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Castelfranco Madonna

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80: 225:, in 1499. Also commissioned was a family chapel, containing the tombs of Matteo and Tuzio, built into the walls on either side of the painting. The church was subsequently demolished and replaced with the Cathedral of Castelfranco in 1724. The new building, which remains today, contains a small chapel housing the painting and the tomb of Matteo directly below. The Costanzo coat of arms, three pairs of ribs, can be seen on the tomb on the base of the Virgin's throne. (Some scholars have speculated that St. Nicasius himself is actually a portrait of Matteo.) 29: 170:, whose ensign is borne by St. Nicasius (a martyred saint who had also belonged to the Hospitallier order). The traditional scheme of composition is lightened by the novel use of such elements as the throne and the landscape, which takes up a good portion of the background. Noteworthy is also the absence of any reference to ecclesiastical elements of architecture. 228:
The work has suffered bad restorations in the past centuries, and was stolen on December 10, 1972. After being recovered, it was accurately restored in 2002-2003 by the Accademia Laboratories in Venice and displayed in the major exhibition
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to the left. However, the extreme height of the throne is most unusual and creates a very different effect from the pictures of this type by
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executed around 1504. It remains in the equivalent of its original setting, in a side-chapel of the Cathedral of
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and other painters, where the throne is only slightly raised and the figures are at roughly the same level.
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The Getty Center: Interim Results of a Needs Assessment Survey for the Field of Panel Paintings Conservation
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It is one of a handful of paintings - perhaps three - which can be very firmly attributed to Giorgione.
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Tuzio Costanzo in memory of his son Matteo, who died of a fever whilst serving the
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200.5 cm × 144.5 cm (78.9 in × 56.9 in)
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The armoured figure has formerly been identified as the fighting Saint
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Madonna and Child Between St. Francis and St. Nicasius
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Madonna and Child Between St. Francis and St. Nicasius
541: 343: 69: 61: 53: 45: 35: 21: 269:, 1970, London: Thames and Hudson (World of Art), 135:, with the Madonna enthroned with the child, with 173:The technique of painting is an example of what 129:The picture has all the elements of a typical 321: 8: 328: 314: 306: 27: 18: 380:Portrait of Francesco Maria della Rovere 242: 7: 267:Venetian painting: A concise history 605:Paintings of the Madonna and Child 14: 610:Paintings of Francis of Assisi 118:, Giorgione's native city, in 1: 73:Duomo of Castelfranco Veneto 195:is very similar to that in 83:The painting in its setting 631: 483:Adoration of the Shepherds 432:Christ Carrying the Cross 416:The Test of Fire of Moses 26: 570:currently attributed to 555:currently attributed to 455:Il Tramonto (The Sunset) 424:The Judgement of Solomon 217:was commissioned by the 495:Portrait of a Young Man 287:History of the painting 231:Le maraviglie dell'arte 103:, is a painting by the 595:Paintings by Giorgione 507:Self-portrait as David 471:The Three Philosophers 84: 550:Shepherd with a Flute 372:The Three Ages of Man 361:Sebastiano del Piombo 202:San Giobbe Altarpiece 179:pittura sanza disegno 82: 16:Painting by Giorgione 400:Giustiniani Portrait 392:Castelfranco Madonna 295:Museo Casa Giorgione 100:Pala di Castelfranco 96:Castelfranco Madonna 542:Formerly attributed 437:also attributed to 132:sacra conversazione 116:Castelfranco Veneto 223:Republic of Venice 85: 582: 581: 168:Knights of Rhodes 139:to the right and 77: 76: 622: 565:Pastoral Concert 553:(c. 1510–1515) ( 510:(c. 1509–1510) ( 498:(c. 1508–1510) ( 486:(c. 1505–1510) ( 474:(c. 1505–1510) ( 355:(c. 1500) (with 330: 323: 316: 307: 291: 250: 247: 197:Giovanni Bellini 145:Giovanni Bellini 93:, also known as 31: 19: 630: 629: 625: 624: 623: 621: 620: 619: 600:1500s paintings 585: 584: 583: 578: 537: 339: 334: 289: 283: 259: 254: 253: 248: 244: 239: 211: 156: 17: 12: 11: 5: 628: 626: 618: 617: 612: 607: 602: 597: 587: 586: 580: 579: 577: 576: 561: 545: 543: 539: 538: 536: 535: 527:Sleeping Venus 523: 522:(c. 1508–1510) 515: 503: 491: 479: 467: 466:(c. 1506–1508) 459: 458:(c. 1505–1508) 451: 443: 428: 427:(c. 1502–1505) 420: 419:(c. 1502–1505) 412: 404: 403:(c. 1503–1504) 396: 395:(c. 1503–1504) 388: 376: 375:(c. 1500–1501) 368: 347: 345: 341: 340: 335: 333: 332: 325: 318: 310: 304: 303: 297: 292: 282: 281:External links 279: 278: 277: 258: 255: 252: 251: 241: 240: 238: 235: 210: 207: 155: 152: 75: 74: 71: 67: 66: 63: 59: 58: 55: 51: 50: 47: 43: 42: 37: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 627: 616: 613: 611: 608: 606: 603: 601: 598: 596: 593: 592: 590: 574: 573: 567: 566: 562: 559: 558: 552: 551: 547: 546: 544: 540: 533: 529: 528: 524: 521: 520: 519:Self-portrait 516: 513: 509: 508: 504: 501: 497: 496: 492: 489: 485: 484: 480: 477: 473: 472: 468: 465: 464: 460: 457: 456: 452: 449: 448: 444: 441: 440: 434: 433: 429: 426: 425: 421: 418: 417: 413: 410: 409: 405: 402: 401: 397: 394: 393: 389: 386: 382: 381: 377: 374: 373: 369: 366: 362: 358: 354: 353: 349: 348: 346: 342: 338: 331: 326: 324: 319: 317: 312: 311: 308: 301: 298: 296: 293: 288: 285: 284: 280: 276: 272: 268: 264: 261: 260: 256: 246: 243: 236: 234: 232: 226: 224: 220: 216: 208: 206: 204: 203: 198: 194: 190: 186: 185: 180: 176: 171: 169: 165: 164:St. Liberalis 161: 153: 151: 148: 146: 142: 138: 134: 133: 127: 125: 121: 117: 113: 109: 106: 102: 101: 97: 92: 91: 81: 72: 68: 64: 60: 56: 52: 48: 44: 41: 38: 34: 30: 25: 20: 569: 563: 554: 548: 531: 525: 517: 511: 505: 499: 493: 487: 481: 475: 469: 461: 453: 445: 436: 430: 422: 414: 406: 398: 391: 390: 384: 378: 370: 364: 352:Detroit Trio 350: 302:(pdf; p. 54) 290:(in Italian) 266: 249:Steer, 79-84 245: 230: 227: 212: 200: 182: 178: 172: 157: 149: 141:St. Nicasius 130: 128: 99: 95: 94: 89: 88: 86: 57:oil on panel 615:Altarpieces 568:(c. 1509) ( 530:(c. 1510) ( 463:The Tempest 435:(c. 1505) ( 383:(c. 1502) ( 263:Steer, John 219:condottiero 205:(c. 1487). 193:St. Francis 184:The Tempest 154:Description 137:St. Francis 122:, northern 108:Renaissance 589:Categories 275:0500201013 257:References 215:altarpiece 160:St. George 62:Dimensions 49:c. 1503/04 411:(c. 1504) 344:Paintings 337:Giorgione 112:Giorgione 40:Giorgione 532:disputed 512:disputed 500:disputed 488:disputed 476:disputed 385:disputed 365:disputed 70:Location 209:History 177:called 110:artist 105:Italian 572:Titian 557:Titian 450:(1506) 439:Titian 408:Judith 357:Titian 273:  189:Titian 175:Vasari 120:Veneto 54:Medium 36:Artist 447:Laura 237:Notes 124:Italy 359:and 271:ISBN 213:The 87:The 46:Year 363:) ( 199:'s 162:or 98:or 591:: 265:, 187:. 575:) 560:) 534:) 514:) 502:) 490:) 478:) 442:) 387:) 367:) 329:e 322:t 315:v

Index


Giorgione

Italian
Renaissance
Giorgione
Castelfranco Veneto
Veneto
Italy
sacra conversazione
St. Francis
St. Nicasius
Giovanni Bellini
St. George
St. Liberalis
Knights of Rhodes
Vasari
The Tempest
Titian
St. Francis
Giovanni Bellini
San Giobbe Altarpiece
altarpiece
condottiero
Republic of Venice
Steer, John
ISBN
0500201013
History of the painting
Museo Casa Giorgione

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