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Cast-iron architecture

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For the same reasons, cast iron was also popular for structures within parks and gardens, both public and private, as well as on public promenades, used for fencing, seating, lamp posts, large fountains and drinking fountains, statues, decorative bridges, covered walkways, gazebos and bandstands. The
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Cast iron was quickly adapted to allow ever wider glass roofs on the then new idea of glass-roofed shopping arcades in Paris in the first decades of the 19th century. The idea spread across Europe and the United States in ever grander structures, and the largest examples had vast arched roofs in cast
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and built in the 1820s, is considered to be the first residence that used cast iron structure, for the verandahs, and floor and roof framing, and proved the concept of prefabrication and transportation long distances. Designers and foundries in the UK, France and Germany went on to produce all kinds
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with its internal structure of cast-iron proved the concept, it became ubiquitous in the multi-level mills of northern England, and then across Europe and the United States, helping to fuel the Industrial Revolution. Its usefulness for multi storey buildings ensured it remained popular for all kinds
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in the late 18th century made cast iron relatively cheap and suitable for a range of uses, and by the mid-19th century it was common as a structural material (and sometimes for entire buildings), and particularly for elaborately patterned architectural elements such as fences and balconies, until it
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blast furnace temperatures, which in turn allowed the use of more limestone to be added with the iron ore charge. The higher furnace temperatures made the slag produced with the additional lime to flow more freely. The calcium and magnesium in the lime helped tie up sulfur, which allowed the use of
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In Europe, it was in late 18th-century Britain that new production methods first allowed cast iron to be produced cheaply enough and in large enough quantities to regularly be used in large building projects. New production methods included using steam engine powered blast air, which allowed higher
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of Buddhism in China in the 840's led to the destruction of many of these structures. The later Song dynasty also built cast iron pagodas, exploiting its ability to be both structural and to be cast in any shape, such as in imitation of the timber and tiles of a standard pagoda. The 22m Iron Pagoda
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In Europe, cast iron had been occasionally used with architectural embellishment in the Middle Ages, such as fire backs with cast figures and scenes. The improvements in techniques in the late 18th century led to the possibilities of finer castings, allowing decorative objects such as statuary and
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was an even better structural material than wrought iron, and new steel making processes developed in the late 19th century greatly lowered the cost of production to far below the cost of wrought iron. The widespread use of cast-and-wrought iron frames in multi-level buildings was translated into
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The use of decorative cast iron as railings, fences and balconettes gradually gained popularity in Regency Britain and post-Napoleonic France as a cheaper alternative to the wrought-iron railings that only the wealthy could afford. The idea was exported to the colonies of both countries with hot
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alone) and many country towns began by reproducing imported designs in the 1850s and then developing their own, sometimes featuring Australian fauna such as cockatoos and koalas, but most featured flowing classically derived or vine-like patterns. After a period in the 1950s–60s when cast iron
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Cast iron was particularly useful to provide the entire structure of market halls, with a solid roof and open sides or highlight windows, and by the end of the 19th century nearly every new market in Europe (and most in Latin America) were cast-iron, some vast and elaborate, such as the 1850s
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to develop the idea of buildings using cast iron for complete decorative facades, which were far cheaper than traditional carved-stone, but could be painted to give the appearance of stone. His first was put up in 1848, quickly followed by many more, and he promoted the idea in a pamphlet
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was prefabricated in England and built in 1867–69, using brick infill panels in a heavy and decorative cast-iron frame and is one of the largest completely cast iron framed building (as opposed to market or shed) in the world. Possibly the largest prefabricated cast iron structure is the
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in cast iron were used all over the world, from gas lamps in the second half of the 19th century to electric ones in the first decades of the 20th – a collection of examples used in California in the 1920s and 30s now form a display outside the Los Angeles County Museum of Art, called
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In Australia, similar porches of usually only one or two levels, known as verandas, decorated with 'cast-iron lace', became a standard feature, shading the fronts of nearly every house, terrace house, pub and shop from the 1850s into the 1900s. Foundries in most cities and (with 42 in
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verandahs were routinely demolished, since the late 1970s they made a revival, and numerous foundries still provide historic patterns to order. Decorative cast iron used in a similar way can be found in other former British colonies including South Africa, Malaysia and India.
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exhibition hall built in London in 1851. The success of the concept spawned many imitators, as both exhibition halls and greenhouses, which were almost universally constructed of cast iron (sometimes in combination with wrought-iron) in the 19th century. The
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in Noisiel, completed in 1872, is often cited as the first building with an expressed metal frame. It was not however the first given earlier examples, but it is one of the most attractive (and some of the framing is hidden by the bricks). Designed by
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the city is known for (though almost all are now contemporary reproductions in other materials). In the 1870s philanthropist Charles Wallace funded the installation of numerous ornate drinking fountains across Paris, and over 100
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and built between 1816 and 1823, where cast iron columns were used within the walls, as well as cast iron beams, to enable the construction of the decorative domes; the columns in the kitchens were disguised as palm trees.
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jewelry to be mass-produced. Following the development of the material as for structural purposes, it was soon adapted for uses that were both decorative and structural in all manner of buildings, structures and objects.
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Since it could be used for all the structural members that would be cast in a foundry and then transported to site for erection, it was soon realised it could just as easily be transported anywhere in the world. The
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in 1061, and is the most outstanding example to survive. Cast iron pagodas were then superseded by even more elaborate bronze ones, but cast iron continued to be used for decorative items such as bowls and statues.
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Cast iron was not useful for items in tension like beams, where the more expensive wrought iron was preferred. Improvements in production saw the costs decrease at the same time as cast iron gained popularity. The
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Cast-iron columns for buildings had the advantage of being extremely slender, compared with masonry columns capable of supporting similar weight. That saved space in factories, and so after the five-storey 1795
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in Dublin, cast by the Coalbrookdale foundry, and built in 1816. The superior performance and greater spans of wrought-iron, and later wire suspension bridges, soon superseded cast iron for bridge construction.
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and was successfully used for structural components that were largely in compression in well-designed bridges and buildings. In a few instances bridges and buildings built with cast iron failed when misused.
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for the walls and roof. They included houses, stores, at least three complete churches, and an entire theatre; the most elaborate surviving structure in Australia is the completely cast iron Corio Villa, in
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Cast iron was also used as the principle support structure for seaside piers, with multiple slender columns able to support long decks of wrought iron and wood, and later large halls and pavilions; engineer
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neighborhoods in Richmond, though there it is mostly used for stair, porch and balcony railings. Numerous foundries in all three cities produced unique ornamental and structural designs in cast iron.
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in Australia in the 1850s hundreds of various types of prefabricated structures were shipped out from foundries in England and Scotland, in timber, cast or wrought iron, or a combination, often with
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was a much better structural material, and was preferred for bridges, rails, ships and building beams, and was often used in combination with cast iron, which was better in compression.
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Cast iron was also taken up by some architects in the early 19th century where smaller supports or larger spans were required (and where wrought iron was too expensive), notably in the
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in Paris is an early and elegant use of cast iron for a major city river crossing (the metal work of the current bridge is a near identical copy built in 1984 due to structural decay).
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in Paris, originally the Corn Market and clad in copper (later replaced with glass). The central four storey circular hall and towering glass dome of the long-demolished 1849 London
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also features a number of examples remaining from a once extensive district. In Europe, cast-iron architecture was never popular, except in the growing industrial city of
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in Baltimore is a similarly elaborate atrium with glass roof, where all the structural members are also decorative and made of cast iron. The lofty glass roof of Milan's
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experimented with frameworks of timber, cast-iron and glass in the 1820s and 30s, designing ever larger structures, often prefabricated, culminating in the monumental
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of industrial and commercial structures, as well as supports for balconies in theatres and even in churches, up until it was finally replaced by steel in about 1900.
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Cast iron lent itself to creating thinner supports in churches. An early example dates from 1837, when architect Louis Auguste Boileau supported the interior of the
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of prefabricated cast iron structures and items for shipping to the colonies, from decorative elements to structural components to entire buildings. During the
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in London features particularly ornate examples, with entwined dolphins supporting elaborate lampposts, and benches with sphinxes or camels as end panels.
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in the Czech Republic, built in 1889, which features an elaborate roof structure and extensive Neo-Baroque decorations in the facade, all in cast iron.
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As soon as improvements in techniques led to finer castings, designers exploited the decorative possibilities. As early as 1775, noted architect
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has the most famous and elaborate examples and the greatest concentration, with light, lacy often multi-level porches (known in New Orleans as
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Two famous examples of cast iron as both support and decoration of a roof on slender columns are the two great mid 19th century libraries of
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An interesting application is for a winter garden, with a solid roof but extensive glass walls, such as the Spa Colonnade in the spa town of
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in London (a pattern that was still produced into the 1830s). Another very early large scale example is the delicate fence of the
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in buildings and objects, ranging from bridges and markets to warehouses, balconies and fences. Refinements developed during the
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in Mexico City is a particularly elaborate example of the latter (though this may be wrought rather than cast iron). The 1870s
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in Paris on slim cast iron columns and ribbed vaulting imitating the Gothic style, but thinner than stone would have allowed.
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in North Wales, built in 1805, where both the arches and the trough are constructed of cast iron. On the continent, the 1804
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style facades. Warehouse districts in smaller US cities soon also saw many examples, but most have been demolished. The
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in 1857. Particularly popular for warehouse / industrial buildings, but also for department stores, the streets of the
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Markets were a type of structure that lent themselves to prefabrication and shipping, such as the structure of the
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The Unbound Prometheus: Technological Change and Industrial Development in Western Europe from 1750 to the Present
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The Iron Bridge, Coalbrookdale, Shropshire, 1781. The first large scale use of cast iron for structural purposes.
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Cast iron, a durable material that could take on any shape, was also popular from the mid 19th century for
1388: 801: 767: 638: 221: 670: 1989: 1677: 937: 548: 536: 300: 292: 262: 237: 196: 169: 66: 1791: 1472: 340: 793:. The dome consists of nearly 9 million pounds of cast iron. Another important example is the dome of 733: 46: 1839: 1581: 877: 786: 597: 99: 148: 1754: 1269: 1073: 905: 762:
Cast iron was used for the construction of large domes, as early as 1811 with the huge dome of the
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turned out "some of the most dramatic iron buildings this country has ever seen", most notably the
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iron works to produce balcony railings in imitation of wrought iron, such as the railing for the
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in 1855, followed by at least 14 piers in Britain in the 1860s–80s, and many more in Europe.
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Beautiful Railway Bridge of the Silvery Tay: Reinvestigating the Tay Bridge Disaster of 1879
1359:(2nd ed.). London: Maney Publishing, for the Institute of Materials. pp. 122–125. 1335: 1230: 864: 847: 658: 618: 471:
An early type of completely prefabricated building was the large storage shed at dockyards.
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in Santiago, Chile, which was shipped out from Glasgow firm Laidlaw & Sons in 1869. The
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in 1821, and the delightful nautical seahorses and mermaids in the balustrade of the 1820s
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Kentucky has the most surviving examples, with about 10 in a three block stretch. The
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was an enthusiastic early adopter, using cast iron for memorials such as the 20m tall
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describe in detail the cast-iron pagodas and statues widespread in China at the time.
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was an early and spectacular use of the material as both structure and architecture.
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fell out of fashion after 1900 as a decorative material, and was replaced by modern
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Cast iron also became the standard support structure in the construction of larger
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climates as porches or verandahs, where it formed both decoration and structure.
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improved both the design and quality of the material in bridges, for example, at
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for fuel. The higher furnace temperatures also increased the furnace capacity.
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Kitchen with palm tree cast iron columns, Royal Pavilion, Brighton, c. 1820
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Cast iron balcony and railing, Arden House, Leamington Spa, England, 1832
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Glass, iron and prefabrication: AD 1837–1851 – History of Architecture
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buildings, and was an essential step in the development of the modern
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Cast-iron architecture – The Columbia Encyclopedia, Sixth Edition.
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Buildings that make extensive use of cast iron in their structures
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in St Petersburg (1837–38), and the new roof following a fire of
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Cast iron balcony, town hall, 9th arrondissement, Paris, c. 1830
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In the 1840s the cheapness and malleability of cast iron led
127:(Jade Springs Temple), Dangyang, Hubei, was built during the 1480: 737:
The structure of the glass roof of Milan's Galleria, 1865–77
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Salle Labrouste, Bibliothèque nationale de France, 1861–68
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Cast iron is not a good structural material for handling
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Disaster on the Dee: Robert Stephenson's Nemesis of 1847
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in Istanbul, shipped out from Vienna in the late 1890s.
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Clevedon Pier, England, 1869, cast iron base structure
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Cast Iron Buildings: Their Construction and Advantages
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The Maintenance and Repair of Architectural Cast Iron
710:, completed in 1840, is an early surviving example. 195:, and also for aqueducts, such as the world-famous 114:China. Texts written by the Japanese Buddhist monk 1985:Victorian cast-iron buildings in Glasgow, Scotland 1582:"Shed Number 78 the Boat Store Building Number 78" 988:Bourse de Commerce dome, Paris, 1811 (photo 1880s) 106:Cast iron was used as early as the 9th century in 1194:Sphinx bench, Victoria Embankment, London, 1877 789:, and fabricated by the New York iron foundry, 637:areas of New York and what is now known as the 1678:"Origins of Lacework & Balustrade Designs" 90:because of its brittleness and relatively low 1840:"Galleria Vittorio Emanuele II (Milan, 1877)" 1816:"J. B. Bunning's London Coal Exchange (1849)" 1257:St Stephen's Bulgarian Church, Istanbul, 1898 1092:Bibliothèque Sainte-Genevieve, Paris, 1843–50 854:, and in Paris it was used for the elaborate 797:in St Petesburg, Russia, built in the 1830s. 498:French use, integrated with decorative scheme 8: 1990:Skidmore/Old Town National Historic Landmark 1048:St Isaac's Cathedral dome structure, c. 1838 596:Close-up view of cast-iron detailing at the 344:Summer Garden fence, Saint Petersburg, 1780s 1245:Old cast-iron bench, Bad Kissingen, Germany 1206:Brighton Beach Bandstand, Brighton UK, 1884 830:reading room, built 1843–51, by architect 54:, 1889. Nearly every element is cast iron. 1504:"Restoration of the Commissioner's House" 1024:Sayn Foundry hall, Bendorf, Germany, 1830 812:in Paris employed wrought iron or steel. 426:Prefabricated and transportable buildings 394:Balustrade of Palace Bridge, Berlin, 1824 336:Early balustrades, railings and memorials 753: 732: 669:, where a few survive, such as the 1872 389: 339: 174: 156:One of the first important projects was 147: 45: 29: 1324: 915: 418:), and more seahorses on the 1843–1850 206:Another notable example is the elegant 1893:A History of Cast Iron in Architecture 1654:"The City's Signature is Cast in Iron" 1411: 74:and concrete for structural purposes. 1976:. Episode 836. NPR. KUHF-FM Houston. 1747:"- Cast Iron Lacework [L42C]" 1218:Cast Iron building St Louis, Missouri 1060:Pevchesky Bridge, St Petersburg, 1840 600:in Glasgow, Scotland, erected in 1872 7: 1796:Encyclopedia of Greater Philadelphia 1119:Haughwout Building, Soho, NY, 1856-7 677:Greenhouses, exhibitions and markets 98:. However, cast iron does have good 1891:Gloag, John and Bridgwater, Derek. 964:Commissioners House, Bermuda, 1820s 655:Skidmore/Old Town Historic District 179:Pont Des Arts, Paris, built in 1804 1605:Campanella, Richard (2018-12-08). 1344:. Leiden: E. J. Brill. p. 55. 372:in Brighton, and German architect 25: 1947:Cast Iron Architecture in America 1777:Cast Iron Architecture in America 693:. English architect and gardener 506:Menier Chocolate Factory, Noisiel 364:in Saint Petersburg, designed by 42:famous for its cast-iron facades. 1895:, London: Allen and Unwin (1948) 1293: 1277: 1262: 1250: 1238: 1223: 1211: 1199: 1187: 1175: 1160: 1148: 1136: 1124: 1112: 1097: 1085: 1065: 1053: 1041: 1029: 1017: 1005: 1000:Kreuzberg Memorial, Berlin, 1821 993: 981: 969: 957: 945: 930: 918: 836:Bibliothèque nationale de France 826:, the double-arched roof of the 791:Janes, Fowler, Kirtland & Co 1639:Miles Lewis Australian Building 1341:The Coming of the Ages of Steel 1233:, Alexandra Park, Glasgow, 1901 842:Street furniture and park items 781:The most famous example is the 645:were soon lined with elaborate 888:), and the famous Art Nouveau 651:West Main District, Louisville 1: 1105:King Frederick Augustus Tower 952:Ha'penny Bridge, Dublin, 1816 867:are still in use. Decorative 828:Bibliothèque Sainte-Geneviève 437:Royal Naval Dockyard, Bermuda 1973:The Engines of Our Ingenuity 1304:iron lace terrace houses in 1155:Watson's Hotel, Mumbai, 1869 758:George Peabody Library, 1872 685:Crystal Palace, London, 1851 492:Bulgarian St. Stephen Church 1751:www.perrybirdpickets.com.au 1652:Brown, Jenny (2011-07-30). 1537:Victorian Heritage Database 880:entrances (one survives at 817:Eglise St-Eugene Ste-Cecile 777:Eglise St-Eugene Ste-Cecile 2031: 1899:Landes, David. S. (1969). 1864:"The Story of Urban Light" 1453:Victoria and Albert Museum 1429:Victoria and Albert Museum 1381:"Royal Pavilion, Brighton" 1306:Woollahra, New South Wales 1272:fence, St Petersburg, 1907 1131:U.S. Capitol section, 1859 925:Pont Des Arts, Paris, 1804 783:United States Capitol dome 744:Galleria Vittorio Emmanuel 621:, whose iron works in the 1970:John H. Lienhard (1993). 477:Sheerness Naval Dockyards 473:The Boat Shed (Number 78) 352:joined with the Scottish 253:was used for the dome of 1792:"Cast Iron Architecture" 1779:. New York: Dover Books. 1502:Leseur, Paul A. (n.d.). 1355:Tylecote, R. F. (1992). 1286:Elgin Bridge (Singapore) 750:Roofs, domes and atriums 627:E. V. Haughwout Building 1477:Bermuda Maritime Museum 1357:A History of Metallurgy 1170:, Santiago, Chile, 1869 858:, newspaper kiosks and 795:Saint Isaac's Cathedral 718:in Paris (demolished). 708:Belfast Botanic Gardens 535:New Orleans cast iron ' 374:Karl Friedrich Schinkel 255:Saint Isaac's Cathedral 2010:Cast-iron architecture 1775:Gayle, Margot (1974). 1706:collection.maas.museum 1632:"Ornamental Cast Iron" 1077:, 1848, today part of 802:George Peabody Library 778: 759: 738: 686: 601: 575: 540: 507: 414:(a copy of the Berlin 395: 381:Kreuzberg War Memorial 345: 222:Ditherington Flax Mill 215:Early use in buildings 180: 172:foundries and others. 153: 94:compared to steel and 59:Cast-iron architecture 55: 43: 18:Cast iron architecture 1385:Engineering Timelines 1107:, Löbau, Germany 1852 938:Pontcysyllte aqueduct 776: 757: 736: 684: 595: 569: 534: 523:Verandahs and porches 512:Menier Chocolate Mill 505: 393: 343: 286:Use with wrought iron 263:Palace of Westminster 197:Pontcysyllte Aqueduct 191:in 1796, upstream of 178: 151: 67:Industrial Revolution 49: 33: 1949:, Dover Books (1974) 1820:www.victorianweb.org 1336:Wertime, Theodore A. 878:New York City Subway 838:, built in 1861–68. 787:Thomas Ustick Walter 570:Regatta Hotel 1886, 433:Commissioner's House 301:Puddled wrought iron 100:compressive strength 1790:Lee, Antoinette J. 1682:Chatterton Lacework 1308:, late 19th century 1270:Mikhailovsky Garden 940:, North Wales, 1805 906:Victoria Embankment 856:advertising columns 647:Renaissance Revival 446:Victorian gold rush 420:Annunciation Bridge 1726:"Lacework Designs" 1231:Cast iron fountain 886:New York City Hall 779: 764:Bourse de commerce 760: 742:iron, such as the 739: 687: 602: 576: 541: 508: 396: 346: 181: 154: 56: 44: 1941:978-0-7524-4266-2 1483:on March 29, 2010 1414:, pp. 91–93. 882:City Hall station 865:Wallace Fountains 671:Ca d’Oro Building 598:Ca d'Oro Building 588:Cast-iron facades 553:Historic District 366:Georg Von Veldten 327:Architectural use 278:built the first, 259:Chartes Cathedral 50:Spa Colonnade in 16:(Redirected from 2022: 1981: 1935:, Tempus (2007) 1931:Lewis, Peter R. 1921:, Tempus (2004) 1917:Lewis, Peter R. 1914: 1879: 1878: 1876: 1875: 1860: 1854: 1853: 1851: 1850: 1836: 1830: 1829: 1827: 1826: 1812: 1806: 1805: 1803: 1802: 1787: 1781: 1780: 1772: 1766: 1765: 1763: 1762: 1753:. 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Badger 462:Mercado Centrale 408:Pevchesky Bridge 400:Saint Petersburg 293:puddling process 110:construction in 92:tensile strength 21: 2030: 2029: 2025: 2024: 2023: 2021: 2020: 2019: 2000: 1999: 1969: 1956: 1945:Gayle, Margot. 1911: 1898: 1888: 1883: 1882: 1873: 1871: 1862: 1861: 1857: 1848: 1846: 1838: 1837: 1833: 1824: 1822: 1814: 1813: 1809: 1800: 1798: 1789: 1788: 1784: 1774: 1773: 1769: 1760: 1758: 1745: 1744: 1740: 1728: 1724: 1723: 1719: 1710: 1708: 1700: 1699: 1695: 1686: 1684: 1676: 1675: 1671: 1662: 1660: 1651: 1650: 1646: 1634: 1629: 1628: 1624: 1615: 1613: 1604: 1603: 1599: 1590: 1588: 1580: 1579: 1575: 1566: 1564: 1555: 1554: 1550: 1541: 1539: 1531: 1530: 1526: 1517: 1515: 1508:bermudamall.com 1501: 1500: 1496: 1486: 1484: 1471: 1470: 1466: 1457: 1455: 1449:"Balcony Panel" 1447: 1446: 1442: 1433: 1431: 1423: 1422: 1418: 1410: 1403: 1394: 1392: 1379: 1378: 1374: 1367: 1354: 1353: 1349: 1334: 1333: 1326: 1321: 1316: 1309: 1298: 1289: 1282: 1273: 1267: 1258: 1255: 1246: 1243: 1234: 1228: 1219: 1216: 1207: 1204: 1195: 1192: 1183: 1180: 1171: 1168:Mercado Central 1165: 1156: 1153: 1144: 1141: 1132: 1129: 1120: 1117: 1108: 1102: 1093: 1090: 1081: 1070: 1061: 1058: 1049: 1046: 1037: 1034: 1025: 1022: 1013: 1010: 1001: 998: 989: 986: 977: 974: 965: 962: 953: 950: 941: 935: 926: 923: 914: 844: 832:Henri Labrouste 752: 731: 723:MariánskĂ© LáznÄ› 679: 590: 525: 500: 450:corrugated iron 428: 412:Anichkov Bridge 338: 329: 309: 288: 271: 251:cast iron frame 247: 217: 208:Ha'penny Bridge 158:The Iron Bridge 146: 88:bending moments 80: 52:MariánskĂ© LáznÄ› 28: 23: 22: 15: 12: 11: 5: 2028: 2026: 2018: 2017: 2012: 2002: 2001: 1998: 1997: 1992: 1987: 1982: 1978:Iron Buildings 1967: 1962: 1955: 1954:External links 1952: 1951: 1950: 1943: 1929: 1915: 1909: 1896: 1887: 1884: 1881: 1880: 1855: 1831: 1807: 1782: 1767: 1738: 1717: 1693: 1669: 1644: 1630:Lewis, Miles. 1622: 1597: 1573: 1548: 1524: 1494: 1464: 1440: 1416: 1401: 1372: 1366:978-0901462886 1365: 1347: 1323: 1322: 1320: 1317: 1315: 1312: 1311: 1310: 1299: 1292: 1290: 1283: 1276: 1274: 1268: 1261: 1259: 1256: 1249: 1247: 1244: 1237: 1235: 1229: 1222: 1220: 1217: 1210: 1208: 1205: 1198: 1196: 1193: 1186: 1184: 1181: 1174: 1172: 1166: 1159: 1157: 1154: 1147: 1145: 1142: 1135: 1133: 1130: 1123: 1121: 1118: 1111: 1109: 1103: 1096: 1094: 1091: 1084: 1082: 1079:Kunsthaus Graz 1071: 1064: 1062: 1059: 1052: 1050: 1047: 1040: 1038: 1035: 1028: 1026: 1023: 1016: 1014: 1011: 1004: 1002: 999: 992: 990: 987: 980: 978: 975: 968: 966: 963: 956: 954: 951: 944: 942: 936: 929: 927: 924: 917: 913: 910: 894:Hector Guimard 843: 840: 751: 748: 730: 727: 699:Crystal Palace 678: 675: 606:James Bogardus 589: 586: 545:French Quarter 524: 521: 517:Jules Saulnier 499: 496: 483:Watson's Hotel 427: 424: 378:Gothic Revival 370:Royal Pavilion 354:Carron Company 337: 334: 328: 325: 308: 305: 287: 284: 276:Eugenius Birch 270: 267: 246: 243: 236:, designed by 230:Royal Pavilion 216: 213: 185:Thomas Telford 145: 142: 79: 78:Structural use 76: 61:is the use of 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2027: 2016: 2013: 2011: 2008: 2007: 2005: 1996: 1993: 1991: 1988: 1986: 1983: 1979: 1975: 1974: 1968: 1966: 1963: 1961: 1958: 1957: 1953: 1948: 1944: 1942: 1938: 1934: 1930: 1928: 1927:0-7524-3160-9 1924: 1920: 1916: 1912: 1910:0-521-09418-6 1906: 1902: 1897: 1894: 1890: 1889: 1885: 1869: 1865: 1859: 1856: 1845: 1841: 1835: 1832: 1821: 1817: 1811: 1808: 1797: 1793: 1786: 1783: 1778: 1771: 1768: 1757:on 2019-10-19 1756: 1752: 1748: 1742: 1739: 1734: 1727: 1721: 1718: 1707: 1703: 1697: 1694: 1683: 1679: 1673: 1670: 1659: 1655: 1648: 1645: 1640: 1633: 1626: 1623: 1612: 1608: 1601: 1598: 1587: 1583: 1577: 1574: 1562: 1558: 1552: 1549: 1538: 1534: 1533:"Corio Villa" 1528: 1525: 1514:on 2008-12-03 1513: 1509: 1505: 1498: 1495: 1482: 1478: 1474: 1468: 1465: 1454: 1450: 1444: 1441: 1430: 1426: 1420: 1417: 1413: 1412:Landes (1969) 1408: 1406: 1402: 1391:on 2006-11-10 1390: 1386: 1382: 1376: 1373: 1368: 1362: 1358: 1351: 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550: 546: 543:New Orleans' 538: 533: 529: 522: 520: 518: 513: 504: 497: 495: 493: 488: 484: 480: 478: 474: 469: 467: 466:MarchĂ© en Fer 463: 458: 456: 451: 447: 442: 438: 434: 425: 423: 421: 417: 416:Castle Bridge 413: 409: 405: 401: 392: 388: 386: 385:Castle Bridge 382: 379: 375: 371: 367: 363: 362:Summer Garden 359: 355: 351: 342: 335: 333: 326: 324: 322: 318: 313: 306: 304: 302: 298: 294: 285: 283: 281: 277: 268: 266: 265:(1840s–50s). 264: 260: 256: 252: 249:An elaborate 244: 242: 239: 235: 231: 226: 223: 214: 212: 209: 204: 202: 201:Pont des Arts 198: 194: 193:Coalbrookdale 190: 186: 177: 173: 171: 170:Coalbrookdale 167: 166:Abraham Darby 163: 159: 150: 143: 141: 139: 133: 130: 126: 125:Yuquan Temple 121: 117: 113: 109: 104: 101: 97: 93: 89: 85: 77: 75: 73: 68: 64: 60: 53: 48: 41: 40:New York City 37: 32: 19: 1972: 1946: 1932: 1918: 1900: 1892: 1886:Bibliography 1872:. Retrieved 1870:. 2018-02-06 1867: 1858: 1847:. Retrieved 1843: 1834: 1823:. Retrieved 1819: 1810: 1799:. Retrieved 1795: 1785: 1776: 1770: 1759:. Retrieved 1755:the original 1750: 1741: 1732: 1720: 1709:. Retrieved 1705: 1696: 1685:. Retrieved 1681: 1672: 1661:. Retrieved 1657: 1647: 1638: 1625: 1614:. Retrieved 1610: 1600: 1589:. Retrieved 1585: 1576: 1565:. Retrieved 1563:. 2021-04-16 1560: 1551: 1540:. Retrieved 1536: 1527: 1516:. Retrieved 1512:the original 1507: 1497: 1485:. Retrieved 1481:the original 1476: 1467: 1456:. Retrieved 1452: 1443: 1432:. Retrieved 1428: 1419: 1393:. Retrieved 1389:the original 1384: 1375: 1356: 1350: 1340: 1072: 898: 869:street lamps 852:red post box 845: 821: 814: 810:Grand Palais 799: 780: 761: 740: 720: 712: 688: 643:Philadelphia 623:East Village 614: 603: 577: 561:Jackson Ward 542: 526: 509: 481: 470: 459: 439:designed by 429: 397: 347: 330: 310: 297:wrought iron 289: 280:Margate Pier 272: 248: 227: 218: 205: 182: 155: 134: 129:Song dynasty 112:Tang dynasty 105: 96:wrought iron 81: 58: 57: 34:A street in 1487:October 12, 890:Paris MĂ©tro 874:Urban Light 691:greenhouses 557:Church Hill 441:Edward Holl 410:, the 1842 404:Bank Bridge 387:in Berlin. 350:Robert Adam 317:steel-frame 245:Roof frames 120:Persecution 2004:Categories 1874:2019-11-17 1849:2020-02-18 1844:Structurae 1825:2019-09-30 1801:2022-03-13 1761:2019-10-17 1733:Chatterton 1711:2019-10-17 1687:2019-10-17 1663:2019-10-17 1616:2019-10-25 1591:2021-03-09 1567:2024-08-23 1542:2023-01-20 1518:2010-03-05 1458:2023-01-20 1434:2023-01-20 1425:"Fireback" 1395:2019-12-28 1314:References 746:in Milan. 716:Les Halles 704:Palm House 574:, Brisbane 555:, and the 321:skyscraper 162:Shropshire 2015:Cast iron 1284:Lamps on 800:The 1872 581:Melbourne 549:galleries 238:John Nash 183:Engineer 63:cast iron 1868:Unframed 1611:NOLA.com 1561:ABC News 1338:(1961). 1300:Typical 884:outside 860:pissoirs 806:Galleria 667:Scotland 641:area of 639:Old City 539:', 1850s 234:Brighton 189:Buildwas 912:Gallery 729:Arcades 706:at the 663:Glasgow 635:Tribeca 572:Toowong 537:gallery 455:Geelong 435:of the 358:Adelphi 144:Bridges 123:at the 84:tension 1939:  1925:  1907:  1658:Domain 1363:  1302:Sydney 1288:, 1929 487:Mumbai 108:pagoda 1729:(PDF) 1635:(PDF) 1473:"Map" 1319:Notes 900:1885 824:Paris 312:Steel 307:Steel 269:Piers 116:Ennin 72:steel 1937:ISBN 1923:ISBN 1905:ISBN 1489:2009 1361:ISBN 633:and 631:SoHo 559:and 510:The 138:coke 36:SoHo 657:in 608:of 485:in 475:at 398:In 232:in 160:in 86:or 38:in 2006:: 1866:. 1842:. 1818:. 1794:. 1749:. 1731:. 1704:. 1680:. 1656:. 1637:. 1609:. 1584:. 1559:. 1535:. 1506:. 1475:. 1451:. 1427:. 1404:^ 1383:. 1327:^ 896:. 673:. 665:, 422:. 323:. 299:. 1980:. 1913:. 1877:. 1852:. 1828:. 1804:. 1764:. 1735:. 1714:. 1690:. 1666:. 1641:. 1619:. 1594:. 1570:. 1545:. 1521:. 1491:. 1461:. 1437:. 1398:. 1369:. 20:)

Index

Cast iron architecture

SoHo
New York City

Mariánské Lázně
cast iron
Industrial Revolution
steel
tension
bending moments
tensile strength
wrought iron
compressive strength
pagoda
Tang dynasty
Ennin
Persecution
Yuquan Temple
Song dynasty
coke

The Iron Bridge
Shropshire
Abraham Darby
Coalbrookdale

Thomas Telford
Buildwas
Coalbrookdale

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