25:
243:(2000), a large-scale choreographic project that was realized in 15 different cities in Europe and Canada. The starting point for the project, in which the choreographer was working with participants of diverse backgrounds such as elderly, young people and photographers, was the human mass. Another well-known production by De Smedt is
251:, Eszter Salamon and Xavier Le Roy, and in which she increasingly becomes at the same time the portrayed persons themselves. For the festival Dansand! II in Ostend, she created in 2010 together with
326:, a research project for a group choreography through workshops and artists' residences in Brussels, Madrid, PAF-St. Erme, Mexico City, Vienna, Tokyo and Stockholm. In May 2014, she collaborated on
733:
223:(Meg Stuart / Damaged Goods and Gary Hill, 1997) ). Together with Meg Stuart and choreographer / dancer David Hernandez, she initiated the multi-disciplinary improvisation project
211:
took place. She also collaborated with Meg Stuart and her company
Damaged Goods between 1995 and 1999. In 1996, she danced in the remake of Stuart's debut choreography
146:. Her artistic work is situated on the boundary between dance / performance, choreography, artistic coordination and artistic projects of various kinds.
53:
33:
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191:(Hans Van den Broeck, 1992). From 2003 to 2005 she was the artistic coordinator of les ballets C de la B. In 2010 she initiated the first
761:
215:(Meg Stuart / Damaged Goods, 1991), and assisted the choreographer as a coach for this remake. In addition, she worked as a dancer on
677:
126:
734:"BMW Tate Live: Spatial Confessions (On the question of instituting the public)- A four-day programme in moving and speaking parts"
248:
107:
1227:
1212:
962:
207:(laboratoire de nouvelles formes chorégraphiques) in Paris, where her first artistic encounter with the American choreographer
79:
158:, Christine De Smedt became interested in dance and performance and began to study different techniques for motion research.
1104:
1072:
978:
544:
86:
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235:
De Smedt started her own work in the period when she was a member of les ballets C de la B. Her debut was the dance solo
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Pieter T’Jonck, Alain Platel / les ballets C de la B, in: Dans & Publiek - Een
Dossier van Kunstenpunt
778:
172:
334:, which examined through choreographic experiments publicness in places exhibiting contemporary art.
180:
693:
264:
381:(Christine De Smedt in collaboration with Els Opsomer, Germaine Kruip and Vincent Malstaf, 1998)
100:
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247:(2012), based on four interviews with the choreographers and dancers Alain Platel,
176:
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310:(Eszter Salamon, 2008). Furthermore, she collaborated on the video installation
155:
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808:(Christine De Smedt, David Hernandez and Meg Stuart / Damaged Goods, 1996-1999)
375:(Christine De Smedt, David Hernandez and Meg Stuart / Damaged Goods, 1996-1999)
1017:
994:
803:
639:
343:
208:
1179:
858:
Page about The Long Piece (Christine De Smedt and Mette
Edvardsen, 2010)
342:
De Smedt was
Pedagogical Coordinator of the Training Cycle 2013-2016 at
570:
on the website of ImPulsTanz - Vienna
International Dance Festival
870:
Page about dance#2 (Christine De Smedt and Eszter
Salamon, 2016)
1170:
Christine De Smedt & Eszter
Salamon - De daad bij het woord
346:, the International School of Contemporary Dance in Brussels.
179:, which was also home for a long time to Hans van den Broeck,
63:
from the article and its talk page, especially if potentially
18:
239:(1994). One of her best-known projects from that period is
1188:
in SchaubĂĽhne am
Lehniner Platz, Berlin, 8 - 10 June 2001
270:(2008), that mixed historical research with performance.
522:'UNDER INFLUENCE' (Sidney Leoni, 2016, Hiros, 1H13min)
781:, in: Etcetera, 1989-12, Volume 7, Issue 28, p. 38-41
446:
SchreibstĂĽck - Version
Christine De Smedt, Gent (BE)
259:. Together with Eszter Salamon, she created the duet
958:
SchreibstĂĽck - Version
Christine De Smedt, Gent (BE)
203:
In 1992, De Smedt was part of the interdisciplinary
195:, a residence in studio 3 at les ballets C de la B.
540:
538:
536:
424:(Hans Van den Broeck / les ballets C de la B, 1992)
187:(Alain Platel, 1991) and was assistant director on
698:(Myriam Van Imschoot and Christine De Smedt, 2008)
314:(2008) by Philipp Gehmacher and Vladimir Miller.
1153:Page about 'UNDER INFLUENCE' (Sidney Leoni, 2016)
1143:on the website of ARGOS, centre for art and media
833:Page about Untitled 4 (Christine De Smedt, 2010)
628:(Meg Stuart / Damaged Goods and Gary Hill, 1997)
363:(Christine De Smedt and Damien Deceuninck, 1989)
322:With Eszter Salamon, De Smedt developed in 2009
944:(Meg Stuart / Damaged Goods en Gary Hill, 1997)
912:(Meg Stuart / Damaged Goods, restaging in 1996)
442:(Meg Stuart / Damaged Goods en Gary Hill, 1997)
430:(Meg Stuart / Damaged Goods, restaging in 1996)
1181:Christine de Smedt, Les Ballets C de la B: 9x9
399:(Christine De Smedt and Mette Edvardsen, 2010)
721:(Philipp Gehmacher and Vladimir Miller, 2008)
405:(Christine De Smedt and Eszter Salamon, 2016)
8:
1127:on the website of the Kunstenfestivaldesarts
646:on the website of Meg Stuart / Damaged Goods
630:on the website of Meg Stuart / Damaged Goods
614:on the website of Meg Stuart / Damaged Goods
598:on the website of Meg Stuart / Damaged Goods
418:(Alain Platel / les ballets C de la B, 1991)
171:From 1991 to 2012, De Smedt was a member of
1123:Gerhard Richter, une pièce pour le théâtre
500:Gerhard Richter, une pièce pour le théâtre
280:Gerhard Richter, une pièce pour le théâtre
56:about living persons that is unsourced or
330:, a four-day program of Bojana Cvejic in
127:Learn how and when to remove this message
1186:Kollektivkörper. Theorie und Performance
835:on the website of les ballets C de la B
582:on the website of les ballets C de la B
547:on the website of les ballets C de la B
532:
219:(Meg Stuart / Damaged Goods, 1995) and
278:As a dancer, she also collaborated on
1176:/ Agenda, nr. 1462, 18/02/2015, p. 16
894:Hildegard De Vuyst and Alain Platel,
881:Hildegard De Vuyst and Alain Platel,
844:Hildegard De Vuyst and Alain Platel,
819:Hildegard De Vuyst and Alain Platel,
790:Hildegard De Vuyst and Alain Platel,
175:, the Ghent dance company founded by
7:
183:and Koen Augustijnen. She danced in
1139:La force fait l’union fait la force
723:on the website of Philipp Gehmacher
513:La force fait l’union fait la force
367:La force fait l’union fait la force
237:La force fait l'union fait la force
1095:on the website of Mette Ingvartsen
928:(Meg Stuart / Damaged Goods, 1995)
612:(Meg Stuart / Damaged Goods, 1995)
596:(Meg Stuart / Damaged Goods, 1991)
436:(Meg Stuart / Damaged Goods, 1995)
14:
1063:on the website of the Kaaitheater
872:on the website of the Kaaitheater
860:on the website of Mette Edvardsen
768:on the website of Beursschouwburg
662:on the website of the Kaaitheater
1184:, in: Program of the conference
1031:on the website of Eszter Salamon
1008:on the website of Eszter Salamon
684:on the website of Eszter Salamon
274:Other collaborations as a dancer
154:After completing her studies in
23:
16:Belgian dancer and choreographer
1111:on the website of Xavier Le Roy
1079:on the website of Xavier Le Roy
985:on the website of Xavier Le Roy
969:on the website of Thomas Lehmen
946:on the website of Damaged Goods
930:on the website of Damaged Goods
914:on the website of Damaged Goods
810:on the website of Damaged Goods
759:Biography of Christine De Smedt
568:Biography of Christine De Smedt
545:Biography of Christine De Smedt
361:Weibliche Bewegungsfigur 094210
1:
1091:The Artificial Nature Project
488:The Artificial Nature Project
1218:Belgian women choreographers
1047:on the website of the Louvre
34:biography of a living person
580:Page about Summer Intensive
306:(Eszter Salamon, 2006) and
61:must be removed immediately
1244:
960:(Thomas Lehmen, 2002-2004)
660:(Christine De Smedt, 2012)
448:(Thomas Lehmen, 2002-2004)
393:(Christine De Smedt, 2010)
387:(Christine De Smedt, 2010)
369:(Christine De Smedt, 1993)
290:(Mette Ingvartsen, 2012),
282:(MĂĄrten SpĂĄngberg, 2017),
199:Meg Stuart / Damaged Goods
288:Artificial Nature Project
1141:(Johan Grimonprez, 1994)
1125:(MĂĄrten SpĂĄngberg, 2017)
1093:(Mette Ingvartsen, 2012)
779:De omgekeerde redenering
707:on the website Oral Site
502:(MĂĄrten SpĂĄngberg, 2017)
490:(Mette Ingvartsen, 2012)
150:Early life and education
142:is a Belgian dancer and
1155:on the website of Hiros
896:Les Ballets C. de la B.
883:Les Ballets C. de la B.
846:Les Ballets C. de la B.
821:Les Ballets C. de la B.
792:Les Ballets C. de la B.
302:(Xavier Le Roy, 2015),
298:(Xavier Le Roy, 2011),
294:(Xavier Le Roy, 2003),
1228:Belgian female dancers
1213:Belgian choreographers
1022:(Eszter Salamon, 2008)
999:(Eszter Salamon, 2006)
898:, Lannoo, 2006, p. 269
885:, Lannoo, 2006, p. 269
848:, Lannoo, 2006, p. 277
823:, Lannoo, 2006, p. 274
794:, Lannoo, 2006, p. 270
466:(Eszter Salamon, 2008)
460:(Eszter Salamon, 2006)
255:the mass choreography
48:Please help by adding
1109:(Xavier Le Roy, 2015)
1077:(Xavier Le Roy, 2011)
983:(Xavier Le Roy, 2003)
496:(Xavier Le Roy, 2015)
484:(Xavier Le Roy, 2011)
454:(Xavier Le Roy, 2003)
422:How to approach a dog
286:(Jan Ritsema, 2011),
189:How to approach a dog
173:les ballets C de la B
167:Les ballets C de la B
1194:on Kunstenpunt (KSP)
777:Hildegard De Vuyst,
181:Sidi Larbi Cherkaoui
76:"Christine De Smedt"
54:Contentious material
1061:(Jan Ritsema, 2011)
478:(Jan Ritsema, 2011)
328:Spatial Confessions
265:Myriam Van Imschoot
1192:Christine De Smedt
1027:2017-09-08 at the
1020:dance#1/Driftworks
1004:2018-04-27 at the
965:2018-02-11 at the
926:No One Is Watching
764:2017-07-29 at the
703:2017-07-29 at the
680:2017-06-11 at the
610:No One Is Watching
464:dance#1/Driftworks
434:No One Is Watching
308:dance#1/Driftworks
140:Christine De Smedt
1174:Brussel Deze Week
1168:Bellon, Michaël.
1059:Oidipous, my foot
1045:(Gary Hill, 2009)
1043:The Mirror Points
476:Oidipous, my foot
472:(Gary Hill, 2009)
470:The Mirror Points
284:Oidipous, my foot
263:(2012), and with
217:No One's Watching
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740:on 27 March 2017
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517:Johan Grimonprez
440:Splayed Mind Out
249:Jonathan Burrows
231:Own choreography
221:Splayed Mind Out
193:Summer Intensive
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50:reliable sources
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742:. Retrieved
738:the original
728:
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696:PickUpVoices
695:
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1137:Page about
1121:Page about
1105:Page about
1089:Page about
1073:Page about
1057:Page about
1041:Page about
1018:Page about
995:Page about
979:Page about
956:Page about
940:Page about
924:Page about
908:Page about
804:Page about
717:Page about
694:Page about
672:Page about
656:Page about
644:(1996-1999)
640:Page about
624:Page about
608:Page about
592:Page about
507:Videography
350:Productions
332:Tate Modern
156:criminology
1202:Categories
1075:Low Pieces
658:Untitled 4
527:References
482:Low Pieces
385:Untitled 4
344:P.A.R.T.S.
296:Low Pieces
245:Untitled 4
209:Meg Stuart
117:March 2024
87:newspapers
355:Own work:
39:citations
1025:Archived
1002:Archived
963:Archived
762:Archived
701:Archived
678:Archived
338:Teaching
318:Research
65:libelous
981:Project
744:29 July
674:dance#2
452:Project
403:dance#2
292:Project
261:dance#2
101:scholar
416:Mussen
185:Mussen
162:Career
103:
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997:nvsbl
458:nvsbl
391:9 x 9
304:nvsbl
108:JSTOR
94:books
32:This
746:2017
80:news
41:for
1172:,
241:9x9
1204::
535:^
52:.
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515:(
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67:.
46:.
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