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426:. These instruments are often overlooked and treated as trivial or unimportant simply because, to the untrained eye (or ear), they seem easy to play. The truth is, however, that auxiliary percussion often requires the most use of extended techniques and that the parts for these instruments are frequently the most difficult. Other auxiliary percussion instruments include:
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drumset. The bass drum is usually used to accent strong points in the music and is often combined with a cymbal crash to further accentuate the moment. In fact, the two instruments are used in conjunction so often that many parts simply contain one rhythm and the composer then indicates which instruments are to play at which points.
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are easily confused with one another. A gong, generally, is a large hung cymbal with a nipple. As such, they are usually known as nipple gongs. This nipple is a small dome in the centre of the cymbal that produces a single note when struck with a soft beater. Conversely, a tam-tam has no nipple and a
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Much like the bass drum, the concert toms are meant to add color and shading to orchestral music. However, it can also be used much like the snare drum. In fact, the snare drum can have the snare off, producing a high tom sound. Depending on the composer and/or music, the concert tom can be used as
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The snare drum is one of the most easily recognizable instruments in the entire percussion section. Also called the side drum, the snare drum is often used as a means of accenting rhythms from other families of instruments within the orchestra or as a soloistic type, particularly in pieces that may
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In an orchestral setting, the concert bass drum plays an integral role in the overall feel of a piece of music. In orchestral literature, the bass drum usually deals more with coloring and shading the sounds of the orchestra as opposed to providing a solid, rhythmic foundation like in marching band
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The snare drum works extremely well as an accentuating instrument. Tuned and played correctly, it can produce sounds ranging from quick, short, and snappy to thick, warm, whip-crack-like accents. There are numerous examples in music of the snare drum being used in this fashion. One such example
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Mallet percussion (also known as a keyboard or tuned percussion) is the general name given to the pitched percussion family. The name is a slight misnomer, in that almost every percussion instrument is played with some type of mallet or stick. With the exception of the marimba, almost every other
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suite. After an opening trumpet solo, the snare drum plays a rather short, military-style solo at a pianissimo dynamic marking, designed to create a march-like feel. This particular part presents a number of problems for the orchestral percussionist, but its main difficulty lies in keeping the
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offer training for musicians interested in developing their skills as orchestral percussionists. Typically, an orchestral percussionist does not specialize in one particular instrument. Although there is no exhaustive list of all instruments that an orchestral percussionist must be able to play,
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Though the bass drum is possibly the least frequently requested instrument at auditions, it actually takes a fair amount of skill to play correctly. Given the number of variables that can change when playing the bass drum (beater, beating location, amount/type of muffling, stroke, etc.), a
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both. It gives a warm but sharper tone due to its size, being between 8 and 16 inches in diameter, whereas the concert bass is 30 to 45 inches. Factors such as the feel of the piece and the time period in which it was written are taken into account when using the concert tom.
359:. In this particular example, the snare drum is used to accentuate the various crescendos and "hits" played by the rest of the orchestra. It is also used to reinforce the rhythms played by the trumpets throughout the movement.
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There has been a marked deviation from high-sticking, traditional drumming to a forced low-stick style. Various techniques of the snare drum include the Moller method, the
Gladstone method, and other lesser methods.
583:. Since then, crash cymbals have become one of the most written for percussion instruments in classical music and they are easily one of the most recognized sounds within the orchestra.
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refers to the various percussion instruments used in an orchestral setting. It may also refer to the act of playing such instruments in an orchestral style. Many music schools and
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As a soloistic instrument, the snare drum has certainly found its place in classical music. A fantastic example of this use of the snare drum would be the opening of
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flat central area. When this cymbal is struck with a beater (most usually a soft beater), it produces a myriad of sounds with no single overruling note.
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provide examination for orchestral percussion player. Candidates perform a balanced programme of three pieces, one chosen from
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has become a staple of the orchestra as well, and, as such, has had many important and difficult parts written for it.
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Auxiliary percussion (also known as battery percussion or accessory percussion) include instruments like the
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One can distinguish the two by ear by following a simple method. A gong sounds like a slightly muffled
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there are particular instruments that are frequently used in the orchestral repertoire. This includes
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well-versed percussionist is usually required to obtain all the possible sounds from the instrument.
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various rudiments (flams, four-stroke ruffs, etc.) consistent at such a soft dynamic level.
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There are many extremely common and well-known excerpts for most of the mallet instruments.
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when he adopted their sound from traditional
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Lewcock, Ronald; Pirn, Rijn; Meyer, Jürgen; et al. (2001). "Acoustics".
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Traditional rudimental solos that show a snare drummers technique include:
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Some important excerpts for the bass drum in orchestral literature include
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Crash cymbals have been used in an orchestral setting since the time of
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being other common choices, although the list is practically endless.
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keyboard instrument has been used widely in an orchestral setting.
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Another keyboard instrument used in the orchestra, as well as
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Another difficult Snare Drum piece in classical music is:
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are both extremely common excerpts on audition lists.
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57:. Unsourced material may be challenged and removed.
662:Blades, James (1975). "The World of Percussion".
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768:List of percussion instruments by type
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664:Journal of the Royal Society of Arts
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1113:List of vibraphone manufacturers
349:would be the fourth movement of
309:Symphony No. 4, Romeo and Juliet
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42:needs additional citations for
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271:is also frequently requested.
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1118:List of timpani manufacturers
1108:List of marimba manufacturers
694:Instrumentation/Orchestration
322:symphonies (most notably his
1098:List of cymbal manufacturers
580:Abduction from the Seraglio
191:excerpt at auditions, with
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233:The Sorcerer's Apprentice
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641:song list and one from
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351:Nikolai Rimsky-Korsakov
66:"Orchestral percussion"
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627:Trinity College London
1139:Orchestral percussion
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390:The Downfall of Paris
333:Symphonie Fantastique
130:Orchestral percussion
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1042:Marching percussion
785:Keyboard percussion
353:'s symphonic suite
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1067:Drum circle
645:song list.
618:Examination
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506:Ride cymbal
304:Tchaikovsky
236:as well as
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993:Wood block
968:Tambourine
958:Snare drum
828:Vibraphone
649:References
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546:Wood block
424:tambourine
340:Snare drum
294:Stravinsky
255:vibraphone
213:Kabalevsky
163:tambourine
143:snare drum
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253:, is the
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846:Handbell
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328:Berlioz
326:), and
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91:scholar
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898:Bongos
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516:Shaker
481:Hi-hat
466:Djembe
451:Congas
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380:Bolero
320:Mahler
312:, and
211:, and
203:Kodály
161:, and
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953:Parai
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908:Cajón
861:Tabla
672:JSTOR
600:Gongs
476:Güiro
431:Anvil
324:third
275:Drums
228:Dukas
98:JSTOR
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222:The
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