920:
1900:
1894:
1893:
1869:
1859:
1850:
1849:
1844:. Archived from
1831:
1820:
1819:
1817:
1815:
1799:
1793:
1792:
1790:
1788:
1766:
1760:
1759:
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1755:
1740:
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1729:
1714:
1708:
1707:
1705:
1703:
1692:Broadcasting Act
1684:
1678:
1677:
1675:
1673:
1658:
1649:
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1644:
1625:
1616:
1615:
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1587:
1586:
1584:
1582:
1562:
1528:
1523:
1522:
1521:
1514:
1509:
1508:
1507:
1488:Gotta Love Trump
588:Cinema of Canada
511:Gordon Lightfoot
243:Sirius XM Canada
107:Broadcasting Act
62:) refers to the
60:contenu canadien
40:Canadian content
21:
3549:
3548:
3544:
3543:
3542:
3540:
3539:
3538:
3524:Radio in Canada
3519:Cultural policy
3484:
3483:
3457:
3447:
3432:
3429:
3427:Further reading
3424:
3414:
3412:
3403:
3402:
3398:
3388:
3386:
3372:
3371:
3367:
3357:
3355:
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3333:
3318:
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3287:
3286:
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3127:
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2592:
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2587:
2577:
2575:
2559:
2558:
2554:
2544:
2542:
2529:Desta, Yohana.
2528:
2527:
2523:
2513:
2511:
2496:Washington Post
2489:
2488:
2484:
2474:
2472:
2458:
2457:
2453:
2443:
2441:
2427:
2426:
2422:
2412:
2410:
2396:
2395:
2391:
2381:
2379:
2378:on May 28, 2003
2369:
2368:
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2354:
2352:
2338:
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2096:
2095:
2091:
2081:
2079:
2063:
2062:
2058:
2048:
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2032:
2031:
2027:
2017:
2015:
2006:
2005:
2001:
1991:
1989:
1976:
1975:
1971:
1961:
1959:
1949:
1944:
1943:
1928:
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1916:
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1901:
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1598:
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1590:
1580:
1578:
1564:
1563:
1556:
1552:
1539:Music of Canada
1524:
1519:
1517:
1510:
1505:
1503:
1500:
1450:
1441:Gaspé Manifesto
1433:
1417:satellite radio
1353:
1287:
1218:The CBC sitcom
1027:, and Global's
1018:Mysterious Ways
941:series such as
771:(originally on
756:
714:
659:
646:Hollywood Suite
590:
580:
529:will broadcast
455:started airing
370:
287:
239:satellite radio
227:Community radio
156:
128:
121:
116:
102:
35:
28:
23:
22:
15:
12:
11:
5:
3547:
3545:
3537:
3536:
3531:
3526:
3521:
3516:
3511:
3506:
3501:
3496:
3494:1971 in Canada
3486:
3485:
3482:
3481:
3468:
3456:
3455:External links
3453:
3452:
3451:
3445:
3428:
3425:
3423:
3422:
3396:
3365:
3338:
3332:978-0888647061
3331:
3311:
3305:978-1442692428
3304:
3280:
3247:
3229:Financial Post
3214:
3179:
3152:
3125:
3094:
3063:
3029:
2998:
2968:
2942:
2909:
2878:
2846:
2826:The Irrational
2802:
2771:
2738:
2705:
2674:
2641:
2610:
2585:
2552:
2521:
2482:
2451:
2420:
2397:Murphy, Ryan.
2389:
2362:
2331:
2313:Financial Post
2298:
2267:
2238:
2212:
2183:
2156:
2126:
2089:
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1999:
1969:
1926:
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1821:
1794:
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1588:
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1548:
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1541:
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1530:
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1515:
1499:
1496:
1449:
1446:
1432:
1429:
1413:direct-to-home
1352:
1349:
1286:
1283:
1238:Schitt's Creek
1221:Schitt's Creek
1215:and New York.
1166:Forever Knight
1129:Ion Television
989:(Citytv), and
864:The Associates
810:Bob & Doug
755:
752:
751:
750:
747:
744:
743:
742:
739:
732:
726:
713:
710:
658:
655:
633:film festivals
604:, centered in
598:CBC Television
579:
576:
539:Grand Ole Opry
523:R. Dean Taylor
369:
366:
333:easy listening
302:Canadian music
286:
283:
275:internet radio
199:
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3474:Sam Sniderman
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3446:9781442640962
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2596:
2589:
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2578:September 20,
2573:
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2545:September 21,
2540:
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2514:September 21,
2509:
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2421:
2413:September 30,
2408:
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2403:Askmen Canada
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2110:
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2082:September 28,
2077:
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2044:
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2013:
2009:
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1728:September 30,
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1527:
1526:Canada portal
1516:
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1454:Michael Geist
1447:
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1264:New Amsterdam
1260:
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1213:New Hampshire
1210:
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964:
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950:Canadian Idol
946:
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906:
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821:
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806:
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796:
792:
788:
784:
780:
779:
774:
770:
769:
764:
763:
753:
748:
745:
740:
737:
736:key animation
733:
730:
729:
727:
723:
722:
721:
719:
711:
709:
705:
703:
699:
695:
690:
688:
684:
680:
676:
672:
668:
663:
656:
654:
651:
647:
643:
642:Super Channel
639:
634:
630:
629:Canadian film
625:
623:
619:
615:
611:
607:
603:
599:
594:
589:
585:
577:
575:
573:
569:
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561:
557:
552:
550:
546:
542:
540:
534:
533:
528:
524:
520:
516:
512:
508:
507:The Guess Who
504:
502:
497:
493:
492:
491:American Gold
487:
483:
479:
475:
471:
466:
464:
460:
459:
454:
450:
445:
441:
437:
432:
429:
425:
421:
420:
415:
414:
409:
408:Dennis Miller
405:
401:
400:
395:
394:
389:
388:
382:
380:
376:
375:Charles Adler
367:
365:
361:
359:
355:
354:
349:
344:
342:
338:
334:
329:
324:
319:
315:
312:
307:
303:
298:
296:
292:
284:
282:
280:
276:
272:
268:
264:
260:
259:CBC Radio One
256:
252:
248:
244:
240:
235:
232:
228:
224:
223:Metro Detroit
220:
216:
212:
208:
204:
196:
193:
190:
189:
188:
185:
178:
173:
170:
169:
167:
164:
161:
160:
159:
153:
151:
149:
145:
141:
137:
133:
126:
118:
113:
111:
109:
108:
99:
97:
95:
90:
86:
83:
79:
78:
73:
69:
65:
61:
57:
53:
49:
45:
42:(abbreviated
41:
37:
33:
19:
3471:CBC Archives
3435:
3413:. Retrieved
3409:
3399:
3387:. Retrieved
3378:
3368:
3356:. Retrieved
3341:
3321:
3314:
3290:
3283:
3271:. Retrieved
3260:
3250:
3238:. Retrieved
3227:
3217:
3207:September 2,
3205:. Retrieved
3172:September 2,
3170:. Retrieved
3166:the original
3162:"About IIPA"
3155:
3145:September 4,
3143:. Retrieved
3128:
3118:December 29,
3116:. Retrieved
3107:
3097:
3085:. Retrieved
3076:
3066:
3056:December 26,
3054:. Retrieved
3045:
3020:. Retrieved
3011:
3001:
2989:. Retrieved
2980:
2971:
2961:November 21,
2959:. Retrieved
2955:
2945:
2933:. Retrieved
2929:the original
2922:
2912:
2900:. Retrieved
2891:
2881:
2869:. Retrieved
2863:
2857:
2849:
2837:. Retrieved
2831:
2825:
2821:
2818:Quantum Leap
2817:
2813:
2805:
2793:. Retrieved
2784:
2774:
2762:. Retrieved
2751:
2741:
2731:December 12,
2729:. Retrieved
2718:
2708:
2696:. Retrieved
2687:
2677:
2665:. Retrieved
2654:
2644:
2632:. Retrieved
2623:
2613:
2605:the original
2598:
2588:
2576:. Retrieved
2565:
2555:
2543:. Retrieved
2534:
2524:
2512:. Retrieved
2495:
2485:
2473:. Retrieved
2464:
2454:
2442:. Retrieved
2438:the original
2433:
2423:
2411:. Retrieved
2402:
2392:
2380:. Retrieved
2376:the original
2365:
2353:. Retrieved
2344:
2334:
2322:. Retrieved
2311:
2301:
2289:. Retrieved
2258:. Retrieved
2229:. Retrieved
2215:
2203:. Retrieved
2174:. Retrieved
2159:
2149:February 21,
2147:. Retrieved
2138:
2129:
2117:. Retrieved
2104:Toronto Star
2102:
2092:
2080:. Retrieved
2069:
2059:
2049:December 21,
2047:. Retrieved
2038:
2028:
2016:. Retrieved
2012:the original
2002:
1990:. Retrieved
1981:
1972:
1960:. Retrieved
1955:Gavin Report
1953:
1917:. Retrieved
1908:
1898:
1865:
1846:the original
1841:Toronto Star
1839:
1812:. Retrieved
1807:
1797:
1787:December 26,
1785:. Retrieved
1776:Toronto Star
1774:
1764:
1752:. Retrieved
1738:
1726:. Retrieved
1712:
1700:. Retrieved
1691:
1682:
1672:December 13,
1670:. Retrieved
1643:December 12,
1641:. Retrieved
1632:
1608:. Retrieved
1604:the original
1581:September 2,
1579:. Retrieved
1570:
1512:Music portal
1492:Donald Trump
1487:
1481:
1475:
1464:
1458:
1451:
1434:
1421:
1402:
1354:
1321:
1315:
1288:
1274:
1268:
1262:
1256:
1250:
1246:
1237:
1219:
1217:
1193:pledge drive
1182:
1176:
1170:
1164:
1158:
1152:
1146:
1140:
1132:
1120:
1114:
1110:
1106:The Listener
1104:
1098:
1096:
1089:
1071:
1061:
1055:
1043:Orphan Black
1041:
1034:
1028:
1022:
1017:
1010:
1004:
1001:
990:
984:
978:
972:
966:
960:
954:
948:
942:
937:, including
932:
925:
922:mockumentary
907:
898:
892:
885:Saskatchewan
874:
868:
862:
856:
849:
843:
837:
827:
819:Street Legal
817:
815:
808:
804:Strange Brew
802:
795:Rick Moranis
786:
776:
766:
760:
757:
715:
706:
691:
664:
660:
626:
595:
591:
556:Astral Media
553:
548:
544:
536:
530:
499:
496:Wolfman Jack
489:
470:Blair Garner
467:
456:
433:
417:
411:
397:
391:
385:
383:
371:
362:
351:
345:
335:and 20% for
320:
316:
299:
288:
247:Canada Talks
236:
200:
186:
182:
157:
147:
143:
139:
135:
131:
129:
105:
103:
91:
87:
75:
68:broadcasters
51:
47:
43:
39:
38:
36:
3461:MAPL system
3408:. Opinion.
2924:Current.org
2795:February 7,
2764:February 7,
2535:Vanity Fair
2475:October 27,
2231:October 30,
2205:October 30,
1962:January 15,
1919:February 8,
1754:October 30,
1702:December 9,
1610:October 30,
1483:Turning Red
1477:The Decline
1472:Will Arnett
1439:issued the
1437:playwrights
1419:services."
1370:New Zealand
1121:Saving Hope
1066:(Space and
1052:BBC America
1036:Rookie Blue
1006:Saving Hope
881:gas station
799:Dave Thomas
657:Regulations
650:Super Écran
558:introduced
519:Terry Jacks
501:M. G. Kelly
474:Elvis Duran
348:Bryan Adams
311:ghettoizing
271:CBC Radio 3
144:performance
132:MAPL system
119:Music radio
3488:Categories
2871:August 28,
2858:Transplant
2839:August 28,
2814:Magnum P.I
2698:August 12,
2444:October 2,
2355:August 24,
2345:crtc.gc.ca
2324:October 2,
2291:October 2,
2260:October 2,
2176:October 2,
2039:crtc.gc.ca
1909:crtc.gc.ca
1890:2005003608
1881:1412904382
1573:. Canada.
1550:References
1398:Don Davies
1275:Transplant
1258:Transplant
1148:Night Heat
1116:Flashpoint
1091:Doctor Who
1073:The Tudors
977:(Global),
903:. The CBC
894:Flashpoint
876:Corner Gas
725:positions.
718:tax credit
694:talk shows
685:(50%) and
683:Indigenous
671:Bell Media
582:See also:
537:America's
444:talk radio
379:Bob McCown
295:Juno Award
291:Stan Klees
82:percentage
3415:March 30,
3389:March 30,
3358:March 30,
3108:KidScreen
3046:KidScreen
3022:March 14,
2956:KidScreen
2902:March 12,
2504:0190-8286
1808:Billboard
1448:Reception
1378:Australia
1374:Singapore
1345:DHX Media
1205:Wisconsin
1201:Minnesota
1154:Hot Shots
1100:Due South
1030:Wild Card
883:in rural
515:Paul Anka
482:John Tesh
279:CBC Music
277:platform
251:The Verge
203:classical
3383:Archived
3352:Archived
3273:July 24,
3267:Archived
3240:July 24,
3234:Archived
3198:Archived
3139:Archived
3112:Archived
3081:Archived
3077:CBC News
3050:Archived
3016:Archived
2985:Archived
2981:CBC News
2935:June 23,
2896:Archived
2789:Archived
2785:Deadline
2758:Archived
2725:Archived
2692:Archived
2688:Deadline
2661:Archived
2628:Archived
2572:Archived
2539:Archived
2508:Archived
2469:Archived
2407:Archived
2349:Archived
2318:Archived
2285:Archived
2254:Archived
2225:Archived
2199:Archived
2170:Archived
2143:Archived
2139:CBC News
2113:Archived
2109:Montreal
2076:Archived
2043:Archived
2018:June 24,
1992:June 24,
1986:Archived
1982:CBC News
1913:Archived
1814:June 20,
1781:Archived
1748:Archived
1722:Archived
1696:Archived
1666:Archived
1637:Archived
1633:TPP Talk
1575:Archived
1498:See also
1382:Malaysia
1307:PBS Kids
1242:Dan Levy
1209:Michigan
1172:Diamonds
1078:Showtime
1063:Killjoys
918:Showcase
858:The City
754:Examples
712:Criteria
453:Montreal
410:and the
350:' album
328:FM radio
323:AM radio
154:Criteria
3087:May 19,
3012:Variety
2991:May 19,
2667:May 15,
2634:May 15,
2465:Vulture
2382:July 8,
2119:June 1,
1431:Theatre
1394:Vietnam
1295:Nelvana
1230:Netflix
1160:Adderly
971:(CBC),
965:(CTV),
924:series
905:dramedy
889:Rouleau
839:Traders
541:Weekend
478:Delilah
449:Toronto
306:British
285:History
219:Ontario
215:Windsor
100:Origins
52:can-con
32:Can-con
3443:
3329:
3302:
3160:IIPA.
2824:&
2720:TVLine
2502:
2434:People
1888:
1878:
1392:, and
1362:Brunei
1323:Arthur
1270:Nurses
1125:The CW
1119:, and
1111:Motive
1076:(CBC,
1057:Copper
959:, and
900:Motive
897:, and
834:Global
829:E.N.G.
775:) and
773:Global
679:Rogers
677:, and
622:Citytv
618:Global
606:Quebec
498:, and
486:oldies
406:aired
253:, and
211:oldies
148:lyrics
140:artist
56:French
48:cancon
44:CanCon
18:CANCON
3201:(PDF)
3194:(PDF)
2822:Found
1950:(PDF)
1366:Chile
1318:CINAR
1048:Space
1021:, and
997:Crave
675:Corus
638:Crave
136:music
114:Radio
3465:CRTC
3441:ISBN
3417:2022
3391:2022
3360:2022
3327:ISBN
3300:ISBN
3275:2019
3242:2019
3209:2013
3174:2012
3147:2013
3120:2012
3089:2021
3058:2012
3024:2017
2993:2021
2963:2010
2937:2006
2904:2016
2873:2023
2841:2023
2797:2022
2766:2022
2733:2020
2700:2020
2669:2020
2636:2020
2580:2020
2547:2020
2516:2020
2500:ISSN
2477:2020
2446:2019
2415:2011
2384:2007
2357:2022
2326:2019
2293:2019
2262:2019
2233:2015
2207:2015
2178:2011
2151:2009
2121:2016
2084:2017
2051:2022
2020:2008
1994:2008
1964:2024
1921:2022
1886:LCCN
1876:ISBN
1816:2017
1789:2022
1756:2015
1730:2011
1704:2012
1674:2012
1645:2012
1612:2015
1583:2013
1480:and
1386:Peru
1333:WGBH
1305:and
1251:The
1197:Iowa
1169:and
1133:SCTV
1127:and
1084:and
1068:Syfy
1050:and
1033:and
983:and
867:and
848:and
797:and
787:SCTV
783:CHCH
768:SCTV
696:and
648:and
620:and
610:dubs
586:and
564:CHAM
562:and
560:CKSL
535:and
527:CKMX
480:and
451:and
428:CHAM
424:CKTB
404:CFBN
390:and
261:and
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