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Pierre
Schaeffer wrote: "Claude Arrieu is part of her time by virtue of a presence, an instinct of efficiency, a bold fidelity. Whatever the means, concertos or songs, music for official events, concerts for the elite or for a crowd of spectators, she delivered emotion through an impeccable technique
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From this point on, she developed her personal style. She was particularly interested in the evolution of musical language and various technical means available. In 1935, she joined the French Radio
Broadcasting Program Service (« Service des programmes de la Radiodiffusion française »),
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The humorous first movement has slightly grotesque leaps in the main theme. An intermezzo quality characterizes the outer sections of the second movement, around a brief scherzando. Next, a pastoral 6/8 precedes a bustling second scherzando. The singing wind writing is taken up again in the
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440:, op 161, 1937) Ibert (1935), and Auric (1938) had also composed for them. However, her Trio shows the care she took with the part writing, sharing the material equally between the three instruments. The opening
146:. She wrote hundreds of works in varying formats, including stage works, concert works, and movie scores. She was also a teacher, and worked as a producer and assistant head of sound effects at French Radio.
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compositions are her Trio for
Woodwinds (1936), Sonatina for two violins (1937), and Clarinet Quartet (1964). Her Sonatine for flute and piano made a big impression at its first radio performance in 1944 by
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Cantabile, and the whole is rounded off with an energetic finale, which ends in a characteristically French gesture - with surprising gentleness. This piece was premiered at RTF by the
Birbaum Ensemble.
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Although Arrieu's instrumental works strongly contributed to her legacy, it is vocal music that most markedly distinguish her career. Voice inspired her to set many poems to music, including those by
452:, emulates the military manner, even in 3-time; then comes a âproperâ, 4-time, steadier parade. Her wittiness is mischievous, producing teasingly foiled expectations in a mildly anarchic manner.
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1. Allegretto moderato. 2. Moderato - Allegro scherzando - Andante - Tempo primo. 3. Andante - Allegro scherzando. 2 fl, ob, 2 cl, 2 bn, hn, tpt, tbn
932:
Sadie, Stanley (Ed.) (1994). The New Grove
Dictionary of Opera, vol. 1, A-D, chpt: "Arrieu, Claude" by Richard Langham Smith, New York: MacMillan.
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where she was employed to 1947. She participated in the development of a wide range of programming, including Pierre
Schaeffer's experimental
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377:, an opéra bouffe after the work of Voltaire adapted by Pierre Dominica, was praised for its lyrical originality and spectacle.
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578:, 1964 (clarinet quartet: E-flat, two B-flat, and bass), premiered by the Belgian Clarinet Quartet in Aix-la-Chapelle, Germany
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630:, 1980 (flute, oboe, clarinet, and bassoon), premiered by the Soni Ventorum Ensemble in Washington, U.S., 19 January 1980
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is tender and swaying; the 3-time continues, faster and cheekily, and includes its own âmiddle sectionâ. The Final,
497:, 1938â1939 (opĂ©ra bouffe, 5 acts, AndrĂ© de la Tourasse after Jean Limozin), f.p. Marseilles, OpĂ©ra, 2 October 1953
35:
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by André de la
Tourasse after Jean Limozin, was presented at the Opéra de Marseille on 2 October 1953. In 1960,
75:
590:, 1966 (string quintet, harp, horn, and percussion), premiered at ORTF under the direction of Freddy Alberti
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459:. It can be bought on Ambache Recordings Liberté, Egalité, Sororitéhttp://womenofnote.co.uk/recordings/: .
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525:, 1953â1955 (opĂ©ra bouffe, 3 acts, P. Dominique, after Voltaire), Rheims, OpĂ©ra, 3 March 1960
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565:(imaginaire lyrique, 4 tableaux, after F. Garcia Lorca), Tours, Grand Théùtre, 1 March 1980
82:
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618:, 1952 (wind quintet), premiered by the French Wind Quintet in SarrebrĂŒck, Germany, 1952
491:, 1931â1934 (imagerie musicale, 3 acts, A. Obey), f.p. Strasbourg OpĂ©ra, 29 January 1950
154:
Born in Paris, Arrieu was a classically trained musician from an early age. Her mother,
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299:("Tightrope Walker's Suite") (1961), and "Variations for classical strings" (1970).
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She wrote music in all styles, composing works of "pure music" as well as music for
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Volume 1: I. Nonchalance, II. L'hiver est fini, III. Bavardes, IV. Carnet de bal
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is a swaggering mock march, with contrasting, nostalgic episodes. Initially the
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and imagery. Her musical gift is typified by its ease of flow and elegance of
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537:, 1958â1963 (2 acts, J. Tournier and M. Jacquemont, after Shakespeare),
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Volume 2: V. Ingénue, VI. Capricieuse, VII. Malicieuse, VIII. Péronelle
513:, 1948 (opéra comique, P. Bertin after G. de Nerval), RTF, 22 June 1951
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Arrieu was 33 when she wrote the Reed Trio; it was commissioned by the
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673:, 1957 (unison choir, flute, oboe, clarinet, percussion, and strings)
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1. Allegro. 2. Pastorale et
Scherzo. 3. Final. 9 mins. Ob, cl, bn
358:, cantata of seven poems on love in war, on poems by Paul Ăluard.
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553:(opéra bouffe, 1 act, J. Tardieu), Avignon, Opéra, 3 April 1971
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Published by
Amphion Editions. The Ambache CD recording is on
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519:(opéra enfantine, 2 acts, Tourasse and P. Dumaine), RTF, 1953
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and a spiritual vigilance, finding the path to the heart."
264:. Vivacity, clarity of expression, and a natural feel for
624:, 1955 (bamboo pipes: soprano, alto in A or G, and bass)
295:(1945), "Concerto for wind quintet and strings" (1962),
346:
for voice and piano based on poems by
Mallarmé (1937);
531:(opéra bouffe, 1 act, M. Vaucaire), RTF, 15 March 1959
667:, 1947 (soprano and/or baritone and piano, Max Jacob)
728:, scherzo et choral, 1986 (tenor trombone and piano)
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and piano), contest piece for the Paris Conservatory
547:, 1966 (opéra bouffe, 1 act, Dominique), Unperformed
563:
Les amours de Don Perlimpin et Belise en son jardin
49:. Unsourced material may be challenged and removed.
784:, 1965 (B-flat or C trumpet or cornet and piano)
350:, radio music on texts by Jean Tardieu based on
559:, 1972 (3 acts, after A. de Musset), incomplete
503:(opéra radiophonique, Pierre Schaeffer), RTF (
279:(1932), two pianos (1934), two concertos for
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655:, 1946 (choir: three equal parts, Samivel)
109:Learn how and when to remove this message
213:. In 1932, she received first prize for
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193:in 1924. She became a piano student of
844:, 1979 (B-flat or C trumpet and piano)
838:, 1986 (B-flat or C trumpet and piano)
778:, 1979 (B-flat or C trumpet and piano)
772:, 1979 (B-flat or C trumpet and piano)
722:, 1966 (B-flat or C trumpet and piano)
698:, 1976 (B-flat or C trumpet and piano)
7:
685:, 1953 (music for radio, Claude Roy)
47:adding citations to reliable sources
1043:20th-century French women composers
505:Radiodiffusion-Télévision Française
291:and strings (1965). She also wrote
182:provided her the most inspiration.
132:(30 November 1903 â 7 March 1990),
850:, 1965 (Bb or C trumpet and piano)
229:(1943â1944). In 1949, she won the
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1033:French women film score composers
954:Editions Billaudot: Claude Arrieu
949:Fr.Knowledge (XXG): Claude Arrieu
944:IMDb: Claude Arrieu - Filmography
679:, 1950 (choir: three equal parts)
1013:20th-century classical composers
710:, 1976 (bass trombone and piano)
671:Dix Chansons: Folklore de France
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584:, 1938 (2 pianos and orchestra)
425:Trio d'anches / Reed Trio, 1936
34:needs additional citations for
466:Wind Dixtuor, 1967 (rev. 1989)
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1018:20th-century French composers
905:"CĂ©cile P. Simon (1881-1970)"
438:Suite dâaprĂšs Michel Corrette
1023:French women opera composers
545:Balthazar, ou Le mortâvivant
293:Petite suite en cinq parties
1028:French film score composers
874:, 1976 (clarinet and piano)
808:, 1980 (clarinet and piano)
734:, 1976 (clarinet and piano)
436:; Poulenc (1926), Milhaud (
16:French composer (1903â1990)
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862:, 1977 (flute and bassoon)
457:Liberté, Egalité, Sororité
320:Louise LevĂȘque de Vilmorin
185:Dreaming of a career as a
975:Nearly Complete Catalogue
677:Rondeaux de Clément Marot
886:, 1976 (flute and piano)
802:, 1976 (flute and piano)
796:, 1980 (flute and piano)
653:Ah! Si j'Ă©tais un oiseau
612:, 1966 (cello and piano)
551:Un clavier pour un autre
523:La princesse de Babylone
375:La Princesse de Babylone
790:, 1976 (oboe and piano)
746:, 1976 (horn and piano)
647:A traduire en esthionen
606:, 1985 (oboe and piano)
1038:French opera composers
824:Promenade mélancolique
636:1946 (flute and piano)
529:La cabine téléphonique
501:La Coquille Ă planĂštes
434:Trio DâAnches de Paris
227:La Coquille Ă planĂštes
197:and took classes from
191:Conservatoire de Paris
126:
987:oxfordmusiconline.com
661:, 1947 (René Chalupt)
649:, 1947 (René Chalupt)
283:(1938 and 1949), for
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517:Le chapeau Ă musique
446:Pastorale et Scherzo
420:Notable Compositions
386:Les Gueux au paradis
302:Among her important
43:improve this article
856:, 1977 (two flutes)
750:Lectures pour piano
665:Chanson de Marianne
511:Le deux rendez-vous
342:. Examples include
297:Suite funambulesque
268:are her hallmarks.
868:, 1977 (two oboes)
866:Trois duos faciles
860:Trois duos faciles
854:Trois duos faciles
461:Wind Dixtuor. 1967
442:Allegretto ritmico
309:Jean-Pierre Rampal
207:Jean Roger-Ducasse
189:, she entered the
130:Louise-Marie Simon
127:
836:Retour au village
594:Fantaisie lyrique
398:Marchands de rien
336:Stéphane Mallarmé
316:Joachim du Bellay
156:Cecile Paul Simon
139:, was a prolific
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738:La poupée casée
690:Teaching Pieces
683:Rue des Ormeaux
628:Suite en quatre
616:Quintette en ut
576:Cinq mouvements
541:, 31 March 1974
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394:Niok l'éléphant
356:à la Libération
311:and H. Moyens.
195:Marguerite Long
168:Igor Stravinsky
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32:This article
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966:Radio France
913:. Retrieved
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328:Jean Cocteau
324:Louis Aragon
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41:Please help
36:verification
33:
1008:1990 deaths
1003:1903 births
911:(in French)
909:data.bnf.fr
812:Petit récit
702:Cerf-volant
641:Vocal Music
588:Deux pieces
450:AllĂšgrement
382:film scores
380:Noteworthy
340:Paul Ăluard
231:Prix Italia
215:composition
203:Noël Gallon
170:. However,
1048:Pseudonyms
997:Categories
915:2022-04-02
891:References
610:Passe-pied
478:Works List
410:television
402:Le Tombeur
390:CrĂšvecoeur
361:Her first
254:music hall
211:Paul Dukas
99:March 2009
69:newspapers
794:Nostalgie
782:Ménétrier
770:L'Ă©tourdi
720:IntermĂšde
659:Attributs
634:Sonatine,
557:Barbarine
535:Cymbeline
412:, 1974).
384:include:
273:concertos
262:structure
150:Biography
848:Six-huit
788:Nocturne
714:Escapade
596:, 1959 (
400:(1958),
396:(1957),
392:(1955),
388:(1946),
371:libretto
352:Voltaire
287:(1946),
225:series,
187:virtuoso
144:composer
134:pen name
927:Sources
842:RĂȘverie
732:La fĂȘte
696:Caprice
507:), 1944
369:with a
348:Candide
289:trumpet
246:theatre
233:of the
83:scholar
936:
354:; and
338:, and
281:violin
266:melody
258:rhythm
178:, and
164:Mozart
141:French
85:
78:
71:
64:
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878:Valse
483:Opera
408:(for
285:flute
277:piano
223:radio
90:JSTOR
76:books
934:ISBN
539:ORTF
275:for
250:film
209:and
162:and
160:Bach
62:news
489:Noé
235:RAI
45:by
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