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of the 16th century, to the major composers of 20th century. She highlights, most of all, the aesthetic quality, the boldness of invention and the expressive power of the pieces she performs. As such, Clara
Sverner is a nonconformist artist, who never tires of enhancing, researching and daring. In
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Ms. Sverner participated in recitals and concerts all over Brazil, and toured in Europe, the United States, Japan and Israel. Her programmes usually feature a repertoire that includes pieces from the old
English
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the context of
Brazilian classical music, she was responsible more than anyone else for the revival of the popularity of the works of Glauco Velásquez, a Brazilian classical composer of the 20th century.
162:, Clara Sverner's interpretations are well considered by public and critics from Brazil and abroad. She had a sound education, started in São Paulo with José Kliass, that in turn studied in
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Ms. Sverner's discography has 25 records, available worldwide, and reflects her sense of aesthetics and her
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was opened up to several musical universes, exploring works from the
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from the article and its talk page, especially if potentially
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pupil. She got her master's with Louis
Hildebrand, at
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