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51:. Bach died the following year, and, given Penzel's age at the time, this raises the question of the type of teaching Penzel received from Bach. Penzel described himself as a pupil of Bach, but perhaps he was simply referring to teaching that Bach gave the choirboys. It would seem unlikely that he attended private lessons, but this cannot be ruled out.
89:. It was possibly in the context of preparing music for the choir that Penzel developed the habit of copying manuscripts of Bach's music. For several Bach cantatas Penzel's copy is the oldest surviving source. He also copied instrumental works, including in 1760 what appears to be the earliest version of the
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31:. He was one of Bach's last pupils. He continued to be involved in performances of Bach's music after the composer's death, and he is known for making copies of some of Bach's works.
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on 25 November 1737, Penzel was the son of a church sexton. He began his formal musical training in his native city where he studied under the cantor J. G. Nacke. He entered the
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27:(25 November 1737 – 14 March 1801) was a German musician. Although he was a composer in his own right, he is remembered more for his association with
66:. Penzel has been described as taking the role of joint "interim music director" (alongside the senior prefect Barth) until the arrival of Harrer's successor.
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One of Penzel's manuscripts from the 1750s. He believed he was copying a work by Bach, but on stylistic grounds it has been attributed to another composer.
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Schulenberg, David. “An
Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach.” Bach, vol. 41, no. 2, 2010, pp. 24–60. JSTOR,
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62:) on occasion. Harrer needed the services of a deputy increasingly because he had health problems: he died in July 1755 while taking the waters at
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Marissen, Michael. (1992). ON LINKING BACH'S F-MAJOR SINFONIA AND HIS HUNT CANTATA. Bach, 23(2), 31–46. Retrieved from
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73:. He attempted to succeed his father as church sexton, but was unsuccessful. In 1765 he was appointed Kantor at
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93:. It is not clear where he obtained his source material, but he was on good terms with Bach's eldest son
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The music sung by the
Thomanerchor in the 1750s included revivals of Bach's vocal music, for example the
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After Bach's death, Penzel became a prefect at the school under Bach's successor
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Jones, Richard; Wollny, Peter (2001). "Penzel, Christian
Friedrich".
177:(Digital print. ed.). Cambridge University Press. p. 60.
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Wolff, Christoph; Emery, Walter (2001). "Bach, Johann
Sebastian".
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97:, who inherited a number of manuscripts on his father's death.
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58:. The position involved him directing the boys' choir (
302:People educated at the St. Thomas School, Leipzig
69:From 1756 through 1761 Penzel studied the law at
199:"Harrer Johann Gottlob (1703–1755), Komponist"
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160:10.1093/gmo/9781561592630.article.6002278195
246:Ich lasse dich nicht, du segnest mich denn
47:in 1749 while Bach held the position of
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261:https://www.jstor.org/stable/41634120
175:Bach : the Brandenburg Concertos
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273:http://www.jstor.org/stable/41640603
239:Gottes Zeit ist die allerbeste Zeit
332:18th-century German male musicians
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292:German Classical-period composers
297:Pupils of Johann Sebastian Bach
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327:18th-century German composers
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213:"Jesu, der du meine Seele"
91:Brandenburg Concerto No. 1
45:St. Thomas School, Leipzig
25:Christian Friedrich Penzel
307:Leipzig University alumni
275:. Accessed 18 Sept. 2024.
152:Oxford University Press
125:Oxford University Press
95:Wilhelm Friedemann Bach
173:Boyd, Malcolm (1996).
81:Works copied by Penzel
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29:Johann Sebastian Bach
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148:Grove Music Online
121:Grove Music Online
71:Leipzig University
41:Oelsnitz, Vogtland
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39:Born in
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