107:βThe second part is an exploration of but has a modern day twist. Everything is about yellow and sparkle...this symbolises the amazing era of the 70s. Many of the outfits are kept to the original way...Drag shows have changed, especially as Capriccios was a seven-nights-a-week venue that had the ultimate professionalism with sets flying in and out, today we perform in pubs behind the bar or on a little stage. Not that itβs a bad thing β the economy has changed. Drag queens have had to become cleverer and innovate. The video clip tells how drag has changed.β
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61:"the most popular place was Capriccio's in Oxford Street. There were two floors, a bar on the first and a theatre with tables and chairs and a stage upstairs. It was always busy. They did extravagant shows: big casts, gorgeous costumes and handsome men to accompany the queens."
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In a 1990s interview, Dawn O'Donnell explained that due to difficulties purchasing property as a woman at the time, Sydney's emerging gay scene was established from what property was affordable: run-down shops and brothels in the less fashionable parts of town.
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which lured large crowds and had a production cost rumoured to exceed $ 30,000 (AUD).
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127:"A Room Full of Women: lesbian bars and social spaces in postwar Sydney"
214:"Big city gaybourhoods: where they come from and why they still matter"
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Amelia
Airhead, one of the drag queens who created the show, said that
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Capriccio's, [Oxford Street, Darlinghurst, Sydney], 1981
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performances. As described by celebrated photographer
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Before closing, Capriccio's held a final drag show,
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184:"A leading lady of Sydney's gay club scene"
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293:. April 20, 2008. Archived from
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26:and theatre once situated near
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260:"Vol. 6 No. 1 (January 1995)"
393:. You can help Knowledge by
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328:This article related to the
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389:-related organization is a
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287:"A nod to drag's history"
188:The Sydney Morning Herald
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237:Yang, William (1981),
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