Canadian fashion - Knowledge (XXG)

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narrower silhouette, and the spring of 1941 was distinguished by reduced shoulder padding and shorter and narrower skirts. Women's suits (typically consisting of a jacket and skirt), in particular, became an important fashion story, turning into a common wardrobe staple and being described as a "Canadian tradition". In the spring of 1942, the popularity of suits even overtook that of coats and dresses. Similarly, the increased appropriation of slacks by women, a typically male garment at the time, was a major wartime story that represented a shift in gender roles. Manufacturers often developed uniforms for their workforce, which tended to include comfortable low heels, short-sleeved blouses, slacks, and a

1130: 792: 327: 1744: 64: 638: 3662: 964: 955: 1973: 2087: 1632: 1318: 883: 1194: 24: 1254:, as well as an increase in women's participation in sport, helped to advance changing ideals for the woman's role in Canadian society, which was reflected through developments in fashion. Canadian women's fashion in the 1920s continued a shift away from the more physically restrictive styles of the Confederation era and toward generally more comfortable garments, such as trousers and short skirts. Similar to the developing fashion scenes of other western countries, the 1533: 55: 1354:

controls. Because the manufacturing capacity and fabrics of certain clothing articles, such as jackets and pants, directly contradicted the production of military clothing, a simplification program for consumer fashion was enforced, which had the effect of reducing the diversity of available styles, silhouettes, colours, and dimensions. Despite these restrictions, the perpetuation of fashion nonetheless persisted.

316: 1047: 1860: 2078: 4796: 4516: 1965: 911:, were popular costume inspirations, and great care was taken to achieve historical accuracy whilst keeping in line with contemporary fashion. The 1870s, for example, saw the popularity of the "princess-style dress", which was sewn without a waistline and incorporated a white wig and regal velvet sleeve detail. These events were typically themed to celebrate 1172:, to Canadian department stores like Eaton's, Simpson's, and Holt Renfrew presented further challenges for local producers, although some Canadian designers had garnered enough brand recognition to maintain a presence with department stores, such as Madame Martha's "French Salon" at the Simpson's Toronto location, and Marie-Paule Nolin's in-store salon and 1056: 1038:, saw an increased use of ceremonial garments. Such garments included the Freemasons' apron, based on the functional attire of medieval stonemasons and adorned with Masonic symbols, ribbons, and rosettes, and the collar of the Orange Order in Canada, which was embroidered with British-Canadian symbols like the thistle, shamrock, rose, and maple leaf. 715: 1235:, which was intended to double as both a field and dress jacket. This jacket was characterized by a stand-up collar secured by hooks and eyes, a 5 to 7-button front closure, two box-pleated breast-pockets with scalloped flaps and buttons, two hip-pockets with flaps, gauntlet-style cuffs, and sometimes coloured shoulder straps. During the 1990:, "the blanket coat was often labeled in the press as a national costume that represented the Canadian identity." Modern Canadian brands, like Aritzia and Simons, have drawn inspiration from this model for their own products. Athleisure has had continued influence on Canadian fashion developments, as seen in the innovations in 765:, Alexandra Palmer explains that "by the 1830s Lower Canadian professionals were spending a greater proportion of their income (some 20%) on attire. This was more than any other class, making them leaders in fashion as well as politics. They were, for example, early purchasers not only of trousers but also the stylish 772:"Dandy" fashion entailed some common elements: dark colours, blue tailcoats with gold buttons, white muslin shirts, trousers replacing breeches, fabrics like silk, wool, cotton, and buckskin, and generally tight-fitting clothes. Other important articles and accessories for upper-class men included black silk 1394:

Department store catalogues, such as those of Eaton's, Simpson's, and Dupuis Frères, continued to have an important influence on women's fashion in the years following the end of the war. Although rural women in particular mostly used catalogues to order fabrics (from which they would fabricate their

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Women's fashion and fashion journalism continued to develop during the war, as demonstrated through seasonal style changes and the adoption of new clothing articles. For example, the summer fashions of 1940 were described as "gracefully feminine", while the following autumn shifted to a comparatively

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temporarily, but drastically, altered the Canadian public's relationship with fashion. Textiles and metals that were typically used in the production of clothing were often redirected from consumer fashion and toward the war effort. More functional and practical clothing was culturally encouraged and

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Since the mid-20th century, Canada has been a hub for innovation and design in winter boots, with local companies having integrated insulated footwear and convenient street styles. Examples include "cougar pillow" boots, First Nations-inspired moccasin footwear, and the waterproof cold-weather boots

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In 1974, the Fashion Designers Association of Canada was founded, which was mandated to promote Canadian designers as well as generate appreciation for the fashion industry's contribution to Canadian society as a whole. This Association was partly founded by Michel Robichaud and Marielle Fleury, who

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from the early part of the century were high-waisted with a fitted bodice, and were flowing and loose fitting at the bottom. Preceding years over the course of this period saw older styles blending into new, such as dresses with "empire" waistlines but with fuller skirts, and also saw the beginnings

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Noble women wore bonnets decorated with lace and gems (often in the shape of butterflies), as well as blouses adorned with frilled lace and with funnel-shaped lace sleeves. Their dresses and skirts often had gold and silver thread, floral designs, fringes, and were typically layered over petticoats.

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In 1954, the Association of Canadian Couturiers was founded, which was mandated with establishing a recognisable identity and media presence for Canadian design in the broader international market. Renowned members included Montreal's Jacques de Montjoye and Toronto's Frederica. After producing the

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This period was an important time in the development of Canada's department store landscape. With the imminent closing of the North American fur trade, the Hudson's Bay Company underwent a "modernization program" which involved entering the commercial retail space. Although the company had operated

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is a more contemporary example; a garment of symbolic importance for the city of Calgary, Alberta, rooted in the traditional ranching and farming culture of the area. The "White Hat" provides Calgary with a sense of communal identity, an idealized citizen epitomized in the "Canadian cowboy", and a

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Dresses in the 1940s and 50s post-war era shifted away from the pre-war styles of the 1920s and 30s, which emphasized a natural look with shortened skirts, shorter sleeves, lower necklines, and relatively loose-fitting dresses with a somewhat square shape. Post-war dresses tended to fit tighter at

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was characterized by variety, ornamentation, and ever-changing styles. Dresses in the 1830s were notable for their width, voluminousness, and gigot-style sleeves. The 1850s saw the popularity of crinolines skirts and bell-shaped shirts. Over time, the fashionability of the perch at the back of the

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New France nobility wore similar fashions to the bourgeoisie, but were generally more lavish and extravagant in their fabrics and designs. Men wore wigs and tri-corner hats, although before the 18th century, these wigs were often so large that hats had to be carried underarm. They wore shirts with

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become a common industry practice for designers to guarantee their authorship, and department stores began selling designer clothing alongside ready-made selections. Famous elite Canadian designers during this period include G.M. Holbrook (Ottawa), William Stitt and Co. and O'Brien (Toronto), and

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Professional attire became increasingly prominent with Canada's burgeoning middle class. These clothes were required to be low-maintenance and perceived as respectable, as masculine fashions gradually shifted from the decorative styles of previous eras in favour of black suits. Though custom-made

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did not see a dramatic shift in the way of working-class fashion, the changing styles among the upper-classes in England and France did influence those of the Canadian colonies. Fashions of upper-class Canadian women reflected those of their European counterparts, such as through the use of lace,

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Despite the dissolution of two fashion design associations in the 60s and 80s, the developing export market in the final decades of the 20th century marked an increase in global recognition of Canadian fashion design. Canadian fashion designers that garnered significant international reputations

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By 1958, most women's clothing sold in Canada was manufactured domestically, with skilled workers able to produce up to 15 dresses a day on average, although both the textiles and designs were often imported. For example, the "Parisian chemise", which was introduced to European markets two years

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The 1920’s also saw developments in the way of men's suits. Similar to women's fashions of the time, everyday suit-wear became less formal and more considerate of personal comfort. Shorter suit jackets replaced formal long suit jackets for casual wear. The service uniforms of the First World War

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became responsible for the control of goods and services, which affected the country's fashion economy dramatically. The WPTB's mandate included supply allocation, manufacturing capacity, labour allotment, product design, product change regulations, distribution of goods and services, and price

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who often ran local storefronts, which may have also sold fabrics and accessories, catering to local urban markets such as Toronto, Montreal, and Ottawa. These businesses often operated under the name of the owner-designer, and by the late 19th to early 20th century, city directories listed an

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the top, while wide and full at the bottom. Corsets, crinolines, and girdles returned to fashion during this period, as the emphasis on slimness increased via the influence of commercial advertising. Catalogues also promoted youth as the standard of feminine beauty, advertising products like

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regulated, as the national consciousness focused on a collective effort toward liberating Europe. Feminine fashion, in particular, reflected working class roles as women took up occupations traditionally filled by men, and was even described as an expression of patriotism. In the 1941

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family by an unknown artist (c.1840s). Store-owner Charles Bowman and his sons are dressed in three-piece suits while his wife and daughters wear dresses. Additions and accessories include Charles' stock tie, his wife's bonnet, his older daughter's shawl, and his younger daughter's

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sweaters, plaid barn jackets, and sleek leggings, this style has been a source of guidance for major brands like Smythe, Aldo, Roots, and Brunette the Label. Smythe's notoriety as a high-end designer of equestrian-inspired fashion was increased after their blazers were worn by the

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style became popular among Canadian women during this decade. As the decade developed, particular styles of women's articles gained popularity in this vein, such as shift dresses, straight bodices, collars, and all-in-one lingerie, and the corset became increasingly substituted by

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in New France were also traditionally cut to length in accordance with one's level of nobility. Like their male counterparts, noble women wore silk stockings and shoes. Accessories included parasols, gloves, and gold and silver ribbons that often held garments together.

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influenced men's jackets of the early 1920s; they tended to be high-waisted with narrow lapels. Trousers during this part of the decade also tended to be narrow. The latter half of the decade saw the typical suit jacket develop a lower waistline, wider lapels, and

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From the 16th century onward, Canada's fashion history can be divided into discernable eras that are characterized by prevalent styles particular to the time period. These various modes of dress have often been influenced by the predominant upper-class fashions of

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had notable differences, as these strict standards for youth and beauty were emphasised more in eastern markets; catalogues issued in western Canada tended to be more liberal in using female models with fuller figures or more aged appearances.

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consistently published columns, stories, and features dedicated to opinions and developments in fashion. New clothing designs, accessory descriptions, and stories addressing WPTB restrictions were continuously published throughout the war.

337:(c. prior to 1927). High-class French women are illustrated wearing colourful dresses, lace sleeves, ribbons, and holding fans. In contrast, the evidently lower-class woman in the foreground carries a metal box and wears a plain blouse, 1639:

As of 2023, the Canadian fashion industry is estimated to have generated a revenue of US$ 17.85bn, and revenue is expected to show an annual growth rate of 12.47% until 2027, resulting in a projected market volume of US$ 28.56bn.

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clothing also started to become more prevalent, which squeezed the local custom garment industry, particularly in men's wear. Notable Canadian designers during the 1920s and 30s include Madame Martha, who designed and sold

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for a Montreal clientele. Gaby Bernier and Marie-Paule Nolin were also important Montreal designers who established their practices during the 1930s. The influx of imports from European designers, particularly those of

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Women's high fashion took a dramatic shift from the understated fashions of decades prior as extravagant styles became popular, utilizing such elements as poofy sleeves, bell-shaped skirts, elaborate hats, and ribbons.

365:, was in large part motivated by the North American fur trade, establishing a network of forts and supply routes that laid the developmental groundwork for the modern Canadian state. Indigenous and European hunters and 661:

boned stays, pastels, and ruffles. Though English styles were incorporated into the wardrobes of French-Canadian women, these styles were more prevalent in English-majority areas during this period, particularly in

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and Dupuis Frères. Fur coats were common during the winter months, as seen in the distinctive designs of R.J. Devlin, who made beaver-fur greatcoats that were known to be particularly popular among members of the

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Canadian consumer fashion trends are linked to the legacy of the country's fashion history and are often an expression of the varied lifestyles associated with Canada's social classes and geography, as seen in

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The mid-19th century saw the development of local, custom-made clothing industries and the increase in prestige of fashion design as a trade. Canadian fashion designers during this period were dressmakers and

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and functional apparel. The "blanket jacket", for example, is possibly Canada's first athleisure garment, and is a continuation of the capotes and mackinaw jackets fashioned from wool blankets. According to

2029:", was not invented in Canada, it has none the less been distinguished within the Canadian consciousness as an important piece of national apparel. Other headgear that were developed in Canada include the 1006:

Increasing simplicity in men's everyday wear provided the opportunity for personal flare through luxury ornaments and accessories. Such items included pocket watches, detachable collars, ties, cravats,

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dress shifted to smoother lines, akin to an "hour-glass" shape by the end of the 19th century. Canadian middle-class women often had to modify their existing attire to sustain the changing trends.

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tended to settle. English and French styles during this time were typically distinguished by their level of extravagance; English-Canadian dresses tended to be more toned-down and conservative.

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Museums in Canada dedicated to fashion and textiles, or that maintain significant collections dedicated to fashion history, include the Patricia Harris Gallery of Textiles & Costume at the

688:, men's fashion in the Canadian colonies tended to shift toward a comparatively casual and sleek appearance. Men's clothes in the latter part of the 18th century became tighter over time, and 1184: 74: 1403:, hair treatments, complexion pills, and clothes which lent themselves to a more youthful appearance (such as corsets and girdles). Modeling displayed in catalogues distributed between 83: 1451:

in 1960 that it entered the larger markets in central Canada. This would begin a monopolising trend within Canada's developing retail landscape, as the company would go on to acquire

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own clothing based on designs found in the catalogues), ready-to-wear fashions grew more prevalent as these catalogues became increasingly important to Canadian consumer culture.

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have had a marked influence on modern Canadian design and trends. With the enduring popularity of the "horse girl" aesthetic through clothing articles such as women's tailored

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to manufacture greatcoats for the coming winter. Due to the shortage of blue fabric needed to complete the order, the balance was supplemented by blankets with a black-on-red

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designed clothing and accessories for practical application in contention with the natural elements, as well as for ritualistic and spiritual purposes. Indigenous-Canadians

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suits were worn by wealthy and prominent professionals, cheaper ready-made suits became more widely available and marketed through mail-order catalogues by companies like

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and Brunswick boots advertised in Lower Canadian newspapers after 1815. These men went from wearing wigs or tying back their own long hair to short natural styles."

2064:. Brands like Street and Saddle and Ellie Mae have adapted recreational equestrian styles for everyday and professional wear, particularly the autumn fashion season. 3172: 1371: 449:. European adoption of mukluks in turn influenced Indigenous crafting by introducing new materials, sewing techniques, and styles, as seen in the increased used of 1236: 1573:, was founded at the end of the millennium, operating as "the national trade association representing the interests of the Canadian fashion design industry." 3693: 1279:

became more popular in place of narrower pants. Men's headwear during this time was typically stratified by class; upper-class men tended to wear tophats or

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Other men's fashions came in the form of leisure and club wear. Sporting attire was produced to meet demand from the increasing interest in activities like

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pattern. After being advised by a dispatch runner on the impracticality of travelling in long greatcoats between Montreal and Mackinaw during winter due to

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with feathers, decorative buttons, and braids, and tended to have embroideries on their clothing. Bourgeois men also tended to wear ties or scarves made of

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cover (1943) depicts a woman, or "career girl", in a simple buttoned shirt at a desk with a typewriter. The bottom text encourages the reader to buy war

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shore. The men are shown in century coats, waistcoats, and tricorne hats, while the women wear brightly coloured dresses, shawls, and ornamented hats.

43: 4714: 4629: 4553: 1026:, walking, and swimming. For example, breeches became more vogue due to the popularity of horseback riding and cycling. The rise in membership of 3391: 1621: 3514:

e-Veritas, July 24, 2016, Headdress of the Royal Military College of Canada: A brief history by 8057 Ross McKenzie, former Curator RMC Museum

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The late 20th century constitutes an era in which many of Canada's most prolific brands were founded. This includes Ontario brands such as

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There are a number of Canadian youth associations which require standard-issue uniforms for their members. One such organisation is the

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during their inaugural year, the Association continued to produce shows in Canadian cities twice a year, until they disbanded in 1968.

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feature titled "How Do We Dress From Here?", Carolyn Damon wrote that "today we think more seriously, and so we dress more seriously."

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of gigot-style sleeves as a trend. As sleeves expanded during the 1820s, the common fashion for waistlines also inched lower overtime.

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urban storefronts since the late 19th century, and had established department stores in western Canadian cities such as Vancouver,

1312: 1124: 701: 632: 628: 310: 2134:(a scarlet military-pattern tunic, complete with a high-neck black collar), midnight-blue breeches with yellow trouser piping, an 919:, and had a function of disseminating educational themes of technological progress, art, and literature through local newspapers. 791: 4699: 3678: 2169: 1570: 398:, sold capotes (also called "blanket coats"), fabricated out of the company's unique "point blanket", from trading posts such as 3416: 903:

Formal dress for Canadian women was important during this era due to the popularity of costumed theatre, skating carnivals, and

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sense of living on the margins and distinction from perceived centralising powers within Canada. Although the knitted cap, or "

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trend, became much more predominant throughout the Canadian colonies; in Upper Canada, the Maritimes, and even in

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in "company colours". Currently, youth branches all maintain some variation of a navy-blue shirt or tunic with a

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and their demand in the European market, for example, were an important driver of the Canadian fur trade. The

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Joan Ward (left) and Barbara Ellis (right) compare fashions in a Simpson's catalogue from 1902 with the

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One of Canada's most recognizable and internationally-renown uniforms is the ceremonial outfit of the

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that are distinct to their particular cultures. Beginning from the 16th century after the founding of

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Caton, Susan Turnbull (2004). "Fashion and War in Canada, 1939-1945". In Palmer, Alexandra (ed.).

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Caton, Susan Turnbull (2004). "Fashion and War in Canada, 1939-1945". In Palmer, Alexandra (ed.).

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Caton, Susan Turnbull (2004). "Fashion and War in Canada, 1939-1945". In Palmer, Alexandra (ed.).

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Holt Renfrew also made important moves during the post-war era by closing key deals with leading

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is another traditional form of functional fashion, which originates from Indigenous cultures of

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by French sailors. The Hudson's Bay Company, which was granted monopoly over Rupert's Land via

215:, as well as the geographical realities of living in Canada and the rugged lifestyles therein. 4495: 4255: 4250: 4083: 3970: 3754: 3749: 3616: 3494: 2999: 2874: 2849: 2824: 2459: 2030: 2021: 1904: 1848: 1483: 1243: 853: 805: 750: 594:. Bourgeois women wore decorative fashions, such as blouses with lace collars and skirts with 560: 552: 362: 165: 2455: 1154:, saw the phasing out of corsets which were fundamental to the fashions of the previous era. 648:(c. between 1880 and 1910), depicting a romanticised arrival of United Empire Loyalists to a 369:

supplied trade networks that capitalized on the demand for beaver pelts in European markets.

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Women's outerwear had to adapt to the changing styles of dress. For example, with the 1850s

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have been developed in Canada and have often carried cultural and historical significance.

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is a traditional piece of headgear for some Canadian police forces, such as the RCMP and

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wearing a regulation fur wedge cap as a cadet at the Royal Military College (1914).

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Canadian schools with post-secondary programs in fashion design and marking include

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outstanding quantity of local tailors and dressmaking shops. This period also saw

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Canada's fashion economy includes numerous clothing and accessory brands (such as

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and sweatsuits during the late 20th century by Lululemon and Roots respectively.

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Beginning in the 17th century, European explorers and traders increasingly wore

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hat, and long skirt. Most of the men depicted appear to be high-born, including

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of New France generally wore clothes with comparatively finer fabrics, such as

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depending on the season. Daily-wear for women included cotton shifts, woolen

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Postcard illustration of a woman in a "typical Canadian winter dress" (1907)

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became globally renown when their designs toured Europe in the lead-up to

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women's fashion was characterized notably by the preeminence of Parisian

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Hudson's Bay Company catalogue advertisement for Mackinaw jackets (1936)

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jackets, thus inventing what became known as the '’mackinaw jacket'’.

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was used in the fabrication of mackinaw jackets during the War of 1812

714: 4143: 4088: 2048: 1716: 1676: 1593: 1585: 1400: 1292: 833: 681: 595: 591: 583: 568: 564: 536: 446: 437:

skin. Mukluks were designed for maneuverability and warmth, and were

251: 212: 187:, and the establishment of proto-Canadian colonies, such as those of 161: 3392:"Equestrian style: The enduring allure of the 'horse girl' esthetic" 3556: 2995:

Couture and commerce – the transatlantic fashion trade in the 1950s

1998: 1971: 1963: 1858: 1742: 1630: 1531: 1414: 1369: 1316: 1169: 1164: 1128: 1092: 1076: 881: 790: 754: 713: 636: 586:, and utilized a wider variety of colour. Men often wore wigs and 532: 520: 516: 500: 480: 442: 426: 325: 314: 4531: 4078: 3992: 1684: 1660: 1467: 1217:"New Easter Frocks, Undeniably Chic and Cleverly Designed" from 1107:

Edwardian Era, World War 1, and Interwar Period (1900s to 1930s)

689: 579: 484: 379: 376: 183:, developing factors such as continued European settlement, the 4535: 3560: 2357:"Women's Fashion After the Fall of New France (1760s to 1780s)" 1474:

during the early 1950s, and established key outlets at some of

828:

requisitioned a supply of Hudson's Bay point blankets from the

4220: 733:

and buttons, white trousers, and a black cape with red lining

623:

Post-New France and the new British colonies (1760s to 1800s)

1750:

brand on display at the Spring 2015 Toronto Fashion Week in

2350: 2348: 2322: 2320: 2318: 2316: 2172:. The outside layer of the cap is usually made from either 1494:

prior, was first sold in Canadian stores during this year.

3442:"Fall fashion: 10 top trends to shop from Canadian brands" 3417:"Style Q&A: A brand for the 'horse girl in all of us'" 1881:

Wilson School of Design at Kwantlen Polytechnic University

1096:

J.J. Miloy (Montreal), who were notably patronized by the

475:. Habitant clothing was largely homemade or spun by local 3173:"Fashion Design Council of Canada / Robin Kay, President" 2407:"Women's Fashion During the Regency Era (1810s to 1830s)" 840:, it was recommended that they instead fabricate shorter 445:

thread to make watertight seams, thus being suitable for

353:

European exploration northwestward, into the frontier of

820:

was invented out of necessity. During the occupation of

467:

farmers and fishers) comprised 80% of the population of

144:

refers to the styles, trends, design, and production of

95:: woman wearing black boots, leggings, and cabin socks ( 2382:"Men's Fashion During the Regency Era (1810s to 1830s)" 2153:(also known as the "stetson hat"), and oxblood gloves. 1905:

School of Media, Art, & Design at St. Clair College

1075:

skirt-suit with a silk velvet collar, silk lining, and

2200:

or straw hat (for Summer), navy-blue stockings, white

2060:

at several public events, including the 2011 and 2016

745:, in which roughly 800,000 migrants, largely from the 555:, and buckle shoes or clogs. Habitant women also kept 1163:

clothing in Toronto, and Ida Desmarais, who designed

3491:

Head-dress of the Canadian Mounted Police, 1873–2000

2180:

wool, and is designed to fold flat when not in use.

2037:(or "Pang") hat, and the "Christy stiff" variety of 382:, often complete with a hood) were worn by European 4773: 4607: 4576: 4461: 4413: 4310: 4201: 4124: 4059: 4050: 4013: 3934: 3860: 3735: 3712: 3669: 3604: 289:

New France and the early Fur Trade (1530s to 1750s)

3175:. Office of the Commissioner of Lobbying of Canada 2447: 1466:fashion houses from France and Italy (notably the 977:Donald Smith, 1st Baron Strathcona and Mount Royal 669:, where immigrants from Britain and the influx of 3493:. Calgary: Bunker to Bunker Pub. pp. 89–96. 3343:"The White Hat: A Calgary symbol we love to hate" 1820:, and Western Canada Fashion Week, among others. 1067:ornate wool dress tailored by J.J. Miloy (1887). 942:became a growing trade for women, separate from 926:trend, overcoats were exchanged for shawls. The 3026:. University of Western Ontario. Archived from 1930:, and the Mississippi Valley Textile Museum in 2105:Mountie wearing her ceremonial uniform at the 1757:Fashion magazines published in Canada include 1176:workroom at Holt Renfrew's Montreal location. 349:) at the bottom wears a headwrap and no shirt. 270:), and a variety of postsecondary programs in 4547: 3572: 3049:"Fashion, food and nuclear fear in the 1950s" 1823:Some popular Canadian fashion models include 1307:World War 2 and Post-war Era (1940s to 1950s) 761:, where a Francophone majority persisted. In 226:), department stores (such as the historical 128:logo, Canadian teenagers in skirt-suits from 8: 3694:Timeline of clothing and textiles technology 3024:Canadian Register of Commerce & Industry 1600:(1984); and British Columbia brands such as 1227:The Edwardian era saw the brightly-coloured 1101:Frederick Arthur Stanley, 16th Earl of Derby 1079:buttons by William St. Pierre Ltd. (c. 1900) 3318:"6 Fashion Trends That Were Born in Canada" 3293:"6 Fashion Trends That Were Born in Canada" 3268:"6 Fashion Trends That Were Born in Canada" 109:in a Canada-themed outfit (Ottawa, 2011), " 4554: 4540: 4532: 4056: 3931: 3579: 3565: 3557: 1295:, while working-class men tended to wear 606:lace collars and cuffs, Steinkerque lace 320:Ein Canadischer Bauer (A Canadian Farmer) 3219:"8 Most Popular Canadian Fashion Models" 2873:. Toronto: University of Toronto Press. 2848:. Toronto: University of Toronto Press. 2823:. Toronto: University of Toronto Press. 776:(or "toppers"), cravats, gloves, canes, 2220: 1889:Richard Robinson Fashion Design Academy 1863:Bata Shoe Museum on Bloor St., Toronto 1622:List of Canadian clothing store chains 1536:The first Club Monaco store opened on 1205:Service dress of Captain Noel Farrow, 930:, which were already in common use in 895:Everyday fashion for women during the 2697:"Edwardian fashion: A 5-minute Guide" 2454:. Houghton Mifflin Harcourt. p. 2122:Uniforms of the Canadian Armed Forces 656:Though the early years following the 307:1650–1700 in Western European fashion 303:1600–1650 in Western European fashion 299:1550–1600 in Western European fashion 105:fashion editor Vivian Wilcox (1955), 7: 3837:Social media in the fashion industry 2992:Alexandra Palmer (1 November 2001). 2800:The Roaring Twenties History Project 2775:The Roaring Twenties History Project 2212:, with optional sashes and scarves. 1869:Ryerson University School of Fashion 1814:Montreal Fashion and Design Festival 692:started to become more commonplace. 2329:"Fashion in New France (1700-1750)" 3533:"Canadian Guiding Uniform History" 3466:"Uniform Regulations for the RCMP" 2295:René R. Gadacz (20 October 2015). 1804:Industry events in Canada include 1655:, Hilary MacMillan, Hudson North, 1510:Late 20th Century (1960s to 1990s) 1283:, the middle-class tended to wear 848:Confederation Era (1840s to 1890s) 729:in a scarlet tailcoat with golden 719:Major-General The Hon. Aeneas Shaw 414:as early as the mid-17th century. 234:), various annual and semi-annual 14: 3347:Canadian Broadcasting Corporation 3341:Jeremy Klaszus (4 January 2016). 2254:"Hudson's Bay Point Blanket Coat" 1635:Roots store on Bloor St., Toronto 981:Sir Henri Charles Wilfrid Laurier 4794: 4514: 3679:History of clothing and textiles 3660: 2921:"Catalogues and Women's Fashion" 2896:"Catalogues and Women's Fashion" 2170:Royal Military College of Canada 2085: 2076: 1571:Fashion Design Council of Canada 1455:in 1972, Simpson's in 1978, and 1374:Women's "skirt-suit" modeled in 1192: 1183: 1054: 1045: 983:, 1897 (right), as published in 962: 953: 82: 73: 62: 53: 42: 33: 22: 3612:Environmental impact of fashion 2871:Fashion: A Canadian Perspective 2846:Fashion: A Canadian Perspective 2821:Fashion: A Canadian Perspective 2130:. This uniform consists of the 1988:Fashion: A Canadian Perspective 763:Fashion: A Canadian Perspective 322:by Friedrich von Germann (1778) 3470:RCMPolice.ca (unofficial blog) 2184:Non-governmental organisations 2176:or an animal product, such as 1588:(1980); Quebec brands such as 1351:Wartime Prices and Trade Board 907:. Historical figures, such as 658:British conquest of New France 1: 3247:Fashion & Textile Museums 2624:"Leisure and Sports Clothing" 2128:Royal Canadian Mounted Police 1476:Canada's grand railway hotels 1378:magazine's April 1942 edition 173:Indigenous cultures of Canada 166:polities it is descended from 120:outer parka (c. 1914) at the 1938:Trends and national costumes 1313:1945–1960 in Western fashion 1207:Canadian Expeditionary Force 1125:1930–1945 in Western fashion 1103:and his wife, Lady Stanley. 1001:Ontario Legislative Assembly 702:1795–1820 in Western fashion 696:Regency Era (1810s to 1830s) 633:1775–1795 in Western fashion 629:1750–1775 in Western fashion 543:, wool stockings held up by 425:boots originally crafted by 311:1700–1750 in Western fashion 3154:. The Canadian Encyclopedia 3129:. The Canadian Encyclopedia 3104:. The Canadian Encyclopedia 3079:. The Canadian Encyclopedia 2600:"Accessories and Outerwear" 2576:"Accessories and Outerwear" 2528:"Outerwear and Accessories" 2446:Cutler, Charles L. (2002). 1135:Spring and Summer Catalogue 797:black-on-red tartan pattern 741:marks the beginning of the 723:John Wycliffe Lowes Forster 642:The Coming of the Loyalists 335:Eleanor Fortescue-Brickdale 171:Since time immemorial, the 156:, and other expressions of 133:Spring and Summer Catalogue 4838: 3684:History of Western fashion 3537:GIRL GUIDE HISTORY TIDBITS 3489:Boulton, James J. (2000). 3148:"Fashion Design in Canada" 3123:"Fashion Design in Canada" 3098:"Fashion Design in Canada" 3073:"Fashion Design in Canada" 3020:"Holt Renfrew and Co. Ltd" 2998:. UBC Press. p. 120. 2925:Canadian Museum of History 2900:Canadian Museum of History 2722:"Fashion Design in Canada" 2673:"Fashion Design in Canada" 2652:Canadian Museum of History 2628:Canadian Museum of History 2604:Canadian Museum of History 2580:Canadian Museum of History 2556:Canadian Museum of History 2532:Canadian Museum of History 2508:Canadian Museum of History 2484:Canadian Museum of History 2411:All About Canadian History 2386:All About Canadian History 2361:All About Canadian History 2333:All About Canadian History 2277:. Northwest Journal Online 2119: 1941: 1619: 1513: 1310: 1110: 851: 699: 626: 487:, or wool, and lined with 292: 284:History of Western Fashion 281: 4789: 4569: 4509: 3689:History of fashion design 3658: 3598:Index of fashion articles 3595: 3371:The Canadian Encyclopedia 2726:The Canadian Encyclopedia 2677:The Canadian Encyclopedia 2429:Wooley, H. J. L. (1911). 2301:The Canadian Encyclopedia 2234:The Canadian Encyclopedia 2045:Equestrian style elements 1424:Fall and Winter Catalogue 830:British Indian Department 743:Great Migration of Canada 107:HRH the Princess of Wales 4069:British country clothing 3627:Fashion design copyright 1928:Costume Museum of Canada 1920:Textile Museum of Canada 1643:Canadian brands include 1561:), Jean-Claude Poitras, 1553:during this era include 1250:, particularly Canada's 1209:(1917), as displayed at 1121:1920s in Western fashion 1117:1910s in Western fashion 1113:1900s in Western fashion 878:1890s in Western fashion 874:1880s in Western fashion 870:1870s in Western fashion 866:1860s in Western fashion 862:1850s in Western fashion 858:1840s in Western fashion 824:, the British commander 710:1830s in Western fashion 706:1820s in Western fashion 473:British conquest in 1763 185:North American fur trade 4428:Anti-sweatshop movement 1693:Boutique La Vie en Rose 1598:Boutique La Vie en Rose 1468:House of Christian Dior 1028:fraternal organizations 671:United Empire Loyalists 359:North-Western Territory 4781:List of fashion events 4715:Port Harcourt, Nigeria 4479:Chinoiserie in fashion 2162:Toronto Police Service 2107:Vancouver Pride Parade 2051:, tall leather boots, 1977: 1969: 1864: 1818:Vancouver Fashion Week 1754: 1636: 1541: 1427: 1379: 1330: 1138: 892: 800: 734: 653: 527:. Men would also wear 511:, sometimes a vest or 350: 323: 3815:Fashion merchandising 2552:"Professional Attire" 2228:Jennifer S.H. Brown. 2190:Girl Guides of Canada 2166:Canadian Armed Forces 2145:and matching oxblood 2062:royal tours of Canada 1975: 1967: 1916:McCord Stewart Museum 1901:University of Alberta 1862: 1746: 1634: 1538:Queen Street, Toronto 1535: 1418: 1373: 1320: 1219:Canadian Home Journal 1132: 885: 794: 717: 640: 515:, and either leather 396:Charles II of England 331:Arrival of the Brides 329: 318: 193:British North America 4390:South Korean fashion 3852:Trickle-down fashion 3790:Fashion illustration 3775:Fashion entrepreneur 3652:Semiotics of fashion 2433:Sword of Old St. Joe 2058:Duchess of Cambridge 1912:Royal Ontario Museum 1873:George Brown College 1806:Toronto Fashion Week 1233:service dress jacket 228:Hudson's Bay Company 122:Royal Ontario Museum 4438:Sustainable fashion 4405:Vietnamese clothing 3936:Western dress codes 3810:Fashion photography 3785:Fashion forecasting 2796:"Women and Fashion" 2771:"Women and Fashion" 2480:"Everyday Clothing" 2204:, and a jersey and 2141:with white sidearm 2009:designed by Sorel. 1810:Ottawa Fashion Week 1653:Herschel Supply Co. 1498:first all-Canadian 979:, 1900 (left), and 676:In contrast to the 471:by the time of the 4801:Fashion portal 4675:Lahore and Karachi 4521:Fashion portal 4469:Ballet and fashion 4453:Zero-waste fashion 4169:Sportswear fashion 3847:Trickle-up fashion 3832:Red carpet fashion 3800:Fashion journalism 3795:Fashion influencer 3519:2016-08-13 at the 3316:Kristy Archibald. 3291:Kristy Archibald. 3266:Kristy Archibald. 3194:"Fashion - Canada" 2949:The Canadian Press 2436:. Chp V, pg 17-21. 1978: 1970: 1865: 1847:, Andi Muise, and 1799:Vancouver Magazine 1755: 1637: 1542: 1428: 1380: 1331: 1139: 975:'s caricatures of 893: 801: 735: 725:(1902), depicting 654: 351: 324: 93:Clockwise from top 4809: 4808: 4529: 4528: 4496:Music and fashion 4306: 4305: 4256:Thrift store chic 4084:Cruise collection 4046: 4045: 3971:Black lounge suit 3755:Designer clothing 3750:Clothing industry 3617:Fashion accessory 2919:Shirley Lavertu. 2894:Shirley Lavertu. 2750:Canadian Soldiers 2450:Tracks that speak 2164:, as well as the 2022:Calgary white hat 1849:Linda Evangelista 1651:, Frank and Oak, 1565:, Hilary Radley, 1484:Chateau Frontenac 897:Confederation era 854:Victorian fashion 751:Romantic movement 690:three-piece suits 680:that took off in 667:Atlantic colonies 375:(long wrap-style 363:Columbia District 260:fashion magazines 177:maintain fashions 4829: 4822:Canadian fashion 4799: 4798: 4797: 4556: 4549: 4542: 4533: 4519: 4518: 4517: 4474:Capsule wardrobe 4433:Circular fashion 4415:Fashion activism 4380:Nigerian fashion 4375:Japanese fashion 4333:Filipino fashion 4323:Canadian fashion 4318:American fashion 4057: 3932: 3664: 3581: 3574: 3567: 3558: 3547: 3546: 3544: 3543: 3529: 3523: 3511: 3505: 3504: 3486: 3480: 3479: 3477: 3476: 3462: 3456: 3455: 3453: 3452: 3440:Aleesha Harris. 3437: 3431: 3430: 3428: 3427: 3415:Aleesha Harris. 3412: 3406: 3405: 3403: 3402: 3390:Aleesha Harris. 3387: 3381: 3380: 3378: 3377: 3363: 3357: 3356: 3354: 3353: 3338: 3332: 3331: 3329: 3328: 3313: 3307: 3306: 3304: 3303: 3288: 3282: 3281: 3279: 3278: 3263: 3257: 3256: 3254: 3253: 3239: 3233: 3232: 3230: 3229: 3214: 3208: 3207: 3205: 3204: 3190: 3184: 3183: 3181: 3180: 3169: 3163: 3162: 3160: 3159: 3144: 3138: 3137: 3135: 3134: 3119: 3113: 3112: 3110: 3109: 3094: 3088: 3087: 3085: 3084: 3069: 3063: 3062: 3060: 3059: 3045: 3039: 3038: 3036: 3035: 3016: 3010: 3009: 2989: 2983: 2982: 2980: 2979: 2969:"History of HBC" 2965: 2959: 2958: 2956: 2955: 2941: 2935: 2934: 2932: 2931: 2916: 2910: 2909: 2907: 2906: 2891: 2885: 2884: 2866: 2860: 2859: 2841: 2835: 2834: 2816: 2810: 2809: 2807: 2806: 2791: 2785: 2784: 2782: 2781: 2766: 2760: 2759: 2757: 2756: 2742: 2736: 2735: 2733: 2732: 2720:Cynthia Cooper. 2717: 2711: 2710: 2708: 2707: 2701:5 Minute History 2693: 2687: 2686: 2684: 2683: 2671:Cynthia Cooper. 2668: 2662: 2661: 2659: 2658: 2644: 2638: 2637: 2635: 2634: 2620: 2614: 2613: 2611: 2610: 2596: 2590: 2589: 2587: 2586: 2572: 2566: 2565: 2563: 2562: 2548: 2542: 2541: 2539: 2538: 2524: 2518: 2517: 2515: 2514: 2500: 2494: 2493: 2491: 2490: 2476: 2470: 2469: 2453: 2443: 2437: 2427: 2421: 2420: 2418: 2417: 2402: 2396: 2395: 2393: 2392: 2377: 2371: 2370: 2368: 2367: 2352: 2343: 2342: 2340: 2339: 2324: 2311: 2310: 2308: 2307: 2292: 2286: 2285: 2283: 2282: 2271: 2265: 2264: 2262: 2261: 2250: 2244: 2243: 2241: 2240: 2225: 2089: 2080: 1960:Cowichan sweater 1952:Ceinture fléchée 1932:Almonte, Ontario 1924:Bata Shoe Museum 1893:Fanshawe College 1775:Fashion Magazine 1616:Fashion industry 1528:1990s in fashion 1524:1980s in fashion 1520:1970s in fashion 1516:1960s in fashion 1347:War Measures Act 1335:Second World War 1229:military regalia 1196: 1187: 1098:governor general 1058: 1049: 966: 957: 913:Canadian history 909:Marie Antoinette 886:Painting of the 678:macaroni fashion 479:, usually using 455:beading patterns 268:Fashion Magazine 142:Canadian fashion 86: 77: 66: 57: 46: 37: 26: 4837: 4836: 4832: 4831: 4830: 4828: 4827: 4826: 4812: 4811: 4810: 4805: 4795: 4793: 4785: 4769: 4765:Yangon, Myanmar 4603: 4572: 4565: 4560: 4530: 4525: 4515: 4513: 4505: 4457: 4409: 4395:Swedish fashion 4385:Russian fashion 4363:Italian fashion 4358:Israeli fashion 4353:Iranian fashion 4328:Chinese fashion 4302: 4197: 4193:Vintage fashion 4181:Ghetto fabulous 4120: 4074:Business casual 4042: 4009: 3930: 3862: 3856: 3770:Fashion capital 3760:Digital fashion 3731: 3708: 3665: 3656: 3647:Fashion tourism 3600: 3591: 3585: 3555: 3550: 3541: 3539: 3531: 3530: 3526: 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1222: 1199: 1198: 1197: 1189: 1188: 1127: 1109: 1083: 1082: 1081: 1080: 1077:mother-of-pearl 1061: 1060: 1059: 1051: 1050: 1011:, and tophats. 991: 990: 989: 988: 969: 968: 967: 959: 958: 880: 850: 842:double-breasted 826:Charles Roberts 818:mackinaw jacket 712: 698: 635: 625: 588:tri-corner hats 465:French-Canadian 313: 291: 286: 280: 274:and marketing. 236:industry events 197:local geography 139: 138: 137: 136: 89: 88: 87: 79: 78: 69: 68: 67: 59: 58: 49: 48: 47: 39: 38: 29: 28: 27: 12: 11: 5: 4835: 4833: 4825: 4824: 4814: 4813: 4807: 4806: 4804: 4803: 4790: 4787: 4786: 4784: 4783: 4777: 4775: 4771: 4770: 4768: 4767: 4762: 4757: 4752: 4747: 4742: 4737: 4732: 4730:Sibiu, Romania 4727: 4722: 4720:Rio de Janeiro 4717: 4712: 4707: 4702: 4697: 4692: 4687: 4682: 4677: 4672: 4667: 4662: 4657: 4652: 4647: 4642: 4637: 4632: 4627: 4622: 4617: 4611: 4609: 4605: 4604: 4602: 4601: 4596: 4591: 4586: 4580: 4578: 4574: 4573: 4570: 4567: 4566: 4561: 4559: 4558: 4551: 4544: 4536: 4527: 4526: 4524: 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154:accessories 4645:Copenhagen 4577:"Big four" 4484:Dress code 4311:By country 4296:Rockabilly 4159:Athleisure 4154:Sportswear 4134:Streetwear 4111:Teddy Boys 4094:Ivy League 3880:Diplomatic 3870:Ceremonial 3542:2024-01-04 3500:1894255070 3475:2023-03-14 3451:2023-03-05 3426:2023-03-05 3401:2023-03-05 3376:2023-03-17 3352:2023-03-20 3327:2023-02-23 3302:2023-02-23 3277:2023-02-23 3252:2023-02-26 3228:2023-02-24 3223:Icy Canada 3217:Riaeleza. 3203:2023-02-23 3179:2023-11-12 3158:2023-11-12 3133:2023-11-12 3108:2023-11-12 3083:2023-11-12 3058:2023-03-13 3034:2023-03-18 2978:2023-03-18 2954:2023-03-18 2930:2023-03-12 2905:2023-03-12 2805:2023-02-25 2780:2023-02-25 2755:2023-02-25 2746:"Uniforms" 2731:2023-02-25 2706:2023-02-25 2682:2023-02-25 2657:2023-02-24 2633:2023-02-24 2609:2023-02-24 2585:2023-02-24 2561:2023-02-24 2537:2023-02-13 2513:2023-02-13 2489:2023-02-13 2465:0618065105 2416:2023-02-23 2391:2023-02-23 2366:2023-02-23 2338:2023-02-23 2306:2023-03-20 2281:2023-02-23 2260:2023-02-23 2239:2023-02-23 2216:References 2120:See also: 2031:tilley hat 1983:athleisure 1942:See also: 1841:Coco Rocha 1763:Chatelaine 1709:Le Château 1620:See also: 1514:See also: 1480:Royal York 1457:Woodward's 1376:Chatelaine 1356:Newspapers 1340:Chatelaine 1323:Chatelaine 1311:See also: 1152:couturiers 1111:See also: 1032:Freemasons 1020:equestrian 852:See also: 838:snowdrifts 786:greatcoats 767:Wellington 731:epaulettes 727:Æneas Shaw 700:See also: 627:See also: 469:New France 404:New Severn 361:, and the 343:Jean Talon 293:See also: 282:See also: 207:, notably 189:New France 181:Port-Royal 118:Nunavimiut 116:" (1842), 102:Chatelaine 97:Chilliwack 4760:Vancouver 4735:Singapore 4725:São Paulo 4620:Australia 4615:Amsterdam 4251:Steampunk 4211:Androgyny 4023:Christian 4015:Religious 3976:Black tie 3959:Ball gown 3954:White tie 3842:Sweatshop 2194:navy-blue 2132:Red Serge 2039:derby hat 1855:Education 1765:, Dolce, 1713:Lululemon 1689:Bluenotes 1645:Arc'teryx 1610:Lululemon 1606:Arc'teryx 1459:in 1993. 1441:Saskatoon 1364:magazines 1301:flat caps 1265:camisoles 1142:Edwardian 940:millinery 924:crinoline 541:petticoat 525:moccasins 513:waistcoat 509:stockings 461:Habitants 262:(such as 240:Vancouver 224:Lululemon 220:Arc'teryx 130:Simpson's 99:, 2017), 4816:Category 4774:See also 4745:Shenzhen 4740:Shanghai 4630:Brisbane 4584:New York 4462:See also 4448:Trashion 4246:Skinhead 4216:Bohemian 4174:Surfwear 4164:Gorpcore 4003:Pantsuit 3988:Informal 3892:Military 3885:Academic 3863:clothing 3825:in China 3737:Industry 3590:articles 3517:Archived 3243:"Canada" 3198:Statista 2297:"Mukluk" 2068:Uniforms 2053:crewneck 2014:headwear 2012:Various 1992:leggings 1793:, NUVO, 1721:Reitmans 1612:(1998). 1604:(1984), 1592:(1972), 1580:(1962), 1504:New York 1453:Freimans 1449:Morgan's 1437:Winnipeg 1433:Victoria 1269:bloomers 1133:Eaton's 1034:and the 934:and the 932:Scotland 891:capelet. 782:monocles 753:and the 665:and the 600:parasols 505:breeches 453:and new 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