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Choreography for Copy Machine

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For the film, Chel White developed a customized set up that could achieve the level of detail he was looking for in the images. After removing the platen cover, four side lights were added along with a top light that would shine through a sheet of frosted glass, allowing for his subject peoples’
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describes the film as a “musical frolic which wittily builds on ghostly, distorted images crossing the plate glass of a copier.” Filmfest DC calls it, "true art in the age of mechanical reproduction; a rhythmic celebration of a photocopier’s cinematic potential." The
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to generate sequential pictures of hands, faces, and other body parts. It achieves a ghostly, dream-like aesthetic with elements of the sensual and the absurd. Completed in 1991, it is widely considered the first noteworthy animated film to use this technique. (See
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The set up Chel White created for his direct photocopy technique. In addition to four side lights (three of which are pictured), there is a top light positioned behind a sheet of frosted glass that allows for the silhouettes of people and objects to be
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silhouettes to be visible. In order to avoid potential eye damage from the bright light of the scanner, he instructed his performers not to open their eyes as they were being scanned. Instead, White painted eyes on their eyelids.
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says, "Chel White’s (Choreography for Copy Machine) ”Photocopy Cha Cha”, featuring rubbery, photocopied images of faces and assorted other body parts, is a reflection on the way technology alters our perceptions."
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says, "(The film) takes a game we've all played with our hands, faces, and other body parts and raises it to the sublime."
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Theatrical poster for "Choreography for Copy Machine (Photocopy Cha Cha)". (digital photograph of paper poster.)
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describes the film as “a swinging essay about physiognomy in the age of photo-mechanical reproduction. The
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All of the film's images were created solely by using the unique photographic capabilities of a
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says, "Your relationship to your copy machine may never be the same.” And
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writes, "(The film) pulses with a grinding sort of ghostly sexuality.”
335: 229:"How Xerox Invented the Copier and Artists Pushed It to Its Limits" 23: 15: 385: 394:Choreography for Copy Machine (Photocopy Cha Cha) 168:Choreography for Copy Machine (Photocopy Cha Cha) 35:Choreography for Copy Machine (Photocopy Cha Cha) 361:"The 23rd International Tournee of Animation" 8: 434:American avant-garde and experimental films 181: 215:"Photocopy Cha Cha | Chel White" 155:Rotterdam International Film Festival 7: 144:First Place - 1992 USA Film Festival 140:Chicago International Film Festival 162:International TournĂ©e of Animation 149:Berlin International Film Festival 86:Berlin International Film Festival 14: 270:Richard Harrington (1991-08-30). 132:Best Animated Short Film - 1992 1: 429:American animated short films 414:1990s American animated films 450: 153:Official Selection - 1991 147:Official Selection - 1992 66:for historical context.) 336:"Bio | Chel White" 134:Ann Arbor Film Festival 120:Special Program - 2001 322:"Here Come the Judges" 122:Sundance Film Festival 40:experimental animation 30: 21: 115:Awards/Film Festivals 44:independent filmmaker 27: 19: 366:Entertainment Weekly 126:"Sundance Institute" 107:Entertainment Weekly 97:The Austin Chronicle 338:. 6 September 2012. 280:. Washington, D.C. 277:The Washington Post 231:. 21 November 2016. 217:. 3 September 2013. 138:Gold Plaque - 1992 80:The Washington Post 31: 22: 38:is a four-minute 441: 389: 388: 386:Official website 371: 370: 357: 351: 346: 340: 339: 332: 326: 325: 318: 312: 311: 304: 298: 297: 267: 261: 260: 253: 247: 246: 243:"Cinema History" 239: 233: 232: 225: 219: 218: 211: 205: 200: 194: 193: 186: 129: 449: 448: 444: 443: 442: 440: 439: 438: 404: 403: 384: 383: 380: 375: 374: 359: 358: 354: 347: 343: 334: 333: 329: 320: 319: 315: 306: 305: 301: 269: 268: 264: 255: 254: 250: 241: 240: 236: 227: 226: 222: 213: 212: 208: 201: 197: 188: 187: 183: 178: 124: 117: 91:Dallas Observer 76: 55: 12: 11: 5: 447: 445: 437: 436: 431: 426: 421: 416: 406: 405: 402: 401: 390: 379: 378:External links 376: 373: 372: 352: 341: 327: 313: 299: 262: 248: 234: 220: 206: 195: 180: 179: 177: 174: 173: 172: 157: 151: 145: 142: 136: 130: 116: 113: 75: 72: 54: 51: 13: 10: 9: 6: 4: 3: 2: 446: 435: 432: 430: 427: 425: 422: 420: 417: 415: 412: 411: 409: 400: 396: 395: 391: 387: 382: 381: 377: 368: 367: 362: 356: 353: 350: 345: 342: 337: 331: 328: 323: 317: 314: 309: 303: 300: 295: 291: 287: 283: 279: 278: 273: 266: 263: 258: 252: 249: 244: 238: 235: 230: 224: 221: 216: 210: 207: 204: 199: 196: 191: 185: 182: 175: 170: 169: 165: 163: 158: 156: 152: 150: 146: 143: 141: 137: 135: 131: 127: 123: 119: 118: 114: 112: 109: 108: 103: 99: 98: 93: 92: 87: 82: 81: 73: 71: 67: 65: 60: 52: 50: 48: 45: 41: 37: 36: 26: 18: 393: 364: 355: 344: 330: 316: 302: 275: 265: 251: 237: 223: 209: 198: 184: 166: 159: 105: 95: 89: 78: 77: 68: 56: 34: 33: 32: 59:photocopier 419:1991 films 408:Categories 294:1330888409 176:References 47:Chel White 424:Xerox art 286:0190-8286 74:Reception 64:Xerox art 53:Technique 272:"MOVIES" 102:Alive TV 42:film by 29:visible. 292:  284:  171:(1991) 160:23rd 399:IMDb 349:IFFR 290:OCLC 282:ISSN 397:at 203:BFI 49:. 410:: 363:. 288:. 274:. 369:. 324:. 310:. 296:. 259:. 245:. 192:. 164:, 128:.

Index



experimental animation
independent filmmaker
Chel White
photocopier
Xerox art
The Washington Post
Berlin International Film Festival
Dallas Observer
The Austin Chronicle
Alive TV
Entertainment Weekly
Sundance Film Festival
"Sundance Institute"
Ann Arbor Film Festival
Chicago International Film Festival
Berlin International Film Festival
Rotterdam International Film Festival
International Tournée of Animation
Choreography for Copy Machine (Photocopy Cha Cha)
"What are all those paint men digging? - ' Choreography for Copy Machine (Photocopy Cha Cha)'"
BFI
"Photocopy Cha Cha | Chel White"
"How Xerox Invented the Copier and Artists Pushed It to Its Limits"
"Cinema History"
"What are all those paint men digging? - ' Choreography for Copy Machine (Photocopy Cha Cha)'"
"MOVIES"
The Washington Post
ISSN

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