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162:. It remained in the Gentile family collection until the early 19th century, at which point it is recorded in the Adorno collection. It later appeared in the Morandotti collection in 1971, from which it was lent to the Gentileschi exhibition in 2001. Extensive restoration work was undertaken in during 1967–1978, revealing a great depth of color and skill in rendering. Conservators also removed a large strip of canvas from the top of the painting, which was assessed as being a later addition. In April 2004, it was acquired by the Gerolamo Etro collection in Milan.
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Given the close collaboration between father and daughter at the start of
Artemisia's career, art historians have struggled to achieve consensus on the attribution of this work. Keith Christiansen has argued this is the work of Orazio, given the masterful depiction of the textiles, for which he was
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renowned. Mary D. Garrard advocates for an attribution to
Artemisia, given the strong emotional tension of the piece, while Letizia Treves cites the realistic rendering of the female form as conclusive evidence of Artemisia's authorship.
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The painting depicts
Cleopatra, the Egyptian queen, alone in the moments before she commits suicide by submitting to a venomous snakebite. A common theme for artists of the period, the artist may have drawn upon
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The painting was known to be in the collection of Pietro
Gentile until 1640–1641, hanging in Palazzo Gentile in
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http://www.fosca.unige.it/collezionismo/category/ubicazione-attuale/milano-collezione-amedeo-morandotti/
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It is unquestionably from the
Gentileschi workshop, but secure authorship to either
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117.5 cm × 182 cm (46.3 in × 72 in)
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Artemisia
Gentileschi: The image of the female hero in Italian Baroque art
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196:(see also Catalog number 53) in Christiansen, Keith; Mann, Judith,
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131:. The pose is based upon that of an ancient statue now known as
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Portrait of a Lady, dressed in a gold embroidered costume
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This article about a seventeenth-century painting is a
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account which described her death from the bite of an
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674:Saint Januarius in the Amphitheatre at Pozzuoli
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417:Self-Portrait as Saint Catherine of Alexandria
271:Artemisia Gentileschi and the Authority of Art
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273:. The Pennsylvania State University Press.
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695:Self-Portrait as the Allegory of Painting
94:is a 1611-1612 oil on canvas painting of
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219:. London: National Gallery Company Ltd.
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172:List of works by Artemisia Gentileschi
16:Painting from the Gentileschi workshop
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644:The Birth of Saint John the Baptist
999:Paintings by Artemisia Gentileschi
927:. You can help Knowledge (XXG) by
870:. You can help Knowledge (XXG) by
253:"Immunity From Seizure: Artemisia"
200:, Metropolitan Museum of Art, 2001
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530:Portrait of a Lady Holding a Fan
410:Self-Portrait as a Female Martyr
198:Orazio and Artemisia Gentileschi
709:Christ and the Woman of Samaria
258:. The National Gallery, London.
808:Virgin and Child with a Rosary
403:Self-Portrait as a Lute Player
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438:Saint Catherine of Alexandria
234:. Princeton University Press.
919:This article related to the
545:Christ Blessing the Children
508:Mary Magdalene as Melancholy
194:Catalog number 17. Cleopatra
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366:Judith Beheading Holofernes
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523:Portrait of a Gonfaloniere
395:Judith and her Maidservant
109:or Artemisia is disputed.
688:Saints Proculus and Nicea
500:Judith Slaying Holofernes
431:Mary Magdalene in Ecstasy
269:Bissell, R. Ward (1999).
230:Garrard, Mary D. (1989).
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215:Treves, Letizia (2020).
1014:Paintings about suicide
581:Esther Before Ahasuerus
388:Allegory of Inclination
1004:Paintings of Cleopatra
800:Susanna and the Elders
750:Susanna and the Elders
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350:Susanna and the Elders
83:Etro collection, Milan
681:Adoration of the Magi
651:Lot and His Daughters
637:Clio, Muse of History
622:Corisca and the Satyr
326:Artemisia Gentileschi
100:Artemisia Gentileschi
40:Artemisia Gentileschi
734:(private collection)
493:Allegory of Painting
994:Paintings in Milan
842:Orazio Gentileschi
559:Penitent Magdalene
288:2016-01-26 at the
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838:(1997 film)
139:Attribution
113:Description
968:Categories
661:(Columbus)
518:(Stamford)
503:(Florence)
398:(Florence)
178:References
125:Plutarch's
72:Dimensions
835:Artemisia
803:(Bologna)
761:(Potsdam)
666:Cleopatra
658:Bathsheba
569:(Detroit)
467:(Ferrara)
464:Cleopatra
456:Cleopatra
334:Paintings
217:Artemisia
96:Cleopatra
91:Cleopatra
49:1611-1612
22:Cleopatra
844:(father)
777:(Cannes)
769:(Naples)
758:Lucretia
726:(London)
617:(Naples)
588:Lucretia
537:Lucretia
369:(Naples)
286:Archived
166:See also
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80:Location
63:Movement
822:Related
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459:(Milan)
148:History
67:Baroque
753:(Brno)
669:(Rome)
632:(Rome)
596:Aurora
361:(Rome)
107:Orazio
54:Medium
36:Artist
923:is a
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606:1630s
552:Medea
448:1620s
374:Danaë
342:1610s
256:(PDF)
154:Genoa
925:stub
868:stub
46:Year
129:asp
98:by
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