158:, 1999). Her critical writing and artworks have been published in Image, Index and Inscription: Essays on Contemporary Canadian Photography (Gallery 44, YYZ Press, 2005) and General Idea Editions 1967–1995 (Blackwood Gallery, 2003), as well as C Magazine, Fuse, Tessara, Border/lines and Archivaria. She has a BFA from the
106:, Ontario, on April 20, 1958, Busby is an artist who has a long-time interest in posters and printed matter and their potential for grassroots communication. She worked as an artist-activist in the 80's and has been exhibiting her work internationally over the past 20 years. She has a PhD in Communication (
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2010), commemorated public apologies by
Canadian and Australian heads of state to the Indian Residential School survivors in Canada and the Stolen Generations in Australia. While these landmark apologies had been relatively fleeting media moments when they were first delivered, We Are Sorry prolonged
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entitled The North End. Other recent exhibitions include Sorry, Saint Mary's
University Art Gallery, Halifax and McMaster Museum of Art, Hamilton (2005); Totalled, Carleton University Art Gallery, Ottawa (2004); Testdrive, eyelevelgallery, Halifax (2002); How…, Gallery 101, Ottawa (2001). Her work is
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was produced as an installation at the Teck
Gallery (Simon Fraser University) and was a part of community based project in Hazelton, BC at the Gitksan Wet'suwet'en Education Society (GWES).
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their public presence. In
Melbourne, We Are Sorry took place outdoors as part of the Laneway Commissions and the following year it was presented in Eckhardt Hall at the
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Busby has works in the public collections of several galleries, including the
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Busby is co-editor of and contributor to the anthology When Pain
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Busby has shown in Berlin at the
Emerson Gallery of posters collected in
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One of Cathy Busby's best-known works, We Are Sorry (Melbourne 2009 /
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Busby is currently an adjunct professor of visual art in the
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118:(1995–96).
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