309:. Early 20th Century rural Sardinia described in the book is still nowadays a combination of an apparently static society, related to millenary customs, and a land striding towards a both industrial and technological progress. Unlike other artists of that time, discussing the most complex side of this progress (that is, how that modernity represented the human essence in every place, not only Western countries), Deledda was much more sensitive and concerned about its cultural side, grasping the deep and upsetting meaning of this change. We can see this in her projection of the island community.
351:. There, she gets married and has a son, but unfortunately she dies. Don Zame appears to go mad for the scandal. "A shade of death encumbered the house: no comparable scandal had ever risen before; it had never happened that such a noble and polite maiden like Lia had run away like that". Eventually, her father is mysteriously found dead on the bridge at the entrance of the village. Was it a misfortune or a murder? The above events are the background to the story, revealed throughout the novel from the point in which Giacinto, Lia's son, comes to the Pintor house.
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It is not a story for its own sake, neither is it enclosed within the
Sardinian borders. What was valid for the island was also for Italy at the time, and the world.
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in Milan. It's considered the most notable work written by
Deledda. The title of the book is an allusion to human frailty and sorrow, which was already found in
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Uomini siamo, Elias, uomini fragili come canne, pensaci bene. Al di sopra di noi c'è una forza che non possiamo vincere.
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