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956:. Bacovia described their first encounter, in November 1903, as follows: "Caion was very depressed after his recently completed trial with Caragiale. My solitary presence, without any sort of recommendation from another author, made him receive me with significant reserve. I then communicated the purpose of my arrival, asking for the address of his collaborator, the poet Macedonski. Nevertheless, he still asked me for a handful of poems, the ones later published by his magazine."
1380:. Dobrescu writes: "In the common definition, the detractor is someone consciously working to debase (or destroy) one's good standing. The cobbler envious of his neighbor, the cordwainer, who will go lengths to besmirch the latter in hopes of 'helping' him lose his clientele, is a detractor." His verdict about Caion's unicity in a Romanian context is placed in doubt by another author, Constantin Coroiu, who finds it unrealistic.
476:" current in Romanian literature, Caion made himself noted for a prose poem entirely dedicated to his lover's hair (a recurring theme in Symbolist literature, taken to extremes by the Romanian author). A regular presence in Macedonski's house, Caion mounted a campaign to promote minor Romanian Symbolist authors in France. As noted by critics, the French contacts were themselves fringe magazines, with
722:, alleging that all Romanian literati had a vested interest to defend plagiarism. Iorga took offense, and reportedly challenged Danielopol to a duel. During the proceedings, Caion backed up on the original accusations, explaining that he had only invented a reason to bring Caragiale in for a trial. The court eventually acquitted Caion.
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example by punishing this unreasonable and irresponsible kid, for those who are more mature and better placed, and who employ the same means as he did?" The general public was by then firmly on
Caragiale's side, and Macedonski's reputation suffered greatly as a result, increasing his isolation on the literary scene.
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Macedonski followed the developments with enthusiasm, granting further exposure to Caion's claims. For
Macedonski, the young accuser embodied "the aspiration for beauty", "the new aesthetics", "courage and selflessness". As commentators have suggested, the poet responded to Caragiale's satires of him
271:. He had a very early debut in cultural journalism. After 1897, when he was 15, his literary chroniclers saw print in several newspapers, under various pseudonyms such as C. A. I. Nică Burdușel, Ion Filionescu, Marin Gelea, Isac Șt. Micu, Roman Mușat, among others. In January 1898, he was employed by
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s founder was especially enthusiastic about Riria. Against mainstream critics, who derided her poetry as stale and ungrammatical, he proclaimed the dawn of a new era, with Mrs. Xenopol as its herald. Caion, Tocilescu and the
Xenopols were members of a small professional association, called "Romanian
344:
Mihaela Mudure, Caion, "a famous journalist and a minor writer", was thus the first
Romanian to publish an essay on Swift, albeit one that was "not very sophisticated"; she also notes that the translation added a sexual twist to some of Gulliver's adventures. Caion published other such translations
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colleagues as obsessed with their own role in culture. Unpublished until 2006, Ținc's article noted that "the poor Caion" had unwittingly struck a blow against "the youngest, sickest and therefore most innocent of the megalomaniacs." Rosetti's paper was hosting its own campaign against
Caragiale,
1163:, the journalist Ovidiu Băsceanu covered the comeback of "an enemy" as "Caion's triumph". He believed that the Symbolist offensive was presided upon and propagated by Caion, under the slogan: "I cursed, I libeled, I vanquished." Caion himself focused on his academic career, and, in 1913, took his
1329:
The various scandals involving
Constantin Al. Ionescu-Caion have left distinct marks on Romania's cultural life. Boia writes: "Caion secured himself an unwanted fame in the history of Romanian literature". In early 20th-century Transylvania, "Caion" was adapted into a common noun and a term of
725:
Caragiale showed little surprise at the news. In an interview with poet
Alexandru Antemireanu, he explained his conflict with Caion in paternalistic terms: "They did well not to sentence the kid. Is he the guilty party? No! Caion is merely a victim. Say I were a juror: why would I be setting an
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and I. C. Popescu-Polyclet. Cruceanu, who joined the literary club while still a high school student, recalls being impressed by Caion's status as "a literary historian and critic", "his restrained demeanor and his intelligence, with its inscrutable pursuits." However, Caion seemed "ill and
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Caion's presence at the center of literary and political controversies was treated with much sarcasm by his various peers, even before the 1901 face-off. In addition to the "lyrical-decadent-symbolist-mystical-capillary-secessionist" parody, Caragiale may have attacked Caion in an 1899
1075:, Caion described the club as a mass of "déclassés", concluding: "With the likes of Herț, Kendich, Ivăciuk, Demetrius , for sure the new society shall uproot the old one, where one comes across respectable people such as A. D. Xenopol, Riria,
1123:. However, the paper went out of print in January 1911. It was reestablished as a bi-monthly on November 1, and again ceased publication in December. It was restored a third and final time in June 1912, but went out of business soon after.
678:
Caragiale had by then proceeded to research the matter on his own, and came to the independent conclusion that the accusations were entirely concocted. Late in 1901, he opened a legal case against both Caion and
Stoenescu, taken up by the
1357:, dismissed Caion's entire career in letters as a footnote. It likened Caion to a "squid" that leaves behind "a long trail of ink", and judged his brand of literary criticism to have been "one of the illnesses of that time." In contrast,
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troubled", and had "an unnatural and mean passion for going after those people who had made a name for themselves in our cultural life", with his "venomous weaponry". Other
Symbolists took distance: Moldavian poet and literary reviewer
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605:, which reportedly included fragments from an 1884 Romanian translation. Unconvinced, the editor promptly suspended his collaboration with Caion. The latter soon changed his statements, arguing that "Kemény" was a pseudonym used by
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According to at least one account, Caion first encountered
Caragiale's irony when he sent him a couple of Symbolist poems. The senior writer picked up on their involuntary humor, and proceeded to ridicule Caion. Literary historian
241:
A contradictory figure, Caion was equated with infamy and ridicule in the Romanian context, and his evidently unsubstantiated allegations against Caragiale have traditionally puzzled literary historians. In Transylvania, the word
841:("Critical Notes"), and four others which reviewed books local and foreign; they were collected in book form in 1905. Caion's sheet was irregularly published for the next three years, and, in December 1908, became a tri-monthly.
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s Vrioni spoke of her friend's attack on Caragiale as a "mistake", noting that his career from 1901 was of genuine importance. Caion, she writes, created "true works of art", without sparing a thought for "glory or money."
1502:("Great Trials Library"), May–June 1924. Theater scholar Cristian Stamatoiu finds Delavrancea's plea not just a "shattering" proof of erudition, but also a guide to understanding the issues of artistic personality and
431:, Bucharest, during the breakup of a student nationalist rally (September 13, 1894). He was still enlisted at the University in 1899, when he organized a charity event to benefit the impoverished schoolchildren of
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549:, made a public mockery of his Secessionist prose poem. In his gibe, Caragiale feigned enthusiasm about the young writer's debut. Parodying Caion, he suggested that the young poet carry on writing a "lyrical-
1037:" Hungarian, with little authority in local literature. These reactions did not prevent Caion from becoming a co-author of the first Transylvanian (and Romanian) encyclopedic dictionary, put together by
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notes that he "was not without merit as a publicist." Around the year 1900, Caion became a sympathizer of the Romanian Symbolist movement, whose leader was the poet Macedonski. Attached by philologist
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Ionescu-Caion was unrelenting in his accusations of plagiarism, and a section of the press, in both Romania and abroad, still credited him as a whistle-blower. His Romanian supporters called him a
1083:, Gr Tocilescu etc." Another controversy shook the literary community when the SSR decided to exclude those authors who could not prove their belonging to the Romanian ethnic group. Although
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Various commentators believe that Caragiale's ultimate relocation to Germany was at least in part prompted by the Caion affair. This was notably suggested by Caragiale's actor friend,
694:, who systematically disproved Caion's allegations, and noted that the absentee defendant was guilty of numerous forgeries. He also convinced the judge that the similarities between
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Caion died only a few months later, in liberated Romania. As Lucian Boia notes, he had lived long enough to see all prophecies about a German victory being nullified by the
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The scandal continued to reverberate, and Caion soon earned condemnation from critics not directly involved in the early 20th-century disputes. A liberal and a modernist,
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553:-symbolist-mystical-capillary-secessionist" novel about a hairdressers' art society, whose members glue strands of hair onto canvasses or carve soap into human figures.
502:("An Execution"). Bibesco, the Prince's destitute son, continued to employ Caion as his defender and co-author: in 1901, they published an ampler work on the subject of
1301:. His stances, like those of Marghiloman, had their dose of ambiguity. As Marghiloman recounts, Caion circulated an anti-German manifesto put out by the revolutionary
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1105:(a critic of antisemitism) and journalist Eugen Porn (a Jew), noting that Porn's acceptance into Romanian literature was at least as justified as Ilarie Chendi's.
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N., "Lettre de Roumanie (de notre correspondant particulier). Visite des deux cents Français en Roumanie — La France acclamé — L'origine roumaine de Ronsard", in
1302:
285:, failed to impress the young reporter, who reported on his various claims with a note of irony. Also then, he affiliated with Macedonski's eclectic art magazine
1071:(SSR) was officially established as a compromise between the Symbolists and the Transylvanians, doing away with the Romanian Society for Arts and Literature. In
3016:
1387:. Moreover, literary rivals as well as third parties have noted that Caion's calumnies shed focus from his own dubious creative methods. In his speech of 1902,
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The magazine, noted by Boia for its "high literary standing", publicized Caion's reformed views about the course of the war. He wrote that the new Germanophile
1041:. To the indignation of other Transylvanians, "Ionescu-Caion, C. A., publicist, Bucharest" is a contributor of historical entries in Diaconovich's second tome.
392:"). Caion's own texts on the subject of decadence were published as booklets by the French company Retaux Frères. His bibliography for 1899 includes the essay
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Although Stoenescu was a disciple of his, Macedonski favored Caion in this dispute, and employed him to write more denunciations of Caragiale in the magazine
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stated: "We live in the epoch of the Caions, for whom all things are permitted". Caion's poor reputation also rubbed off on Macedonski: Caragiale's disciple
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1227:. Caion cited a wealth of French authors, even obscure ones ("who would not be great were they not the intellectual friends of the author"), to prove that
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alongside a supposed translation from Kemény. Reading these fragments in good faith, Caragiale was astonished by what he took to be a bizarre coincidence.
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discovered that the poems Caion claimed to have authored, and which Caragiale found especially entertaining, were in fact poor-quality translations from
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was beneath all other Francophone periodicals, either Romanian or Hungarian, unwitting evidence of "the inferiority and impotence of our literature".
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758:, implicitly advertising the book's lewd content and titillating illustrations. His take on the Caragiale affair was outlined in the Carol Göbl essay
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569:, had been Caragiale's adversary since the 1880s. Described by Vianu as "a real pathological character", Caion claimed to expose Caragiale's drama,
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The legal scandal between Caion and Caragiale is traditionally considered one of Romania's most famous trials. The legal professionals' magazine
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601:, Stoenescu began suspecting a canard, and asked Caion to present further proof for his accusations. The latter produced two sheets printed in
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suggested that Caion's introduction to the volume exaggerated Castanier's merits, but was still "interesting" for showing the popularity of "
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Faculty of Letters, in the same year as fellow journalist Eugen Porn. Although living in the capital, he maintained links with the youth of
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1171:("New Directions in France's Political and Cultural Life and their Influence on Us"). It was published, in 1914, by Poporul Typographers.
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awards committee. Christian subjects infused his parallel work for the stage, as well as his historical research. In 1904, he published a
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as another successful plagiarist. Around the same time, he reputedly stated that Transylvanian literature was "a monstrous apparition".
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Despite his subsequent involvement in various scandals, Ionescu-Caion was not universally perceived as a mediocre journalist. Historian
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referred to his stances as "courageous". By that time, the formerly nationalist journalist had made himself new enemies outside the
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and losing the subsequent celebrity trial of 1902, before partly recanting and winning the retrial. Despite his own coquetries with
2648:"Literatură universală și comparată. D. Bi-națională. I. Istorie literară. λ. italo-română. Studii și articole: Michaela Șchiopu,
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1316:. According to bibliographer and educator Tudor Opriș, his was a "heroic death", which served to clear his tarnished reputation.
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165:; 1882 – November or December 1918) was a Romanian journalist and poet, primarily remembered for his legal dispute with humorist
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also commended Transylvanian literati for standing up to the "unhealthy currents" promoted by Caion, Macedonski and Karnabatt.
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expanded on the initial accusations, claiming to have discovered an entire history of plagiarism in Caragiale's writings (from
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The ideological conflict involved various aspects of literary theory and activism, including the differences of opinion about
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accusers, noting that their "libel", "puerile" in content, made it hard to sustain a serious debate about Liiceanu's faults.
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858:
1138:, whose director was Nicolae G. Rădulescu-Niger, the comedic poet. With Riria and the Symbolists, Caion began putting out a
423:. A "Constantin Ionescu", whom literary historian Victor Durnea tentatively identifies as the future Caion, was arrested by
2131:
1115:. He also continued to participate in polemics with "chauvinistic" nationalists, denouncing them for promoting the myth of
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In 2007 Ionescu-Caion's name was returned to circulation, amidst allegations of plagiarism brought up against philosopher
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journalism as partisanship and "hysteria", assessing that Romania was going through "an epileptic fit". Liiceanu critic
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When, in 1912, Macedonski made his publicized return to literary life, the Transylvanians reacted with astonishment. In
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and others. The journal also enlisted contributions from poet Cornelia "Riria" Gatovschi and her husband, the formerly
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were superficial. The court found Ionescu-Caion guilty of slander. He was sentenced to a three-month jail term, a 500
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1459:, officially written by restaurateur G. A. Mandy (but probably authored by Rădulescu-Niger). The work focuses on the
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tried to keep up with the latest developments in literary form, and Caion was among the first Romanian reviewers of
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Caion's dispute with the Transylvanian poets covered several fronts. In 1905, his newspaper joyfully announced that
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and the "Socialist Women of Romania". Moreover, Caion still revered the anti-Germanophile Xenopol. In issue 27 of
769:, where he was an editor, corresponding with Vintilă Rosetti over the newspaper's publicity deals. He returned to
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388:" in 1890s Romania: Caion's argument was that Rome fell victim to "Asiatic luxury" and sophisticated sexuality ("
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1607:
Mihaela Mudure, "From the Infantile to the Subversive: Swift's Romanian Adventures", in Hermann J. Real (ed.),
1529:
as Delavrancea. Among the many volumes dealing with the legal face-off is a stageplay by dramaturge and critic
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was symptomatic, since "Caion and the likes" were popularly identified as the literary professionals. Linguist
340:("Three Years of Suffering: A Strange Voyage"). It came with Caion's own critical study of Swift. According to
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daily, and argued that Romania was still "Caion's land". Noting that Caion had entered press history with a
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noted the existence of "all sorts of Caions, those little puppies raised by the obscure magazines." Also in
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998:. Early signs of this conflict showed up during the Caragiale trials, when Caion and Macedonski nominated
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1517:, ensuring his move from stagehand to award-winning thespian. This was in a 1962 stage reconstruction by
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Ana-Maria Tomescu, "Barbu Fundoianu, Ștefan Petică - personalități cu orgoliul singularității", in the
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outlet, also stood by Caion. Its columnist, N. Ținc, had prepared a piece describing Caragiale and his
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was a voice of anti-nationalist and anti-traditionalist sentiment, rejecting the school formed around
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surprised Caion and made him reconsider his options. He stayed behind in occupied Bucharest, and, as
1169:Îndrumări nouă în viața politică și culturală a Franței contemporane și înrâurirea lor asupra noastră
1116:
1057:
651:
583:, Kemény Istvan—who, in fact, never existed. In order to back his claim, Caion published quotes from
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grievances against the modern Romanian establishment. In tandem, Caion publicized his comparison of
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535:, lecturing in "selective world history", and publishing his conferences as a university textbook.
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1266:. Its theater chronicler, Radu Pralea, was among the first to cover the Jignița Summer Theater of
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1506:. As a personal witness of the proceedings, Brezeanu noted that Delavrancea spoke like a modern
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himself, taking the prosecution's side. For these reasons, the trial was held without a jury.
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and Bucharest (1901). That year, with Carol Göbl press, he also published a devotional text,
571:
498:("On Bibescu's Reign"), it was first published as an addendum to Georges Bibesco's pamphlet,
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Ileana Ghemeș, "Pagini din dosarul critic al unui personaj caragialian. Anca, eroina dramei
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s first issue was introduced as "Issue 1, Year 3"). The director himself signed the column
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According to literary historian Alexandru Dobrescu, Caion is the prototype "detractor" in
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1258:("The Chronicler"), which enlisted contributions from noted Germanophile writers, such as
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527:, where he published historical documents of dubious authenticity and, in 1902, the essay
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861:. It played host to many Romanian writers, most of them Romanian Symbolists: Macedonski,
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Caion was still carrying on as a publicist and historian, with a study about the ancient
1021:) had been expelled from the Romanian academic scholarship program. According to Caion,
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Tamara Teodorescu, Rodica Fochi, Florența Sădeanu, Liana Miclescu, Lucreția Angheluță,
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1294:
1259:
1235:
1228:
1191:("France's Role in World History"). Two other books on this subject saw print in 1915:
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910:
787:("For the Cross"). This was followed in 1904 by a volume of "Christian short stories",
771:
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319:
227:
1187:. He was "a Francophile to the uttermost" (according to Boia), publishing the booklet
77:
C. A. I. Nică Burdușel, Caion, Ion Filionescu, Marin Gelea, Isac Șt. Micu, Roman Mușat
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and his Symbolist salon, and attacking, in Caragiale, the entire anti-Symbolist club
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Not much is known about Caion's other involvements, other than that he attended the
181:, as well as a leading opponent of literary tradition. His scattered work comprises
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807:("Legionaries of the Cross"), and an essay on "The Rivalry between Jesus and Saint
750:("Jesus, A Fragment"). The theme of decadence continued to fuel Caion's essays: in
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Caion had an enduring interest in history and, in 1900, completed his monograph on
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206:
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109:
3270:"Primii pași ai Societății Scriitorilor Români (IV). 'Afacerea Porn' (continuare)"
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1183:, while Romania was still neutral territory, Caion supported France and the other
634:). Following Macedonski's intercession, Caion was also supported by the historian
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2006:"Procesul...", p.2; Ghemeș, p.125; Stamatoiu (2000), p.49; Vianu, p.188, 373-374
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magazine, and promoting the Symbolists; its agenda has been summarized as "anti-
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531:("From the Shadows. Antique Morals"). From 1900 to 1903, he was employed by the
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273:
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113:
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Revista de Istorie și Teorie Literară. Index bibliografic adnotat (1952 — 1981)
1997:
Vianu, p.188. Vianu also calls Caion a man "of inexplicable perversity" (p.373)
1029:, was "the tyrant of Transylvania", and Coșbuc's ally, the literary chronicler
234:, when he oscillated between the two opposing camps, Caion put out the journal
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667:. Meanwhile, Caragiale found his core group of journalist sympathizers in the
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Caion followed an elaborate recipe for revenge, with exposes in the Symbolist
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198:
3197:"Germanofilii". Elita intelectuală românească în anii Primului Război Mondial
1567:
Istoria debutului literar al scriitorilor români în timpul școlii (1820-2000)
2961:
Istoria literaturii române contemporane. Vol. II: Evoluția criticei literare
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Around 1907, Caion's paper was hosting poems by the young Symbolist author
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believes that Caion was especially infuriated when Caragiale's magazine,
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Decadență și decadentism în contextul modernității românești și europene
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court. On the first day, Caion excused himself as sick, while Stoenescu
263:
Little is recorded about Caion's roots, other than that he was a devout
2857:, Editura Institutului de Arte Grafice Eminescu, Bucharest, 1927, p.478
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openly accused Caion of forging historical records during his stint at
1309:, he referred to Xenopol's memoirs as a masterpiece of Romanian prose.
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hosted literary and scientific essays, including ones by Caion, Ținc,
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1134:("Older French Influences") saw print in the "encyclopedic magazine"
197:. As a journalist, Caion prioritized scandals, accusing Caragiale of
17:
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Ecouri și opinii despre futurism în periodicele românești ale vremii
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essays, writing about the French influence on Romania. The fragment
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as a separate weekly, announcing to the world that all his links to
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who were thus excluded. In a March 1910 article, he sided with the
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was a laborious process: Caion's lawyer Danielopol recused writers
85:
journalist, historian, poet, short story writer, critic, playwright
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1377:
1254:" cause. From August 17, 1918, Ionescu-Caion put out the magazine
1164:
965:
743:
182:
101:
1293:, embodied "Romania's national energy", much like the figures in
212:
Ionescu-Caion was the founder of several magazines, most notably
193:, noted for their cultural references, but made little impact on
1416:
1196:
389:
3186:
2963:, Editura Ancora S. Benvenisti & Co, Bucharest, 1926, p.205
2944:
2912:
2787:
2758:
2728:
2700:
2623:
2591:
2521:
2318:
1879:
1813:
1067:
Caion's indignation reached a peak in September 1909, when the
894:
made a mockery of Caion, exposing him as a sciolistic amateur.
216:. Originally conceived as a literary supplement for the daily
897:
In addition to receiving contributions directly from France,
579:. In his report, Caion suggested that the real author was a
2813:
Teatrele din grădinile de vară ale Bucureștilor de altădată
1146:(first issue: February 1912). The Transylvanian rivals at
783:, illustrated by another story, itself published in 1903:
565:
review, of which he was by then the co-editor. The owner,
238:. This was his last known activity in the Romanian press.
30:"Caion" redirects here. For the Brazilian footballer, see
3377:
Bibliografia românească modernă (1831-1918). Vol. II: D-K
1463:
and its political consequences in Romania; Caragiale (as
1282:, who became Caion's friend and, in time, his apologist.
3218:
Istoria literaturii române de la origini pînă în prezent
952:(including "Sonnet" and "Pulvis") and art chronicles by
318:
Also in 1898, Ionescu-Caion completed his adaptation of
1471:) appear alongside scheming politicians or journalists—
690:
Caragiale's legal representative was the fellow writer
2815:, Biblioteca Bucureștilor, Bucharest, 2011, p.56-57.
2413:"Cînd s-a înființat Societatea Scriitorilor Români?"
710:. However, he appealed the tribunal's decision. The
518:("Historical Studies"), was also available in 1901.
419:. His work included an essay about the works of the
917:(Popescu-Polyctet). Other than poetry and fiction,
123:
97:
89:
81:
73:
65:
57:
41:
1330:contempt. Listing its "Transylvanophobe" enemies,
754:magazine (September 1902), he covered Castanier's
2092:"Caragiale sub trilogia blestemelor de percepție"
1246:'s victory seemed certain and Romania signed the
3481:20th-century Romanian dramatists and playwrights
2502:
2500:
2240:
822:in late 1904: on January 10, 1905, Caion issued
779:. His fiction reflected his growing interest in
521:Caion also affiliated with the eclectic journal
2581:"Unificarea ortografiei și limbei literare. IX"
2238:
2236:
2234:
2232:
2230:
2228:
2226:
2224:
2222:
2220:
1832:
1830:
1828:
1826:
1824:
1822:
514:, with a topical booklet. His first synthesis,
3052:
3050:
1984:
1982:
1664:
1662:
1660:
1658:
1656:
1654:
1652:
1650:
994:, including many traditionalists published by
813:La rivalité de Jésus et de saint Jean-Baptiste
791:, which he submitted for consideration to the
209:'s contemporary nationalist literary current.
3400:, Vol. II, Editura Minerva, Bucharest, 1971.
3182:, Nr. 50/1902, p. 2-3 (digitized by the
2830:
2828:
1713:"C. Stere și 'Afacerea de onoare' de la 1894"
1547:
1545:
372:(1899), Caion published his translation from
8:
3005:
3003:
2971:
2969:
2883:, Vol. XXIII, 1972, p.134 (digitized by the
2839:"Aida Vrioni – Jurnal din vremea războiului"
2739:
2737:
2051:Cioculescu, p.133-134, 135-140; Vianu, p.374
1852:
1850:
1848:
1846:
281:. Péladan, a writer, mystic and self-styled
3349:"I.L. Caragiale și spiritul românesc (III)"
1695:
1693:
1691:
638:, who made Caragiale the sole topic of his
609:, and that Caragiale was guilty of copying
338:Trei ani de suferință: O călătorie curioasă
2908:, Nr. 4-5/1907, p.87-88 (digitized by the
2619:, Nr. 16-18/1903, p.272 (digitized by the
2132:"Caragiale și presa din capitala Moldovei"
1894:
1892:
1809:, Nr. 22-23/1922, p.427 (digitized by the
1414:defended Liiceanu against his accusers at
49:
38:
3571:19th-century Romanian short story writers
3363:" 'Cooperativizarea' lui I. L. Caragiale"
3031:
3029:
2450:, Bucharest & Chișinău, 2001, p.264.
2404:
2402:
1773:"Secesionismul în literatura română (IV)"
1609:The Reception of Jonathan Swift in Europe
396:("Conversations on Art"), and, also with
311:, republished as a book by Carol Göbl of
3486:Romanian male dramatists and playwrights
2881:Anuar de Lingvistică și Istorie Literară
2754:, Nr. 188/1912, p.8-9 (digitized by the
2267:, Valeria Matvei, Elena Sănduță (eds.),
1972:
1970:
1933:
1931:
1929:
1927:
1752:
1750:
1748:
1746:
1744:
1742:
1740:
1613:Continuum International Publishing Group
1395:. More than fifty years after the fact,
765:In 1903, Caion himself began working at
442:
3290:, in the Mihail Sadoveanu City Library
3019:, in the Mihail Sadoveanu City Library
2783:, Nr. 32/1915, p.4-5 (digitized by the
2724:, Nr. 14/1912, p.280 (digitized by the
2696:, Nr. 155/1912, p.10 (digitized by the
2587:, Nr. VI/1902, p.219 (digitized by the
2314:, Nr. 46/1904, p.550 (digitized by the
1569:, Aramis Print, Bucharest, 2002, p.22.
1541:
650:newspaper, put out by the entrepreneur
2940:, Nr. 1/1903, p.2-3 (digitized by the
2517:, Nr. 224/1901, p.4 (digitized by the
1561:
1559:
1557:
663:headed by Caragiale's former employer
222:, it became a tribune of Macedonski's
2181:"Profilul științific al moftangiului"
1217:columnist, Caion did not glorify the
1152:were unimpressed. According to them,
990:, region that was then still part of
742:. It was simultaneously published in
277:daily, covering the Romanian tour of
230:, the celebrated modern poet. During
154:[konstanˈtinaljoˈneskukaˈjon]
152:
7:
3381:Editura științifică și enciclopedică
3255:, Editura Minerva, Bucharest, 1973.
2511:"Secretarul sĕrmanei 'Asociațiuni' "
1875:, Nr. 4/1902, p.3 (digitized by the
1513:"Caion" was a breakthrough role for
3303:December 1 University of Alba Iulia
2350:December 1 University of Alba Iulia
2205:Cioculescu, p.139-140; Vianu, p.374
2024:Cioculescu, p.132-140; Vianu, p.188
1498:published the court records in its
1455:. Both writers were satirized in a
1278:employee was the female journalist
901:published translations of poems by
830:had been severed (this even though
400:, a selection of his own novellas.
2874:"Memorialistica lui A. D. Xenopol"
2130:, Nr. 44/2003; Constantin Coroiu,
1728:"Parte neoficială. Telegrame", in
1615:, New York City, 2005, p.251-252.
1424:("yokel's deed"), Pleșu described
945:Society for Arts and Literature".
25:
3581:Romanian male short story writers
2855:Note politice. Vol. II: 1916-1917
2158:"Procesul...", p.3; Ghemeș, p.125
1189:Rolul Franței în istoria omenirii
1048:. Transylvanian political leader
3576:20th-century short story writers
3511:20th-century Romanian historians
2567:Lucian Blaga University of Sibiu
2115:"Oglinzi fidele și contrafăcute"
1126:Meanwhile, Caion focused on his
1091:, Caion decided to stand by the
762:("Literary Morals as of 1902").
246:was for a while synonymous with
3526:20th-century Romanian novelists
3521:19th-century Romanian novelists
1350:, as a hybrid of both writers.
1046:reforming the literary language
885:, alongside the epigrammatists
642:conference (January 24, 1902).
3661:Romanian people of World War I
3656:University of Bucharest alumni
2885:Alexandru Philippide Institute
2841:, in Ateneu, Nr. 49/2012, p.12
1957:, Bucharest, 1988, p.101-102.
1231:was "anarchic and worthless".
1221:, but was rather a fan of the
1:
3531:Romanian historical novelists
3276:, Nr. 5-6/2006, p. 54-64
3187:Transsylvanica Online Library
2945:Transsylvanica Online Library
2913:Transsylvanica Online Library
2788:Transsylvanica Online Library
2759:Transsylvanica Online Library
2729:Transsylvanica Online Library
2701:Transsylvanica Online Library
2624:Transsylvanica Online Library
2592:Transsylvanica Online Library
2522:Transsylvanica Online Library
2319:Transsylvanica Online Library
1880:Transsylvanica Online Library
1814:Transsylvanica Online Library
1372:, "born of frustration", the
1025:'s father-in-law, politician
205:, Caion focused his verve on
27:Romanian writer (1882 - 1918)
3606:English–Romanian translators
3516:Romanian literary historians
2448:Editura Litera International
1432:also took distance from the
1389:Barbu Ștefănescu Delavrancea
1132:Înrâuriri franceze mai vechi
960:Caion and the Transylvanians
692:Barbu Ștefănescu Delavrancea
415:in the high school magazine
291:(known during the period as
267:, and a regular presence at
159:Constantin Alexandru Ionescu
146:Constantin Al. Ionescu-Caion
43:Constantin Al. Ionescu-Caion
3631:Romanian newspaper founders
3611:French–Romanian translators
3556:20th-century Romanian poets
3551:19th-century Romanian poets
3466:Romanian classical scholars
3372:, Nr. 1/2000, p. 49-52
3072:, Nr. 111, April 2007, p.10
2654:, in Tiberiu Mihail (ed.),
2306:"Premiile Academiei Române"
2275:National Library of Moldova
1734:, December 21, 1899, p.7299
1533:, first published in 1972.
1483:—and the runaway embezzler
380:". Writing in 2011, critic
303:a comparative biography of
224:Romanian Symbolist movement
3682:
3641:Romanian magazine founders
3626:Romanian newspaper editors
3616:Romanian writers in French
3176:"Procesul Caragiale-Caion"
3143:"Un post-scriptum necesar"
2660:Central University Library
1951:Caragiale față cu kitschul
1500:Biblioteca marilor procese
1451:sketch, as Superintendent
1103:Constantin Rădulescu-Motru
529:Din umbră. Moravuri antice
496:Asupra domniei lui Bibescu
411:, and published alongside
29:
3636:Romanian magazine editors
3586:Romanian textbook writers
3461:Romanian male biographers
3436:Romanian literary critics
3355:, Nr. 5/2002, p. 5-8
3294:, Nr. 3/2006, p. 7-9
3126:Stamatoiu (2000), p.49-50
2900:"Cronică. Ardeleanofobiĭ"
1142:literary journal, called
1069:Romanian Writers' Society
775:with a 1903 short story,
760:Moravuri literare în 1902
512:psychological determinism
69:November or December 1918
48:
3646:Romanian Roman Catholics
3601:20th-century translators
3596:19th-century translators
3451:20th-century biographers
3446:19th-century biographers
3441:Romanian theatre critics
3367:Târgu Mureș Drama School
2982:Detractorii lui Eminescu
2662:, Bucharest, 1983, p.236
2475:Cioculescu, p.137, 139;
2277:, Chișinău, 2004, p.13.
2096:Târgu Mureș Drama School
1250:, timidly embraced the "
1193:Gallia și înrâuririle ei
1087:was itself suspected of
875:Dumitru "Karr" Karnabatt
859:modern French literature
376:novellas, dealing with "
347:Biblioteca Enciclopedică
334:Biblioteca Enciclopedică
3536:Romanian male novelists
3506:Romanian male essayists
3471:Romanian encyclopedists
3353:Biblioteca Bucureștilor
3317:, 2002, p. 119-128
3292:Biblioteca Bucureștilor
3253:De vorbă cu trecutul...
3184:Babeș-Bolyai University
3038:, "Țara lui Caion", in
3021:Biblioteca Bucureștilor
2942:Babeș-Bolyai University
2910:Babeș-Bolyai University
2785:Babeș-Bolyai University
2756:Babeș-Bolyai University
2726:Babeș-Bolyai University
2698:Babeș-Bolyai University
2677:, October 20, 1909, p.4
2635:Durnea (2006), p.62, 64
2621:Babeș-Bolyai University
2589:Babeș-Bolyai University
2519:Babeș-Bolyai University
2316:Babeș-Bolyai University
2113:Adina-Ștefania Ciurea,
1877:Babeș-Bolyai University
1811:Babeș-Bolyai University
1461:1901 stock market panic
1314:November 1918 Armistice
1013:(whom he called by his
706:fine and 10,000 lei in
482:Traditionalist Catholic
405:University of Bucharest
150:Romanian pronunciation:
3496:20th-century essayists
3491:19th-century essayists
3117:Cioculescu, p.132, 133
3064:"Filosoful în oglindă"
2270:Calendar național 2005
2214:Mitchievici, p.293-294
2042:Cioculescu, p.133, 134
1525:playing Caragiale and
1199:and Her Influences"),
1050:Alexandru Vaida-Voevod
968:fending off Caragiale-
533:Bucharest Conservatory
461:
394:Coversații despre artă
355:Louis Henri Boussenard
269:Saint Joseph Cathedral
226:, and helped discover
161:and commonly known as
3651:Romanian nationalists
3108:Cioculescu, p.321-323
3099:, Nr. 116, April 2008
3044:, Nr. 160, March 2007
2851:Alexandru Marghiloman
2101:, Nr. 1-2/2001, p.111
2060:Cioculescu, p.136-139
2033:Cioculescu, p.132-133
1719:, Nr. 2/2009, p.32-33
1504:intellectual property
1440:Other literary echoes
1291:Alexandru Marghiloman
1201:Sparte contre Athènes
1175:World War I and death
1039:Cornelius Diaconovich
1011:Ștefan Octavian Iosif
700:The Power of Darkness
612:The Power of Darkness
446:
351:Thomas Bailey Aldrich
349:, rendering works by
295:). Interested in the
3591:Romanian translators
3456:Romanian biographers
3431:Romanian art critics
3361:Cristian Stamatoiu,
3329:Editura Curtea Veche
3307:Philologica Yearbook
3023:, Nr. 6/2004, p.9-10
3013:Ion (Iancu) Brezeanu
2611:"Scrisoarea a III-a"
2554:Enciclopediei Române
2552:"Autorii tom. II al
2494:, Nr. 2-3/2004, p.86
2354:Philologica Yearbook
2090:Cristian Stamatoiu,
1906:"Marcă înregistrată"
1274:in Romania. Another
982:circles. These were
857:", and in step with
818:A split occurred at
439:Symbolist beginnings
368:Under contract with
299:, he published with
203:Romanian nationalism
175:Alexandru Macedonski
3566:Romanian male poets
3546:Decadent literature
3541:Christian novelists
3476:Romanian columnists
3383:, Bucharest, 1986.
3331:, Bucharest, 2011.
3238:, Bucharest, 1974.
3203:, Bucharest, 2010.
3017:"Cuvinte! cuvinte!"
2997:, Nr. 80, July 2007
2978:Constantin Coroiu,
2837:Gabriela Gîrmacea,
2748:"Isbânda lui Caion"
2565:, digitized by the
2259:, Aurel Marinciuc,
2137:Convorbiri Literare
1699:Durnea (2006), p.62
1393:Noua Revistă Română
1338:, priest-publicist
1240:invasion of Romania
1098:Noua Revistă Română
1054:neologistic dialect
1019:István Gábor József
524:Noua Revistă Română
451:", as portrayed by
328:, published by the
195:Romanian literature
3666:Ion Luca Caragiale
3501:Romanian essayists
3321:Angelo Mitchievici
3313:2016-03-03 at the
3282:Georgeta Filitti,
3151:, January 26, 2007
3091:2013-09-15 at the
2989:2013-09-15 at the
2561:2016-08-07 at the
2486:2024-08-01 at the
2418:2013-06-22 at the
2396:, Nr. 4/2009, p.13
2386:2012-02-15 at the
2360:2016-03-03 at the
2247:Vera Ghedrovici, "
2186:2014-08-12 at the
2120:2012-04-29 at the
1911:2011-06-13 at the
1856:"Procesul...", p.2
1778:2014-02-21 at the
1644:Mitchievici, p.293
1585:Mitchievici, p.328
1494:and lawyer-editor
1453:Lazăr Ionescu-Lion
1401:Charles Baudelaire
1272:Yiddish dramaturgy
1248:Peace of Bucharest
1211:"). As noted by a
887:Cincinat Pavelescu
781:Early Christianity
462:
459:Constantin Jiquidi
421:eponymous novelist
382:Angelo Mitchievici
359:Henry de Graffigny
167:Ion Luca Caragiale
32:Caion (footballer)
3337:978-606-588-133-4
3228:Șerban Cioculescu
3224:, Bucharest, 1986
3209:978-973-50-2635-6
3180:Tribuna Poporului
3060:Gheorghe Grigurcu
2821:978-973-8369-87-0
2780:Universul Literar
2746:Ovidiu Băsceanu,
2515:Tribuna Poporului
2479:Radu Drăgulescu,
2339:Cruceanu, p.17-18
2251:", in Alexe Rău,
2149:Ghemeș, p.125-126
2069:Cioculescu, p.137
2015:Cioculescu, p.139
1955:Cartea Românească
1873:Tribuna Poporului
1801:"Cronica măruntă"
1731:Monitorul Oficial
1492:Curierul Judiciar
1481:Luigi Cazzavillan
1477:George D. Pallade
1430:Gheorghe Grigurcu
1344:Alexandru Cazaban
1268:Isidor Goldenberg
1264:Duiliu Zamfirescu
1214:Universul Literar
1154:La Revue Roumaine
1144:La Revue Roumaine
1121:Pierre de Ronsard
913:(Demetriade) and
879:Eugeniu Sperantia
867:Mircea Demetriade
805:Legionariĭ Cruceĭ
640:Romanian Atheneum
636:Grigore Tocilescu
603:Romanian Cyrillic
557:Caragiale scandal
489:Wallachian Prince
374:Prosper Castanier
248:yellow journalist
177:, and a militant
143:
142:
134:Decadent movement
124:Literary movement
16:(Redirected from
3673:
3621:Adevărul writers
3398:Scriitori români
3360:
3343:
3281:
3267:
3236:Editura Eminescu
3214:George Călinescu
3174:
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3148:Ziarul Financiar
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3127:
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3086:"Aglae Poppesco"
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2878:Romanian Academy
2868:
2864:
2858:
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2806:
2800:
2799:Boia, p.128, 224
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2533:Călinescu, p.604
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2193:România Literară
2179:Vladimir Simon,
2178:
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1531:Romulus Vulpescu
1527:Mircea Șeptilici
1408:Gabriel Liiceanu
1370:Romanian culture
1363:
1346:coined the word
1303:Social Democrats
1270:, a mainstay of
1179:By the start of
1167:with the thesis
1093:Jewish Romanians
1002:founding figure
943:
923:Ioan Tanoviceanu
903:Frédéric Mistral
883:Caton Theodorian
836:
809:John the Baptist
793:Romanian Academy
628:Victorien Sardou
599:Revista Literară
567:Th. M. Stoenescu
563:Revista Literară
492:Gheorghe Bibescu
293:Revista Literară
173:, a disciple of
156:
151:
53:
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3681:
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3561:Symbolist poets
3411:
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3358:
3341:
3315:Wayback Machine
3279:
3268:Victor Durnea,
3265:
3249:Mihail Cruceanu
3222:Editura Minerva
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2924:
2923:
2919:
2896:
2895:
2891:
2866:
2865:
2861:
2849:
2845:
2834:
2833:
2826:
2808:
2807:
2803:
2798:
2794:
2770:
2769:
2765:
2743:
2742:
2735:
2712:
2711:
2707:
2686:
2685:
2681:
2670:
2666:
2644:
2643:
2639:
2634:
2630:
2607:Sextil Pușcariu
2603:
2602:
2598:
2577:
2576:
2572:
2563:Wayback Machine
2550:
2546:
2541:
2537:
2532:
2528:
2506:
2505:
2498:
2488:Wayback Machine
2476:
2474:
2470:
2465:
2461:
2436:
2432:
2420:Wayback Machine
2411:Victor Durnea,
2408:
2407:
2400:
2388:Wayback Machine
2373:
2372:
2368:
2362:Wayback Machine
2347:
2343:
2338:
2334:
2329:
2325:
2302:
2301:
2297:
2292:
2288:
2249:Românul Literar
2244:
2243:
2218:
2213:
2209:
2204:
2200:
2188:Wayback Machine
2176:
2175:
2171:
2166:
2162:
2157:
2153:
2148:
2144:
2140:, November 2010
2122:Wayback Machine
2110:
2109:
2105:
2087:
2086:
2082:
2077:
2073:
2068:
2064:
2059:
2055:
2050:
2046:
2041:
2037:
2032:
2028:
2023:
2019:
2014:
2010:
2005:
2001:
1996:
1992:
1987:
1980:
1975:
1968:
1945:
1941:
1936:
1925:
1913:Wayback Machine
1898:
1897:
1890:
1865:
1864:
1860:
1855:
1844:
1835:
1820:
1797:
1796:
1792:
1780:Wayback Machine
1765:
1764:
1760:
1755:
1738:
1727:
1723:
1711:Victor Durnea,
1708:
1707:
1703:
1698:
1689:
1680:
1676:
1667:
1648:
1643:
1639:
1630:
1626:
1606:
1602:
1593:
1589:
1584:
1580:
1564:
1555:
1550:
1543:
1539:
1515:Gheorghe Dinică
1442:
1376:to Caragiale's
1361:
1355:Eugen Lovinescu
1340:Alexandru Ciura
1327:
1322:
1219:French Republic
1177:
1140:French-language
1119:as ancestor of
1109:Românul Literar
1085:Românul Literar
1081:Pompiliu Eliade
1073:Românul Literar
1062:Sextil Pușcariu
1056:favored in the
1052:noted that the
992:Austria-Hungary
984:ethnic Romanian
962:
941:
939:Românul Literar
919:Românul Literar
907:Elena Văcărescu
899:Românul Literar
863:Mihail Cruceanu
845:Românul Literar
834:
832:Românul Literar
824:Românul Literar
789:Triumful Crucei
734:
731:Românul Literar
720:Ovid Densusianu
652:Vintilă Rosetti
559:
516:Studii istorice
441:
429:Calea Victoriei
425:Romanian Police
413:I. I. Mironescu
378:Roman decadence
363:Louis Jacolliot
261:
256:
214:Românul Literar
149:
44:
35:
28:
23:
22:
15:
12:
11:
5:
3679:
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3598:
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3428:
3423:
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3409:
3408:
3391:
3373:
3356:
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3318:
3295:
3277:
3263:
3246:
3225:
3211:
3190:
3168:
3165:
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3153:
3128:
3119:
3110:
3101:
3074:
3046:
3025:
2999:
2965:
2949:
2917:
2889:
2859:
2843:
2824:
2801:
2792:
2763:
2752:Românul (Arad)
2733:
2705:
2694:Românul (Arad)
2690:"Bibliografie"
2679:
2664:
2637:
2628:
2596:
2570:
2544:
2535:
2526:
2496:
2468:
2459:
2438:George Bacovia
2430:
2398:
2366:
2341:
2332:
2330:Cruceanu, p.18
2323:
2295:
2286:
2265:Iurie Colesnic
2216:
2207:
2198:
2169:
2160:
2151:
2142:
2103:
2080:
2071:
2062:
2053:
2044:
2035:
2026:
2017:
2008:
1999:
1990:
1978:
1966:
1947:Ștefan Cazimir
1939:
1923:
1902:Cosmin Ciotloș
1888:
1882:); Teodorescu
1869:"Bibliografie"
1858:
1842:
1818:
1790:
1769:Ștefan Cazimir
1758:
1736:
1721:
1701:
1687:
1674:
1646:
1637:
1624:
1600:
1587:
1578:
1553:
1551:Cruceanu, p.17
1540:
1538:
1535:
1485:Andrei Vizanti
1441:
1438:
1397:Ștefan Cazimir
1326:
1323:
1321:
1318:
1295:Thomas Carlyle
1287:Prime Minister
1260:Gala Galaction
1236:Central Powers
1229:German culture
1185:Entente Powers
1176:
1173:
1117:Banul Mărăcine
1027:Partenie Cosma
975:Revue de Paris
961:
958:
954:Theodor Cornel
950:George Bacovia
772:belles-lettres
756:Lotus du Gange
748:Isus, fragment
733:
728:
712:jury selection
558:
555:
504:Bibescu family
470:Ștefan Cazimir
449:Symbolist poet
440:
437:
320:Jonathan Swift
265:Roman Catholic
260:
257:
255:
252:
228:George Bacovia
141:
140:
125:
121:
120:
99:
95:
94:
91:
87:
86:
83:
79:
78:
75:
71:
70:
67:
63:
62:
59:
55:
54:
46:
45:
42:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3678:
3667:
3664:
3662:
3659:
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3649:
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3529:
3527:
3524:
3522:
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3517:
3514:
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3509:
3507:
3504:
3502:
3499:
3497:
3494:
3492:
3489:
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3482:
3479:
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3469:
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3464:
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3457:
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3452:
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3444:
3442:
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3437:
3434:
3432:
3429:
3427:
3424:
3422:
3419:
3418:
3416:
3407:
3403:
3399:
3395:
3392:
3390:
3386:
3382:
3378:
3374:
3371:
3368:
3364:
3359:(in Romanian)
3357:
3354:
3350:
3346:
3342:(in Romanian)
3340:
3338:
3334:
3330:
3326:
3322:
3319:
3316:
3312:
3309:
3308:
3304:
3300:
3296:
3293:
3289:
3287:
3280:(in Romanian)
3278:
3275:
3271:
3266:(in Romanian)
3264:
3262:
3258:
3254:
3250:
3247:
3245:
3241:
3237:
3233:
3229:
3226:
3223:
3219:
3215:
3212:
3210:
3206:
3202:
3198:
3194:
3191:
3188:
3185:
3181:
3177:
3173:(in Romanian)
3171:
3170:
3166:
3160:Ghemeș, p.124
3157:
3154:
3150:
3149:
3144:
3140:
3136:(in Romanian)
3132:
3129:
3123:
3120:
3114:
3111:
3105:
3102:
3098:
3094:
3090:
3087:
3084:Gelu Negrea,
3082:(in Romanian)
3078:
3075:
3071:
3070:
3065:
3061:
3057:(in Romanian)
3053:
3051:
3047:
3043:
3042:
3037:
3032:
3030:
3026:
3022:
3018:
3014:
3010:(in Romanian)
3006:
3004:
3000:
2996:
2992:
2988:
2985:
2983:
2976:(in Romanian)
2972:
2970:
2966:
2962:
2958:
2953:
2950:
2946:
2943:
2939:
2938:
2933:
2929:
2925:(in Romanian)
2921:
2918:
2914:
2911:
2907:
2906:
2901:
2897:(in Romanian)
2893:
2890:
2886:
2882:
2879:
2875:
2871:
2870:Alexandru Zub
2867:(in Romanian)
2863:
2860:
2856:
2852:
2847:
2844:
2840:
2835:(in Romanian)
2831:
2829:
2825:
2822:
2818:
2814:
2809:(in Romanian)
2805:
2802:
2796:
2793:
2789:
2786:
2782:
2781:
2776:
2771:(in Romanian)
2767:
2764:
2760:
2757:
2753:
2749:
2744:(in Romanian)
2740:
2738:
2734:
2730:
2727:
2723:
2722:
2717:
2713:(in Romanian)
2709:
2706:
2702:
2699:
2695:
2691:
2687:(in Romanian)
2683:
2680:
2676:
2675:
2668:
2665:
2661:
2657:
2653:
2651:
2645:(in Romanian)
2641:
2638:
2632:
2629:
2625:
2622:
2618:
2617:
2612:
2608:
2604:(in Romanian)
2600:
2597:
2593:
2590:
2586:
2582:
2578:(in Romanian)
2574:
2571:
2568:
2564:
2560:
2557:
2555:
2548:
2545:
2539:
2536:
2530:
2527:
2523:
2520:
2516:
2512:
2509:Un alegĕtor,
2507:(in Romanian)
2503:
2501:
2497:
2493:
2489:
2485:
2482:
2477:(in Romanian)
2472:
2469:
2466:Simion, p.7-8
2463:
2460:
2457:
2456:973-8358-15-9
2453:
2449:
2445:
2444:
2439:
2434:
2431:
2428:, Nr. 28/2005
2427:
2426:
2421:
2417:
2414:
2409:(in Romanian)
2405:
2403:
2399:
2395:
2394:
2389:
2385:
2382:
2381:"Poeta Riria"
2378:
2374:(in Romanian)
2370:
2367:
2364:, 2006, p.124
2363:
2359:
2356:
2355:
2351:
2345:
2342:
2336:
2333:
2327:
2324:
2320:
2317:
2313:
2312:
2307:
2303:(in Romanian)
2299:
2296:
2290:
2287:
2284:
2283:9975-9994-3-3
2280:
2276:
2272:
2271:
2266:
2262:
2258:
2254:
2250:
2245:(in Romanian)
2241:
2239:
2237:
2235:
2233:
2231:
2229:
2227:
2225:
2223:
2221:
2217:
2211:
2208:
2202:
2199:
2196:, Nr. 43/2009
2195:
2194:
2189:
2185:
2182:
2177:(in Romanian)
2173:
2170:
2164:
2161:
2155:
2152:
2146:
2143:
2139:
2138:
2133:
2129:
2128:
2123:
2119:
2116:
2111:(in Romanian)
2107:
2104:
2100:
2097:
2093:
2088:(in Romanian)
2084:
2081:
2075:
2072:
2066:
2063:
2057:
2054:
2048:
2045:
2039:
2036:
2030:
2027:
2021:
2018:
2012:
2009:
2003:
2000:
1994:
1991:
1985:
1983:
1979:
1976:Ghemeș, p.125
1973:
1971:
1967:
1964:
1960:
1956:
1952:
1948:
1943:
1940:
1934:
1932:
1930:
1928:
1924:
1921:, Nr. 22/2011
1920:
1919:
1914:
1910:
1907:
1903:
1899:(in Romanian)
1895:
1893:
1889:
1885:
1881:
1878:
1874:
1870:
1866:(in Romanian)
1862:
1859:
1853:
1851:
1849:
1847:
1843:
1839:
1833:
1831:
1829:
1827:
1825:
1823:
1819:
1815:
1812:
1808:
1807:
1802:
1798:(in Romanian)
1794:
1791:
1787:
1786:
1781:
1777:
1774:
1770:
1766:(in Romanian)
1762:
1759:
1753:
1751:
1749:
1747:
1745:
1743:
1741:
1737:
1733:
1732:
1725:
1722:
1718:
1714:
1709:(in Romanian)
1705:
1702:
1696:
1694:
1692:
1688:
1684:
1678:
1675:
1671:
1665:
1663:
1661:
1659:
1657:
1655:
1653:
1651:
1647:
1641:
1638:
1634:
1628:
1625:
1622:
1621:0-8264-6847-0
1618:
1614:
1610:
1604:
1601:
1597:
1591:
1588:
1582:
1579:
1576:
1575:973-8294-72-X
1572:
1568:
1565:Tudor Opriș,
1562:
1560:
1558:
1554:
1548:
1546:
1542:
1536:
1534:
1532:
1528:
1524:
1523:Jules Cazaban
1520:
1516:
1511:
1509:
1505:
1501:
1497:
1493:
1488:
1486:
1482:
1478:
1474:
1470:
1467:) and Caion (
1466:
1462:
1458:
1454:
1450:
1449:
1439:
1437:
1435:
1431:
1427:
1423:
1419:
1418:
1413:
1409:
1404:
1402:
1398:
1394:
1390:
1386:
1381:
1379:
1375:
1371:
1366:
1360:
1356:
1351:
1349:
1345:
1341:
1337:
1333:
1324:
1319:
1317:
1315:
1310:
1308:
1304:
1300:
1296:
1292:
1288:
1283:
1281:
1277:
1273:
1269:
1265:
1261:
1257:
1253:
1249:
1245:
1241:
1237:
1232:
1230:
1226:
1225:
1224:Ancien Régime
1220:
1216:
1215:
1210:
1206:
1202:
1198:
1194:
1190:
1186:
1182:
1174:
1172:
1170:
1166:
1162:
1157:
1155:
1151:
1150:
1145:
1141:
1137:
1133:
1129:
1124:
1122:
1118:
1114:
1110:
1106:
1104:
1100:
1099:
1094:
1090:
1086:
1082:
1078:
1074:
1070:
1065:
1063:
1059:
1055:
1051:
1047:
1042:
1040:
1036:
1032:
1031:Ilarie Chendi
1028:
1024:
1023:Octavian Goga
1020:
1016:
1012:
1007:
1005:
1004:George Coșbuc
1001:
997:
993:
989:
986:writers from
985:
981:
977:
976:
971:
967:
959:
957:
955:
951:
946:
940:
936:
935:A. D. Xenopol
932:
928:
927:Orest Tafrali
924:
920:
916:
915:Albert Samain
912:
908:
905:(translator:
904:
900:
895:
893:
892:Ștefan Petică
888:
884:
880:
876:
872:
868:
864:
860:
856:
852:
851:
846:
842:
840:
833:
829:
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821:
816:
814:
810:
806:
802:
798:
794:
790:
786:
782:
778:
774:
773:
768:
763:
761:
757:
753:
749:
745:
741:
740:
732:
729:
727:
723:
721:
717:
716:Nicolae Iorga
713:
709:
705:
701:
697:
693:
688:
686:
682:
676:
674:
670:
666:
665:Frédéric Damé
661:
657:
653:
649:
648:
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641:
637:
633:
629:
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621:
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614:
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366:
364:
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352:
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343:
339:
335:
331:
327:
326:
321:
316:
314:
310:
306:
305:Julius Caesar
302:
298:
294:
290:
289:
284:
280:
276:
275:
270:
266:
258:
253:
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245:
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237:
233:
229:
225:
221:
220:
215:
210:
208:
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200:
196:
192:
188:
187:short stories
184:
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176:
172:
168:
164:
160:
155:
147:
139:
135:
131:
130:
126:
122:
119:
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103:
100:
96:
92:
88:
84:
80:
76:
72:
68:
64:
60:
56:
52:
47:
40:
37:
33:
19:
3397:
3376:
3369:
3352:
3345:Eugen Simion
3324:
3306:
3298:
3291:
3285:
3274:Transilvania
3273:
3252:
3232:Caragialiana
3231:
3217:
3196:
3179:
3156:
3146:
3131:
3122:
3113:
3104:
3096:
3077:
3067:
3041:Dilema Veche
3039:
3036:Andrei Pleșu
3020:
2994:
2981:
2960:
2952:
2935:
2932:"Quo vadis?"
2920:
2903:
2892:
2880:
2862:
2854:
2846:
2812:
2811:Vera Molea,
2804:
2795:
2778:
2766:
2751:
2719:
2708:
2693:
2682:
2672:
2667:
2655:
2649:
2640:
2631:
2614:
2599:
2585:Transilvania
2584:
2573:
2553:
2547:
2538:
2529:
2514:
2492:Transilvania
2491:
2471:
2462:
2442:
2433:
2423:
2391:
2369:
2353:
2344:
2335:
2326:
2309:
2298:
2293:Filitti, p.8
2289:
2269:
2257:Andrei Eșanu
2253:Petru Soltan
2248:
2210:
2201:
2191:
2172:
2167:Vianu, p.374
2163:
2154:
2145:
2135:
2125:
2106:
2098:
2083:
2078:Filitti, p.9
2074:
2065:
2056:
2047:
2038:
2029:
2020:
2011:
2002:
1993:
1950:
1942:
1937:Vianu, p.188
1916:
1883:
1872:
1861:
1837:
1804:
1793:
1788:, Nr. 5/1999
1783:
1761:
1729:
1724:
1717:Transilvania
1716:
1704:
1685:, p.702, 703
1682:
1677:
1669:
1640:
1635:, p.551, 703
1632:
1627:
1608:
1603:
1595:
1590:
1581:
1566:
1512:
1499:
1491:
1489:
1473:Take Ionescu
1468:
1464:
1452:
1446:
1443:
1433:
1425:
1421:
1415:
1412:Andrei Pleșu
1405:
1392:
1385:Ion Brezeanu
1382:
1367:
1358:
1352:
1347:
1335:
1331:
1328:
1311:
1306:
1298:
1284:
1275:
1255:
1252:Germanophile
1233:
1222:
1212:
1200:
1192:
1188:
1178:
1168:
1158:
1153:
1147:
1143:
1135:
1131:
1125:
1108:
1107:
1096:
1089:antisemitism
1084:
1072:
1066:
1043:
1035:Romanianized
1018:
1017:legal name,
1008:
999:
995:
988:Transylvania
979:
973:
972:, while the
963:
947:
938:
930:
918:
898:
896:
871:Al. Gherghel
855:Sămănătorist
854:
848:
844:
843:
839:Note critice
838:
831:
827:
823:
819:
817:
812:
804:
788:
785:Pentru cruce
784:
776:
770:
766:
764:
759:
755:
751:
747:
737:
735:
730:
724:
699:
695:
689:
681:Ilfov County
677:
668:
659:
655:
645:
644:
624:Forța Morală
623:
620:Forța Morală
619:
617:
610:
598:
592:
589:
584:
570:
562:
560:
546:Moftul Român
544:
537:
528:
522:
520:
515:
499:
495:
486:
474:Secessionist
463:
454:Moftul Român
452:
416:
402:
397:
393:
369:
367:
365:and others.
346:
337:
333:
329:
323:
317:
300:
297:Roman Empire
292:
286:
272:
262:
259:Early career
243:
240:
235:
217:
213:
211:
207:Transylvania
191:prose poetry
162:
158:
145:
144:
127:
110:prose poetry
36:
3426:1918 deaths
3421:1882 births
3394:Tudor Vianu
3193:Lucian Boia
3139:David Esrig
2775:"Ex-libris"
2716:"Însemnări"
1988:Simion, p.7
1836:Teodorescu
1756:Boia, p.128
1681:Teodorescu
1668:Teodorescu
1631:Teodorescu
1598:, p.702-703
1594:Teodorescu
1519:David Esrig
1508:Demosthenes
1496:Octav Minar
1280:Aida Vrioni
1181:World War I
1128:Francophile
1077:N. Petrașcu
1058:Old Kingdom
1000:Sămănătorul
996:Sămănătorul
911:Jean Moréas
850:Sămănătorul
739:Bacchanalia
708:court costs
654:as an anti-
632:Alfred Duru
607:Leo Tolstoy
577:plagiarized
541:Tudor Vianu
466:Lucian Boia
457:cartoonist
417:C. Negruzzi
386:decadentism
332:collection
301:Literatorul
288:Literatorul
279:Sâr Péladan
232:World War I
179:Francophile
169:. He was a
129:Literatorul
114:short story
3415:Categories
3301:", in the
3167:References
2937:Luceafărul
2905:Luceafărul
2721:Luceafărul
2616:Luceafărul
1359:Cronicarul
1348:Macaionski
1336:Luceafărul
1332:Luceafărul
1307:Cronicarul
1276:Cronicarul
1256:Cronicarul
1149:Luceafărul
1136:Ilustrația
1015:Magyarized
933:historian
508:historical
500:O execuție
478:Legitimist
236:Cronicarul
199:plagiarism
82:Occupation
3389:462172635
3365:, in the
3201:Humanitas
2876:, in the
2481:"Legenda"
2261:Ion Madan
2094:, in the
1465:Gearacale
1448:Universul
1410:. Writer
1299:On Heroes
1033:, was a "
797:Byzantine
581:Hungarian
494:. Titled
484:agendas.
342:Anglicist
313:Bucharest
254:Biography
171:Symbolist
138:Symbolism
93:1897–1918
3370:Symbolon
3311:Archived
3261:82865987
3089:Archived
2987:Archived
2773:Albert,
2674:La Croix
2559:Archived
2484:Archived
2416:Archived
2384:Archived
2358:Archived
2184:Archived
2118:Archived
2099:Symbolon
1963:21523836
1909:Archived
1806:Gândirea
1776:Archived
1422:mârlănie
1325:Ignominy
1207:against
1113:Futurism
931:Junimist
799:-themed
673:Moldavia
671:fief of
669:Junimist
660:Junimist
656:Junimist
551:decadent
398:Adevărul
370:Adevărul
330:Adevărul
325:Gulliver
309:Augustus
274:Adevărul
74:Pen name
3406:7431692
3299:Năpasta
3286:Românul
3244:6890267
3097:Cultura
3069:Tribuna
2995:Cultura
2311:Familia
1886:, p.702
1840:, p.703
1672:, p.702
1521:, with
1244:Germany
980:Junimea
970:Goliath
828:Românul
820:Românul
801:tragedy
777:Korinna
767:Românul
696:Năpasta
685:recused
647:Românul
594:Junimea
585:Năpasta
572:Năpasta
433:Câmpina
219:Românul
157:, born
118:tragedy
106:novella
3404:
3387:
3335:
3259:
3242:
3207:
2819:
2454:
2281:
1961:
1884:et al.
1838:et al.
1683:et al.
1670:et al.
1633:et al.
1619:
1596:et al.
1573:
1469:Crayon
1374:Zoilus
1320:Legacy
1209:Athens
1205:Sparta
1101:owner
752:Carmen
472:to a "
390:orgies
183:essays
90:Period
3351:, in
3272:, in
3178:, in
3145:, in
3095:, in
3066:, in
2993:, in
2934:, in
2902:, in
2777:, in
2750:, in
2718:, in
2692:, in
2613:, in
2583:, in
2513:, in
2490:, in
2443:Plumb
2422:, in
2393:Vatra
2390:, in
2308:, in
2190:, in
2134:, in
2124:, in
1915:, in
1871:, in
1803:, in
1782:, in
1715:, in
1537:Notes
1457:revue
1378:Homer
1362:'
1165:Ph.D.
966:David
942:'
835:'
744:Paris
597:. At
575:, as
447:"The
345:with
244:Caion
163:Caion
102:essay
98:Genre
18:Caion
3402:OCLC
3385:OCLC
3333:ISBN
3257:OCLC
3240:OCLC
3205:ISBN
2817:ISBN
2452:ISBN
2279:ISBN
1959:OCLC
1617:ISBN
1571:ISBN
1434:Ziua
1426:Ziua
1417:Ziua
1262:and
1234:The
1197:Gaul
1161:Arad
718:and
698:and
510:and
480:and
409:Iași
307:and
283:mage
189:and
66:Died
61:1882
58:Born
1297:'s
909:),
815:).
811:" (
704:lei
630:to
427:on
336:as
322:'s
3417::
3396:,
3379:,
3347:,
3327:,
3323:,
3251:,
3234:,
3230:,
3220:,
3216:,
3199:,
3195:,
3141:,
3062:,
3049:^
3028:^
3015:,
3002:^
2968:^
2959:,
2930:,
2872:,
2853:,
2827:^
2736:^
2658:,
2609:,
2499:^
2446:,
2440:,
2401:^
2379:,
2273:,
2263:,
2255:,
2219:^
1981:^
1969:^
1953:,
1949:,
1926:^
1904:,
1891:^
1845:^
1821:^
1771:,
1739:^
1690:^
1649:^
1611:,
1556:^
1544:^
1510:.
1487:.
1479:,
1475:,
1403:.
1289:,
1238:'
1203:("
1195:("
1079:,
937:.
925:,
881:,
877:,
873:,
869:,
865:,
803:,
675:.
622:.
615:.
435:.
361:,
357:,
353:,
315:.
250:.
185:,
136:,
132:,
116:,
112:,
108:,
104:,
3288:"
3284:"
3189:)
2984:"
2980:"
2947:)
2915:)
2887:)
2790:)
2761:)
2731:)
2703:)
2652:"
2626:)
2594:)
2556:"
2524:)
2321:)
1816:)
148:(
34:.
20:)
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