124:, is based on lectures held at the Jewish Institute for Adult Education in 1993. In it, Kohn criticized the involvement of parts of the Western European women's movement in anti-Semitism, projected onto the state of Israel, which made it impossible for Jewish feminists "to join feminist groups in Germany and Austria without self-denial". Her contribution was received in the contexts of feminist research and anti-Semitism after 1945. The volume was "the first feminist book on the anti-Judaism debate in Austria", according to
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in Vienna, Charlotte Kohn began to paint. She was particularly interested in the depiction of the human body. She began exhibiting as a freelance artist in 1975. She wrote in a 1996 text that painting was an existential necessity for her: "Perhaps it is presumptuous, but I have succumbed to the idea
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that I have to paint as many people as I possibly can in order to outweigh the senseless killing. I am addicted to multiplying life. I want my work to counterbalance the murder and the many deaths in my family".
100:, which she illustrated herself, she interviewed 18 women. In the juxtaposition of "the generation of women born before the Holocaust with those born after", she asked about the significance of the
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argumentation patterns in feminist publications at the end of the 1980s. In them, the "clichés of
Judaism as the epitome of patriarchal religion and culture" were updated. Her volume
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in Vienna. She organized interdisciplinary lecture series on aspects and manifestations of antisemitism, to which she invited well-known academics such as
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Krondorfer, Birge (2014). "Wider ein
Vergessen der Anderen. Erinnerung als Ort der (feministischen) Differenz". In Guggenheimer, Jacob (ed.).
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Radonić, Ljiljana (2016). "Von der friedfertigen
Antisemitin zur queer-theoretischen Post-Zionistin". In Busch, Charlotte (ed.).
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203:"Rezension zu: Kirstin Breitenfellner / Charlotte Kohn-Ley (Hrsg.): Wie ein Monster entsteht. Bodenheim: 1998"
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Blumesberger, Susanne; Doppelhofer, Michael; Mauthe, Gabriele, eds. (2002). "Kohn-Ley, Charlotte".
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Kohn was one of the first publicists in the German-speaking discourse to deal with antisemitic and
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Handbuch österreichischer
Autorinnen und Autoren jĂĽdischer Herkunft 18. bis 20. Jahrhundert
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Wie ein
Monster entsteht. On the construction of the other in racism and anti-Semitism
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Since 1984 she has published essays in anthologies and has also worked as an editor.
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155:. Vol. 2. Munich: Österreichischen Nationalbibliothek. pp. 714–715.
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at the Jewish
Institute for Adult Education, resulted in the 1996 volume
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Schiefheilungen. Zeitgenössische
Betrachtungen ĂĽber Antisemitismus
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Kohn-Ley, Charlotte (2003). "Kaddisch". In Berg, Nicolas (ed.).
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Science in the Third Reich – The
Discourse on the Jewish Body
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After completing her training in architectural design at the
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When we were gender... - Geschlechter erinnern und vergessen
30:) is an Austrian painter and journalist specializing in the
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From 1994 to 1996 she worked as the director of the
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Higher
Institute for Fashion and Clothing Technology
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78:, and published the contributions in anthologies.
287:. Springer Fachmedien Wiesbaden. pp. 208–9.
98:Luftfrauen. The Myth of a Jewish Women's Identity
178:Der Holocaust und die westdeutschen Historiker
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251:"Der Mythos einer jüdischen Frauenidentität"
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341:"Rezension von Marie-Theres Wacker".
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64:Jewish Institute for Adult Education
390:21st-century Austrian women writers
385:20th-century Austrian women writers
380:20th-century Austrian women artists
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180:. Wallstein Verlag. p. 640.
270:Der feministische "SĂĽndenfall"?
118:Der feministische "SĂĽndenfall"?
375:20th-century Austrian painters
207:Portal fĂĽr Politikwissenschaft
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128:in her review in the journal
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249:Pfeifer, Karl (2006-05-15).
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400:Austrian women painters
87:Kirstin Breitenfellner
268:Kohn-Ley, Charlotte.
81:The series of events
395:Austrian journalists
349:(2): 151–155. 1995.
230:: Sammelrezension".
76:Andrzej Szczypiorski
74:and writers such as
126:Marie-Theres Wacker
96:For her 2006 book
24:Charlotte Kohn-Ley
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302:978-3-658-10409-2
201:Dreyer, Michael.
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108:Reception
32:Holocaust
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255:Hagalil
131:L'Homme
55:Writing
22:, also
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