Knowledge (XXG)

Carlos María Herrera

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As a specialist in portraits, Herrera was popular among the high society of Montevideo. His portraits of women and children display his mastery of
313: 242: 293: 278: 308: 288: 235: 74: 129: 66: 50:, Herrera began his studies there under the instruction of the Italian painter, Pedro Queirolo, later relocating to 168: 298: 153: 209: 273: 268: 70: 54:
for two years at the Círculo Estímulo de Bellas Artes. In 1897 he traveled for the first time to
219: 96: 160: 108: 99:. He also painted in the historical genre, his most popular works in this genre being 262: 51: 19: 203: 43: 188: 47: 31: 92: 81: 55: 87:
He also delved, like many of his contemporaries, into the genre of
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Some of his portraits are in permanent display in the
30:(December 18, 1875 – September 27, 1914) was a 243: 8: 218:This article about a Uruguayan painter is a 189:Museo Nacional de Artes Visuales de Uruguay 250: 236: 73:. He continued his studies in Spain with 125: 107:, which appears on the reverse of the 7: 199: 197: 304:20th-century Uruguayan male artists 222:. You can help Knowledge (XXG) by 14: 208: 202: 167: 152: 140: 128: 23:Carlos María Herrera, circa 1900 284:20th-century Uruguayan painters 116:National Museum of Visual Arts 1: 16:Uruguayan painter (1875–1914) 314:South American painter stubs 330: 196: 101:Congreso de Abril de 1813 75:Joaquín Sorolla y Bastida 67:Salvador Sánchez Barbudo 294:Uruguayan male painters 279:Artists from Montevideo 105:Artigas en el Hervidero 309:Uruguayan artist stubs 289:Uruguayan male artists 147:Portrait of his Mother 84:, his favored medium. 24: 91:, painting scenes of 22: 28:Carlos María Herrera 122:Selected paintings 25: 231: 230: 321: 252: 245: 238: 214: 213: 212: 206: 198: 187: 171: 156: 144: 132: 71:Mariano Barbasán 329: 328: 324: 323: 322: 320: 319: 318: 299:Stamp designers 259: 258: 257: 256: 207: 201: 194: 185: 182: 175: 172: 163: 157: 148: 145: 136: 133: 124: 118:in Montevideo. 40: 17: 12: 11: 5: 327: 325: 317: 316: 311: 306: 301: 296: 291: 286: 281: 276: 271: 261: 260: 255: 254: 247: 240: 232: 229: 228: 215: 192: 191: 181: 180:External links 178: 177: 176: 173: 166: 164: 161:Cry of Asencio 158: 151: 149: 146: 139: 137: 134: 127: 123: 120: 58:, studying in 39: 36: 15: 13: 10: 9: 6: 4: 3: 2: 326: 315: 312: 310: 307: 305: 302: 300: 297: 295: 292: 290: 287: 285: 282: 280: 277: 275: 272: 270: 267: 266: 264: 253: 248: 246: 241: 239: 234: 233: 227: 225: 221: 216: 211: 205: 200: 195: 190: 184: 183: 179: 170: 165: 162: 155: 150: 143: 138: 131: 126: 121: 119: 117: 112: 110: 106: 102: 98: 94: 90: 85: 83: 78: 76: 72: 68: 65: 61: 57: 53: 49: 45: 37: 35: 33: 29: 21: 224:expanding it 217: 193: 186:(in Spanish) 113: 104: 100: 88: 86: 79: 52:Buenos Aires 41: 27: 26: 274:1914 deaths 269:1875 births 263:Categories 44:Montevideo 89:nativismo 64:Spaniards 62:with the 38:Biography 34:painter. 32:Uruguayan 97:criollos 42:Born in 135:Resting 93:gauchos 48:Uruguay 111:note. 109:$ 1000 82:pastel 56:Europe 174:Child 220:stub 159:The 103:and 95:and 69:and 60:Rome 265:: 46:, 251:e 244:t 237:v 226:.

Index


Uruguayan
Montevideo
Uruguay
Buenos Aires
Europe
Rome
Spaniards
Salvador Sánchez Barbudo
Mariano Barbasán
Joaquín Sorolla y Bastida
pastel
gauchos
criollos
$ 1000
National Museum of Visual Arts
Resting
Portrait of his Mother
The Cry of Asencio
Cry of Asencio
Child
Museo Nacional de Artes Visuales de Uruguay
Flag of Uruguay
Biography icon
stub
expanding it
v
t
e
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