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covered the anthology. Jordan said she was "extremely delighted to recommend" the collection because of the poets it included. She continued to say that there was "much to cherish" in the anthology, including its compiler (although he almost excessively promoted himself). Jordan criticized some of
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noted that "Negroes must derive much satisfaction out of the fact these 38 men and women and girls and boys of their race are spinning verses much better than the verses many of their white brethren spin." The reviewer noted that the "never shall forget" some of the poems included.
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the poems for lacking substance and not attempting to create a "distinctively Black poem." She concluded by praising the view the anthology presented into the era when it was published. That same year a reviewer in the
72:, New York City, spanning the 1920s and 1930s. A major aspect of this revival was poetry. Hundreds of poems were written and published by African Americans during the era, which covered a wide variety of themes. The
137:), and 1995. The anthology also includes biographical sketches of the poets whose work is included in the book. These sketches had generally been written by the poets which they were about.
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described the anthology as "a delight and a joy" and the author, professor Girard T. Bryant, considered that "perhaps no other anthology of poetry by black poets has ever equaled it."
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wrote that poets in the Harlem
Renaissance "explored the beauty and pain of black life and sought to define themselves and their community outside of white stereotypes." Poets such as
149:, thirteen were women. Lula Lowe Weeden was the youngest poet included in the anthology, at nine years old. She stopped writing poetry as a teenager.
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noted that Cullen had tried to "direct attention to some of the younger and less-known Negro writers." A contemporary review that appeared in the
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Cullen, who felt that poetry was "instrumental to the cultural development of a race," edited the anthology when he was twenty-four years old.
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133:. Upon publication, it included works by thirty-eight African-American poets. It was republished at least three times, in 1955, 1974 (by
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The poetry of the era was published in several different ways, notably in the form of anthologies.
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The
Schomburg Center guide to black literature : from the eighteenth century to the present
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Harlem
Renaissance and beyond : literary biographies of 100 Black women writers, 1900-1945
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Caroling Dusk: An
Anthology of Verse by Black Poets of the Twenties: Anthology of Black Verse
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955:(1st Carol Publishing Group ed.). Secaucus, N.J.: Carol Publishing Group.
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was an intellectual and cultural revival of
African American life centered in
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The anthology was described as being "critically acclaimed". A review in the
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Caroling dusk : an anthology of verse by Black poets of the twenties
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770:. Ruth Elizabeth Randolph. Boston, Mass.: G.K. Hall. p. 337.
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Religious Folk-Songs of the Negro, as Sung at
Hampton Institute
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Rainbow Round My
Shoulder. The Blue Trail of Black Ulysses
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became well known for their poetry, which was often
24:is a 1927 poetry anthology that was edited by
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640:Encyclopedia of the Harlem Renaissance: K-Y
608:"An Introduction to the Harlem Renaissance"
145:Of the thirty-eight poets whose work is in
643:. Taylor & Francis. pp. 727–730.
110:An Anthology of Verse by American Negroes
878:"Collection of Poems by Negro Lyricists"
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833:Ebony and Topaz: A Collectanea
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