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that allowed greater agility and flexibility in playing. The growing custom was to play with the reed on the bottom lip, as is done today, as opposed to the top lip as had been the previous prevailing style. Baermann was an exponent of this new style of playing, and possessed a modern instrument made
146:
As with many other virtuosi at the time, Baermann tried his hand fairly successfully at composing for his instrument. Among other works, he wrote a Septet in E-flat major, Op. 23, for clarinet, string quartet, and two ad libitum horns. The Adagio movement from his quintet, op. 25 has
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who is generally considered as being not only an outstanding performer of his time, but highly influential in the creation of several important composers' works for his instrument.
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by
Griesling & Schlott which allowed him to play chromatic passages with far greater ease than traditional 5-keyed instruments. He is said to have had a great dynamic range.
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Numerous composers wrote for
Baermann, who undoubtedly had a great influence on the Romantic clarinet repertoire thereby. Along with lesser-known composers such as
123:) for Baermann and his son Carl to play together; Meyerbeer wrote a quintet (1812) and concertos, and Weber produced numerous works including two concertos (
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72:(1744–1811) at the military school in Potsdam. After his prowess came to the attention of the Berlin court in 1804,
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80:(1762–1817). He played in the court orchestra of Munich from 1807 until his retirement in 1834, when his son
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Parallel to
Baermann's rise, the clarinet was undergoing a series of developments in key construction and
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received several recordings as a stand-alone piece, though it was for many years misattributed to
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Baermann, Bärmann and
Barmann redirect here; for Heinrich Baermann's son and grandson, see
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His playing is described in primary sources by the Trio di
Clarone in the preface to
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had the 20-year-old musician pursue his training in Berlin under the guidance of
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ConcertstĂĽck in G minor, Concertino in C minor, Concertino in E-flat major,
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214:'s Concert Piece for Clarinet, Basset Horn and Piano No. 1, published by
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Quartet, clarinet, violin, viola, violoncello, op. 18, B
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and the
Sylvana Variations, Op. 33, but not the
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237:, pp. 94–95, Cambridge University Press, 1995.
41:; 14 February 1784 – 11 June 1847) was a German
304:The Evolution of the Modern Clarinet: 1800–1850
254:. Great Britain: Emerson Edition. p. 139.
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176:Adagio for clarinet and strings in D-flat,
68:. In his youth, Baermann took lessons from
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327:International Music Score Library Project
115:. Mendelssohn most notably wrote the two
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692:Category:Clarinetists by nationality
307:(Bachelor of Arts in Music thesis).
16:German clarinet virtuoso (1784–1847)
234:Cambridge Companion to the Clarinet
797:19th-century German male musicians
178:Academy of St Martin in the Fields
154:Baermann died in Munich, aged 63.
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301:Rasmussen, Audrey (15 May 2011).
74:Prince Louis Ferdinand of Prussia
782:19th-century classical composers
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323:Free scores by Heinrich Baermann
787:German male classical composers
103:, Baermann received works from
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807:18th-century German musicians
792:19th-century German composers
752:German classical clarinetists
252:Clarinet Virtuosi of the Past
823:
227:Taken from the section by
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757:German Romantic composers
345:Digital Score Collection)
578:Jupiter Band Instruments
35:Heinrich Joseph Baermann
548:Johann Christoph Denner
533:Backun Musical Services
289:(subscription required)
137:Concertino, Op. 26
802:Composers for clarinet
777:Musicians from Potsdam
598:Schwenk & Seggelke
216:Breitkopf & Härtel
119:, Opp. 113, 114 (
101:Peter von Lindpaintner
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772:Musicians from Munich
659:Clarinet-violin-piano
454:Quarter tone clarinet
133:quintet (Op. 34)
64:Baermann was born in
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669:Clarinet-cello-piano
664:Clarinet-viola-piano
444:Contrabass clarinets
439:Contra-alto clarinet
343:Sibley Music Library
280:"Heinrich Baermann."
141:Grand Duo Concertant
109:Carl Maria von Weber
568:Leitner & Kraus
553:Benedikt Eppelsheim
169:Orfeo International
613:Yamaha Corporation
464:Clarinette d'amour
285:Grove Music Online
231:in Colin Lawson's
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634:Clarinet concerto
608:Herbert Wurlitzer
573:Howarth of London
478:Fingering systems
172:C 065 011 A, 2001
113:Giacomo Meyerbeer
105:Felix Mendelssohn
30:Heinrich Baermann
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143:(Op. 48).
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186:The Argo Years
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121:Concert Pieces
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37:(also spelled
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54:Romantic eras
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21:Carl Baermann
697:Mezz Mezzrow
680:Clarinetists
495:Reform Boehm
312:. Retrieved
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78:Franz Tausch
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767:1847 deaths
762:1784 births
593:Adolphe Sax
588:Iwan MĂĽller
558:Stephen Fox
528:Amati-Denak
469:Basset horn
212:Mendelssohn
129:Op. 74
125:Op. 73
97:Franz Danzi
70:Joseph Beer
746:Categories
424:) clarinet
418:Soprano (B
341:(from the
193:References
158:Recordings
89:embouchure
724:Biography
449:Saxonette
50:Classical
421:♭
413:clarinet
410:♭
402:clarinet
399:♭
380:Clarinet
336:♭
250:(1971).
46:virtuoso
43:clarinet
710:Portals
622:Related
583:Leblanc
329:(IMSLP)
325:at the
314:29 June
273:Sources
66:Potsdam
48:of the
39:Bärmann
603:Selmer
510:Oehler
505:MĂĽller
500:Mazzeo
485:Albert
258:
188:(2014)
135:, the
490:Boehm
339:major
198:Notes
131:), a
52:and
316:2011
256:ISBN
127:and
111:and
99:and
60:Life
282:in
748::
184:–
180:,
167:,
151:.
107:,
712::
407:E
396:A
372:e
365:t
358:v
318:.
264:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
