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110:, he further expanded the workshop, which was supported by the design demands of the American occupying force. Auböck adopted a strategy where a basic design had manifold varieties so that more than 500 new objects were produced in the workshop from 1946 to 1950. These designs were influenced by Bauhaus modernism. His works on smaller household and office objects during this period made Auböck a cult hero among his contemporaries.
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Carl Auböck IV (born 1954) was also trained as a metal craftsman at the
Werkstatte and, like his father also a practicing architect. Upon his father's death he managed the workshop with his mother Justine. Today he runs the Werkstätte Carl Auböck, overseeing the development of new design concepts for
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Carl Auböck II (1900 – 1957) continued practising in the workshop of his father (CAI) and began to introduce design changes that led the company towards the direction of
Modernist Design, for which the workshop would be known. He first joined his father's workshop in 1925 after studying painting at
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In his early years, Carl Auböck III (1924 – 1993) began collaborating with his father at the
Werkstatte workshop. He began working as a Gürtler, which was part of the family's tradition. Unlike his predecessors, however, he is also noted as an architect. He completed an architecture degree at the
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Carl Auböck I or Karl
Heinrich Auböck I was a goldsmith before he founded the family's workshop in 1906 at Bernardgasse as a bronze goods company. Auböck's workshop was particularly noted for the manufacture of the "Weiner Bronzen". These small, bronze figurines were popular collectibles in
175:. These figures inspired Auböck to integrate American trends in the products designed at the workshop, making them more international and modern. Under his direction, the workshop achieved international status and started collaborating with other design houses such as
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Auböck III is also the father of Maria Auböck (1951), a noted
Austrian landscape architect and educator. She is known for architectural works completed with János Kárász and as a president of the Central Association of Architects (ZV).
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Vienna
University of Technology. Auböck has designed private houses, apartments, public, and industrial buildings not just in Austria but around the world. He was also an academic and the former president of the
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a 500-piece collection. He supervises the Carl Auböck archive and collaborates over the years with designers such as
Michael Anastassiades, Lee West, Petar Petrov, Aldo Bakker, and Formafantasma, among others.
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183:. Auböck has also designed for other companies such as Neuzeughammer Ambosswerke, Reichert, Tyrolia, Otto Groh, and Ostovics Tischkultur. He taught industrial design at the
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354:"The Workshop: Carl Auböck Designs 1930-1980, 13 October 2016 < Auctions | Wright: Auctions of Art and Design"
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for designing a range of stylized metalware. Aside from his metal ware designs, Auböck is also known for his
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30:-based Werkstätte Carl Auböck. The workshop, which was part of the Austrian art movement called
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26:) is the name of members of the Auböck family, who owned and managed the
406:"Carl Auböck heads up a bountiful auction of 20th century design and art"
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painter and designer. He became a leading figure of
Austrian modernism.
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Miller's Mid-Century Modern: Living with Mid-Century Modern Design
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Four generations of
Austrian artists and their eponymous company
581:"Mönchengladbach: So könnte die Hindenburgstraße aussehen"
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In 1954, Auböck was awarded four gold medals during the
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International
Council of Societies of Industrial Design
633:"The Family That Has Elevated Everyday Items to Art"
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Hand drawn page from Carl Auböck catalogue (c. 1950)
67:until the early 20th century. Auböck died in 1925.
431:"Brass in Pocket | Carl Auböck's Exquisite Curios"
143:, the parish built by architect Carl Auböck III.
381:"Carl Auböck - Frank Landau: Designer / Artist"
508:. London: Bloomsbury Publishing. p. 169.
483:. St. James, MO: St. James Press. p. 35.
330:"Maharam Stories - Werkstätte Carl Auböck by"
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304:Beyerle, Tulga; Hirschberger, Karin (2013).
555:"Menschheitserbe: Was soll bewahrt werden?"
187:in 1997 and served as the president of the
607:"Die Stadt als Spongebob - derStandard.at"
553:red, noe ORF at/Agenturen (2020-02-05).
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306:A Century of Austrian Design: 1900-2005
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45:Floor lamp with reversible shade (1950)
668:Austrian companies established in 1906
88:. He also attended art courses at the
157:Massachusetts Institute of Technology
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605:Czaja, Wojciech (October 28, 2019).
579:Richters, Denisa (October 3, 2019).
458:. London: Hachette UK. p. 197.
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479:Pendergast, Sara (1997-01-01).
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504:Huppatz, D. J. (2018-02-22).
221:Asome, Carolyn (2019-03-30).
155:Auböck also studied 1951 at
404:Howells, Tom (2017-02-21).
86:Vienna Academy of Fine Arts
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429:Rozzo, Mark (2010-05-20).
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189:Austrian Design Institute
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611:DER STANDARD
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587:(in German)
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266:Contemporum
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20:Carl Auböck
657:Categories
642:2019-11-18
617:2019-11-18
591:2019-11-18
565:2020-02-29
559:noe.ORF.at
539:2019-11-18
440:2020-02-29
435:T Magazine
415:2019-11-07
410:Wallpaper*
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363:2019-11-07
339:2019-11-07
271:2019-10-31
240:2019-11-18
208:References
235:0140-0460
227:The Times
169:Ray Eames
152:(ICSID).
90:Bauhaus
65:Austria
24:Auboeck
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
