337:
Weber regularly uses rather large leaps to embellish the clarinet melody which is usually made up of semiquavers (16th notes). The melody is often dotted and syncopated to give a somewhat cheeky feel to the work, with these sections being marked by a "scherzando," implying playfulness. Measures 19-20 are regarded as one of the hardest fragments for clarinet repertoire because of the clarinet playing without orchestra with very fast leaps, all slurred. The work sits very comfortably in E-flat major until Weber uses a series of diminished chords to send the work into C major. However, this is short lived as the work comes back to E-flat with the original melody being stated again first in E major, and then the tonic. The work finishes with one of the most glittery, virtuosic passages in the clarinet repertoire marked "brillante", made up of largely arpeggios and scalic runs in sextuplet semiquavers.
275:
statement of the melody, the work moves into an orchestral section in G major which acts as a sort of extended dominant to C minor when the clarinet enters again. It is in the C minor section when we begin to see short note values which adds to a very operatic style. Once again the orchestra goes into a section in G major, which exactly imitates the previous section, also in G major. Suddenly the clarinet enters in E-flat major with a virtuosic scale followed by numerous runs. In this E-flat major section there is some very large leaps, one being 3 octaves and a tone at bar 56. The work shifts back to G minor with a recitative, once again in the operatic style. This is taken very freely with the clarinet and orchestra taking turns in playing. After the recitative, the original melody is repeated and followed by a rather short
266:. The clarinet soloist enters with a high F (E-flat in terms of concert pitch) followed by a 3 octave jump before repeating the opening theme. This 3 octave jump, along with other large leaps, is stylistic of this movement. The majority of the first half of the movement sits very comfortably in E-flat major before modulating to D-flat major where much of the previous clarinet melodic material is repeated. The movement finishes with a rather virtuosic clarinet part extending to a written A-flat, which is near the limits of clarinet range.
291:
694:
74:
704:
22:
336:
is a slow ballroom dance, yet some soloists choose to take the movement at a far faster speed than what is traditional or intended for the true polonaise dance; nonetheless, many soloists dedicated to the text choose to take the movement at the danceable speed of a traditional polonaise. Once again,
309:
274:
The 2nd movement, by stark contrast in G minor, is reflective of Weber's many operas. With its operatic phrasing, this movement exhibits the rich tone of the clarinet. The clarinet melody has very expressive dynamics, often going from fortissimo to piano in the space of one bar. After the initial
300:
206:
A typical performance lasts 23 minutes. The 1st movement typically lasts for approximately 8:30 minutes, the 2nd movement for approximately 7 minutes and the 3rd movement for between 6:30 and 7 minutes depending on the tempo.
308:
391:
707:
91:
422:
697:
669:
447:
48:
32:
733:
575:
395:
610:
332:
Considered staple clarinet repertoire, the 3rd movement in E-flat major is an exhibition of technique and style on the part of the soloist. The
442:
363:
138:
110:
679:
581:
415:
117:
36:
157:
464:
634:
569:
557:
124:
95:
408:
106:
604:
728:
674:
738:
658:
627:
84:
40:
598:
551:
131:
534:
431:
170:
652:
488:
359:
333:
211:
175:
664:
210:
Like all of Weber's clarinet works except for the Grand Duo
Concertant, it is dedicated to
512:
472:
504:
251:
262:
The 1st movement, in E-flat major, begins with an exposition of the main theme by the
722:
517:
307:
186:
in 1811, and premiered on
December 25, 1813. It is composed of three movements:
239:
73:
480:
324:
496:
263:
223:
703:
400:
276:
247:
243:
235:
358:(2nd ed.). Cambridge: Cambridge University Press. p. 135.
301:
Clarinet
Concerto No. 2 in E Flat Major, J. 118 - iii. Alla Polacca
279:
before the work finishes with a long concert G from the clarinet.
227:
231:
404:
67:
15:
289:
645:
620:
591:
544:
527:
456:
98:. Unsourced material may be challenged and removed.
416:
8:
315:Performed by the Skidmore College Orchestra
423:
409:
401:
670:Hochschule für Musik Carl Maria von Weber
396:International Music Score Library Project
158:Learn how and when to remove this message
35:: vague phrasing that often accompanies
346:
322:
7:
107:"Clarinet Concerto No. 2" Weber
96:adding citations to reliable sources
680:Carl-Maria-von-Weber-Gesamtausgabe
222:The concerto is scored for a solo
214:, who was soloist at the premiere
14:
734:Concertos by Carl Maria von Weber
576:Concertino for Horn and Orchestra
226:and an orchestra consisting of 2
702:
693:
692:
465:Peter Schmoll und seine Nachbarn
323:Problems playing this file? See
305:
72:
20:
83:needs additional citations for
1:
661:(compiler of Jähns catalogue)
675:Carl Maria von Weber Museum
755:
47:Such statements should be
688:
438:
196:Romanze: Andante con moto
659:Friedrich Wilhelm Jähns
635:Invitation to the Dance
570:Concertino for Clarinet
564:Clarinet Concerto No. 2
558:Clarinet Concerto No. 1
392:Clarinet Concerto No. 2
354:Warrack, John (1976).
294:
293:
184:major, Op. 74, J. 118
605:Grand Duo Concertant
448:List of compositions
432:Carl Maria von Weber
356:Carl Maria von Weber
171:Carl Maria von Weber
92:improve this article
49:clarified or removed
653:Max Maria von Weber
729:Clarinet concertos
628:Piano Sonata No. 2
295:
739:1811 compositions
716:
715:
599:Clarinet Quintet
365:978-0-521-29121-7
310:
212:Heinrich Baermann
176:Clarinet Concerto
168:
167:
160:
142:
66:
65:
746:
706:
696:
695:
665:Romantische Oper
552:Bassoon Concerto
528:Orchestral works
425:
418:
411:
402:
394:: Scores at the
379:
376:
370:
369:
351:
312:
311:
292:
183:
182:
163:
156:
152:
149:
143:
141:
100:
76:
68:
61:
58:
52:
24:
23:
16:
754:
753:
749:
748:
747:
745:
744:
743:
719:
718:
717:
712:
684:
641:
616:
611:Trio in G minor
587:
540:
523:
513:Die drei Pintos
452:
434:
429:
388:
383:
382:
377:
373:
366:
353:
352:
348:
343:
330:
329:
321:
319:
318:
317:
316:
313:
306:
303:
296:
290:
285:
272:
270:Second movement
260:
220:
218:Instrumentation
180:
179:
164:
153:
147:
144:
101:
99:
89:
77:
62:
56:
53:
46:
25:
21:
12:
11:
5:
752:
750:
742:
741:
736:
731:
721:
720:
714:
713:
711:
710:
700:
689:
686:
685:
683:
682:
677:
672:
667:
662:
656:
649:
647:
643:
642:
640:
639:
631:
624:
622:
618:
617:
615:
614:
608:
602:
595:
593:
589:
588:
586:
585:
579:
573:
567:
561:
555:
548:
546:
542:
541:
539:
538:
535:Symphony No. 1
531:
529:
525:
524:
522:
521:
516:(completed by
509:
501:
493:
489:Der Freischütz
485:
477:
469:
460:
458:
454:
453:
451:
450:
445:
443:List of operas
439:
436:
435:
430:
428:
427:
420:
413:
405:
399:
398:
387:
386:External links
384:
381:
380:
371:
364:
345:
344:
342:
339:
320:
314:
304:
299:
298:
297:
288:
287:
286:
284:
283:Third movement
281:
271:
268:
259:
258:First movement
256:
219:
216:
204:
203:
198:
193:
166:
165:
148:September 2024
80:
78:
71:
64:
63:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
751:
740:
737:
735:
732:
730:
727:
726:
724:
709:
705:
701:
699:
691:
690:
687:
681:
678:
676:
673:
671:
668:
666:
663:
660:
657:
654:
651:
650:
648:
644:
637:
636:
632:
629:
626:
625:
623:
619:
612:
609:
606:
603:
600:
597:
596:
594:
592:Chamber music
590:
583:
580:
577:
574:
571:
568:
565:
562:
559:
556:
553:
550:
549:
547:
543:
536:
533:
532:
530:
526:
519:
515:
514:
510:
507:
506:
502:
499:
498:
494:
491:
490:
486:
483:
482:
478:
475:
474:
470:
467:
466:
462:
461:
459:
455:
449:
446:
444:
441:
440:
437:
433:
426:
421:
419:
414:
412:
407:
406:
403:
397:
393:
390:
389:
385:
375:
372:
367:
361:
357:
350:
347:
340:
338:
335:
328:
326:
302:
282:
280:
278:
269:
267:
265:
257:
255:
253:
249:
245:
241:
237:
233:
229:
225:
217:
215:
213:
208:
202:
199:
197:
194:
192:
189:
188:
187:
185:
177:
172:
162:
159:
151:
140:
137:
133:
130:
126:
123:
119:
116:
112:
109: –
108:
104:
103:Find sources:
97:
93:
87:
86:
81:This article
79:
75:
70:
69:
60:
50:
44:
42:
38:
34:
29:This article
27:
18:
17:
633:
582:Konzertstück
563:
511:
503:
495:
487:
479:
471:
463:
374:
355:
349:
331:
273:
261:
221:
209:
205:
201:Alla Polacca
200:
195:
190:
174:
169:
154:
145:
135:
128:
121:
114:
102:
90:Please help
85:verification
82:
54:
41:unverifiable
33:weasel words
30:
621:Piano music
613:(1818–1819)
545:Concertante
537:(1806–1807)
43:information
723:Categories
481:Abu Hassan
341:References
325:media help
178:No. 2 in E
173:wrote his
118:newspapers
497:Euryanthe
334:polonaise
264:orchestra
31:contains
698:Category
378:Warrack.
244:trumpets
236:bassoons
224:clarinet
181:♭
57:May 2016
646:Related
520:, 1888)
473:Silvana
277:cadenza
252:strings
248:timpani
191:Allegro
132:scholar
638:(1819)
630:(1816)
607:(1816)
601:(1811)
584:(1821)
578:(1815)
572:(1811)
566:(1811)
560:(1811)
554:(1811)
518:Mahler
508:(1826)
505:Oberon
500:(1823)
492:(1821)
484:(1811)
476:(1810)
468:(1802)
457:Operas
362:
228:flutes
134:
127:
120:
113:
105:
37:biased
708:Audio
655:(son)
240:horns
232:oboes
139:JSTOR
125:books
360:ISBN
250:and
242:, 2
238:, 2
234:, 2
230:, 2
111:news
94:by
39:or
725::
254:.
246:,
424:e
417:t
410:v
368:.
327:.
161:)
155:(
150:)
146:(
136:·
129:·
122:·
115:·
88:.
59:)
55:(
51:.
45:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.