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The Carnival of the Animals

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40: 1222: 1161: 978: 901: 792: 740: 651: 599: 523: 350: 1079: 849: 457: 402: 78:. About 25 minutes in duration, it was written for private performance by two pianos and chamber ensemble; Saint-Saëns prohibited public performance of the work during his lifetime, feeling that its frivolity would damage his standing as a serious composer. The suite was published in 1922, the year after his death. A public performance in the same year was greeted with enthusiasm, and it has remained among his most popular. It is less frequently performed with a full orchestral complement of strings. 1179: 1103: 996: 919: 867: 810: 758: 668: 617: 541: 475: 420: 368: 281: 2597:, who directed the segment. Jones discusses the "drawing boards have been the birthplace of some of the most beloved animal characters of all time" and how the animation and music combine to answer "that age old question" about the relationship between man and nature. Then, in a comical turn, he is handed a piece of paper and reads "that age old question: What would happen if you gave a yo-yo to a flock of flamingoes?" before asking "Who wrote this?" 4843: 4298: 165:. All those performances were semi-private, except for one at the Société des instruments à vent in April 1892, and "often took place with the musicians wearing masks of the heads of the various animals they represented". Saint-Saëns was adamant that the work would not be published in his lifetime, seeing it as detracting from his "serious" composer image. He relented only for the famous cello solo 1025: 697: 704: 895:
Strings, pianos and flute: the high strings take on a background role, providing a buzz in the background that is reminiscent of the background noise of a jungle. The cellos and basses play a pickup cadence to lead into most of the measures. The flute takes the part of the bird, with a trilling tune
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going in opposite directions to conclude the first part of the movement. The pianos then introduce a march theme that they carry through most of the rest of the introduction. The strings provide the melody, with the pianos occasionally taking low chromatic scales in octaves which suggest the roar of
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rhythm. Although the melody is relatively simple, the supporting harmonies are ornamented in the style that is typical of Saint-Saëns' compositions for piano -- dazzling scales, glissandi and trills. Many of the previous movements are quoted here from the introduction, the lion, the donkeys, hens,
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deliberately played increasingly out of time. The original edition has a note by the editors instructing the players to imitate beginners and their awkwardness. After the four scales, the key changes back to C, where the pianos play a moderate speed trill-like pattern in thirds, in the style of
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are covered. Each one starts with a trill on the first and second note, then proceeds in scales with a few changes in the rhythm. Transitions between keys are accomplished with a blasting chord from all the instruments between scales. In some performances, the later, more difficult, scales are
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wrote a narration. The storyline is that a mischievous boy slips away from his teacher during a trip to a museum of natural history and, once the museum is shut, sees all the people he knows transformed into animals. An audio recording was made in 2004 by members of Chamber Music Los Angeles,
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is certainly one of his magnificent masterpieces. From the first note to the last it is an uninterrupted outpouring of a spirit of the highest and noblest comedy. In every bar, at every point, there are unexpected and irresistible finds. Themes, whimsical ideas, instrumentation compete with
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Violins, viola, two pianos and clarinet: this movement is centered around a "pecking" theme played by the pianos and strings, reminiscent of chickens pecking at grain. The clarinet plays a small solo above the strings; the piano plays a very fast theme based on the rooster's crowing cry.
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plays with a yo-yo, much to the chagrin of the other flamingoes, who attempt to entice him into doing the same "dull" routine as them. Gail Niwa and Philip Sabransky are the featured pianists in this recording. James Earl Jones introduces the segment, as he is standing next to animator
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and the xylophone join in. The strings build the tension with a few low notes, leading to glissandi by the piano before the lively main melody is introduced. The Finale is somewhat reminiscent of an American carnival of the 19th century, with one piano always maintaining a bouncy
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Two violins: this is the shortest of all the movements. The violins alternate playing high, loud notes and low, buzzing ones (in the manner of a donkey's braying "hee-haw"). Music critics have speculated that the movement is meant to compare music critics to braying donkeys.
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Two pianos: the main figure here is a pattern of "hopping" chords (made up of triads in various positions) preceded by grace notes in the right hand. When the chords ascend, they quickly get faster and louder, and when the chords descend, they quickly get slower and softer.
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and piano: this section is marked Allegro pomposo, the great caricature for an elephant. The piano plays a waltz-like triplet figure while the bass hums the melody beneath it. Like "Tortues", this is also a musical joke—the thematic material is taken from the Scherzo from
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Saint-Saëns specified in his will that the work should be published posthumously. Following his death in December 1921 it was published by Durand in Paris in April 1922; the first public performance was given on 25 February 1922 by the
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Rebecca Hirsch, Beatrice Harper, violins; Terry Nettle, viola; Jonathan Williams, cello; Rodney Slatford, double bass; Nicholas Vallis-Davies, flute/piccolo; Angela Malsbury, clarinet; Annie Oakley, xylophone; James Strebing,
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A staple of the cello repertoire, this is one of the best-known movements of the suite, usually in the version for cello with solo piano which was the only publication from this suite in Saint-Saëns's lifetime.
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Paul Edmund-Davies (flute), Andrew Marriner (clarinet), Alexander Barantschik and Ashley Arbuckle (violins), Alexander Taylor (viola), Ray Adams (cello), Paul Marrion (double-bass), Ray Northcott (percussion)
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Strings and two pianos: this humorous movement (satirizing pianists as animals) is a glimpse of what few audiences ever get to see: the pianists practicing their finger exercises and scales. The scales of C,
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Strings and piano: a satirical movement which opens with a piano playing a pulsing triplet figure in the higher register. The strings play a slow rendition of the famous "Galop infernal" (commonly called the
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that spans much of its range. The pianos provide occasional pings and trills of other birds in the background. The movement ends very quietly after a long ascending chromatic scale from the flute.
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Two pianos: the animals depicted here are quite obviously running, an image induced by the constant, feverishly fast up-and-down motion of both pianos playing figures in octaves. These are
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has since become one of Saint-Saëns's best-known works, played in the original version for eleven instruments, or more often with the full string section of an orchestra. Frequently a
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in February 1886. From the beginning he regarded the work as a piece of fun. On 9 February 1886 he wrote to his publishers Durand in Paris that he was composing a work for the coming
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and kangaroos. The work ends with a series of six "Hee Haws" from the donkeys, as if to say that the donkey has the last laugh, before the final strong group of C major chords.
634: 3300: 3131: 936: 1120: 1013: 685: 171:, which forms the penultimate movement of the work, and which was published in 1887 in an arrangement by the composer for cello and solo piano (the original uses two pianos). 492: 1196: 4873: 3673: 4333: 4095: 3691: 3436: 4056: 3952: 1328: 578: 3615: 4878: 4068: 4044: 3621: 4792: 161:, a friend of the composer, who had expressed a wish to hear the work. There were other performances, typically for the French mid-Lent festival of 3185: 3064: 1074:'s narration on his recording of the work with the New York Philharmonic, is that the musical pieces quoted are the fossils of Saint-Saëns's time. 1038:, which makes heavy use of the xylophone to evoke the image of skeletons dancing, the bones clacking together to the beat. The musical themes from 4587: 3090: 336:: the introduction begins with the pianos playing a bold tremolo, under which the strings enter with a stately theme. The pianos play a pair of 4663: 4266: 3964: 3938: 3932: 2333: 4888: 4622: 4464: 4137: 3978: 3958: 3911: 3897: 3891: 3885: 3879: 3598: 3560: 3539: 3520: 3501: 1747: 2076: 1470: 4560: 4477: 4150: 4113: 3835: 3666: 727:-like runs and arpeggios in pianos. These figures, plus the occasional glissando from the glass harmonica towards the end—often played on 3278: 4547: 4162: 4089: 2674:, a crossover pop-rock-jazz arrangement by the Quartet's pianist Benedikt ter Braak for violin, double bass, piano and drums (trap set). 3730: 4326: 4228: 3945: 3124: 4893: 3424: 1131:
Two pianos and cello: a slowly moving cello melody (which evokes the swan elegantly gliding over the water) is played over rippling
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We cannot describe the cries of admiring joy let loose by an enthusiastic public. In the immense oeuvre of Camille Saint-Saëns,
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In 1993, an all-star cast recording was released on CD by Dove Audio performed by the Hollywood Chamber Orchestra conducted by
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section is thought to be directed at music critics: they are also supposedly the last animals heard during the finale, braying.
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Following a disastrous concert tour of Germany in 1885–86, Saint-Saëns withdrew to a small Austrian village, where he composed
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are also quoted; the xylophone and the violin play much of the melody, alternating with the piano and clarinet. Allusions to "
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Two pianos and clarinet: the pianos play large, soft chords while the clarinet plays a single two-note ostinato; a C and an A
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Full ensemble: the finale opens on the same trills in the pianos as in the introduction, but soon the wind instruments, the
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playing on a mouth organ instead of a glass harmonica. This mistake was noted and acknowledged by music journalist
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This article is about Saint-Saëns's 1886 suite. For Christopher Wheeldon's 2003 ballet to Saint-Saëns's music, see
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in 1988, with new verses written by Yankovic about a different cast of animals such as the shark and the poodle.
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Camille Saint-Saëns, 1835–1921: A Thematic Catalogue of his Complete Works, Volume I: The Instrumental Works
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Part of the original manuscript score of "Aquarium". The top staff was written for the (glass) "Harmonica".
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buffoonery, grace and science. ... When he likes to joke, the master never forgets that he is the master.
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Monsieur Lebouc managed to assemble a definitive line-up of eminent performers: Messieurs Saint-Saëns,
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Strings, two pianos, clarinet, and xylophone: here, Saint-Saëns mimics his own composition, the
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Various recordings of the Carnival of the Animals have been created. Some notable ones are:
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students from around the world - Martin (9), Arão (12), Afra (14), and Maya (8).
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The finale for the suite was used as music for one of the segments in the 1999
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Title page to "Fossils" in the manuscript including drawing by the composer
4715: 4128: 3409: 3394: 3332: 3317: 3240: 3222: 3160:(liner notes), vol. Capitol SP 8537 and reissued on Seraphim S-60214 2745: 2589: 1454:; Kostelanetz and Coward performed the suite with Nash's verses with the 1094: 248: 167: 71: 2716:, Claude Desurmont, Alain Moglia, Gerard Perotin, Trio à cordes français 104:). He had apparently intended to write the work for his students at the 4764: 3763: 1237: 1156:, who gave some 4,000 performances of the dance and "swept the world". 728: 505: 244: 108:, but it was first performed at a private concert given by the cellist 3651: 1302:, playing the usually breakneck-speed melody at a slow, drooping pace. 3122:"Les exécutants devront imiter le jeu d'un débutant et sa gaucherie" 224: 452:, donkeys that come from Tibet and are known for their great speed. 1070:
can also be heard. The musical joke in this movement, according to
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Camille Saint-Saëns and the French solo concerto from 1850 to 1920
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wrote a set of humorous verses to accompany each movement for a
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conducted by Bill Elliot, with the narration spoken by Lithgow.
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recorded an arrangement for brass instruments by Peter Reeve.
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Coward, Noël (1982). Payn, Graham; Morley, Sheridan (eds.).
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Isata Kanneh-Mason, Konya Kaneh-Mason, Jeneba Kaneh-Mason
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Originally released (1975) with Nash's verses recited by
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before its 2005 renovation. It featured guitar riffs by
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St Petersburg Radio and Television Symphony Orchestra
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Nash's verses, with their topical references (e.g. to
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depicts piano students labouring over their scales in
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with all proceeds going to charity. Readers included
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Le Carnaval des animaux: grande fantaisie zoologique
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A few days later, a second performance was given at
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Archived from the original on 27 June 2021 1398: 1388: 1382: 1373: 1365: 1347: 1337: 1306: 1286: 1272: 1256: 1242: 99: 291:I. Introduction and Royal March of the Lion 4645: 4452: 4334: 4320: 4312: 3869: 3674: 3660: 3652: 3190:Program Notes, Jan 1, 1929 – Dec 31, 1960" 2937: 2935: 2700:. Subsequently reissued without narration. 2655:, with narration written and performed by 1499: 273:(Introduction and Royal March of the Lion) 3622:International Music Score Library Project 2829:in a 1984 dictionary of musical ephemera. 2640:. Four animal folktales were narrated by 1240:. It progresses from the first movement, 820:IX. The Cuckoo in the Depths of the Woods 27:1886 musical suite by Camille Saint-Saëns 3532:The Penguin Companion to Classical Music 3217:Notes to San Diego Symphony CD SDS-1001 38: 3232: 3230: 3181: 3179: 3169: 3167: 3040: 3038: 3036: 3034: 3032: 3030: 3028: 3026: 3024: 3022: 3020: 3018: 3016: 3014: 3012: 3010: 3008: 3006: 3004: 3002: 3000: 2904: 2712:, Jacques Cazauran, Guy-Joel Cipriani, 2689: 1282:in G major, but in a less elegant mood. 802:(The Cuckoo in the Depths of the Woods) 4267:The Assassination of the Duke of Guise 3292: 2998: 2996: 2994: 2992: 2990: 2988: 2986: 2984: 2982: 2980: 2334:Royal Liverpool Philharmonic Orchestra 1531:Olga Barabini, Mary Binney Montgomery 1489:, whose version was recorded in 2020. 1316:'s "Danse des sylphes" (from his work 319: 4138:Caprice sur des airs danois et russes 3266: 3264: 3262: 3260: 3258: 3256: 3254: 3252: 3250: 3248: 2748:, cello; Gabin Lauridon, double bass. 1748:City of Birmingham Symphony Orchestra 1244:Introduction et marche royale du lion 528: 271:Introduction et marche royale du lion 153:, followed by another at the home of 98:, but that this work was "such fun" ( 7: 4874:Chamber music by Camille Saint-Saëns 3465:. Hollywood Bowl. 23 February 2021. 2925: 2923: 2921: 2919: 2917: 4548:Piano Concerto No. 2 (Shostakovich) 3555:. Oxford: Oxford University Press. 3513:The Noël Coward Diaries (1941–1969) 3496:. Oxford: Oxford University Press. 1232:As the title suggests, the work is 3946:Introduction and Rondo Capriccioso 3469:from the original on 25 April 2021 3443:from the original on 16 April 2021 3137:from the original on 17 April 2016 2070:Marian Lapšanský, Peter Toperczer 2006:Julian Jacobson, Nigel Hutchinson 1152:to this movement and performed by 25: 3638:for organ and piano combined, by 3105:from the original on 27 June 2021 2870:, Esther Hoppe, Florent Jodelet, 2817:This recording features virtuoso 2415:Carnival of the Animals, Part Two 1963:Nash Ensemble pianists (unnamed) 1381:as well as three nursery rhymes, 101:"... mais c'est si amusant!" 4842: 4841: 4297: 4296: 3534:. London and New York: Penguin. 2757:Also released without narration. 2029:Nicholas Walker, Laura O'Gorman 1220: 1193: 1159: 1117: 1077: 1010: 976: 933: 899: 881: 847: 824: 790: 772: 738: 682: 649: 631: 597: 555: 521: 489: 455: 434: 400: 382: 348: 320:Problems playing this file? See 295: 183:. It was rapturously received. 32:Carnival of the Animals (ballet) 3071:, IMSLP. Retrieved 27 June 2021 2838:Also released without narration 2659:and the music performed by the 2413:A parody of the work entitled " 1148:, was choreographed in 1905 by 768:VIII. Characters with Long Ears 3570:Saint-Saëns, Camille (1957) . 3549:Ratner, Sabina Teller (2002). 3371:"Carnival | The Kanneh-Masons" 2363:Jason Hardink, Kimi Kawashima 2192:Frank Braley, Michel Dalberto 1339:Personnages à longues oreilles 1052:), the French nursery rhymes " 748:Personnages à longues oreilles 588:'s "Dance of the Sylphs" from 1: 4879:Suites by Camille Saint-Saëns 4567:Pomp and Circumstance Marches 3648:, featuring Ogden Nash verses 3494:Taffanel: Genius of the Flute 2280:Royal Concertgebouw Orchestra 2251:Bergen Philharmonic Orchestra 1907:Israel Philharmonic Orchestra 1878:Pittsburgh Symphony Orchestra 1774:Vienna Philharmonic Orchestra 1690:Paris Conservatoire Orchestra 518:(Orpheus in the Underworld). 4889:Compositions for double bass 4465:Toccata and Fugue in D minor 412:(Wild Asses (Swift Animals)) 219:The suite is scored for two 4554:The Carnival of the Animals 4400:(1982 digital re-recording) 4121:The Carnival of the Animals 3617:The Carnival of the Animals 3589:Stegemann, Michael (1991). 3158:The Carnival of the Animals 3130:. Paris: Durand & Cie. 3052:, October 2019, pp. 116–121 3046:"The Gramophone Collection" 2847:German narration spoken by 2661:Adelaide Symphony Orchestra 2653:The Carnival of the Animals 2408:Philip Jones Brass Ensemble 2170:Anthony and Joseph Paratore 1395:Twinkle Twinkle Little Star 1049:Twinkle Twinkle Little Star 750:(Characters with Long Ears) 201:The Carnival of the Animals 194:The Carnival of the Animals 157:with an audience including 88:The Carnival of the Animals 49:The Carnival of the Animals 4920: 4529:Symphony No. 5 (Beethoven) 4491:Symphony No. 6 (Beethoven) 4435:Chicago Symphony Orchestra 3731:Mon cœur s'ouvre à ta voix 2624:streamed the piece at the 2586:Chicago Symphony Orchestra 2338:Richard Casey, Ian Buckle 2208:London Symphony Orchestra 1912:Katia and Marielle Labèque 1779:Aloys and Alfons Kontarsky 1419:, "Una voce poco fa" from 1390:"Ah! vous dirai-je, Maman" 1092: 800:Le Coucou au fond des bois 719:), two pianos, flute, and 410:Hémiones (animaux véloces) 106:École Niedermeyer de Paris 74:", by the French composer 29: 4836: 4793:The Sorcerer's Apprentice 4561:The Sorcerer's Apprentice 4478:The Sorcerer's Apprentice 4351: 4293: 4057:Suite for Cello and Piano 3689: 3593:. Lanham: Amadeus Press. 3492:Blakeman, Edward (2005). 3271:"Carnival of the Animals" 3091:"Carnival of the Animals" 2602:a ballet to Saint-Saëns's 2506:Characters with Long Ears 2228:Cincinnati Pops Orchestra 1887:Patricia Prattis Jennings 1608:London Symphony Orchestra 1514: 1511: 1508: 1505: 1502: 1371:quotes Saint-Saëns's own 1329:A Midsummer Night's Dream 1299:Orpheus in the Underworld 581:A Midsummer Night's Dream 207:substitutes for the rare 149:'s chamber music society 4894:Humor in classical music 4045:Piano Quartet in E major 3530:Griffiths, Paul (2004). 2974:, 27 February 1922, p. 5 2622:Los Angeles Philharmonic 2604:suite, choreographed by 2165:Munich Chamber Orchestra 1671:Ruth Segal, Naomi Segal 1044:Ah! vous dirai-je, Maman 4639:Fantasia: Music Evolved 3275:(subscription required) 3188:Carnival of the Animals 3080:Saint-Saëns, title page 2636:on piano, conducted by 2450:Royal March of The Lion 2305:Santa Cecilia Orchestra 2285:Lucas and Arthur Jussen 2175:Karl Anton Rickenbacher 1798:Instrumental ensemble 1450:. They were recited by 1444:Carnival of the Animals 715:Violins, viola, cello ( 140:Carnival of the Animals 59:Le Carnaval des animaux 18:Carnival of the Animals 4504:Night on Bald Mountain 4425:Philadelphia Orchestra 3912:Piano Concerto No. 5 ( 3156:Frankenstein, Alfred, 2872:Marie-Pierre Langlamet 2401:Alternative recordings 2260:Hélène Mercier-Arnault 2189:Instrumental ensemble 2025:Philharmonia Orchestra 2003:Instrumental ensemble 1979:Instrumental ensemble 1933:Instrumental ensemble 1823:Instrumental ensemble 1719:Philadelphia Orchestra 1579:Philharmonia Orchestra 1549:Kostelanetz Orchestra 1527:Philadelphia Orchestra 1399: 1389: 1383: 1374: 1366: 1348: 1338: 1319:The Damnation of Faust 1307: 1287: 1273: 1257: 1243: 1182: 1106: 1029: 999: 922: 870: 813: 761: 712: 671: 620: 591:The Damnation of Faust 544: 478: 423: 371: 307:Seattle Youth Symphony 284: 100: 57: 44: 43:Saint-Saëns circa 1880 4753:Mickey's PhilharMagic 4623:Sorcerer's Apprentice 3965:Violin Concerto No. 3 3939:Violin Concerto No. 1 3933:Violin Concerto No. 2 3836:Symphony in F major ( 3279:"Naxos Music Library" 3125:"Complete full score" 3101:: 104, 14 July 1937, 2878:, Béatrice Muthelet, 2588:. In it, a slapstick 2096:, Gregory Shaverdian 1806:Jean-Philippe Collard 1667:New York Philharmonic 1639:Boston Pops Orchestra 1462:, New York, in 1956. 1456:New York Philharmonic 1422:The Barber of Seville 1409:Partant pour la Syrie 1278:("The Hen") from his 1181: 1142:A short ballet solo, 1105: 1067:The Barber of Seville 1058:Partant pour la Syrie 1027: 998: 921: 869: 812: 760: 699: 670: 619: 543: 477: 422: 378:II. Hens and Roosters 370: 283: 42: 4786:The Little Matchgirl 4680:Disney Magical World 4471:The Nutcracker Suite 3979:Cello Concerto No. 2 3959:Cello Concerto No. 1 3898:Piano Concerto No. 4 3892:Piano Concerto No. 3 3886:Piano Concerto No. 2 3880:Piano Concerto No. 1 3692:List of compositions 3195:20 June 2018 at the 3067:19 June 2021 at the 2966:27 June 2021 at the 2738:Yan Pascal Tortelier 2679:Notes and references 2610:New York City Ballet 2606:Christopher Wheeldon 2121:Stanislav Gorkovenko 2089:I Musici de Montreal 1440:Columbia Masterworks 579:incidental music to 4899:Music about animals 4664:Dream Drop Distance 4151:Violin Sonata No. 2 4114:Violin Sonata No. 1 3683:Camille Saint-Saëns 3631:Julian Lloyd Webber 3515:. London: Methuen. 2779:Isabelle van Keulen 2584:, performed by the 2419:"Weird Al" Yankovic 2347:Alexander Armstrong 2236:John Morris Russell 1835:Philippe Entremont 1402:Au clair de la lune 1384:"J'ai du bon tabac" 1054:Au clair de la lune 963:Charles-Louis Hanon 360:(Hens and Roosters) 76:Camille Saint-Saëns 4801:Once Upon a Studio 4723:Allegro Non Troppo 4573:The Firebird Suite 4497:Dance of the Hours 4485:The Rite of Spring 4163:Cello Sonata No. 2 4096:Piano Quartet in B 4090:Cello Sonata No. 1 4011:Le Rouet d'Omphale 3987:Cyprès et lauriers 3723:Samson and Delilah 3715:La princesse jaune 3707:Le timbre d'argent 3044:Nicholas, Jeremy. 2950:Rattner, pp. 185ff 2672:Karneval der Tiere 2417:" was recorded by 2381:The Kanneh-Masons 2067:Czecho-Slovak RSO 2045:Academy of London 1849:London Sinfonietta 1827:Philippe Entremont 1699:Alexis Weissenberg 1679:Leonard Bernstein 1312:uses a theme from 1262:uses the theme of 1183: 1107: 1030: 1000: 923: 871: 814: 762: 713: 672: 621: 545: 479: 424: 372: 285: 45: 4904:Orchestral suites 4869:1886 compositions 4856: 4855: 4696: 4695: 4582: 4581: 4388:Leopold Stokowski 4309: 4308: 4229:The Promised Land 4053: (1855/1857) 3998: 3997: 3640:David Owen Norris 3627:Video Performance 3600:978-0-93-134035-2 3576:. Paris: Durand. 3562:978-0-19-816320-6 3541:978-0-14-100924-7 3522:978-0-297-78142-4 3503:978-0-19-517098-6 3439:. 18 March 2019. 3173:Griffiths, p. 147 2882:and Janne Saksala 2668:Chronatic Quartet 2608:and presented by 2458:Hens and Roosters 2398: 2397: 2214:Barry Wordsworth 2094:David Owen Norris 1675:Leonard Bernstein 1562:André Kostelanetz 1535:Leopold Stokowski 1448:Andre Kostelanetz 1407:, also the song " 1361:-style exercises. 1228:Musical allusions 1198: 1122: 1072:Leonard Bernstein 1015: 938: 886: 829: 777: 687: 636: 560: 515:Orphée aux enfers 494: 439: 387: 300: 112:on 3 March 1886: 16:(Redirected from 4911: 4845: 4844: 4808:Once Upon a Time 4709:A Corny Concerto 4646: 4542:Rhapsody in Blue 4453: 4336: 4329: 4322: 4313: 4300: 4299: 4205:Oratorio de Noël 4145:Piano Trio No. 2 4101: 4100: 4074: 4073: 4063:Piano Trio No. 1 4027:Suite algérienne 3985:Organ Concerto ( 3870: 3852:Symphony No. 3 ( 3676: 3669: 3662: 3653: 3620:: Scores at the 3604: 3585: 3566: 3545: 3526: 3507: 3479: 3478: 3476: 3474: 3459: 3453: 3452: 3450: 3448: 3433: 3427: 3418: 3412: 3403: 3397: 3388: 3382: 3381: 3379: 3377: 3367: 3361: 3360: 3358: 3356: 3351:. 27 August 2018 3341: 3335: 3326: 3320: 3311: 3305: 3304: 3298: 3290: 3288: 3286: 3276: 3268: 3243: 3234: 3225: 3215: 3209: 3206: 3200: 3183: 3174: 3171: 3162: 3161: 3153: 3147: 3146: 3144: 3142: 3136: 3129: 3120: 3114: 3113: 3112: 3110: 3087: 3081: 3078: 3072: 3059: 3053: 3042: 2975: 2957: 2951: 2948: 2942: 2941:Blakeman, p. 117 2939: 2930: 2927: 2912: 2911:Stegemann, p. 42 2909: 2892: 2889: 2883: 2857: 2851: 2845: 2839: 2836: 2830: 2815: 2809: 2806: 2800: 2796: 2790: 2783:Tabea Zimmermann 2767:Irena Grafenauer 2764: 2758: 2755: 2749: 2723: 2717: 2707: 2701: 2698:Hermione Gingold 2694: 2454:James Earl Jones 2010:Barry Wordsworth 1622:Skitch Henderson 1500: 1487:Michael Morpurgo 1467:President Truman 1406: 1392: 1386: 1379: 1369: 1351: 1341: 1310: 1290: 1276: 1260: 1246: 1224: 1200: 1199: 1180: 1163: 1124: 1123: 1104: 1081: 1017: 1016: 997: 980: 959: 958: 953: 952: 940: 939: 920: 903: 888: 887: 868: 851: 843: 842: 831: 830: 811: 794: 779: 778: 759: 742: 711: 710: 709: 707: 689: 688: 669: 653: 638: 637: 618: 601: 562: 561: 542: 525: 496: 495: 476: 459: 441: 440: 421: 404: 389: 388: 369: 352: 341:a lion, or high 302: 301: 282: 256: 255: 177:Concerts Colonne 133: 103: 62:) is a humorous 21: 4919: 4918: 4914: 4913: 4912: 4910: 4909: 4908: 4859: 4858: 4857: 4852: 4832: 4728: 4692: 4687:Disney Infinity 4644: 4610: 4578: 4515: 4444: 4413: 4376: 4347: 4340: 4310: 4305: 4289: 4273: 4254: 4235: 4192: 4181:Clarinet Sonata 4098: 4097: 4071: 4070: 4033: 4003:Orchestra works 3994: 3921: 3861: 3818: 3694: 3685: 3680: 3642:and David Coram 3629:of Le Cygne by 3612: 3601: 3588: 3569: 3563: 3548: 3542: 3529: 3523: 3510: 3504: 3491: 3488: 3483: 3482: 3472: 3470: 3461: 3460: 3456: 3446: 3444: 3435: 3434: 3430: 3419: 3415: 3404: 3400: 3389: 3385: 3375: 3373: 3369: 3368: 3364: 3354: 3352: 3343: 3342: 3338: 3327: 3323: 3312: 3308: 3291: 3284: 3282: 3277: 3274: 3269: 3246: 3235: 3228: 3216: 3212: 3207: 3203: 3197:Wayback Machine 3184: 3177: 3172: 3165: 3155: 3154: 3150: 3140: 3138: 3134: 3127: 3123: 3121: 3117: 3108: 3106: 3089: 3088: 3084: 3079: 3075: 3069:Wayback Machine 3060: 3056: 3043: 2978: 2968:Wayback Machine 2958: 2954: 2949: 2945: 2940: 2933: 2928: 2915: 2910: 2906: 2901: 2896: 2895: 2890: 2886: 2864:Gautier Capuçon 2858: 2854: 2846: 2842: 2837: 2833: 2816: 2812: 2807: 2803: 2797: 2793: 2765: 2761: 2756: 2752: 2730:Michel Arrignon 2724: 2720: 2708: 2704: 2695: 2691: 2686: 2681: 2638:Gustavo Dudamel 2563:ride layout at 2478:William Shatner 2446:Charlton Heston 2403: 2367:Thierry Fischer 2342:Vasily Petrenko 2319:Antonio Pappano 2314:Antonio Pappano 2310:Martha Argerich 2290:Stéphane Denève 2141:Garrick Ohlsson 2136:Boston Symphony 2073:Ondrej Len'ard 1992:Jeremy Nicholas 1984:Richard Markham 1937:Martha Argerich 1755:, Brenda Lucas 1627:Beatrice Lillie 1593:Igor Markevitch 1495: 1475:Jeremy Nicholas 1432: 1296:'s comic opera 1230: 1209:glass harmonica 1205: 1204: 1203: 1202: 1201: 1194: 1191: 1184: 1178: 1173: 1129: 1128: 1127: 1126: 1125: 1118: 1115: 1108: 1102: 1097: 1091: 1022: 1021: 1020: 1019: 1018: 1011: 1008: 1001: 995: 990: 956: 955: 950: 949: 945: 944: 943: 942: 941: 934: 931: 924: 918: 913: 893: 892: 891: 890: 889: 882: 879: 872: 866: 861: 840: 839: 836: 835: 834: 833: 832: 825: 822: 815: 809: 804: 784: 783: 782: 781: 780: 773: 770: 763: 757: 752: 721:glass harmonica 705: 703: 702: 701: 694: 693: 692: 691: 690: 683: 680: 673: 667: 662: 643: 642: 641: 640: 639: 632: 629: 622: 616: 611: 567: 566: 565: 564: 563: 556: 553: 551:V. The Elephant 546: 540: 535: 501: 500: 499: 498: 497: 490: 487: 480: 474: 469: 446: 445: 444: 443: 442: 435: 432: 430:III. Wild Asses 425: 419: 414: 394: 393: 392: 391: 390: 383: 380: 373: 367: 362: 327: 326: 318: 316: 315: 314: 313: 303: 296: 293: 286: 280: 275: 259:glass harmonica 253: 252: 217: 209:glass harmonica 198: 179:, conducted by 155:Pauline Viardot 143: 127: 84: 35: 28: 23: 22: 15: 12: 11: 5: 4917: 4915: 4907: 4906: 4901: 4896: 4891: 4886: 4881: 4876: 4871: 4861: 4860: 4854: 4853: 4851: 4850: 4837: 4834: 4833: 4831: 4830: 4825: 4818: 4817: 4816: 4804: 4797: 4789: 4782: 4775: 4768: 4761: 4756: 4749: 4747:Sorcerer's Hat 4744: 4736: 4734: 4730: 4729: 4727: 4726: 4719: 4712: 4704: 4702: 4698: 4697: 4694: 4693: 4691: 4690: 4683: 4676: 4669: 4668: 4667: 4657:Kingdom Hearts 4652: 4650: 4643: 4642: 4635: 4627: 4618: 4616: 4612: 4611: 4609: 4608: 4603: 4598: 4592: 4590: 4584: 4583: 4580: 4579: 4577: 4576: 4569: 4564: 4557: 4550: 4545: 4538: 4531: 4525: 4523: 4517: 4516: 4514: 4513: 4500: 4493: 4488: 4481: 4474: 4467: 4461: 4459: 4450: 4446: 4445: 4443: 4442: 4432: 4421: 4419: 4415: 4414: 4412: 4411: 4401: 4395: 4384: 4382: 4378: 4377: 4375: 4374: 4373: 4372: 4360: 4352: 4349: 4348: 4341: 4339: 4338: 4331: 4324: 4316: 4307: 4306: 4294: 4291: 4290: 4288: 4287: 4285:Camille Awards 4281: 4279: 4275: 4274: 4272: 4271: 4262: 4260: 4256: 4255: 4253: 4252: 4243: 4241: 4237: 4236: 4234: 4233: 4225: 4217: 4209: 4200: 4198: 4194: 4193: 4191: 4190: 4187:Bassoon Sonata 4184: 4178: 4172: 4166: 4160: 4154: 4148: 4142: 4134: 4133: 4132: 4117: 4111: 4105: 4093: 4087: 4078: 4066: 4060: 4054: 4048: 4041: 4039: 4035: 4034: 4032: 4031: 4023: 4015: 4006: 4004: 4000: 3999: 3996: 3995: 3993: 3992: 3982: 3976: 3968: 3962: 3956: 3950: 3942: 3936: 3929: 3927: 3923: 3922: 3920: 3919: 3909: 3901: 3895: 3889: 3883: 3876: 3874: 3867: 3863: 3862: 3860: 3859: 3854:Organ Symphony 3849: 3846:Symphony No. 2 3843: 3833: 3830:Symphony No. 1 3826: 3824: 3820: 3819: 3817: 3816: 3808: 3800: 3792: 3784: 3776: 3768: 3760: 3752: 3744: 3740:Étienne Marcel 3736: 3735: 3734: 3719: 3711: 3702: 3700: 3696: 3695: 3690: 3687: 3686: 3681: 3679: 3678: 3671: 3664: 3656: 3650: 3649: 3643: 3636:2011 recording 3633: 3624: 3611: 3610:External links 3608: 3607: 3606: 3599: 3586: 3567: 3561: 3546: 3540: 3527: 3521: 3508: 3502: 3487: 3484: 3481: 3480: 3454: 3428: 3413: 3398: 3383: 3362: 3336: 3321: 3306: 3244: 3226: 3210: 3208:Coward, p. 316 3201: 3186:"Saint-Saens: 3175: 3163: 3148: 3115: 3082: 3073: 3054: 2976: 2961:"Les Concerts" 2959:Banès, Anton. 2952: 2943: 2931: 2913: 2903: 2902: 2900: 2897: 2894: 2893: 2884: 2880:Emmanuel Pahud 2868:David Guerrier 2860:Renaud Capuçon 2852: 2840: 2831: 2810: 2801: 2791: 2771:Eduard Brunner 2759: 2750: 2734:Régis Pasquier 2718: 2702: 2688: 2687: 2685: 2682: 2680: 2677: 2676: 2675: 2664: 2645: 2626:Hollywood Bowl 2618: 2598: 2572: 2561:Space Mountain 2549: 2534:Walter Matthau 2518:Audrey Hepburn 2510:Deborah Raffin 2426: 2411: 2402: 2399: 2396: 2395: 2393: 2388: 2385: 2382: 2379: 2375: 2374: 2372: 2369: 2364: 2361: 2356: 2352: 2351: 2349: 2344: 2339: 2336: 2331: 2327: 2326: 2324: 2321: 2316: 2307: 2302: 2298: 2297: 2295: 2292: 2287: 2282: 2277: 2273: 2272: 2270: 2267: 2262: 2253: 2248: 2244: 2243: 2241: 2238: 2233: 2230: 2225: 2221: 2220: 2218: 2215: 2212: 2209: 2206: 2202: 2201: 2199: 2196: 2193: 2190: 2187: 2183: 2182: 2180: 2177: 2172: 2167: 2162: 2158: 2157: 2155: 2152: 2147: 2138: 2133: 2129: 2128: 2126: 2123: 2118: 2115: 2112: 2108: 2107: 2105: 2102: 2097: 2091: 2086: 2082: 2081: 2079: 2074: 2071: 2068: 2065: 2061: 2060: 2058: 2055: 2054:Richard Stamp 2052: 2051:, Keith Snell 2046: 2043: 2039: 2038: 2036: 2033: 2030: 2027: 2022: 2018: 2017: 2015: 2012: 2007: 2004: 2001: 1997: 1996: 1994: 1989: 1986: 1982:David Nettle, 1980: 1977: 1973: 1972: 1970: 1967: 1964: 1961: 1956: 1952: 1951: 1949: 1946: 1943: 1934: 1931: 1927: 1926: 1924: 1922:Itzhak Perlman 1919: 1914: 1909: 1904: 1900: 1899: 1897: 1894: 1889: 1880: 1875: 1871: 1870: 1868: 1865: 1863:Charles Dutoit 1860: 1858:Cristina Ortiz 1851: 1846: 1842: 1841: 1839: 1836: 1833: 1831:Gaby Casadesus 1824: 1821: 1817: 1816: 1814: 1811: 1808: 1799: 1796: 1792: 1791: 1789: 1786: 1781: 1776: 1771: 1767: 1766: 1764: 1761: 1756: 1750: 1745: 1741: 1740: 1738: 1735: 1733:Eugene Ormandy 1730: 1721: 1716: 1712: 1711: 1709: 1706: 1704:Georges Prêtre 1701: 1695:Aldo Ciccolini 1692: 1687: 1683: 1682: 1680: 1677: 1672: 1669: 1664: 1660: 1659: 1657: 1652: 1650:Arthur Fiedler 1647: 1641: 1636: 1632: 1631: 1629: 1624: 1619: 1613:Julius Katchen 1610: 1605: 1601: 1600: 1598: 1595: 1590: 1581: 1576: 1572: 1571: 1569: 1564: 1559: 1550: 1547: 1543: 1542: 1540: 1537: 1532: 1529: 1524: 1520: 1519: 1516: 1513: 1510: 1507: 1504: 1494: 1491: 1479:Jack Prelutsky 1431: 1428: 1427: 1426: 1362: 1344: 1333: 1303: 1283: 1258:Poules et coqs 1234:programmatical 1229: 1226: 1192: 1187: 1186: 1185: 1176: 1175: 1174: 1172: 1165: 1150:Mikhail Fokine 1145:The Dying Swan 1116: 1113:XIII. The Swan 1111: 1110: 1109: 1100: 1099: 1098: 1093:Main article: 1090: 1083: 1009: 1004: 1003: 1002: 993: 992: 991: 989: 982: 932: 927: 926: 925: 916: 915: 914: 912: 905: 880: 875: 874: 873: 864: 863: 862: 860: 853: 823: 818: 817: 816: 807: 806: 805: 803: 796: 771: 766: 765: 764: 755: 754: 753: 751: 744: 717:string quartet 681: 676: 675: 674: 665: 664: 663: 661: 655: 630: 625: 624: 623: 614: 613: 612: 610: 603: 554: 549: 548: 547: 538: 537: 536: 534: 533:(The Elephant) 527: 488: 483: 482: 481: 472: 471: 470: 468: 461: 433: 428: 427: 426: 417: 416: 415: 413: 406: 381: 376: 375: 374: 365: 364: 363: 361: 358:Poules et coqs 354: 317: 304: 294: 289: 288: 287: 278: 277: 276: 274: 267: 216: 213: 191: 181:Gabriel Pierné 114: 110:Charles Lebouc 96:Third Symphony 92:Shrove Tuesday 83: 80: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4916: 4905: 4902: 4900: 4897: 4895: 4892: 4890: 4887: 4885: 4882: 4880: 4877: 4875: 4872: 4870: 4867: 4866: 4864: 4849: 4848: 4839: 4838: 4835: 4829: 4826: 4824: 4823: 4819: 4815: 4812: 4811: 4810: 4809: 4805: 4803: 4802: 4798: 4795: 4794: 4790: 4788: 4787: 4783: 4781: 4780: 4776: 4774: 4773: 4769: 4767: 4766: 4762: 4760: 4757: 4755: 4754: 4750: 4748: 4745: 4743: 4742: 4738: 4737: 4735: 4731: 4725: 4724: 4720: 4718: 4717: 4713: 4711: 4710: 4706: 4705: 4703: 4699: 4689: 4688: 4684: 4682: 4681: 4677: 4675: 4674: 4670: 4666: 4665: 4661: 4660: 4659: 4658: 4654: 4653: 4651: 4647: 4641: 4640: 4636: 4633: 4632: 4628: 4625: 4624: 4620: 4619: 4617: 4613: 4607: 4604: 4602: 4599: 4597: 4594: 4593: 4591: 4589: 4585: 4575: 4574: 4570: 4568: 4565: 4563: 4562: 4558: 4556: 4555: 4551: 4549: 4546: 4544: 4543: 4539: 4537: 4536: 4535:Pines of Rome 4532: 4530: 4527: 4526: 4524: 4522: 4521:Fantasia 2000 4518: 4512: 4511: 4506: 4505: 4501: 4499: 4498: 4494: 4492: 4489: 4487: 4486: 4482: 4480: 4479: 4475: 4473: 4472: 4468: 4466: 4463: 4462: 4460: 4458: 4454: 4451: 4447: 4440: 4439:Fantasia 2000 4436: 4433: 4430: 4426: 4423: 4422: 4420: 4416: 4409: 4408:Fantasia 2000 4405: 4402: 4399: 4396: 4393: 4389: 4386: 4385: 4383: 4379: 4371: 4368: 4367: 4366: 4365: 4364:Fantasia 2000 4361: 4359: 4358: 4354: 4353: 4350: 4346: 4345: 4337: 4332: 4330: 4325: 4323: 4318: 4317: 4314: 4304: 4303: 4292: 4286: 4283: 4282: 4280: 4276: 4269: 4268: 4264: 4263: 4261: 4257: 4250: 4249: 4245: 4244: 4242: 4238: 4231: 4230: 4226: 4223: 4222: 4218: 4215: 4214: 4210: 4207: 4206: 4202: 4201: 4199: 4195: 4188: 4185: 4182: 4179: 4176: 4173: 4170: 4167: 4164: 4161: 4158: 4155: 4152: 4149: 4146: 4143: 4140: 4139: 4135: 4131: 4130: 4126: 4125: 4124: (1886) 4123: 4122: 4118: 4115: 4112: 4109: 4106: 4103: 4094: 4091: 4088: 4085: 4083: 4079: 4076: 4069:Serenade in E 4067: 4064: 4061: 4058: 4055: 4052: 4051:Piano Quintet 4049: 4046: 4043: 4042: 4040: 4038:Chamber music 4036: 4029: 4028: 4024: 4021: 4020: 4019:Danse macabre 4016: 4013: 4012: 4008: 4007: 4005: 4001: 3990: 3988: 3983: 3980: 3977: 3974: 3973: 3969: 3966: 3963: 3960: 3957: 3954: 3951: 3948: 3947: 3943: 3940: 3937: 3934: 3931: 3930: 3928: 3924: 3917: 3915: 3910: 3907: 3906: 3902: 3899: 3896: 3893: 3890: 3887: 3884: 3881: 3878: 3877: 3875: 3871: 3868: 3864: 3857: 3855: 3850: 3847: 3844: 3841: 3839: 3834: 3831: 3828: 3827: 3825: 3821: 3814: 3813: 3809: 3806: 3805: 3801: 3798: 3797: 3793: 3790: 3789: 3785: 3782: 3781: 3777: 3774: 3773: 3769: 3766: 3765: 3761: 3758: 3757: 3753: 3750: 3749: 3745: 3742: 3741: 3737: 3732: 3728: 3727: 3726: (1877) 3725: 3724: 3720: 3717: 3716: 3712: 3709: 3708: 3704: 3703: 3701: 3697: 3693: 3688: 3684: 3677: 3672: 3670: 3665: 3663: 3658: 3657: 3654: 3647: 3644: 3641: 3637: 3634: 3632: 3628: 3625: 3623: 3619: 3618: 3614: 3613: 3609: 3602: 3596: 3592: 3587: 3583: 3579: 3575: 3574: 3568: 3564: 3558: 3554: 3553: 3547: 3543: 3537: 3533: 3528: 3524: 3518: 3514: 3509: 3505: 3499: 3495: 3490: 3489: 3485: 3468: 3464: 3458: 3455: 3442: 3438: 3432: 3429: 3426: 3425:1-55800-586-2 3422: 3417: 3414: 3411: 3407: 3402: 3399: 3396: 3392: 3387: 3384: 3372: 3366: 3363: 3350: 3346: 3340: 3337: 3334: 3330: 3325: 3322: 3319: 3315: 3310: 3307: 3302: 3296: 3280: 3272: 3267: 3265: 3263: 3261: 3259: 3257: 3255: 3253: 3251: 3249: 3245: 3242: 3238: 3233: 3231: 3227: 3224: 3220: 3214: 3211: 3205: 3202: 3198: 3194: 3191: 3189: 3182: 3180: 3176: 3170: 3168: 3164: 3159: 3152: 3149: 3133: 3126: 3119: 3116: 3104: 3100: 3096: 3092: 3086: 3083: 3077: 3074: 3070: 3066: 3063: 3058: 3055: 3051: 3047: 3041: 3039: 3037: 3035: 3033: 3031: 3029: 3027: 3025: 3023: 3021: 3019: 3017: 3015: 3013: 3011: 3009: 3007: 3005: 3003: 3001: 2999: 2997: 2995: 2993: 2991: 2989: 2987: 2985: 2983: 2981: 2977: 2973: 2969: 2965: 2962: 2956: 2953: 2947: 2944: 2938: 2936: 2932: 2926: 2924: 2922: 2920: 2918: 2914: 2908: 2905: 2898: 2888: 2885: 2881: 2877: 2873: 2869: 2865: 2861: 2856: 2853: 2850: 2849:Peter Ustinov 2844: 2841: 2835: 2832: 2828: 2824: 2820: 2814: 2811: 2805: 2802: 2799:glockenspiel. 2795: 2792: 2788: 2787:Mischa Maisky 2784: 2780: 2776: 2772: 2768: 2763: 2760: 2754: 2751: 2747: 2743: 2742:Gérard Caussé 2740:, violin II; 2739: 2735: 2731: 2727: 2722: 2719: 2715: 2714:Michel Debost 2711: 2710:Maurice André 2706: 2703: 2699: 2693: 2690: 2683: 2678: 2673: 2669: 2665: 2662: 2658: 2654: 2650: 2646: 2643: 2639: 2635: 2631: 2627: 2623: 2620:In 2021, the 2619: 2615: 2611: 2607: 2603: 2599: 2596: 2595:Eric Goldberg 2591: 2587: 2583: 2582: 2581:Fantasia 2000 2577: 2573: 2570: 2566: 2562: 2558: 2554: 2550: 2547: 2543: 2539: 2535: 2531: 2527: 2523: 2519: 2515: 2511: 2507: 2503: 2499: 2495: 2491: 2487: 2483: 2479: 2475: 2471: 2470:Lynn Redgrave 2467: 2463: 2459: 2455: 2451: 2447: 2443: 2439: 2435: 2431: 2430:Lalo Schifrin 2427: 2424: 2420: 2416: 2412: 2409: 2406:In 1982, the 2405: 2404: 2400: 2394: 2392: 2391:Olivia Colman 2389: 2386: 2383: 2380: 2377: 2376: 2373: 2370: 2368: 2365: 2362: 2360: 2359:Utah Symphony 2357: 2354: 2353: 2350: 2348: 2345: 2343: 2340: 2337: 2335: 2332: 2329: 2328: 2325: 2322: 2320: 2317: 2315: 2311: 2308: 2306: 2303: 2300: 2299: 2296: 2293: 2291: 2288: 2286: 2283: 2281: 2278: 2275: 2274: 2271: 2268: 2266: 2263: 2261: 2257: 2254: 2252: 2249: 2246: 2245: 2242: 2239: 2237: 2234: 2231: 2229: 2226: 2223: 2222: 2219: 2216: 2213: 2210: 2207: 2204: 2203: 2200: 2197: 2194: 2191: 2188: 2185: 2184: 2181: 2178: 2176: 2173: 2171: 2168: 2166: 2163: 2160: 2159: 2156: 2153: 2151: 2148: 2146: 2145:John Browning 2142: 2139: 2137: 2134: 2131: 2130: 2127: 2124: 2122: 2119: 2116: 2113: 2110: 2109: 2106: 2103: 2101: 2100:Yuli Turovsky 2098: 2095: 2092: 2090: 2087: 2084: 2083: 2080: 2078: 2077:Johnny Morris 2075: 2072: 2069: 2066: 2063: 2062: 2059: 2056: 2053: 2050: 2047: 2044: 2041: 2040: 2037: 2034: 2032:Philip Ellis 2031: 2028: 2026: 2023: 2020: 2019: 2016: 2013: 2011: 2008: 2005: 2002: 1999: 1998: 1995: 1993: 1990: 1987: 1985: 1981: 1978: 1975: 1974: 1971: 1968: 1965: 1962: 1960: 1959:Nash Ensemble 1957: 1954: 1953: 1950: 1947: 1944: 1942: 1941:Nelson Freire 1938: 1935: 1932: 1929: 1928: 1925: 1923: 1920: 1918: 1915: 1913: 1910: 1908: 1905: 1902: 1901: 1898: 1895: 1893: 1890: 1888: 1884: 1881: 1879: 1876: 1873: 1872: 1869: 1866: 1864: 1861: 1859: 1855: 1852: 1850: 1847: 1844: 1843: 1840: 1837: 1834: 1832: 1828: 1825: 1822: 1819: 1818: 1815: 1812: 1809: 1807: 1803: 1802:Michel Béroff 1800: 1797: 1794: 1793: 1790: 1787: 1785: 1782: 1780: 1777: 1775: 1772: 1769: 1768: 1765: 1762: 1760: 1759:Louis Frémaux 1757: 1754: 1751: 1749: 1746: 1743: 1742: 1739: 1736: 1734: 1731: 1729: 1728:Lilian Kallir 1725: 1722: 1720: 1717: 1714: 1713: 1710: 1707: 1705: 1702: 1700: 1696: 1693: 1691: 1688: 1685: 1684: 1681: 1678: 1676: 1673: 1670: 1668: 1665: 1662: 1661: 1658: 1656: 1653: 1651: 1648: 1646: 1645:Samuel Lipman 1642: 1640: 1637: 1634: 1633: 1630: 1628: 1625: 1623: 1620: 1618: 1617:Gary Graffman 1614: 1611: 1609: 1606: 1603: 1602: 1599: 1596: 1594: 1591: 1589: 1585: 1582: 1580: 1577: 1574: 1573: 1570: 1568: 1565: 1563: 1560: 1558: 1554: 1553:Leonid Hambro 1551: 1548: 1545: 1544: 1541: 1538: 1536: 1533: 1530: 1528: 1525: 1522: 1521: 1517: 1501: 1498: 1492: 1490: 1488: 1484: 1480: 1476: 1472: 1471:Johnny Morris 1468: 1463: 1461: 1460:Carnegie Hall 1457: 1453: 1449: 1446:conducted by 1445: 1442:recording of 1441: 1437: 1429: 1424: 1423: 1418: 1414: 1410: 1405: 1403: 1396: 1391: 1385: 1380: 1378: 1377: 1376:Danse macabre 1370: 1368: 1363: 1360: 1356: 1352: 1350: 1345: 1342: 1340: 1334: 1331: 1330: 1325: 1321: 1320: 1315: 1311: 1309: 1304: 1301: 1300: 1295: 1291: 1289: 1284: 1281: 1277: 1275: 1269: 1265: 1261: 1259: 1254: 1253: 1252: 1249: 1247: 1245: 1239: 1235: 1227: 1225: 1223: 1218: 1215: 1210: 1190: 1170: 1166: 1164: 1162: 1157: 1155: 1151: 1147: 1146: 1140: 1136: 1134: 1114: 1096: 1088: 1084: 1082: 1080: 1075: 1073: 1069: 1068: 1063: 1059: 1055: 1051: 1050: 1045: 1041: 1040:Danse macabre 1037: 1036: 1035:Danse macabre 1026: 1007: 987: 983: 981: 979: 974: 972: 968: 964: 930: 910: 906: 904: 902: 897: 878: 858: 854: 852: 850: 845: 821: 801: 797: 795: 793: 788: 769: 749: 745: 743: 741: 736: 734: 730: 726: 722: 718: 708: 698: 679: 678:VII. Aquarium 660: 656: 654: 652: 647: 628: 627:VI. Kangaroos 608: 604: 602: 600: 595: 593: 592: 587: 583: 582: 576: 571: 552: 532: 526: 524: 519: 517: 516: 511: 507: 486: 485:IV. Tortoises 466: 462: 460: 458: 453: 451: 431: 411: 407: 405: 403: 398: 379: 359: 355: 353: 351: 346: 344: 339: 335: 331: 325: 323: 312: 308: 292: 272: 268: 266: 264: 260: 250: 246: 242: 238: 234: 230: 226: 222: 214: 212: 210: 206: 202: 195: 190: 188: 187: 182: 178: 172: 170: 169: 164: 160: 156: 152: 148: 147:Émile Lemoine 141: 137: 131: 126: 122: 118: 113: 111: 107: 102: 97: 93: 89: 81: 79: 77: 73: 70:, including " 69: 65: 64:musical suite 61: 60: 55: 51: 50: 41: 37: 33: 19: 4840: 4828:Deems Taylor 4820: 4806: 4799: 4791: 4784: 4777: 4770: 4763: 4751: 4739: 4721: 4714: 4707: 4685: 4678: 4671: 4662: 4655: 4637: 4629: 4621: 4596:Mickey Mouse 4571: 4559: 4553: 4552: 4540: 4533: 4520: 4508: 4502: 4495: 4483: 4476: 4469: 4456: 4438: 4428: 4407: 4404:James Levine 4398:Irwin Kostal 4391: 4362: 4355: 4342: 4295: 4270: (1908) 4265: 4251: (1896) 4246: 4232: (1913) 4227: 4224: (1878) 4219: 4216: (1875) 4211: 4208: (1858) 4203: 4189: (1921) 4183: (1921) 4177: (1921) 4171: (1915) 4165: (1905) 4159: (1897) 4153: (1896) 4147: (1891) 4141: (1887) 4136: 4127: 4120: 4119: 4116: (1885) 4110: (1881) 4104: (1875) 4092: (1871) 4086: (1871) 4081: 4077: (1865) 4065: (1864) 4059: (1862) 4047: (1853) 4030: (1880) 4025: 4022: (1874) 4018: 4014: (1872) 4009: 3991: (1919) 3986: 3981: (1902) 3975: (1887) 3970: 3967: (1880) 3961: (1872) 3955: (1866) 3949: (1863) 3944: 3941: (1859) 3935: (1858) 3918: (1896) 3914:The Egyptian 3913: 3908: (1891) 3903: 3900: (1875) 3894: (1869) 3888: (1868) 3882: (1858) 3858: (1886) 3853: 3848: (1859) 3842: (1856) 3837: 3832: (1853) 3815: (1911) 3810: 3807: (1905) 3802: 3799: (1904) 3794: 3791: (1901) 3788:Les barbares 3786: 3783: (1895) 3778: 3775: (1893) 3770: 3767: (1890) 3762: 3759: (1887) 3754: 3751: (1883) 3746: 3743: (1879) 3738: 3721: 3718: (1872) 3713: 3710: (1865) 3705: 3616: 3590: 3572: 3551: 3531: 3512: 3493: 3471:. Retrieved 3457: 3445:. Retrieved 3431: 3416: 3401: 3386: 3374:. Retrieved 3365: 3353:. Retrieved 3348: 3339: 3324: 3309: 3283:. Retrieved 3213: 3204: 3187: 3157: 3151: 3139:. Retrieved 3118: 3107:, retrieved 3098: 3095:The Listener 3094: 3085: 3076: 3057: 3049: 2971: 2955: 2946: 2907: 2887: 2855: 2843: 2834: 2827:Fritz Spiegl 2823:Tommy Reilly 2813: 2804: 2794: 2775:Gidon Kremer 2773:, clarinet; 2762: 2753: 2736:, violin I; 2726:Alain Marion 2721: 2705: 2692: 2671: 2652: 2614:John Lithgow 2579: 2556: 2545: 2542:Jaclyn Smith 2537: 2529: 2526:Dudley Moore 2521: 2513: 2505: 2497: 2489: 2482:The Elephant 2481: 2473: 2466:Wild Donkeys 2465: 2457: 2449: 2441: 2438:Introduction 2437: 2434:Arte Johnson 2423:Wendy Carlos 2256:Louis Lortie 1892:André Previn 1883:Joseph Villa 1724:Claude Frank 1643:Leo Litwin, 1557:Jascha Zayde 1496: 1483:John Lithgow 1464: 1443: 1433: 1420: 1372: 1364: 1346: 1336: 1327: 1317: 1305: 1297: 1285: 1271: 1255: 1250: 1241: 1231: 1219: 1206: 1168: 1158: 1154:Anna Pavlova 1143: 1141: 1137: 1130: 1086: 1076: 1065: 1047: 1043: 1039: 1033: 1031: 1006:XII. Fossils 985: 975: 946: 929:XI. 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Finale 967:Carl Czerny 609:(Kangaroos) 575:Mendelssohn 570:Double bass 510:Offenbach's 467:(Tortoises) 311:Vilem Sokol 237:double bass 159:Franz Liszt 128: [ 4863:Categories 4822:Ten Pieces 4779:One by One 4759:Fantasound 4741:Fantasmic! 4606:Daisy Duck 4588:Characters 4418:Orchestras 4381:Conductors 4370:soundtrack 4259:Film score 4157:Barcarolle 3823:Symphonies 3780:Frédégonde 3756:Proserpine 3748:Henry VIII 3050:Gramophone 2899:References 2876:Paul Meyer 2781:, violin; 2777:, violin; 2642:El Sistema 2634:David Fung 2565:Disneyland 2555:cover of " 2514:The Cuckoo 2494:Ted Danson 1753:John Ogdon 1655:Hugh Downs 1512:Conductor 1506:Orchestra 1493:Recordings 1436:Ogden Nash 1308:L'éléphant 1238:zoological 1133:sixteenths 1089:(The Swan) 911:(Pianists) 607:Kangourous 531:L'Éléphant 338:glissandos 322:media help 189:reported: 4510:Ave Maria 4213:Le Déluge 3972:Havanaise 3866:Concertos 3838:Urbs Roma 3804:L'ancêtre 2972:Le Figaro 2819:harmonica 2785:, viola; 2769:, flute; 2744:, viola; 2728:, flute; 2670:released 2666:In 2023, 2651:released 2647:In 2016, 2630:Yuja Wang 2569:Dick Dale 2557:Aquarium" 2553:surf rock 2490:Kangaroos 2474:Tortoises 2049:Anton Nel 1784:Karl Böhm 1588:Géza Anda 1584:Béla Síki 1515:Narrator 1509:Pianists 1349:Pianistes 1294:Offenbach 988:(Fossils) 954:, D and E 909:Pianistes 877:X. 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Index

Carnival of the Animals
Carnival of the Animals (ballet)
The composer as a middle aged man with neat beard
French
musical suite
movements
The Swan
Camille Saint-Saëns
Shrove Tuesday
Third Symphony
École Niedermeyer de Paris
Charles Lebouc
Diémer
Taffanel
Turban
fr
Maurin
Émile Lemoine
La Trompette
Pauline Viardot
Franz Liszt
Mi-Carême
The Swan
Concerts Colonne
Gabriel Pierné
Le Figaro
glockenspiel
glass harmonica
pianos
violins

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