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Throughout his career his scenographic talents were called upon for the temporary decorations required for public events, which are documented in preparatory drawings or presentation drawings, some of which, such as a canonization in
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190:) shows Pope Pius presenting two large sheets depicting a plan and elevation, which are open upon a draped table. However, the plans in the painting are identified from a detailed contemporary description as those submitted by
236:. Marchionni's contribution was limited to a pictorial bas-relief on the sarcophagus, and it may be questioned how much of the Roman sculpture attributed to his design was by his hand: statuary (1741) for the façade of
34:(10 February 1702 – 28 July 1786) was an Italian architect. He was also a sculptor and a virtuoso draughtsman, who mixed in the artistic and intellectual circles. He was born and died in
116:, who is best known for his etchings of Roman ruins. Piranesi's picturesque approach to Roman antiquity likely influenced Marchionni's style. However, Marchionni's mature work, such as the
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had declared the Villa Albani "the most beautiful building of our time", in a famous letter from
Francesco Milizia to the Venetian connoisseur Zulian Milizia dismissed "Marchionnisti", "
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198:(1780), Marchionni's plans has been substituted, and the half-built sacristy, complete to the first floor, appears in the background view (engraving found at
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202:). The imposing Sacristy, an independent building as large as a church, is sited in the angle of the left transept. It consists of the octagonal
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426:, 1993 "Carlo Marchionni (1702-1786) deux albums de Dessins Acquis parle département des arts graphiques du Louvre", pp.28-40
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for St Peter's (1776–84), which had been envisaged by the preceding pontiff, who demolished the mausoleum dedicated to the
97:. Marchionni's Borromini-influenced style is identifiable in Marchionni's early work (1728) for Cardinal Albani's villa at
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124:, curator of Albani's antiquities. After Nicola Salvi's death in 1751, Marchionni help design the Villa's garden façade (
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120:(1746–63) expresses the courtly decorative classicism of his patron's circle, which included the neoclassicist
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in 1746, have only been recognized as
Marchionni's in recent years Similar drawings by Marchionni are at the
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Architectural and
Ornament Drawings: Juvarra, Vanvitelli, the Bibiena Family, & Other Italian Draughtsmen
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Not all of
Marchionni's drawings are architectural designs. Two albums of his drawings were acquired by the
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136:. The whole façade is surmounted by a running balustrade that emphasizes its linearity. The balustrades,
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Drawing for a temporary façade for
Palazzo della Valle, Rome, 1747 Detailed catalogue entry (in Italian)
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213:. It is connected to the basilica by raised galleries in which Marchionni inserted fragments of Roman
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Palazzo
Braschi: Giovanni Domenico Porta's portrait of Pius (1776), with plans for the new sacristy
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128:) is without central emphasis or end pavilions, a single sequence of bays defined by an order of
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224:(1787). Cardinal Albani commissioned from Marchionni the funerary monument (1737–39) located in
93:. In 1728 Marchionni had come to Albani's attention after winning first prize in the Academy's
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262:(1747) for the chapel of St John the Baptist, Sao Roch, Lisbon, and for the chapel of the
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Marchionni also designed church furnishings, such as the high altar and rich tabernacle of
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Rome in the Age of
Enlightenment : The Post-Tridentine Syndrome and the Ancien RĂ©gime
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Marchionni's earliest training was as a sculptor. He studied architecture at Rome's
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151:. In 1766, the pope commissioned Marchionni to rebuild the entrance façade of the
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Outside Rome, Cardinal Albani commissioned a façade for the collegiate church at
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Caracciolo del Leone, Marcantonio, 1933. "Carlo
Marchionni and his Family" (
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and stone vases of the
Gardens must be from designs of Marchionni (Gatta).
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281:(1734). He received papal commissions for the churches of San Domenico in
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that stood on its site. The project was preceded by a public competition.
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that may be compared with the similar style by his
Italian contemporaries
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293:(from 1765). As an engineer, he was responsible for work in the port of
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constituted Marchionni's last official Roman projects. One was the new
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Marchionni's early career was fostered by his lifelong friend Cardinal
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Carlo Marchionni. Ein Beitrag zur römischen Architektur des settecento
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Papacy and Politics in Eighteenth-Century Rome: Pius VI and the Arts
256:. Outside Rome is credited with reliefs depicting scenes from the
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Marchionni was appointed papal architect and overseer of works at
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252:(1748) for S Apollinare; and patrons' busts (ca. 1745) for the
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and the funerary monument (1747) of Cardinal Giacomo Millo in
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or director of the Accademia di San Luca starting from 1775.
518:(Atti e Memorie della SocietĂ Tiburtina di Storia e d'Arte)
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Carlo Marchionni: architettura, decorazione e scenografia
346:" as reactionary obscurantists who execrated the young
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soon dismissed Marchionni's conservative classicised
132:standing on rusticated pilasters of an arcade with
108:Marchionni helped restore and rebuild the choir at
568:(Holze) Istituto Nazionale per la Graphica, Rome:
553:: CS1 maint: bot: original URL status unknown (
563:Roberto Piperno, "Baroque architecture in Rome"
228:, with sculpture by his frequent collaborator
23:Garden front of the Villa Albani, engraved by
8:
70:, or indeed with their French contemporary,
559:The milieu of Carlo Marchionni (in Italian)
495:(Cambridge Studies in Early Modern History)
536:. Archived from the original on 2009-10-27
392:, Metropolitan Museum of Art, 1975, p. 34.
186:'s commemorative canvas from 1776 (now in
581:Chris Nybord, "S. Caterina a Magnanapoli"
509:Bollettino Storico-Archeologico di Tivoli
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414:See ref. Istituto Nazionale per Grafica
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206:, the Sacristy of the Canons, and the
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534:, "Aspirazioni classicisti nel Lazio""
163:of the Vatican, along one side of the
134:arch-head openings of "Palladian" form
89:, who favored the elaborated style of
401:Drawings for the sacristy are at the
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403:Canadian Centre for Architecture
623:18th-century Italian architects
532:Architettura Neoclassica a Roma
437:Architettura neoclassica a Roma
350:'s fully classical monument to
516:The Family of Carlo Marchionni
194:, whereas in the engraving by
1:
456:(Cambridge University Press)
374:Baptized 16 February 1702 in
287:Santa Maddalena de Cassinessi
16:Italian architect (1702–1786)
514:Piccolini, Celestino, 1942.
222:Santa Caterina a Magnanapoli
101:and at the papal retreat of
488:(Cologne: Studi Italiani 9)
472:Studi sul Settecento Romano
254:Collegio di Propaganda Fide
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466:Debenedetti, Elisa, 1988.
354:of 1787. Marchioni became
246:Santa Croce in Gerusalemme
114:Giovanni Battista Piranesi
307:Santa Maria sopra Minerva
226:Santa Maria sopra Minerva
452:Collins, Jeffrey, 2004.
110:San Giovanni in Laterano
592:Grove Dictionary of Art
184:Giovanni Domenico Porta
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484:Gaus, Joachim, 1967.
180:Madonna of the Fevers
170:Two commissions from
165:Cortile del Belvedere
83:Accademia di San Luca
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628:Architects from Rome
491:Gross, Hanns et al.
238:Santa Maria Maggiore
130:Corinthian pilasters
74:, who designed the (
72:Ange-Jacques Gabriel
633:Italian draughtsmen
145:St Peter's Basilica
126:illustration, right
95:Concorso Clementino
573:2007-10-26 at the
530:"Francesco Gatta,
259:Life of the Virgin
250:St Ignatius Loyola
234:Pope Benedict XIII
192:Giuseppe Subleyras
60:Alessandro Galilei
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149:Pope Benedict XIV
87:Filippo Barigioni
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613:1786 deaths
608:1702 births
332:Winckelmann
244:(1743) for
232:, to honor
215:bas reliefs
122:Winckelmann
112:along with
602:Categories
540:2006-03-12
470:in series
447:References
405:, Montréal
340:Berniniani
68:Vanvitelli
274:in Rome.
91:Borromini
42:Biography
571:Archived
549:cite web
356:principe
176:sacristy
157:Bramante
474:(Rome)
435:Gatta,
342:" and "
328:Baroque
291:Messina
279:Nettuno
159:in the
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318:Louvre
295:Ancona
283:Ancona
362:Notes
138:herms
99:Anzio
555:link
476:ISBN
458:ISBN
338:", "
209:Sala
54:and
36:Rome
289:in
147:by
66:or
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