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497:" said Kim. Even though there was not much dialogue, she was fascinated by how detailed and descriptive the captions of the movie were. She started to wonder if she was able to portray the sound of intangible objects like emotions or senses. This has become the essential reason she created this series. She takes traditional music dynamics and refashions them into music notes. In one of her drawings,
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person. She states, "Deaf rage is a real thing. In the Deaf community, it's something we know so well because we've all gone through it." She hopes to "communicate to a wider audience who are not deaf" and are unfamiliar with her culture, as Deaf people are a cultural entity and not just a group of
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Kim uses the symbol "p" to represent the sound of piano and indicate the note is played quietly. As more "p" appears, the notes are played more quietly. Kim concretizes abstract ideas. She believes that obsession has a repetitive pattern and can take up a person's mind. She illustrates this pattern
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in her performances, videos, and drawings. In developing her personal visual language, Kim draws from a variety of information systems. She uses elements from these systems such as body language, American Sign
Language (ASL), musical and graphic notation, and language interpretation, inventing new
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structures for her compositions and extending each source's scope of communication. She further uses sound to explore her own relationship to verbal languages and her environment. Through her work, she gains control of voice and sound, seeking to release them from social conventions.
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by reading only the subtitles. The work reverses the traditional power dynamic between auditory media and Deaf audience by obscuring the upper half of the image, forcing a hearing audience to instead rely on the Deaf provided captions.
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with the "p"s. "As time goes on, the obsession quickens, represented by the shrinking distance of p's. Finally, at the end, the p's are crowded and your mind is racing non-stop. You become totally engrossed with your obsession."
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so that her "deaf ideas" are easily understandable and accessible to hearing individuals as she explains, "It's like mathematical angles. How much rage do I have? You can see it in that size of the angle".
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516:. The drawings depict various degrees of angles (acute rage, legit rage, obtuse rage, straight up rage, reflex rage, full on rage), each labeled with rage-inducing experiences Kim experiences as a
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In 2018, Christine Sun Kim created a collection of six charcoal drawings on paper that explore "navigating the hearing world as a deaf person" shown in her series titled
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325:(ASL), and the use of the body are all recurring elements in her work. Her work has been exhibited in major cultural institutions internationally, including in the
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Kim uses sound to explore her feelings in a unique way, as writer Molly Hannon addresses. Kim's series of drawing, "The Sound of," was exhibited at
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Christine Sun Kim was born in 1980 and raised in
Southern California with hearing parents and a deaf sister. Her first language is
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1074:"Christine Sun Kim, the Transgressive Deaf Artist, Will Sign the National Anthem Alongside Demi Lovato During the Super Bowl"
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1887:"Louder Than Words: Zuckerman Museum of Art's newest exhibition spotlights artists who practice nonverbal communication"
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at a TED fellows retreat focusing on her relationship to sound, and how she has come to discover similarities between
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317:. Working predominantly in drawing, performance, and video, Kim's practice considers how sound operates in society.
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569:‘To Point a Naked Finger': Christine Sun Kim & Thomas Mader, Albright-Knox Art Gallery, Jan. 26–Apr. 21, 2019
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and music. She discussed how she felt that sound does not have to be solely experienced through auditory means.
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548:(LISTEN), A sound walk by Christine Sun Kim, organized by Avant.org, New York City, October 29–30, 2016.
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Calibration Room and Bounce House, University of Texas at Austin Visual Arts Center, March–April 2015.
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Nap
Disturbance, performance, Frieze London, October 6–9, 2016. Organized by Carroll/Fletcher.
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1407:"Visual Arts Center – Department of Art and Art History – The University of Texas at Austin"
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1316:"Expressing rage through angles and pie charts with Berlin-based artist Christine Sun Kim"
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Spoken on My Behalf, Brown Arts
Initiative, Brown University, Providence, RI, USA, 2019
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isolated people who have impaired hearing. Kim uses familiar and relatable formats in
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50 State
Initiative, For Freedoms, Jefferson City, MO and Des Moines, IA, USA, 2018
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Serralves
Collection: New Lines, Images, Objects, Serralves Museum, Porto, PT, 2018
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1427:"Carroll / Fletcher presents Christine Sun Kim at Frieze London 2016 | Art Agenda"
980:"Carroll / Fletcher presents Christine Sun Kim at Frieze London 2016 | Art Agenda"
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Rochester
Institute of Technology, School of Visual Arts in New York, Bard College
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1572:"Christine Sun Kim's "With a Capital D" at White Space, Beijing | BLOUIN ARTINFO"
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Sound Diet and
Lullabies for Roux, White Space Beijing booth, Art Basel, CH, 2018
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1344:"Artist Christine Sun Kim on 'deaf rage,' the Super Bowl and the power of sound"
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671:"Deaf since birth, artist Christine Sun Kim explores the social rules of sound"
1976:"The enchanting music of sign language" talk given at TED Fellows Retreat 2015
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1028:"Christine Sun Kim Speaking Bio and Videos | The Lavin Agency Speakers Bureau"
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Christine Sun Kim first experimented working with video in 2015 with her work
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Paulo Cunha e Silva Art Prize, Galeria
Municipal do Porto, Porto, PT, 2018
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Resonance: A Sound Art
Marathon, Walker Art Center, Minneapolis, MN, USA
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Too Much Future, Public Art Installation, Whitney Museum, NY, USA, 2018
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for cutting away during her American Sign Language performances of "
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1100:"Opinion | I Performed at the Super Bowl. You Might Have Missed Me"
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Louder Than Words, Zuckerman Museum of Art, Kennesaw, GA, USA, 2019
1500:"Christine Sun Kim | BUSY DAYS | De Appel Arts Centre | Amsterdam"
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Kim investigates the operations of sound and various aspects of
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1596:"Christine Sun Kim: Finish Forever | François Ghebaly | Artsy"
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Resonant Spaces, Hood Museum, Dartmouth College, NH, USA, 2017
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in 2002 with a degree in Interdisciplinary Studies. She has a
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1620:"To Point a Naked Finger: Christine Sun Kim and Thomas Mader"
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1256:"Christine Sun Kim: The Sound of Obsessing | Off the Charts"
1158:"How Christine Sun Kim, Deaf Sound Artist, Hears Everything"
1133:"How Christine Sun Kim, Deaf Sound Artist, Hears Everything"
770:"How Christine Sun Kim, Deaf Sound Artist, Hears Everything"
926:"Bard MFA Thesis Exhibition and Presentations, July 22–29"
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Finish Forever, Ghebaly Gallery, Los Angeles, USA, 2018-19
1740:"A Feast for the Ears at the Hood Downtown: Jess Rowland"
1524:"Christine Sun Kim › one week of lullabies for roux"
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The World is Sound, Rubin Museum, New York, NY, USA, 2017
869:"Christine Sun Kim: 'I'm not trying to be a freak show'"
493:. "It all goes back to my experience watching the film,
466:. Kim had four of her deaf friends recreate scenes from
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Sounds Like Her, New Art Exchange, Nottingham, UK, 2017
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Music Box + Smithsonian APA, New Orleans, LA, USA, 2019
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1451:"A Silent Soundwalk, Noisy with Abstract Compositions"
796:"SVA Alumnus Christine Sun Kim Awarded TED Fellowship"
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What We Make, Ross Art Museum, Delaware, OH, USA, 2018
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Whitney Biennial 2019, Whitney Museum, NY, USA, 2019
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Busy Days, De Appel Arts Centre, Amsterdam, NL, 2017
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Soundtracks, SF Museum of Modern Art, CA, USA, 2017
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With a Capital D, White Space, Beijing, CN, 2018-19
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1284:"An Artist Who Channels Her Anger Into Pie Charts"
1231:"Christine Sun Kim › the sound of non-sounds"
638:"An Artist Who Channels Her Anger Into Pie Charts"
551:Lautplan, Kammer Klang, Cafe Oto, London, UK, 2017
381:in New York, and another in Sound and Music from
329:'s first exhibition about sound in 2013 and the
337:in both 2013 and 2015, a Director's Fellow at
1837:"Art Exhibit: 'What We Make,' Aug. 22-Oct. 7"
8:
530:Solo exhibitions, performances and projects
53:Learn how and when to remove these messages
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219:Learn how and when to remove this message
201:Learn how and when to remove this message
2006:Rochester Institute of Technology alumni
247:Christine Sun Kim by Ériver Hijano, 2022
628:
600:For the Record, ifa gallery, Berlin, DE
1051:Kim, Christine Sun (28 October 2015),
137:Please improve this article by adding
2041:People from Orange County, California
1369:"The Culture of American Deaf People"
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1186:Christine Sun Kim: The World is Sound
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1054:The enchanting music of sign language
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7:
1548:"Christine Sun Kim: Too Much Future"
894:Murad, Susan L. (Fall–Winter 2011).
698:"Christine Sun Kim: Too Much Future"
2051:21st-century American women artists
1476:"Christine Sun Kim › lautplan"
2061:American artists with disabilities
2056:American artists of Korean descent
14:
1935:"Resonance: A Sound Art Marathon"
1813:"Paulo Cunha e Silva · Art Prize"
1098:Kim, Christine Sun (2020-02-03).
669:Corapi, Sarah (29 January 2015).
371:Rochester Institute of Technology
34:This article has multiple issues.
1170:from the original on 2020-06-04.
1145:from the original on 2020-06-04.
825:MIT Media Lab Director's Fellows
427:National Association of the Deaf
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341:in 2015, and a Ford Foundation
42:or discuss these issues on the
545:, London, October 13–14, 2016.
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2046:21st-century American artists
139:secondary or tertiary sources
2011:School of Visual Arts alumni
845:"Disability Futures Fellows"
495:Kumiko, The Treasure Hunter.
1885:Malone, Tess (2019-01-30).
1282:Furman, Anna (2019-05-21).
1156:Hannon, Molly (June 2015).
1131:Hannon, Molly (June 2015).
636:Furman, Anna (2019-05-21).
447:" and the national anthem.
429:(NAD). She later penned an
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1367:Rutherford, Susan (1988).
417:In 2020, she performed at
361:since birth. She attended
73:This biographical article
1624:Albright-Knox Art Gallery
1395:– via Project MUSE.
406:In 2015, she presented a
343:Disability Futures Fellow
333:in 2019. She was named a
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266:Orange County, California
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1841:Ohio Wesleyan University
423:National Football League
349:Background and education
2026:Artists from California
1911:"Whitney Biennial 2019"
1765:"Fundação de Serralves"
746:"Whitney Biennial 2019"
499:The Sound of Obsessing,
377:in Visual Art from the
2001:American sound artists
1716:"Soundtracks · SFMOMA"
1667:"Christine Sun Kim CV"
1032:www.thelavinagency.com
541:Face Value, workshop,
412:American Sign Language
363:University High School
355:American Sign Language
323:American Sign Language
313:sound artist based in
126:relies excessively on
1642:"Upcoming Exhibition"
1576:www.blouinartinfo.com
1385:10.1353/sls.1988.0022
1373:Sign Language Studies
445:America the Beautiful
379:School of Visual Arts
369:, and graduated from
86:by revising it to be
16:American sound artist
2021:American deaf people
1692:"The World Is Sound"
1640:Kim, Christine Sun.
1320:Freunde von Freunden
1254:Kim, Christine Sun.
523:Degrees of Deaf Rage
514:Degrees of Deaf Rage
507:Degrees of Deaf Rage
402:Notable performances
327:Museum of Modern Art
321:, written language,
2036:Women sound artists
2016:Bard College alumni
1211:www.x-traonline.org
1004:"Christine Sun Kim"
491:Rubin Museum of Art
375:Master of Fine Arts
150:"Christine Sun Kim"
1504:Carroll / Fletcher
1431:www.art-agenda.com
1348:The World from PRX
1288:The New York Times
1104:The New York Times
1008:Carroll / Fletcher
984:www.art-agenda.com
957:. 14 December 2015
955:Interview Magazine
951:"The Aural Artist"
875:. 25 November 2015
642:The New York Times
476:The Little Mermaid
436:The New York Times
367:Irvine, California
309:(born 1980) is an
1671:Christine Sun Kim
1646:Christine Sun Kim
1528:Christine Sun Kim
1480:Christine Sun Kim
1235:Christine Sun Kim
896:"Alumni Profiles"
580:Group exhibitions
468:The Addams Family
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359:profoundly deaf
357:. She has been
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