Knowledge (XXG)

Clive Bell

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751: 22: 1733: 143:, and Clive had a number of liaisons with other women including Mary Hutchinson. However, Clive and Vanessa never officially separated or divorced. Not only did they visit each other regularly, they also sometimes spent holidays together and paid "family" visits to Clive's parents. Clive lived in London but often spent long periods at 161:
According to historian Stanley Rosenbaum, "Bell may, indeed, be the least liked member of Bloomsbury.... Bell has been found wanting by biographers and critics of the Group – as a husband, a father, and especially a brother-in-law. It is undeniable that he was a wealthy snob, hedonist, and womaniser,
188:(1914) was the first publication of his theory, which he describes as "lines and colours combined in a particular way, certain forms, and relations of forms, that stir our aesthetic emotions." This form can be seen in art created by many members of the Bloomsbury Group, an example being 154:(1918–2012, née Bell), was raised as Clive's daughter until she married. She was informed by her mother, just prior to her marriage and shortly after her brother Julian's death, that Duncan Grant was her biological father. This deception forms the central message of her memoir, 1532: 223:, he opposed any attempt by Britain to use military force, arguing "the worst tyranny is better than the best war." Ideas that Bell eventually supported the war are unproven, as Mark Hussey points out in his 2021 biography of Bell (p. 350 n1). 418: 162:
a racist and an anti-Semite (but not a homophobe), who changed from a liberal socialist and pacifist into a reactionary appeaser. Bell's reputation has led to his being underestimated in the history of Bloomsbury...."
147:, Sussex, where Vanessa lived with Duncan and her three children by Clive and Duncan. He supported her wish to have a child by Duncan and allowed his wife's only daughter, Angelica, to bear his surname. 1582: 77:), an elder sister (Lorna, Mrs Acton), and a younger sister (Dorothy, Mrs Hony). His father was a civil engineer who built his fortune in the family coal mines at 2041: 1512: 1770: 761: 2046: 435: 73:, Berkshire, in 1881, the third of four children of William Heward Bell (1849–1927) and Hannah Taylor Cory (1850–1942). He had an elder brother ( 125: 526: 373: 216: 81:
in Wales – "a family which drew its wealth from Welsh mines and expended it on the destruction of wild animals." They lived at Cleeve House,
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Grayling, A.C; Goulder, Naomi; Pyle, Andrew, eds. (2006). ""'Identity', 'Logical connectives', 'Vagueness'"".
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Georgian Bloomsbury: Volume 3: The Early Literary History of the Bloomsbury Group, 1910–1914
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CLIVE BELL DEAD; ART CRITIC WAS 83; British Writer Championed Cezanne During 1920's"
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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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their marriage was over. Vanessa had begun a lifelong relationship with
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Bell was at one point an adherent of absolute pacifism, and during the
89:, Wiltshire, where Squire Bell's many hunting trophies were displayed. 86: 21: 1403: 1381: 1311: 1289: 561:"Clive Bell's "Significant Form" and the neurobiology of aesthetics" 184:. The two shared a passion for contemporary French art. Bell's book 1748: 478:
Transcription of English and Welsh marriage registrations 1837–1983
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Transcription of English and Welsh marriage registrations 1837–1983
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as an ambulance driver and was killed by an enemy shell, aged 29.
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On returning to London early in 1907, he met and married
124:(1910–1996), who both became writers. Julian joined the 40:(16 September 1881 – 17 September 1964) was an English 1583:
The Work of Art in the Age of Mechanical Reproduction
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Clive Bell and the Making of Modernism: A Biography
693: 407:on 20 January 2022 – via Internet Archive. 668:. CreateSpace Independent Publishing Platform. 1764: 788: 640:Warrior Race: A History of the British at War 8: 1513:The Literary Mind and the Carving of Dragons 312:Bell, Arthur Clive Heward - Oxford Reference 219:, at Garsington Manor. In his 1938 pamphlet 1771: 1757: 1749: 795: 781: 773: 700:. Detroit: Wayne State University Press. 619:The Cambridge Companion to Virginia Woolf 594: 576: 368:. Weidenfeld & Nicolson. p. 23. 725:(2021). London: Bloomsbury Publishing. 301: 52:. He developed the art theory known as 497: 495: 438:Info Britain, accessed 2 October 2014. 419:"Bell , Arthur Clive Heward (BL899AC)" 521:. Palgrave Macmillan UK. p. 37. 505:, London: Vintage, 1997, pp. 697–698. 7: 2042:Alumni of Trinity College, Cambridge 321:10.1093/acref/9780199754694.001.0001 449:"Index entry: Bell Arthur Clive H." 436:Virginia Woolf biography and visits 621:Cambridge University Press, 2010; 14: 548:. Chatto & Windus. p. 8. 2021:Bloomsbury Group in LGBT history 1731: 2047:English conscientious objectors 2016:List of Bloomsbury Group people 565:Frontiers in Human Neuroscience 290:List of Bloomsbury Group people 474:"Index entry: Stephen Vanessa" 180:, he developed his art theory 150:Vanessa's daughter by Duncan, 1: 264:An Account of French Painting 30: 16:English art critic, 1881–1964 1643:Aestheticization of politics 752:Works by or about Clive Bell 2067:British philosophers of art 692:Bywater, William G (1975). 423:A Cambridge Alumni Database 104:Marriage and other liaisons 2105: 425:. University of Cambridge. 169: 98:Trinity College, Cambridge 25:Portrait of Clive Bell by 1711: 397:"History of Cleeve House" 190:Interior at Gordon Square 578:10.3389/fnhum.2013.00730 65:Early life and education 38:Arthur Clive Heward Bell 1663:Evolutionary aesthetics 1613:The Aesthetic Dimension 515:S.P. Rosenbaum (2003). 112:, the artist sister of 1593:Avant-Garde and Kitsch 1543:Lectures on Aesthetics 210:conscientious objector 156:Deceived with Kindness 34: 2072:People from Wiltshire 1915:Lady Ottoline Morrell 1738:Philosophy portal 664:Bell, Clive (2015) . 642:, Hachette UK, 2010; 116:. They had two sons, 92:Bell was educated at 24: 1995:Charleston Farmhouse 1683:Philosophy of design 1563:In Praise of Shadows 1553:The Critic as Artist 769:, 20 September 1964. 559:Zeki, Semir (2013). 542:Bell, Clive (1916). 176:Soon after Bell met 145:Charleston Farmhouse 2077:Writers from London 2057:Stephen-Bell family 2052:English art critics 1930:Vita Sackville-West 1874:Saxon Sydney-Turner 1819:John Maynard Keynes 1693:Philosophy of music 1668:Mathematical beauty 743:Works by Clive Bell 94:Marlborough College 1855:Cambridge Apostles 1688:Philosophy of film 1678:Patterns in nature 1648:Applied aesthetics 1623:Why Beauty Matters 1409:Life imitating art 1270:Art for art's sake 766:The New York Times 44:, associated with 35: 2029: 2028: 1985:33 Fitzroy Square 1978:Notable Addresses 1920:Frances Partridge 1888:Associated Others 1824:Desmond MacCarthy 1746: 1745: 1698:Psychology of art 1573:Art as Experience 747:Project Gutenberg 687:Gutenberg Project 528:978-0-230-50512-4 375:978-0-297-76264-5 270:Enjoying Pictures 130:Spanish Civil War 69:Bell was born in 2094: 2062:Bloomsbury Group 1990:46 Gordon Square 1905:Angelica Garnett 1780:Bloomsbury Group 1773: 1766: 1759: 1750: 1736: 1735: 1734: 1628: 1618: 1608: 1598: 1588: 1578: 1568: 1558: 1548: 1538: 1528: 1518: 1508: 1498: 797: 790: 783: 774: 756:Internet Archive 711: 699: 696:Clive Bell's Eye 679: 651: 638:Lawrence James, 636: 630: 615: 609: 608: 598: 580: 556: 550: 549: 539: 533: 532: 512: 506: 499: 490: 489: 487: 485: 470: 464: 463: 461: 459: 445: 439: 433: 427: 426: 415: 409: 408: 403:. Archived from 393: 387: 386: 384: 382: 356: 350: 349: 347: 345: 306: 182:significant form 172:significant form 166:Significant form 152:Angelica Garnett 120:(1908–1937) and 54:significant form 50:Bloomsbury Group 32: 2104: 2103: 2097: 2096: 2095: 2093: 2092: 2091: 2032: 2031: 2030: 2025: 2004: 1973: 1964:Omega Workshops 1939: 1925:Ralph Partridge 1900:Dora Carrington 1883: 1843: 1829:Lytton Strachey 1782: 1777: 1747: 1742: 1732: 1730: 1707: 1631: 1626: 1616: 1606: 1603:Critical Essays 1596: 1586: 1576: 1566: 1556: 1546: 1536: 1526: 1516: 1506: 1496: 1480: 1253: 1167:Ortega y Gasset 960: 872: 806: 801: 739: 718: 716:Further reading 708: 691: 676: 663: 660: 655: 654: 637: 633: 617:Susan Sellers, 616: 612: 558: 557: 553: 541: 540: 536: 529: 514: 513: 509: 500: 493: 483: 481: 472: 471: 467: 457: 455: 447: 446: 442: 434: 430: 417: 416: 412: 395: 394: 390: 380: 378: 376: 358: 357: 353: 343: 341: 339: 308: 307: 303: 298: 286: 281: 229: 206:First World War 202: 200:Political views 174: 168: 110:Vanessa Stephen 106: 67: 62: 17: 12: 11: 5: 2102: 2101: 2098: 2090: 2089: 2084: 2079: 2074: 2069: 2064: 2059: 2054: 2049: 2044: 2034: 2033: 2027: 2026: 2024: 2023: 2018: 2012: 2010: 2006: 2005: 2003: 2002: 1997: 1992: 1987: 1981: 1979: 1975: 1974: 1972: 1971: 1966: 1961: 1956: 1947: 1945: 1941: 1940: 1938: 1937: 1932: 1927: 1922: 1917: 1912: 1907: 1902: 1897: 1891: 1889: 1885: 1884: 1882: 1881: 1879:Mary MacCarthy 1876: 1871: 1866: 1864:Adrian Stephen 1861: 1851: 1849: 1848:Old Bloomsbury 1845: 1844: 1842: 1841: 1839:Virginia Woolf 1836: 1831: 1826: 1821: 1816: 1811: 1806: 1801: 1796: 1790: 1788: 1784: 1783: 1778: 1776: 1775: 1768: 1761: 1753: 1744: 1743: 1741: 1740: 1728: 1723: 1718: 1712: 1709: 1708: 1706: 1705: 1700: 1695: 1690: 1685: 1680: 1675: 1673:Neuroesthetics 1670: 1665: 1660: 1655: 1653:Arts criticism 1650: 1645: 1639: 1637: 1633: 1632: 1630: 1629: 1619: 1609: 1599: 1589: 1579: 1569: 1559: 1549: 1539: 1529: 1523:On the Sublime 1519: 1509: 1499: 1488: 1486: 1482: 1481: 1479: 1478: 1473: 1468: 1463: 1458: 1453: 1448: 1443: 1436: 1431: 1426: 1421: 1416: 1411: 1406: 1401: 1394: 1389: 1387:Interpretation 1384: 1379: 1374: 1369: 1364: 1359: 1354: 1349: 1344: 1339: 1334: 1329: 1324: 1319: 1314: 1309: 1304: 1303: 1302: 1297: 1287: 1282: 1280:Artistic merit 1277: 1272: 1267: 1261: 1259: 1255: 1254: 1252: 1251: 1244: 1239: 1234: 1229: 1224: 1219: 1214: 1209: 1204: 1199: 1194: 1189: 1184: 1179: 1174: 1169: 1164: 1159: 1154: 1149: 1144: 1139: 1134: 1129: 1124: 1119: 1114: 1109: 1104: 1099: 1094: 1089: 1084: 1079: 1074: 1069: 1064: 1059: 1054: 1049: 1044: 1039: 1034: 1029: 1024: 1019: 1014: 1009: 1004: 999: 994: 989: 984: 979: 974: 968: 966: 962: 961: 959: 958: 951: 946: 941: 936: 931: 929:Psychoanalysis 926: 921: 916: 911: 906: 901: 896: 891: 886: 880: 878: 874: 873: 871: 870: 865: 860: 855: 850: 845: 840: 835: 830: 825: 820: 814: 812: 808: 807: 802: 800: 799: 792: 785: 777: 771: 770: 758: 749: 738: 737:External links 735: 734: 733: 731:978-1408894446 721:Hussey, Mark, 717: 714: 713: 712: 706: 689: 680: 674: 659: 656: 653: 652: 631: 610: 551: 534: 527: 507: 503:Virginia Woolf 501:Hermione Lee, 491: 465: 440: 428: 410: 388: 374: 351: 337: 300: 299: 297: 294: 293: 292: 285: 282: 280: 279: 273: 267: 261: 255: 249: 243: 237: 230: 228: 225: 214:Philip Morrell 201: 198: 170:Main article: 167: 164: 114:Virginia Woolf 105: 102: 79:Merthyr Tydfil 66: 63: 61: 58: 15: 13: 10: 9: 6: 4: 3: 2: 2100: 2099: 2088: 2085: 2083: 2080: 2078: 2075: 2073: 2070: 2068: 2065: 2063: 2060: 2058: 2055: 2053: 2050: 2048: 2045: 2043: 2040: 2039: 2037: 2022: 2019: 2017: 2014: 2013: 2011: 2007: 2001: 1998: 1996: 1993: 1991: 1988: 1986: 1983: 1982: 1980: 1976: 1970: 1967: 1965: 1962: 1960: 1959:Hogarth Press 1957: 1955: 1953: 1949: 1948: 1946: 1942: 1936: 1935:Thoby Stephen 1933: 1931: 1928: 1926: 1923: 1921: 1918: 1916: 1913: 1911: 1910:David Garnett 1908: 1906: 1903: 1901: 1898: 1896: 1893: 1892: 1890: 1886: 1880: 1877: 1875: 1872: 1870: 1869:Karin Stephen 1867: 1865: 1862: 1860: 1856: 1853: 1852: 1850: 1846: 1840: 1837: 1835: 1834:Leonard Woolf 1832: 1830: 1827: 1825: 1822: 1820: 1817: 1815: 1812: 1810: 1807: 1805: 1804:E. 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Moore 1507:(c. 335 BC) 1497:(c. 390 BC) 1476:Work of art 1429:Picturesque 1285:Avant-garde 1242:Winckelmann 1117:Kierkegaard 1042:Collingwood 1012:Baudrillard 939:Romanticism 909:Historicism 843:Mathematics 329:11693/51028 276:Old Friends 240:Pot-boilers 221:War Mongers 137:World War I 2036:Categories 1794:Clive Bell 1446:Recreation 1424:Perception 1317:Creativity 1017:Baumgarten 1007:Baudelaire 889:Classicism 804:Aesthetics 648:0748125353 629:, (p. 23). 627:0521896940 381:6 February 365:Bloomsbury 296:References 126:Republican 42:art critic 1809:Roger Fry 1451:Reverence 1357:Eroticism 1327:Depiction 1300:Masculine 1202:Santayana 1162:Nietzsche 1107:Hutcheson 1097:Heidegger 1082:Greenberg 1037:Coleridge 1002:Balthasar 987:Aristotle 949:Theosophy 944:Symbolism 919:Modernism 904:Formalism 650:(p. 620). 587:1662-5161 178:Roger Fry 60:Biography 46:formalism 27:Roger Fry 1944:Projects 1726:Category 1658:Axiology 1527:(c. 500) 1517:(c. 100) 1392:Judgment 1347:Emotions 1342:Elegance 1322:Cuteness 1295:Feminine 1258:Concepts 1227:Tanizaki 1207:Schiller 1192:Richards 1182:Rancière 1152:Maritain 1087:Hanslick 1027:Benjamin 899:Feminism 868:Theology 848:Medieval 838:Japanese 833:Internet 683:Text of 605:24273502 362:(1968). 284:See also 158:(1984). 48:and the 1721:Outline 1636:Related 1503:Poetics 1471:Tragedy 1461:Sublime 1434:Quality 1419:Mimesis 1377:Harmony 1362:Fashion 1337:Ecstasy 1332:Disgust 1248:more... 1217:Scruton 1142:Lyotard 1077:Goodman 1057:Deleuze 992:Aquinas 982:Alberti 955:more... 934:Realism 914:Marxism 894:Fascism 877:Schools 863:Science 818:Ancient 754:at the 658:Sources 596:3824150 571:: 730. 122:Quentin 96:and at 87:Devizes 85:, near 2009:Topics 1627:(2009) 1617:(1977) 1607:(1946) 1597:(1939) 1587:(1935) 1577:(1934) 1567:(1933) 1557:(1891) 1547:(1835) 1537:(1757) 1404:Kitsch 1382:Humour 1312:Comedy 1290:Beauty 1232:Vasari 1222:Tagore 1197:Ruskin 1137:Lukács 1127:Langer 1072:Goethe 997:Balázs 977:Adorno 858:Nature 823:Africa 729:  704:  672:  646:  625:  603:  593:  585:  525:  484:24 May 458:24 May 372:  335:  278:(1956) 272:(1934) 266:(1931) 260:(1929) 258:Proust 254:(1928) 248:(1922) 242:(1918) 236:(1914) 208:was a 118:Julian 1716:Index 1485:Works 1466:Taste 1456:Style 1237:Wilde 1177:Plato 1172:Pater 1132:Lipps 1092:Hegel 1062:Dewey 1052:Danto 1032:Burke 853:Music 828:India 811:Areas 480:. 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Index


Roger Fry
art critic
formalism
Bloomsbury Group
significant form
East Shefford
Cory
Merthyr Tydfil
Seend
Devizes
Marlborough College
Trinity College, Cambridge
Vanessa Stephen
Virginia Woolf
Julian
Quentin
Republican
Spanish Civil War
World War I
Duncan Grant
Charleston Farmhouse
Angelica Garnett
significant form
Roger Fry
significant form
Duncan Grant
First World War
conscientious objector
Philip Morrell

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