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395:, among other types). Pop vocalists and musicians, opera singers, classical instrumentalists, and occasionally rock groups primarily perform classical crossover. Although the phenomenon has long been widespread in the music industry, record companies first used the term "classical crossover" in the 1980s. It has gained in popularity since the 1990s and has acquired its own
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is also considered a crossover classical artist, having released albums of classical, folk, pop and musical-theatre music. Brightman dislikes the classical crossover label, though she has said she understands the need to categorize music. In the 2008 Polish release of her
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625:, another artist who has performed in both classical and non-classical styles, as well as having actually obtained full musical training and academic degrees in both (though operatic singing is his main professional focus).
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forms performed in a classical manner or by classical artists. It can also refer to collaborations between classical and popular performers, as well as music that blends elements of classical music (including
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has argued, run the risk of losing the sophistication of the genre(s) they were trained in, when they try to perform rock music, without coming up to the often rough and wild qualities of the latter.
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brought a combination of opera, Neapolitan folksong, musical theatre and pop to a vast television audience. This laid the foundations for the modern flourishing of classical crossover.
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Within the classical recording industry, the term "crossover" is applied particularly to classical artists' recordings of popular repertoire such as
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A means of generating vast popularity for the classics has been through their use as inspirational anthems in sports settings. The aria "
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is generally considered to be one of the first classical singers to have a successful crossover recording with her 1960 album
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Brackett, David (Winter 1994). "The
Politics and Practice of 'Crossover' in American Popular Music, 1963–65"
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pera-pop crossovers as a phenomenon truly took off in the 1990s, from the Three Tenors concert onwards.
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Crossover frequently results from the appearance of the music in a film soundtrack. For instance,
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music experienced a spurt of crossover popularity as a result of its appearance in the 2003 film
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In some contexts, the term "crossover" can have negative connotations associated with
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performed a live duet with her mother
Patricia, who is an opera singer, of the
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Collaborations between classical and popular performers have included
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Opera in the Media Age: Essays on Art, Technology and
Popular Culture
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836:"REVIEW: Classical music star Andrea Bocelli at Liverpool arena"
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990:"Andrzej Lampert, XVIII Ludwik van Beethoven Easter Festival"
592:. Singers and instrumentalists from the classical tradition,
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305:, that lacked the hard edge of the original versions. These
745:"Eileen Farrell, Soprano With a Populist Bent, Dies at 82"
918:. Sarah Brightman Tickets. 14 August 1960. Archived from
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Musical works that appeal to different types of audiences
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Andreas
Dorschel, 'Entgrenzung der klassischen Musik?',
472:'s version, has become indissolubly linked with soccer.
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Crossovers: Essays on Race, Music, And
American Culture
856:"Andrea Bocelli Announces November 2010 UK Arena Dates"
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Performed and realized on synthesizers by
Jeffrey Hall.
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experienced a revival due to the reception of 2000's
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366:that has become popularized and a wide variety of
274:. If the second chart combines genres, such as a "
1126:Article on the definition of Classical Crossover
730:, 7 September 2007 (accessed 24 September 2015).
1045:"The Tribal Drum: The rise of rhythm and blues"
301:in a more toned-down style, often with changed
262:or performers who appeal to different types of
804:"Operation Bocelli: the making of a superstar"
362:Classical crossover broadly encompasses both
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709:(in Spanish). 24 August 2015. Archived from
899:Domingo And Bocelli: Keeping Opera Relevant
619:I Will Be with You (Where the Lost Ones Go)
309:were popular with a much broader audience.
64:Learn how and when to remove these messages
297:were re-recorded by white artists such as
270:, which track differing musical styles or
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241:Learn how and when to remove this message
223:Learn how and when to remove this message
121:Learn how and when to remove this message
523:concert in 1990 was a landmark in which
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488:'s excursions into musical comedy and
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484:show tunes. Two examples of this are
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1058:University of North Texas Libraries
689:, show 4, track 5; show 6, track 4.
1016:"Andrzej Lampert, tenor: Schedule"
944:. 123allcelebs.com. Archived from
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584:performed a duet with rock singer
514:I've Got a Right to Sing the Blues
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968:"Polish Tenor Impresses Salzburg"
45:This article has multiple issues.
445:Problems playing this file? See
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379:) with popular music (including
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1113:The Death of Rhythm & Blues
560:resulted in the worldwide hit "
148:needs additional citations for
53:or discuss these issues on the
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822:"Andrea Bocelli in Abu Dhabi"
703:"Música Classical Crossover"
1115:. New York: Pantheon Books.
101:the claims made and adding
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942:"Sarah Brightman fan site"
874:"The king of Operatic pop"
552:. A collaboration between
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329:O Brother, Where Art Thou?
295:African-American musicians
278:" list, the work is not a
878:The Sydney Morning Herald
344:Four-piece musical group
1111:George, Nelson. (1988).
549:Songs from the Labyrinth
1089:Szwed, John F. (2005).
580:". Welsh mezzo-soprano
578:O Come, All Ye Faithful
1066:Hit Records, 1950–1975
675:Hit Records, 1950–1975
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287:cultural appropriation
1106:The Musical Quarterly
903:National Public Radio
713:on 25 September 2015.
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841:Liverpool Daily Post
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621:" with Polish tenor
476:Classical performers
422:Canon and Gigue in D
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1064:Lonergan, David F.
970:. 13 September 2013
922:on 29 November 2010
793:04.2017, pp. 24−25.
336:Classical crossover
18:Classical Crossover
844:. 7 November 2009.
749:The New York Times
741:Tommasini, Anthony
707:artdancemovies.com
650:Eclecticism in art
558:Montserrat Caballé
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1141:Crossover (music)
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1019:. Retrieved
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556:and soprano
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655:Polystylism
640:World music
635:Jazz fusion
314:Sacred Harp
884:19 January
673:Lonergan,
661:References
645:Folk music
519:The first
508:. Soprano
447:media help
356:See also:
183:newspapers
95:improve it
50:improve it
1021:3 January
1000:3 January
974:3 January
791:grazkunst
562:Barcelona
546:'s album
397:Billboard
377:symphonic
299:Pat Boone
280:crossover
264:audiences
256:Crossover
213:June 2014
111:June 2014
99:verifying
56:talk page
1135:Category
1072:, 2004.
1043:(1969).
629:See also
614:Symphony
505:Showboat
482:Broadway
465:Turandot
373:operatic
1048:(audio)
952:25 June
926:25 June
860:Allgigs
808:The Age
568:singer
566:R&B
460:Puccini
458:" from
399:chart.
346:Il Divo
276:Hot 100
197:scholar
93:Please
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391:, and
322:, and
307:covers
303:lyrics
272:genres
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601:tenor
540:Sting
393:Latin
204:JSTOR
190:books
1095:ISBN
1074:ISBN
1023:2016
1002:2016
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954:2010
928:2010
886:2008
768:ISBN
542:and
531:and
385:rock
375:and
176:news
588:of
564:".
462:'s
381:pop
159:by
97:by
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