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512:. Working under the remit of the CVAA, Amy Lai organised cultural activities across Manchester and north west England working with a group of local artists of Chinese heritage. The events aimed to develop a stronger sense of cultural identity within the local Chinese community by revitalising their interest in traditional arts and crafts, while also increasing awareness of the Chinese way of life in the general population. Lai's philosophy at the time was that the activities had to be "open door, inclusive, and involved in the mainstream community".
861:, after the group was ousted from their roles after raising issues around institutional racism at the centre. At the time, the organisation received £287,481 a year in public funding. All 7 artists appointed to the Artist Working Group cited CFCCA's refusal to acknowledge a culture of racism within the organisation following the writing of a public report on the organisation's work, as the reason for their public campaign. The group claimed that the centre was not fit for purpose as a public arts organisation.
812:, and Jack Tan. The artist working group was later dismissed after raising concerns of institutional racism, and following an accusation from the centre that the artists' complaints were harmful and threatening to white staff. The artists highlighted a concern previously raised by the artist JJ Chan, that CFCCA normalised racism within its own organisation and contributed to the normalisation of racism in British society more widely. Under the new leadership, the organisation rebranded as
576:". The centre was relaunched in October 1993 with a renewed mission to promote a wide range of traditional and contemporary art forms and would use its artistic and education programmes to progress how Chinese culture was perceived in the UK. The organisation also began to reposition itself as a development agency for emerging artists and art makers of Chinese heritage. As a part of the relaunch, the centre arranged a city-wide series of events to mark
109:
903:, the Centre opened its library and archive to the public in 2018. The library contains publications collected by the Centre relating to Chinese contemporary art, including exhibition catalogues, artist monographs, and festival publications. The archive collections contain the record of the centre and its predecessors, covering the development of the centre, and its programme history.
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604:. The hosts of the show had no say in the artists selected for their venues, but the acting director of the centre at the time, Kwong Lee, later stated that the increased exposure and the chance for the centre to have a temporary place at the centre of the art world justified programming an exhibition which did not feature the work of an artist of Chinese heritage.
838:
After the move to Edge Street, the centre moved away from its original community focus, which has been seen to have alienated members of
Manchester's Chinese community. In its recent history, the centre has begun to try to bridge the gap and gain back trust from the community which originally founded
803:
Following public accusations of racism made against the centre in early 2020, and the withdrawal of several artists from exhibitions in 2020, CFCCA embarked on a 'Revisioning' project to help shift the organisation towards better practices and positive change. As part of this project, CFCCA appointed
607:
Around this time, the CVAA discovered that their 1996-1997 grant from their core funder, the North West Arts Board (NWAB), was to be almost halved. It was agreed that the centre could no longer operate in its current form, and the Board of the CVAA began to look for a new venue and strategic lead for
621:
Champion became the director of the centre when it moved to new premises on Edge Street in
Manchester's Northern Quarter in 1997. This was period of great change in the centre's functions and focus. More opportunities became available due to both the policies of the new Labour government, who placed
539:
The centre was originally built upon an ethos of fostering community cohesion between the local
Chinese community in Manchester and other communities in the north west of England. The centre's educational programme was part of its commitment to promote Chinese culture to the local community and the
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In
November 2021, Vice World News reports that the centre cancelled a planned public discussion panel tackling institutional racism, due to what the director had called the centre's own "white fragility". The comment was widely criticised by artists, and the centre has not reopened any exhibitions
515:
The members of the CVAA also felt that too few locally-born people of
Chinese heritage were growing up with an understanding of, or skills in, traditional Chinese arts and crafts. To address this concern, they opened a Chinese cultural centre. The centre would provide cultural activities, aimed at
489:
of the late 1980s which highlighted the artistic plight of people of
African, Caribbean, or South Asian origin yet often excluded artists of Chinese origin. In the mid-1980s, Amy Lai, an artist and radio producer based in Manchester, thought there was a general lack of Chinese cultural activities
832:
In the early 1990s, the centre made an effort to remain politically neutral so as not to exclude any member of the east Asia diaspora due to their origins. However, the review in 1993 highlighted that this had affected the status of the centre as it had developed a reputation of not dealing with
595:
In 1994, the CVAA introduced an arts worker training scheme and activities targeted at the local community to address its staffing problems and to strengthen its links with the local community. The new ways of working were tested between
September 1995-March 1996 whilst the centre was one of the
786:
to build a collection of
Chinese Contemporary Art in Salford. The collection would include works by international artists and would be developed with input from the curators at CFCCA and academics at the University of Salford. In the same year, CFCCA developed their relationships with local and
669:
The centre also began to develop global contacts to introduce international artists to the UK audiences. In 1997, Champion undertook a research trip to China with the aim of introducing the centre to international audiences and developing partnerships with organisations in mainland China. As a
653:
As part of its agency work, the centre extended the scope of its educational workshops to a national audience and acted as a focal point for other businesses and art organisations who wanted to know more about
Chinese culture. The centre began to contribute to debates regarding Chinese arts by
612:
became the centre's Arts
Development Coordinator. Champion later stated that she was given 6 months to make the centre a success or close it down. The centre's new mission and objectives were finalised and five key development areas were established: education; artists development; the Chinese
778:
During this period the centre focused its programming and curatorial activities on "The Chinese Century", an idea that the 21st century would be one dominated culturally and economically, not by western powers, but by China. Becky Kennedy observes that this notion calls for a shift away from
846:
issued an open letter to the centre, highlighting the artist's perceptions of systemic problems with the centre and how the dominant voices in conversations in the UK about 'Chinese' arts were predominately white voices. The criticism was expanded further in an article in the
633:
UK-based artists remained the main focus of the centre's exhibition programme during this period. Initially, the centre's programme largely featured solo shows of existing works by artists such as Adam Hongshan Wei and Anthony Key, or touring exhibitions, such as Nora Fok's
779:
considering Britain or the West as the centre of contemporary cultural thinking, and as suggested by the CFCCA's new mission statement, implies that issues of diversity and representation in the context of 21st century Britain are outmoded and/or have even been reversed.
864:
In June 2021, following further reports of racism at the centre from artists internationally, as well as former and current members staff, all members of the board of trustees who were not white resigned from their voluntary roles, with the exception of
638:. When the venue was refurbished after a fire in 1998, the centre began to commission new site specific works by UK-based artists of east Asian heritage to use the new space to its best advantage. Between 2000 and 2003, the
543:
The centre also held exhibitions and events which promoted Chinese arts and culture. Up until then, most exhibitions of "Chinese Arts" in Manchester had been curated and displayed by British collectors at venues such as the
548:. Many of the centre's early exhibitions focused on local culturally-significant works as well as more national and international practitioners. In 1992, the centre held its first large scale contemporary art exhibition,
856:
In May 2021, an international panel of artists, who were recruited to an Artist Working Group set up by the centre to help revision the organisation, called for a public boycott and immediate defunding of the centre by
678:, the exhibition was seen by approximately 250,000 people, and has been seen as one of the first independent UK exhibition to present the work of artists from Mainland China. This was followed by a second touring show,
2680:
626:. By moving away from Chinatown, the centre also became less focused on the local Chinese community; instead focusing more on contemporary art. It was also Champion's aim that the centre would work towards becoming
739:
Between 2005 and 2007, the centre developed a relationship with Live Art UK to promote the work of performance artists from China and the Chinese diaspora. As a result, the centre organised the
787:
national government, which lead CFCCA being the launch venue of the Manchester China Forum co-hosted by CFCCA's curator Ying Tan and the then Chancellor of the Exchequer and Conservative MP,
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a working group of artists to help co-design the new organisation. The group, who were all of East or Southeast Asian heritage, was formed of Enoch Cheng, Whiskey Chow, Yuen Ling Fong
1913:
1601:
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The new venue on Thomas Street opened on 28 November 2003, after the organisation had received a £2.2 million lottery grant from Arts Council England. The new building, designed by
2666:
1334:
1307:"Diana, Princess of Wales (1961 - 1997) visits a Chinese Arts Centre in Manchester, UK, 17th January 1990. (Photo by Jayne Fincher/Princess Diana Archive/Getty Images)"
3086:
689:'s lottery programme and £2.1 million was reserved for the centre to purchase and outfit a new building as well as fund the operations and marketing of the new venue.
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UK agency for Chinese arts and culture. The centre would operate as an agency from 1999 and the charity was renamed the Chinese Arts Centre Ltd in September 2000.
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and its broader focus on art from diaspora communities) in 2023 and announced a new slate of exhibits that year, the first since the centre's closure in 2021.
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on 21 October 1989, on the first floor of Frazer House, Charlotte Street, in Manchester's Chinatown. The centre was officially opened on 17 January 1990, by
758:
performances, film screenings, and artists' talks, presentations, and a conference associated with performance artists from China and of Chinese heritage.
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north-west. The centre facilitated artist-led educational workshops and had a long relationship with local practitioners, such as Mary Tang and Cathy Wu.
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674:(1999), its first major touring exhibition to feature works by artists from mainland China. Developed in collaboration with the Courtyard gallery,
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552:, which reflected on the experience of second and third generation British Chinese artists. The leaflet for the exhibition stated that it was
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anything political. As a result, some artists and art organisations avoided the centre as they felt its stance was a form of censorship.
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1969:
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500:"engage the local ethnically Chinese community with arts and education programmes that worked to explore Chinese cultural identity".
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Smith, Karen (2016), "Over Ten Thousand Li: From 'Chinese Arts Centre' to the 'Centre for Chinese Contemporary Art', 1986-2016",
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554:"the first exhibition of its kind researching the innovative works of contemporary artists of Chinese origin living in Britain"
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2135:
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Hesmondhalgh, David; Nisbett, Melissa; Oakley, Katie; Lee, David (2015), "Were New Labour's cultural policies neo-liberal?",
1392:"Aesthetica Magazine - Interview with Ying Tan, Curator, 30 Years of CFCCA, Centre for Chinese Contemporary Arts, Manchester"
888:
2251:
1086:"Outside Chinatown: the Evolution of Manchester's Chinese Arts Centre as a Cultural Translator for Contemporary Chinese art"
477:
457:
209:
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371:
Chinese View Arts Association, 1987–2000; Chinese Art Centre, 2000–2015; Centre for Chinese Contemporary Art, 2015-2022
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and during their lunar new year activities. During the British Art Show, the Centre displayed works by British artist
293:
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1514:. London, United Kingdom: Lambeth Chinese Community Associations with Chinese Arts Centre and University of Sussex.
729:. Champion stated at the time that the organisation had remained in the Northern Quarter as the centre represented
216:
176:
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791:. The event was widely seen as a bid to bring Chinese investment into the city as part of Osborne's vision for a
622:
greater emphasis on the importance of culture, and the increased interest in Chinese culture due to the upcoming
3004:
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198:
2203:
731:"a younger British/Chinese and International Chinese artists who tend to produce much more contemporary work"
2070:
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686:
2388:"A Prominent Asian Art Center in the U.K. Drops 'Chinese' From Its Name Amid Growing Geopolitical Tensions"
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2413:"Report 'Proposal for Community Liaison and Arts Development Chinese Art Centre' (GB3451/OC/A/1/28)"
2333:
2014:
1989:
1140:"'Minutes of the Meeting of the Founding members of the Chinese View Arts Assn.' (GB3451/OC/A/1/11)"
706:
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2709:
1049:
Centre for Chinese contemporary Art Report and Financial statement For the year ended 31 March 2020
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1965:
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774:"future-facing organisation responding to China’s growing cultural and economic influence".
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compared to events arranged by the Asian and Caribbean communities. Using her links at the
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2519:"Artists call for gallery to be defunded because of a 'culture of institutional racism'"
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A review of the organisation in 1993 by external consultants found that the centre had "
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1785:
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to build a collection of Chinese contemporary art works. The collection is held by the
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It may require cleanup to comply with Knowledge (XXG)'s content policies, particularly
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1548:"'Report on the Intervention Project, September 1995-March 1996' (GB3451/OC/A/2/23)"
2999:
2805:
2775:
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2182:
2040:
1843:"Company name changed Chinese view arts association\certificate issued on 20/09/00"
1310:
1265:"Manchester's Chinese Arts Centre: A Case Study in Strategic Cultural Intervention"
1627:"Report 'Chinese Arts Centre business development plan 1996/7' (GB3451/OC/A/2/14)"
498:, a two-week festival celebrating Chinese culture. The aim of the festival was to
2304:"George Osborne intervenes to bring Chinese premier and investment to Manchester"
1759:
516:
both the local community and the wider population, to promote an appreciation of
2800:
2719:
2518:
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The centre has faced criticism over its focus and the content of its programme:
581:
357:
165:
2790:
2649:
Chinese Art Centre/Centre for Chinese Contemporary Art Exhibitions (1989–2015)
2438:"Artists call for 'white-run' UK Chinese gallery to be defunded in racism row"
1264:
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exhibition, which was initiated by the Lambeth Chinese Community Association.
585:
520:
and act as a regional focus for information and advice about Chinese culture.
449:
396:
2362:"Call to defund arts centre after board quashed 'futile' revisioning project"
1101:
504:
In June 1987, Lai, with Peter Chui, Jenny Clegg, and David Wong, founded the
47:
34:
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2729:
1085:
967:
809:
643:
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1939:"'The Chinese Arts Centre: New Commissions Scheme' (GB3451/OC/6/2/17/1/3)"
685:
In June 2001, the centre was informed that it had been accepted on to the
1526:"Report 'Chinese Arts Centre Business Plan 1995-1998' (GB3451/OC/A/2/10)"
922:
755:
744:
714:
2544:"Chinese Cultural Centre Cancelled Racism Talk Due to 'White Fragility'"
1335:"Exploring social isolation through art in the older Chinese community"
1263:
Chan, Felicia; Willis, Andy (2018), Thorpe, Ashley; Yeh, Diana (eds.),
972:
942:
912:
726:
675:
453:
400:
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1360:"Infinite Strokes: Mary Tang & Cathy Wu 20 Aug 2010 – 18 Sep 2010"
2492:"British Chinese artists call for boycott of 'racist' UK arts centre"
510:"advance the education of the public in all forms of Chinese culture"
2641:
429:
1424:"'Chinese Art Centre Draft Organisational Plan' (GB3451/OC/A/2/20)"
696:
476:
524:
Chinese Arts Centre as a grass roots community centre (1989-1992)
1512:
Journeys West: contemporary paintings sculpture and installation
1162:"CENTRE FOR CHINESE CONTEMPORARY ART LTD Company number 0213742"
713:
prize for architecture in 2004, featured a large gallery space,
2662:
1233:"'Chinese Art and Community Centre' proposal (GB3451/OC/A/1/4)"
717:, shop, offices, resource area, and studio and living area for
572:" and the general perception was that the organisation was on "
1023:"Centre for Chinese Contemporary Art (Charity number: 518992)"
261:
159:
102:
61:
747:, director of the DaDao Live Art Festival, Beijing., and the
735:"arts and cultural setting rather than a Chinatown setting".
682:(2001-2002) which showcased contemporary design from China.
580:
in 1994, featuring activities at the centre, the greenroom,
1869:"'Scenery in the Zero', Adam Wei, 13 March - 26 April 1997"
782:
In 2013, CFCCA formed a collaborative partnership with the
883:
Since 2013, the centre has worked in partnership with the
721:. The centre opened with a specially-commissioned work by
642:
scheme produced 8 exhibitions by emerging artists such as
2334:"ArtAsiaPacific: White Fragility Impedes Change At Cfcca"
2018:
1186:
Centre for Chinese contemporary Art Incorporation Records
570:
consistently fallen well short of fulfilling its purpose
1646:
1644:
1271:, Springer International Publishing, pp. 101–116,
799:
Revisioning and rebranding as esea contemporary (2020–)
285:
1208:
Folder 'Chinese View '86 Press Pack' (GB3451/OC/A/1/2)
613:
community; arts promotion; and advocacy and lobbying.
508:(CVAA), a charitable organisation with the mission to
117:
A major contributor to this article appears to have a
1778:
Vincent, Martin (4 March 1998). "exchange and art".
1329:
1327:
1041:
1039:
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In October 2013, the Chinese Arts Centre became the
296:, and by adding encyclopedic content written from a
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2967:
2917:
2901:
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2829:
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2697:
2252:"VITAL 06: International Chinese Live Art Festival"
1806:
30 Years of the Centre for Chinese Contemporary Art
1709:
30 Years of the Centre for Chinese Contemporary Art
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30 Years of the Centre for Chinese Contemporary Art
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660:
Contemporary Chinese Art in the International Arena
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353:
1891:"'Galaxies', Nora Fok, (1998 Feb 2 - 1998 Mar 28)"
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1489:"Leaflet 'Chinese New Year' (GB3451/OC/A/6/10/2)"
1445:
1443:
1441:
990:
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770:(CFCCA), cementing the organisation position as:
456:. It is located on Thomas Street in Manchester's
2171:
2169:
2067:"The Arts Council of England Annual Review 2001"
1595:
1593:
1591:
518:"Chinese life, culture, philosophy, and values",
2654:Chinese Art Centre artist programme (1995–2013)
1983:
1981:
1912:Chinese View Arts Association (31 March 1998).
1773:
1771:
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1600:Chinese View Arts Association (31 March 1997).
1571:"ARTS : The not so great British Art Show"
1227:
1225:
772:
762:Centre for Chinese Contemporary Art (2013–2020)
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998:ESEA CONTEMPORARY LTD, Company number 02137427
693:Chinese Art Centre, Thomas Street, (2003–2013)
617:A national agency for Chinese arts (1997-2003)
473:Origins of the Chinese Arts Centre (1986-1989)
3097:Art museums and galleries established in 1989
2674:
1799:
1797:
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1256:
1254:
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564:Reviewing the focus of the centre (1993-1996)
485:The origins of the CFCCA can be found in the
8:
2592:"New Collection of Chinese Contemporary Art"
481:Programme for the Chinese View '86 festival
348:
2041:"Current Touring exhibition: Made in China"
907:Notable artists who exhibited at the Centre
96:Learn how and when to remove these messages
2681:
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1827:: CS1 maint: location missing publisher (
1730:: CS1 maint: location missing publisher (
1473:: CS1 maint: location missing publisher (
824:Controversies and criticisms of the centre
347:
1758:
334:Learn how and when to remove this message
316:Learn how and when to remove this message
250:Learn how and when to remove this message
148:Learn how and when to remove this message
3041:List of public art in Greater Manchester
1914:"Full accounts made up to 31 March 1998"
1747:International Journal of Cultural Policy
1683:"Full accounts made up to 31 March 1996"
1602:"Full accounts made up to 31 March 1997"
1019:Charity Commission for England and Wales
3087:Art museums and galleries in Manchester
2949:Museum of Transport, Greater Manchester
984:
2590:University of Salford Art Collection.
1990:"Chinese Art, Manchester-style (1998)"
1820:
1723:
1466:
754:in 2006–2007. The Festivals presented
701:Chinese Art Centre on the left in 2008
277:contains content that is written like
186:Please improve this article by adding
3036:List of museums in Greater Manchester
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2484:
2464:"ArtAsiaPacific: The Year Of The Rat"
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2430:
2356:
2354:
2328:
2326:
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2152:"Centre for Chinese Contemporary Art"
2093:"Trustees' reports and accounts 2001"
2017:. Chinese Arts Centre. Archived from
1681:Chinese Arts Centre (31 March 2011).
1450:Lee, Kwong (2016), "Journey's West",
7:
3092:Ethnic museums in the United Kingdom
2302:Fitzgerald, Todd (22 October 2015).
2047:from the original on 14 October 2002
1707:Dunbar, Zoe (2016), "Introduction",
733:, the venue was better placed in an
2715:Centre for Chinese Contemporary Art
1964:. Manchester: Chinese Arts Centre.
1211:, CFCCA archive & library, 1986
869:since the cancelation of the event.
768:Centre for Chinese Contemporary Art
442:Centre for Chinese Contemporary Art
18:Centre for Chinese Contemporary Art
2386:Chow, Vivienne (10 January 2023).
2210:. BBC Manchester. 27 November 2003
1269:Contesting British Chinese Culture
1096:(1). Center for Modern China: 58.
899:Following a project funded by the
656:A New Vocabulary for Chinese Arts?
27:Art gallery in Manchester, England
25:
3102:Museums of Chinese culture abroad
3077:Tourist attractions in Manchester
2888:Museum of the Manchester Regiment
588:. The centre also programmed the
77:This article has multiple issues.
2830:Local history / culture
2276:Dunbar, Zoe (25 February 2016).
2178:"Chinese arts centre's new home"
2176:Ward, David (28 November 2003),
1454:, Manchester, pp. 137–147,
266:
164:
128:. Please discuss further on the
107:
66:
2959:Trencherfield Mill Steam Engine
1569:Hilton, Tim (23 October 2011).
1128:. Manchester. 13 November 1986.
494:radio programme, Lai organised
85:or discuss these issues on the
3082:1987 establishments in England
2980:British Muslim Heritage Centre
2745:Salford Museum and Art Gallery
1808:, Manchester, pp. 17–26,
1711:, Manchester, pp. 11–12,
889:Salford Museum and Art Gallery
658:, held in London in 1998, and
654:arranging conferences such as
1:
2954:Science & Industry Museum
2415:. CFCCA Archive & Library
1941:. CFCCA Archive & Library
1893:. CFCCA Archive & Library
1871:. CFCCA Archive & Library
1629:. CFCCA Archive & Library
1550:. CFCCA Archive & Library
1528:. CFCCA Archive & Library
1491:. CFCCA Archive & Library
1426:. CFCCA Archive & Library
1235:. CFCCA Archive & Library
1142:. CFCCA Archive & Library
506:Chinese View Arts Association
460:in the renovated part of the
188:secondary or tertiary sources
2975:Astley Green Colliery Museum
2615:"Archive and Library, CFCCA"
1760:10.1080/10286632.2013.879126
670:result, the centre produced
2893:Stockport Air Raid Shelters
2847:Park Bridge Heritage Centre
2256:Live Art Development Agency
2130:. Arts Council of England.
1277:10.1007/978-3-319-71159-1_6
1122:"The Taste of Real China".
743:tour in collaboration with
558:"challenge the stereotypes"
550:Beyond the Chinese Takeaway
3118:
608:the centre. In June 1996,
560:of the Chinese community.
2883:Imperial War Museum North
2786:Elizabeth Gaskell's House
2689:Museums and galleries in
2015:"Representing the People"
3005:National Football Museum
3000:Manchester United Museum
2995:Manchester Jewish Museum
2857:Rochdale Pioneers Museum
2496:South China Morning Post
534:Diana, Princess of Wales
3072:Arts centres in England
3015:People's History Museum
2594:. University of Salford
2308:Manchester Evening News
2278:"Connecting with China"
2071:Arts Council of England
2043:. Chinese Arts Centre.
1660:Manchester Evening News
1652:Manchester Evening News
1125:Manchester Evening News
1084:Kennedy, Beccy (2015).
816:(referring to the term
687:Arts Council of England
672:Representing the People
2939:Ellenroad Engine House
2735:Manchester Art Gallery
1656:"Gallery comes of age"
842:In March 2020, artist
776:
702:
546:Manchester Art Gallery
482:
462:Smithfield Market Hall
175:relies excessively on
3062:Culture in Manchester
2934:Bury Transport Museum
2919:Science, engineering,
2852:Portland Basin Museum
2755:Whitworth Art Gallery
2523:www.thirdsector.co.uk
2204:"Chinese Arts Centre"
1988:Preeces, R J (1998).
1339:The Baring Foundation
901:Heritage Lottery Fund
885:University of Salford
784:University of Salford
700:
650:, and Jiang Jiehong.
624:Handover of Hong Kong
480:
298:neutral point of view
126:neutral point of view
2842:Museum of Wigan Life
2750:Touchstones Rochdale
2230:"China Live UK Tour"
2119:Arts Council England
1510:Lim, Jessie (1994).
1090:Modern China Studies
859:Arts Council England
528:The CVAA opened the
48:53.48472°N 2.23750°W
2944:Heaton Park Tramway
2929:Bolton Steam Museum
2710:Castlefield Gallery
2021:on 16 November 1999
1960:Lai, Sally (2003).
1849:. 20 September 2000
1396:Aesthetica Magazine
895:Archive and library
793:Northern Powerhouse
530:Chinese Arts Centre
487:Black Arts Movement
417:Number of employees
350:
290:promotional content
199:"Esea contemporary"
44: /
2985:Gallery of Costume
2862:Saddleworth Museum
2691:Greater Manchester
2468:artasiapacific.com
2338:artasiapacific.com
2124:Annual Review 2004
1962:Gathering Momentum
1654:(5 October 2007).
703:
598:British Art Show 4
586:Dancehouse theatre
483:
395:13 Thomas Street,
292:and inappropriate
53:53.48472; -2.23750
3049:
3048:
2909:Manchester Museum
2282:Arts Professional
2121:(November 2004).
1286:978-3-319-71159-1
1183:Companies House,
1164:. Companies House
1046:Companies House,
995:Companies House,
814:esea contemporary
448:gallery based in
438:esea contemporary
435:
434:
349:esea contemporary
344:
343:
336:
326:
325:
318:
260:
259:
252:
234:
158:
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150:
121:with its subject.
100:
16:(Redirected from
3109:
3010:Pankhurst Centre
2871:Military and war
2821:Wythenshawe Hall
2796:Hall i' th' Wood
2683:
2676:
2669:
2660:
2645:
2644:
2642:Official website
2627:
2626:
2624:
2622:
2610:
2604:
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2601:
2599:
2587:
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2578:
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2565:
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2517:Brown, Jessica.
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2154:. OMI architects
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992:
953:Lesley Sanderson
938:Conroy Sanderson
918:Carol Yinghua Lu
806:Gayle Chong Kwan
719:resident artists
648:Gayle Chong Kwan
578:Chinese New Year
496:Chinese View ‘86
458:Northern Quarter
446:contemporary art
430:Official website
351:
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2902:Natural history
2897:
2878:Fusilier Museum
2866:
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2816:Staircase House
2759:
2705:Bury Art Museum
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2099:. 31 March 2001
2097:Companies House
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725:-based artist,
695:
646:, Lisa Cheung,
640:New Commissions
619:
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492:Eastern Horizon
475:
470:
440:, formerly the
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2811:Smithills Hall
2808:
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2767:
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2764:Historic house
2761:
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2634:External links
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2444:. 21 June 2021
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2073:. 1 April 2001
2058:
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2006:
1994:Asian Art News
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1784:. Manchester:
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789:George Osborne
763:
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709:and awarded a
707:OMI Architects
694:
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618:
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590:Journey's West
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2498:. 5 June 2021
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2232:. Live Art UK
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1788:. p. 13.
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