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and a
Tyrolean peasant woman. They used dance, mime, acting, clowning, music, text and acrobatics to put in the characters. In May 1940 the Netherlands was occupied by Nazi Germany and soon took on the occupants anti-Jewish measures. In 1941 she received a call for deportation to the labour camp, which was a Nazi euphemism for the extermination camp. Wang and her husband were suspicious of the call and looked for a safe hiding place.
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93:. Her debut as a dancer came in 1929, where she danced for the nominations by Ernst Ceiss. In 1932 she married Austrian writer, poet and philosopher Hans Schlesinger, who wrote the solo play Harlekinade, where Wang played solo. In 1932 she went to Berlin and played for several cabaret groups, such as Werner Fincks Cabaret, The Blue Bird and Die PfeffermĂĽhle by
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and Corry Vonk, she also made guest appearances at
Cabaret Mallemolen by Cor Ruys. Wang also did some solo performances in Amsterdam and Scheveningen and she starred in the revue. Wang created a large number of magical and absurd characters such as Max and Moritz, a Hague lady, a ballerina, a cleaner
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She performed until 1971, when Wim de Vries retired and Wang would no longer perform. In 1975 she returned to her hometown of Vienna. She remained a Dutch citizen, though she did not blame the
Austrian government for the murder of her entire family during the Nazi occupation. Since she felt at home
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and did her first solo dance project in 1946. For the first time there were no speeches, just the piano accompaniment of Wim de Vries. De Vries was her constant companion. They again played a number of characters and fourth over the triumphs of her shows. In 1952 she became a Dutch naturalized
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In April 1945 Hans
Schlesinger succumbed to the effects of an exhausting life in hiding. Wang survived the war and returned to work. She performed in the Kurhaus Cabaret by Cor Ruys, acting in the ABC-cabaret of
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took place where Nazi
Germany invaded Austria. Since both Wang and Hans Schlesinger were Jewish, they feared for their lives and fled to the Netherlands. In 1939 and 1940, Wang appeared in the ABC-cabaret of
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Vernon-Warren, B. and Warren, C. (Eds) (1999) Gertrud
Bodenwieser and Vienna's Contribution to Ausdruckstanz. Routledge.
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Ger Van
Leeuwen, "Determined to eternal life: The world of CIlli Wang in the Theatre Museum". In:
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citizen. On
January 25, 1959, Wang came to the United States and was presented in concert by
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at the
Wilshire Ebell Theater in Los Angeles. She received outstanding reviews.
97:. In 1936 she joined her husband’s cabaret group Fröhliche Landtmann in Vienna.
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and theatre maker. Wang initially was known as a dancer and later as a
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Hanny Alkema, "The
Wonderful World of Cilli Wang". Amsterdam: 1996
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In 1938, Wang joined her husband in Sweden. During this tour
30:(1 February 1909, Vienna — 10 July 2005, Vienna), stage name
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in Vienna she lived there until her death on July 10, 2005.
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16:Austrian-Dutch dancer, performer and theatre maker
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61:. When Austria merged into the
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227:in the Jewish Women's Archive
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251:Austrian female dancers
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63:Greater German Reich
256:Dancers from Vienna
91:Gertrud Bodenwieser
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23:Cilli Wang in 1961
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246:2005 deaths
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225:Cilli Wang
181:References
95:Erika Mann
51:comedienne
32:Cilli Wang
102:Anschluss
47:performer
34:, was an
221:9 (1981)
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36:Austrian
209:Sources
166:Wim Kan
134:Dancing
107:Wim Kan
75:cabaret
59:Germany
55:Austria
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158:Miser
87:Vienna
43:dancer
38:-born
40:Dutch
195:ISBN
81:Life
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