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Christ Carrying the Cross (Bosch, Ghent)

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25: 91: 223: 214:, works that were definitely painted after the death of Bosch. Since then the rejection has been accepted by Stephan Fischer and disputed by Fritz Koreny. In October 2015 the Bosch Research and Conservation Project, that is doing technical research on most of Bosch's paintings since 2007, confirmed they reject the attribution to Bosch as well and consider it to be made by a follower. 445: 183:
in 1902, and was restored in 1956–1957. As for all Bosch related works, the dating is uncertain, although most art historians assigned it to his late career. The catalogue of the Bosch exhibition held in Rotterdam in 2001 assigned it to 1510–1535, attributing the execution to a follower. According to
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The work depicts Jesus carrying the cross above a dark background, surrounded by numerous heads, most of which are characterized with grotesque features. There are a total of eighteen portraits, plus one on Veronica's veil. Jesus has a woeful expression, His eyes are closed and the head is
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In the bottom right corner is the impenitent thief, who sneers against three men who are mocking him. The penitent thief is at top right: he is portrayed with very pale skin, while being confessed by a horribly ugly monk.
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Royal Institute for Cultural Heritage Photolibrary, object number 78628, as Hieronymus Bosch, Christus draagt het kruis, circa 1510-1535, 76.7 cm × 83.5 cm (30.2 in × 32.9 in)
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one of the authors, Bernard Vermet, that it is not a typical work of Bosch it is generally accepted and he finds it hard to believe that it was painted by the same painter as the
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Bildarchiv Foto Marburg, Bildindex der Kunst und Architektur, Object 20390576, as Hieronymus Bosch, Kreuztragung, 74 cm × 81 cm (29 in × 32 in)
1273: 1094: 804: 1040: 671: 999: 819: 761: 491: 186: 920: 746: 656: 267: 259: 520: 1235: 1268: 1227: 1086: 588: 1132: 905: 514: 890: 834: 46: 375: 203: 1180: 1063: 860: 603: 535: 428: 68: 573: 1078: 349: 211: 935: 484: 641: 1014: 976: 558: 543: 39: 33: 180: 160: 138: 1283: 1192: 477: 50: 686: 271: 1258: 731: 716: 701: 1165: 1147: 263: 984: 159:. It was painted in the early 16th century, presumably between 1510 and 1535. The work is housed in the 1055: 950: 90: 1278: 776: 1117: 1201: 875: 626: 424: 500: 243: 191: 156: 102: 247: 294: 239: 393: 1252: 222: 790: 618: 120: 246:, with her eyes half-open and the face looking back. Finally, at the top left is 412:
Early Netherlandisch Painting. Volume V. Geertgen tot Sint Jans and Jerome Bosch
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S. Fischer. Hieronymus Bosch. Complete Works. Köln (Taschen Verlag) 2013.
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of the 1530s and he relates the work to the Triptych of the Passion in
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74 cm × 81 cm (29 in × 32 in)
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F. Koreny. Hieronymus Bosch. Die Zeichnungen. Turnhout (Brepols) 2012.
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St. John the Evangelist on Patmos/Scenes from the Passion of Christ
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There are two further versions of the subject by Bosch: a
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The Tricks of Leonardo da Vinci & Hieronymus Bosch
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Koldeweij, A.M.; Vandenbroeck, P.; Vermet, B. (2001),
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to provide grotesque-looking faces surrounding Jesus.
1219: 1191: 1157: 1032: 968: 852: 507: 134: 126: 116: 108: 97: 83: 167:, Belgium. The painting is notable for its use of 421:Jheronimus Bosch. Alle schilderijen en tekeningen 322:Koldeweij, Vandenbroeck en Vermet (2001): p. 97. 350:Twee beroemde werken toch niet van Jeroen Bosch 805:The Seven Deadly Sins and the Four Last Things 485: 8: 1264:Paintings in the Museum of Fine Arts, Ghent 672:Saint Christopher Carrying the Christ Child 492: 478: 470: 198:. Moreover, the colours remind him of the 155:is a painting attributed to a follower of 80: 16:Painting by a follower of Hieronymus Bosch 921:Triptych of the Temptation of St. Anthony 69:Learn how and when to remove this message 423:, Rotterdam: NAi Uitgevers, p. 79, 32:This article includes a list of general 286: 1274:Paintings of Christ carrying the cross 1228:Hieronymus Bosch, Touched by the Devil 589:St. John the Baptist in the Wilderness 7: 891:The Crucifixion of Saint Wilgefortis 414:. Leiden: A.W. Slijthof. p. 82. 1236:Jheronimus Bosch—Visions of Genius 38:it lacks sufficient corresponding 14: 536:Christ Child with a Walking Frame 443: 89: 23: 936:The Garden of Earthly Delights 1: 1269:Paintings by Hieronymus Bosch 1206: 1170: 1137: 1133:Adoration of the Christ Child 1122: 1107: 1068: 1045: 1019: 1004: 989: 955: 940: 925: 910: 895: 880: 865: 839: 824: 809: 794: 781: 766: 751: 736: 721: 706: 691: 676: 661: 646: 642:Allegory of Gluttony and Lust 631: 608: 593: 578: 563: 548: 525: 262:from around 1498, now at the 238:The bottom left corner shows 1087:The Temptation of St Anthony 977:Fall of the Damned into Hell 835:The Temptation of St Anthony 820:The Temptation of St Anthony 410:Friedländer, Max J. (1969). 453:by Hieronymus Bosch (Ghent) 179:The work was bought by the 1300: 1181:The Marriage Feast at Cana 1095:Christ Crowned with Thorns 762:Christ Crowned with Thorns 187:Christ Crowned with Thorns 181:Museum of Fine Arts, Ghent 1103:Christ Carrying the Cross 747:Christ Carrying the Cross 657:Christ Carrying the Cross 451:Christ Carrying the Cross 152:Christ Carrying the Cross 88: 84:Christ Carrying the Cross 574:Crucifixion with a Donor 365:Varallo, Franca (2004). 308:Varallo, Franca (2004). 272:Kunsthistorisches Museum 1231:(2015 documentary film) 1090:(Utrecht, c. 1525–1530) 53:more precise citations. 1148:Death of the Reprobate 352:, NOS, 31 oktober 2015 264:Royal Palace of Madrid 227: 226:Detail of the painting 1082:(Indianapolis, 1510s) 1041:Adoration of the Magi 985:Ascent of the Blessed 906:Adoration of the Magi 521:Adoration of the Magi 250:, his face upturned. 225: 1098:(El Escorial, 1530s) 1059:(1490s – after 1500) 1056:Head of a Halberdier 1015:Terrestrial Paradise 951:The Haywain Triptych 544:St. Jerome at Prayer 455:at Wikimedia Commons 208:Christ Before Pilate 1158:Formerly attributed 777:Death and the Miser 161:Museum of Fine Arts 139:Museum of Fine Arts 1118:Concert in the Egg 1033:Works by followers 969:Triptych fragments 295:"Hieronymus Bosch" 278:from around 1500. 228: 1246: 1245: 1239:(2016 exhibition) 1064:The Last Judgment 1000:The Last Judgment 876:The Hermit Saints 861:The Last Judgment 627:Cutting the Stone 515:List of paintings 448:Media related to 148: 147: 79: 78: 71: 1291: 1284:Veil of Veronica 1211: 1210: 1505–1516 1208: 1175: 1174: 1480–1485 1172: 1142: 1139: 1127: 1124: 1112: 1111: 1510–1535 1109: 1073: 1072: 1506–1508 1070: 1050: 1047: 1024: 1023: 1490–1516 1021: 1010:; with workshop) 1009: 1006: 994: 993: 1505–1515 991: 960: 957: 945: 944: 1490–1510 942: 930: 927: 915: 914: 1485–1500 912: 900: 897: 885: 882: 870: 867: 844: 843: 1505–1525 841: 829: 828: 1500–1510 826: 814: 811: 799: 796: 786: 785: 1490–1516 783: 771: 768: 756: 755: 1505–1507 753: 741: 738: 726: 723: 711: 708: 696: 695: 1490–1500 693: 681: 680: 1490–1500 678: 666: 665: 1490–1500 663: 651: 650: 1490–1500 648: 636: 633: 613: 610: 598: 595: 583: 582: 1480–1485 580: 568: 567: 1475–1485 565: 553: 550: 530: 527: 501:Hieronymus Bosch 494: 487: 480: 471: 465:HAL Open Science 447: 433: 415: 406: 404: 402: 388: 386: 384: 370: 353: 347: 341: 338: 332: 329: 323: 320: 314: 313: 305: 299: 298: 291: 244:Veil of Veronica 192:National Gallery 157:Hieronymus Bosch 103:Hieronymus Bosch 93: 81: 74: 67: 63: 60: 54: 49:this article by 40:inline citations 27: 26: 19: 1299: 1298: 1294: 1293: 1292: 1290: 1289: 1288: 1249: 1248: 1247: 1242: 1215: 1209: 1187: 1173: 1153: 1140: 1125: 1110: 1071: 1048: 1044:(Philadelphia, 1028: 1022: 1007: 992: 964: 958: 943: 928: 913: 898: 883: 868: 848: 842: 827: 812: 797: 784: 769: 754: 739: 724: 709: 702:Head of a Woman 694: 679: 664: 649: 634: 611: 596: 581: 566: 551: 528: 503: 498: 440: 431: 418: 409: 400: 398: 391: 382: 380: 373: 369:. Milan: Skira. 364: 361: 356: 348: 344: 339: 335: 330: 326: 321: 317: 312:. Milan: Skira. 307: 306: 302: 293: 292: 288: 284: 256: 248:Simon of Cyrene 220: 177: 75: 64: 58: 55: 45:Please help to 44: 28: 24: 17: 12: 11: 5: 1297: 1295: 1287: 1286: 1281: 1276: 1271: 1266: 1261: 1259:1516 paintings 1251: 1250: 1244: 1243: 1241: 1240: 1232: 1223: 1221: 1217: 1216: 1214: 1213: 1202:The Owls' Nest 1197: 1195: 1189: 1188: 1186: 1185: 1177: 1166:Two Male Heads 1161: 1159: 1155: 1154: 1152: 1151: 1144: 1129: 1114: 1099: 1091: 1083: 1075: 1060: 1052: 1036: 1034: 1030: 1029: 1027: 1026: 1011: 996: 981: 972: 970: 966: 965: 963: 962: 947: 932: 917: 902: 887: 872: 856: 854: 850: 849: 847: 846: 831: 823:(Kansas City, 816: 801: 788: 773: 758: 743: 728: 713: 698: 683: 668: 653: 638: 623: 615: 600: 585: 570: 555: 540: 532: 517: 511: 509: 505: 504: 499: 497: 496: 489: 482: 474: 468: 467: 456: 439: 438:External links 436: 435: 434: 429: 416: 407: 389: 371: 360: 357: 355: 354: 342: 333: 324: 315: 300: 285: 283: 280: 255: 252: 219: 216: 176: 173: 146: 145: 136: 132: 131: 128: 124: 123: 118: 114: 113: 110: 106: 105: 101:a follower of 99: 95: 94: 86: 85: 77: 76: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1296: 1285: 1282: 1280: 1277: 1275: 1272: 1270: 1267: 1265: 1262: 1260: 1257: 1256: 1254: 1238: 1237: 1233: 1230: 1229: 1225: 1224: 1222: 1218: 1204: 1203: 1199: 1198: 1196: 1194: 1190: 1183: 1182: 1178: 1168: 1167: 1163: 1162: 1160: 1156: 1150: 1149: 1145: 1135: 1134: 1130: 1120: 1119: 1115: 1105: 1104: 1100: 1097: 1096: 1092: 1089: 1088: 1084: 1081: 1080: 1076: 1066: 1065: 1061: 1058: 1057: 1053: 1043: 1042: 1038: 1037: 1035: 1031: 1017: 1016: 1012: 1002: 1001: 997: 987: 986: 982: 980:(before 1490) 979: 978: 974: 973: 971: 967: 953: 952: 948: 938: 937: 933: 923: 922: 918: 908: 907: 903: 893: 892: 888: 878: 877: 873: 863: 862: 858: 857: 855: 851: 837: 836: 832: 822: 821: 817: 807: 806: 802: 800:; attributed) 792: 789: 779: 778: 774: 764: 763: 759: 749: 748: 744: 734: 733: 729: 719: 718: 714: 704: 703: 699: 689: 688: 687:Ship of Fools 684: 674: 673: 669: 659: 658: 654: 644: 643: 639: 629: 628: 624: 621: 620: 616: 606: 605: 601: 591: 590: 586: 576: 575: 571: 561: 560: 556: 546: 545: 541: 538: 537: 533: 523: 522: 518: 516: 513: 512: 510: 508:Single panels 506: 502: 495: 490: 488: 483: 481: 476: 475: 472: 466: 462: 461: 457: 454: 452: 446: 442: 441: 437: 432: 430:90-5662-219-6 426: 422: 417: 413: 408: 397: 396: 390: 379: 378: 372: 368: 363: 362: 358: 351: 346: 343: 337: 334: 328: 325: 319: 316: 311: 304: 301: 296: 290: 287: 281: 279: 277: 273: 269: 265: 261: 254:Related works 253: 251: 249: 245: 241: 236: 232: 231:reclinating. 224: 217: 215: 213: 209: 205: 201: 197: 193: 189: 188: 182: 174: 172: 170: 166: 162: 158: 154: 153: 144: 140: 137: 133: 129: 125: 122: 119: 115: 111: 107: 104: 100: 96: 92: 87: 82: 73: 70: 62: 52: 48: 42: 41: 35: 30: 21: 20: 1234: 1226: 1200: 1184:(after 1550) 1179: 1164: 1146: 1131: 1116: 1102: 1101: 1093: 1085: 1077: 1062: 1054: 1039: 1013: 998: 983: 975: 949: 934: 919: 904: 889: 874: 859: 833: 818: 803: 791:Flood Panels 775: 760: 745: 732:The Conjurer 730: 717:The Wayfarer 715: 700: 685: 670: 655: 640: 625: 622:(after 1490) 617: 602: 587: 572: 562:(Frankfurt, 557: 542: 534: 519: 464: 459: 450: 420: 411: 401:December 10, 399:. Retrieved 394: 383:December 10, 381:. Retrieved 376: 366: 345: 336: 327: 318: 309: 303: 289: 260:previous one 257: 237: 233: 229: 207: 185: 178: 151: 150: 149: 121:Oil on panel 112:c. 1510–1535 65: 59:October 2015 56: 37: 1141: 1568 1126: 1561 1049: 1499 1008: 1486 959: 1516 929: 1501 899: 1497 884: 1493 869: 1482 845:; disputed) 815:; disputed) 813: 1500 798: 1514 770: 1510 742:; disputed) 740: 1502 725: 1500 710: 1500 635: 1494 612: 1489 597: 1489 552: 1482 529: 1475 524:(New York, 392:Anonymous. 374:Anonymous. 218:Description 51:introducing 1279:Caricature 1253:Categories 282:References 200:Mannerists 169:caricature 127:Dimensions 34:references 1079:Ecce Homo 1067:(Munich, 1003:(Bruges, 909:(Madrid, 864:(Vienna, 853:Triptychs 838:(Madrid, 765:(London, 750:(Madrid, 660:(Vienna, 559:Ecce Homo 242:with the 212:Princeton 1193:Drawings 1106:(Ghent, 240:Veronica 206:and the 204:Valencia 135:Location 1220:Related 539:(1480s) 359:Sources 270:in the 268:another 190:in the 175:History 47:improve 427:  276:Vienna 266:, and 196:London 117:Medium 98:Artist 36:, but 367:Bosch 310:Bosch 165:Ghent 143:Ghent 619:Hell 425:ISBN 403:2012 385:2012 109:Year 274:of 210:in 194:in 163:in 1255:: 1207:c. 1171:c. 1138:c. 1123:c. 1108:c. 1069:c. 1046:c. 1020:c. 1005:c. 990:c. 956:c. 941:c. 926:c. 911:c. 896:c. 881:c. 866:c. 840:c. 825:c. 810:c. 795:c. 782:c. 767:c. 752:c. 737:c. 722:c. 707:c. 692:c. 677:c. 662:c. 647:c. 632:c. 609:c. 594:c. 579:c. 564:c. 549:c. 526:c. 141:, 1212:) 1205:( 1176:) 1169:( 1143:) 1136:( 1128:) 1121:( 1113:) 1074:) 1051:) 1025:) 1018:( 995:) 988:( 961:) 954:( 946:) 939:( 931:) 924:( 916:) 901:) 894:( 886:) 879:( 871:) 830:) 808:( 793:( 787:) 780:( 772:) 757:) 735:( 727:) 720:( 712:) 705:( 697:) 690:( 682:) 675:( 667:) 652:) 645:( 637:) 630:( 614:) 607:( 599:) 592:( 584:) 577:( 569:) 554:) 547:( 531:) 493:e 486:t 479:v 405:. 387:. 297:. 72:) 66:( 61:) 57:( 43:.

Index

references
inline citations
improve
introducing
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Hieronymus Bosch
Oil on panel
Museum of Fine Arts
Ghent
Hieronymus Bosch
Museum of Fine Arts
Ghent
caricature
Museum of Fine Arts, Ghent
Christ Crowned with Thorns
National Gallery
London
Mannerists
Valencia
Princeton

Veronica
Veil of Veronica
Simon of Cyrene
previous one
Royal Palace of Madrid
another
Kunsthistorisches Museum
Vienna

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