366:, for me, is about speculating on the potentiality of what is known about technology and physics to create metaphors that allow me to explore an African diasporic past and generate possible narratives for the future. Dark Matter is part of this. I had constructed an alien narrative—not an alien-abduction story, but one about alien assimilation. Aliens are never caught. Nobody ever notices them. The conflict is that the world that they land in doesn’t work for them; it’s toxic for them. But Afrofuturism is also a rumination on memories to which I have no access. My investment in it as a production strategy has run its course; Afrofuturism provides a way to investigate trauma very explicitly. But we only reenact traumas, don’t we? We don’t reenact prom night, or our favorite birthday party. This is a problem—it doesn’t seem to fix things; it amplifies them. There’s gotta be something else, the after-the-trauma."
337:(Richton Park, Illinois) marching band and occasionally the South Shore Drill Team as well, the Solar Flare Arkestral Marching Band descended like a flash mob on various parts of Chicago that had been hit with waves of youth violence, including Chinatown and the meatpacking district, a few times throughout the fall of 2010, playing and dancing to an orchestration of
272:Ă— 12-inch graph paper in watercolor over graphite, occasionally elaborated with acrylic of 14 books. Smith describes these books as such: "These are some of the books that literally changed my life, saved my life and sustain my life, but also, (fair warning) make it difficult for me to go along, get along, look the other way, and gets mines."
353:, an emergent literary and cultural aesthetic that combines elements of science fiction, historical fiction, fantasy, Afrocentricity, and magic realism with non-Western cosmologies in order to critique not only the present-day dilemmas of people of color, but also to revise, interrogate, and re-examine the historical events of the past.
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Smith was one of 63 artists whose work was exhibited as part of the 2017 Whitney
Biennial. Her elaborately designed hand-stitched banners were hung from the ceiling. The banners are in response to the artist's "disgust and fatigue" from having watched videos of police violence against black people.
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include some of her own photography subjects, is terrorizing her neighborhood. The film brings up the topic of gang violence that took place in
Oakland which claimed the lives of many innocent African-American young men. "Drylongso" is an old African-American term meaning "same old" or "everyday".
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and follows a young
African-American woman named Pica on her quest to photograph what she believes to be the dying breed of African American men. Throughout the film, Pica struggles to balance her project, her dysfunctional home life, and new friendships, all while a serial killer, whose victims
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and on the corner of East
Garfield Boulevard and Prairie Avenue on the South Side. "17" features approximately 260 feet of hand screen-printed wallpaper. The title of this exhibition materialized from Smith's "meditations on the number’s spiritual significance as a marker of immortality" and
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at Simon Rodia’s Watts Towers, Noah
Purifoy and his desert assemblages, and black spiritualist Rebecca Cox Jackson and her Shaker community. These locations, while not technically utopian societies, embody sites of historical speculation and radical generosity between artist and community. In
163:. However, it was against UCLA's rules for film students to shoot feature-length films, "and for good reason, you don’t know what you are doing!" as Smith has said. She was, after some struggles, able to complete the film, and it got a significant amount of attention at the
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Smith has held consecutive residencies in
Chicago at ThreeWalls, the Black Metropolis Research Consortium, and the Experimental Sound Studio in addition to an artist residency at the University of Chicago Arts Incubator. In 2012, Smith installed overlapping shows at the
288:. The description of the exhibit reads, "Through films, objects, and installation, Give It or Leave It offers an emotional axis by which to navigate four distinct universes: Alice Coltrane and her ashram, a 1966 photo shoot by
341:'s "Space is the Place" led by music director Y. L. Douglas. Smith coupled the militant undertones of marching bands with the Sun Ra-style of free jazz in an attempt to combat youth violence with music.
167:, and took home several Best Film awards from other festivals, mentioned below. In 1998, Smith graduated from UCLA with her M.F.A. and a growing reputation as an up-and-coming force in the film industry.
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Marking Smith's entrance onto the
Chicago art scene was her work in creating the Solar Flare Arkestral Marching Band Project, the yield from her residency with Threewalls. Composed of members of the
310:, "The performance was primarily part of a program of Smith's work that included a screening of her recent shorts, a new 16mm restoration of her much acclaimed, rarely seen 1988 feature film
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and her experimental works that address the
African-American identity, specifically the issues facing black women today. Smith is currently a professor in the Department of Art at the
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further alludes to numerous aspects of art and culture spanning from ancient history to modern day. "17" was also inspired by Smith's research of the life and legacy of
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Smith's "Human_3.0 Reading List" was exhibited at the Art
Institute of Chicago in 2017. The project conceived in 2015 consists of 57 drawings—each produced on 8
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251:. Sun Ra, a student of numerology, was interested in a kind of "cultural immortality” for which the number "17" has been said to carry significance.
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and ThreeWalls, and was named
Outstanding Artist by the National Alliance for Media Arts and Culture. Smith has also been a Visiting Artist at the
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facilitated a workshop in conjunction with the biennial called Protest Banner Lending Library a project Sifuentes had initiated in Chicago.
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1426:"Anonymous Was A Woman Names 2023 Winners, Including Artists Dindga McCannon, Carolina Caycedo, Barbara Kasten, Amanda Ross-Ho"
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reimagining a future through this mix, Smith casts a world that is black, feminist, spiritual, and unabashedly alive.
122:(born September 25, 1967) is an American born filmmaker and multimedia artist. She is best known for her feature film
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In 2019, Smith's work was included in the exhibit "Loitering Is Delightful," at the LA Municipal Gallery in the
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while exploring the intersection of art, protest, commerce, and community on Chicago's South Side.
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Smith's site-specific installation, "17," ran from March 10, 2013, to July 7, 2013, both at the
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in 1994. In her second year of the program, Smith decided to shoot a feature-length film titled
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Commissioned documentary featuring the founding members of The Carbonist School. MiniDV. 12.
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Multi-Channel Video with sculptural component. In Collaboration with poet, AaronVan Jordan.
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Nomination for Independent Spirit Award Best Debut Performance (Toby Smith in
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in 2011, Smith noted: "There’s the strand of my work that is Afrofuturist.
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1160:"Protest Banner Lending Library with Aram Han Sifuentes and Cauleen Smith"
1496: (archived July 20, 2011) at the University of California, San Diego
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1185:"Cauleen Smith: Human_3.0 Reading List | The Art Institute of Chicago"
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https://barnsdall.org/event/opening-reception-loitering-is-delightful
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Series Six Channel. 35mm. Color. Sound.14 minutes. Six channel loop.
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in 2018, with support provided by an Ellsworth Kelly Award from the
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972:"Bad Girls Come and Go, But a Lying Girl Can Never Be Fenced In"
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144:. While a student there, she completed several films, including
1050:"Arts and Public Life Selects Artists-in-Residence for 2012-13"
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399:. 4K digital Video. TRT: 15:00. Funded by Creative Capital.
1385:"Ellsworth Kelly Award: Cauleen Smith: Give it or Leave It"
978:. Minneapolis: Univ. of Minnesota Press. pp. 113–114.
486:– Austin. 16mm film installation with sculptural component.
405:. 4K digital Video. TRT: 15:00. Funded by Creative Capital.
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82 minutes 16mm narrative. Distributed by Video Data Bank.
905:"The complicated exodus of art world star Cauleen Smith"
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Video Experimental Narrative. DV. 8 and 2.5 minutes.
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was well received at many film festivals, including
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In Collaboration with artist, Daniel Bozhkov. S-16.
280:Smith's "Give It or Leave It" was exhibited at the
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1359:"Cauleen Smith Projects a Futuristic Black Utopia"
1276:"Cauleen Smith Projects a Futuristic Black Utopia"
1025:"Why Sun Ra Is Dominating Chicago's Culture Scene"
1600:Skowhegan School of Painting and Sculpture alumni
318:in the festival's Tiger Short Film Competition."
189:, shot during Smith's time in graduate school at
924:"UCLA Arts: School of the Arts and Architecture"
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435:. (Installation loop) Digitized 35mm. TRT: 5:30
140:In 1991, Smith completed her B.A in Cinema at
296:Smith exhibited her ongoing multimedia work,
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1595:University of California, Los Angeles alumni
1072:"National Alliance for Media Arts + Culture"
1004:Skowhegan School of Painting & Sculpture
882:Chronicles of a Lying Spirit by Kelly Gabron
793:National Alliance for Media Arts and Culture
637:Chronicles of a Lying Spirit by Kelly Gabron
150:Chronicles of a Lying Spirit by Kelly Gabron
777:Art Award in Film, Video, and Digital Media
329:Solar Flare Arkestral Marching Band Project
282:Institute of Contemporary Art, Philadelphia
441:. Appropriated 16mm NASA films. TRT: 4:00.
172:Skowhegan School of Painting and Sculpture
155:Smith was accepted into M.F.A. program at
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521:Cantata for Salamanders and Twelve Choirs
423:(after Bas Jan Ader for Ishan).TRT: 8:00.
1605:California Institute of the Arts faculty
1424:DurĂłn, MaximilĂano (December 14, 2023).
1326:"Solar Flare Arkestral Marching Band #1"
314:and a previously unscreened short film,
220:Philadelphia International Film Festival
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1115:Snodgrass, Susan (December 11, 2012).
770:New Orleans Human Rights Film Festival
517:Two Channel Video and 3D Installation.
237:School of the Art Institute of Chicago
130:University of California - Los Angeles
1590:San Francisco State University alumni
1550:20th-century African-American artists
1545:21st-century African-American artists
1525:African-American contemporary artists
1389:www.foundationforcontemporaryarts.org
1241:www.foundationforcontemporaryarts.org
740:Los Angeles Pan-African Film Festival
710:Honorable Mention Best Feature Film,
688:National Black Programming Consortium
505:Three 20MB Video Podcasts and Website
385:International Film Festival Rotterdam
349:Smith is a player in the movement of
302:International Film Festival Rotterdam
216:Los Angeles Pan-African Film Festival
152:, which was fully completed in 1993.
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1264:"Cauleen Smith: Give It or Leave It"
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473:MiniDV. Single Channel. TRT: 50:00”
233:Museum of Contemporary Art, Chicago
148:, which was completed in 1990, and
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1391:. Foundation for Contemporary Arts
822:Award in the Arts, Film and Video.
439:Sine at the Canyon Sine at the Sea
429:. (loop) Digitized 35mm. TRT: 7:00
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808:Danish Jukniu First Prize Award,
503:(Afro)Galactic Postcards from M94
1477: (archived December 2, 2010)
827:Foundation for Contemporary Arts
490:Right Hand Only Left Hand Lonely
286:Foundation for Contemporary Arts
112:United States Artists Fellowship
1096:| March 10, 2013 – July 7, 2013
1000:"Alumni & Faculty Database"
627:Tape #1: The Message VHS video.
533:The Carbonist School Study Hall
1580:African-American women artists
1500:Cauleen Smith curriculum vitae
1411:"Heinz Awards - Cauleen Smith"
1339:Hewitt, Leslie (Summer 2011).
492:Two Channel Video Installation
142:San Francisco State University
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1570:21st-century American artists
1560:20th-century American artists
1555:American women film directors
1530:American contemporary artists
527:Dark Matter and the Post Card
417:. Digitized 16mm. TRT: 5:00.
210:also won best feature at the
1189:The Art Institute of Chicago
515:Marriage Is for White People
411:. Digitized 16mm. TRT: 2:00.
633:Site-specific installation.
608:Tape #2: VHS. Five minutes.
561:. DV Narrative. 15 minutes.
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1535:Filmmakers from California
970:Juhasz, Alexandra (1999).
791:Outstanding Artist Award,
170:In 2007, she attended the
652:. 16 mm. 12 minutes.
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976:Feminism and Documentary
781:San Francisco Foundation
755:Urbanworld Film Festival
729:Independent Spirit Award
1540:UCLA Film School alumni
1490:Cauleen Smith Biography
1135:"Whitney Biennial 2017"
825:Ellsworth Kelly Award,
768:Jury Award: Best Film,
712:Hamptons Film Festival
559:Hollywould If She Could
421:Black and Blue Over You
1215:Human_3.o Reading List
1105:, Hyde Park Art Center
903:Borelli, Christopher,
783:Creative Capital Award
733:Someone to Watch Award
701:Hamptons Film Festival
621:16mm 14 minutes. 1993
509:I Want to See My Skirt
335:Rich South High School
304:in 2019. According to
204:Sundance Film Festival
165:Sundance Film Festival
16:American film director
884:was preserved by the
867:Anonymous Was a Woman
753:Best Feature Film at
738:Best Feature Film at
686:Special Merit Award,
631:Memory Poison Bones
415:Good Clean Family Fun
356:In an interview with
1455:Academy Film Archive
1451:"Preserved Projects"
886:Academy Film Archive
837:Joyce Alexander Wein
471:The Fullness of Time
454:. MiniDV. TRT: 1:39.
244:Hyde Park Art Center
1278:. February 7, 2019.
699:Honorable Mention,
665:Doc VHS. 6 minutes.
467:Super-8. TRT: 6:30”
300:, as a part of the
212:Urbanworld Festival
1365:. February 7, 2019
1101:2013-05-06 at the
1052:. December 5, 2012
913:, August 18, 2017.
323:Barnsdall Art Park
257:Aram Han Sifuentes
50:September 25, 1967
1305:Missing or empty
672:Grants and awards
639:16mm 5.5 minutes.
602:16mm 3.5 minutes.
574:35mm 9.5 minutes.
572:The Changing Same
255:Smith and artist
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1164:whitney.org
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856:Heinz Award
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650:Daily Rains
409:T Minus Two
370:Filmography
276:Los Angeles
206:. In 2000,
195:Oakland, CA
146:Daily Rains
62:Nationality
1509:Categories
1034:October 3,
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600:White Suit
427:Demon Fuzz
316:Sojourner,
312:Drylongso,
218:, and the
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1077:March 18,
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888:in 2016.
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1298:cite web
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108:Awards
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