751:
22:
1733:
143:, and Clive had a number of liaisons with other women including Mary Hutchinson. However, Clive and Vanessa never officially separated or divorced. Not only did they visit each other regularly, they also sometimes spent holidays together and paid "family" visits to Clive's parents. Clive lived in London but often spent long periods at
161:
According to historian
Stanley Rosenbaum, "Bell may, indeed, be the least liked member of Bloomsbury.... Bell has been found wanting by biographers and critics of the Group – as a husband, a father, and especially a brother-in-law. It is undeniable that he was a wealthy snob, hedonist, and womaniser,
188:(1914) was the first publication of his theory, which he describes as "lines and colours combined in a particular way, certain forms, and relations of forms, that stir our aesthetic emotions." This form can be seen in art created by many members of the Bloomsbury Group, an example being
154:(1918–2012, née Bell), was raised as Clive's daughter until she married. She was informed by her mother, just prior to her marriage and shortly after her brother Julian's death, that Duncan Grant was her biological father. This deception forms the central message of her memoir,
1532:
223:, he opposed any attempt by Britain to use military force, arguing "the worst tyranny is better than the best war." Ideas that Bell eventually supported the war are unproven, as Mark Hussey points out in his 2021 biography of Bell (p. 350 n1).
418:
162:
a racist and an anti-Semite (but not a homophobe), who changed from a liberal socialist and pacifist into a reactionary appeaser. Bell's reputation has led to his being underestimated in the history of
Bloomsbury...."
147:, Sussex, where Vanessa lived with Duncan and her three children by Clive and Duncan. He supported her wish to have a child by Duncan and allowed his wife's only daughter, Angelica, to bear his surname.
1582:
77:), an elder sister (Lorna, Mrs Acton), and a younger sister (Dorothy, Mrs Hony). His father was a civil engineer who built his fortune in the family coal mines at
2041:
1512:
1770:
761:
2046:
435:
73:, Berkshire, in 1881, the third of four children of William Heward Bell (1849–1927) and Hannah Taylor Cory (1850–1942). He had an elder brother (
125:
526:
373:
216:
81:
in Wales – "a family which drew its wealth from Welsh mines and expended it on the destruction of wild animals." They lived at Cleeve House,
2066:
794:
310:
730:
705:
673:
336:
2020:
2015:
1413:
1106:
289:
2071:
1763:
647:
626:
473:
1091:
1016:
448:
2076:
2056:
2051:
1715:
1642:
100:, studying history. In 1902 he gained an Earl of Derby scholarship to study in Paris, where his interest in art began.
396:
1241:
1071:
97:
2061:
1756:
948:
1226:
1602:
1386:
787:
1141:
309:
Grayling, A.C; Goulder, Naomi; Pyle, Andrew, eds. (2006). ""'Identity', 'Logical connectives', 'Vagueness'"".
1662:
1612:
1166:
1036:
1592:
1542:
1299:
1001:
867:
209:
1914:
1720:
1294:
1247:
1156:
981:
954:
928:
862:
1269:
2086:
2081:
1994:
1682:
1562:
1552:
1460:
1433:
1336:
1116:
857:
144:
1929:
1873:
1818:
1725:
1692:
1667:
1502:
1455:
1450:
1264:
1221:
1211:
1181:
1161:
1046:
898:
852:
847:
842:
837:
780:
93:
1136:
1854:
1687:
1677:
1647:
1622:
1408:
1346:
1206:
1006:
913:
832:
817:
765:
1984:
1919:
1823:
1737:
1697:
1572:
1465:
1439:
1081:
1041:
996:
976:
933:
908:
827:
822:
746:
726:
701:
669:
643:
622:
600:
582:
522:
369:
332:
129:
1968:
1950:
1904:
1779:
1201:
1151:
1096:
1011:
943:
755:
590:
572:
518:
Georgian
Bloomsbury: Volume 3: The Early Literary History of the Bloomsbury Group, 1910–1914
324:
316:
181:
171:
151:
53:
49:
320:
1963:
1924:
1899:
1828:
1086:
1026:
903:
205:
45:
1999:
1878:
1863:
1838:
1672:
1652:
1522:
1279:
1231:
1191:
1126:
1076:
1056:
991:
595:
560:
213:
113:
78:
70:
2035:
1989:
1958:
1934:
1909:
1868:
1833:
1803:
1702:
1492:
1351:
1274:
1216:
1131:
1111:
971:
923:
762:
CLIVE BELL DEAD; ART CRITIC WAS 83; British Writer
Championed Cezanne During 1920's"
694:
1894:
1813:
1798:
1306:
1171:
1051:
1031:
883:
359:
193:
140:
121:
109:
1533:
A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
543:
516:
363:
1858:
1475:
1428:
1284:
1236:
1196:
1146:
938:
136:
117:
742:
1445:
1423:
1316:
1101:
1061:
888:
803:
41:
586:
577:
212:, allowed to perform Work of National Importance by assisting on the farm of
1808:
1356:
1326:
1121:
1066:
986:
918:
177:
74:
26:
604:
404:
1657:
1391:
1341:
1321:
1186:
682:
139:
their marriage was over. Vanessa had begun a lifelong relationship with
1470:
1418:
1376:
1361:
1331:
893:
328:
204:
Bell was at one point an adherent of absolute pacifism, and during the
89:, Wiltshire, where Squire Bell's many hunting trophies were displayed.
86:
21:
1403:
1381:
1311:
1289:
561:"Clive Bell's "Significant Form" and the neurobiology of aesthetics"
184:. The two shared a passion for contemporary French art. Bell's book
1748:
478:
Transcription of
English and Welsh marriage registrations 1837–1983
452:
Transcription of
English and Welsh marriage registrations 1837–1983
1176:
132:
as an ambulance driver and was killed by an enemy shell, aged 29.
82:
20:
1397:
1371:
1752:
776:
1366:
772:
108:
On returning to London early in 1907, he met and married
124:(1910–1996), who both became writers. Julian joined the
40:(16 September 1881 – 17 September 1964) was an English
1583:
The Work of Art in the Age of
Mechanical Reproduction
2008:
1977:
1943:
1887:
1847:
1786:
1635:
1484:
1257:
964:
876:
810:
723:
Clive Bell and the Making of
Modernism: A Biography
693:
407:on 20 January 2022 – via Internet Archive.
668:. CreateSpace Independent Publishing Platform.
1764:
788:
640:Warrior Race: A History of the British at War
8:
1513:The Literary Mind and the Carving of Dragons
312:Bell, Arthur Clive Heward - Oxford Reference
219:, at Garsington Manor. In his 1938 pamphlet
1771:
1757:
1749:
795:
781:
773:
700:. Detroit: Wayne State University Press.
619:The Cambridge Companion to Virginia Woolf
594:
576:
368:. Weidenfeld & Nicolson. p. 23.
725:(2021). London: Bloomsbury Publishing.
301:
52:. He developed the art theory known as
497:
495:
438:Info Britain, accessed 2 October 2014.
419:"Bell , Arthur Clive Heward (BL899AC)"
521:. Palgrave Macmillan UK. p. 37.
505:, London: Vintage, 1997, pp. 697–698.
7:
2042:Alumni of Trinity College, Cambridge
321:10.1093/acref/9780199754694.001.0001
449:"Index entry: Bell Arthur Clive H."
436:Virginia Woolf biography and visits
621:Cambridge University Press, 2010;
14:
548:. Chatto & Windus. p. 8.
2021:Bloomsbury Group in LGBT history
1731:
2047:English conscientious objectors
2016:List of Bloomsbury Group people
565:Frontiers in Human Neuroscience
290:List of Bloomsbury Group people
474:"Index entry: Stephen Vanessa"
180:, he developed his art theory
150:Vanessa's daughter by Duncan,
1:
264:An Account of French Painting
30:
16:English art critic, 1881–1964
1643:Aestheticization of politics
752:Works by or about Clive Bell
2067:British philosophers of art
692:Bywater, William G (1975).
423:A Cambridge Alumni Database
104:Marriage and other liaisons
2105:
425:. University of Cambridge.
169:
98:Trinity College, Cambridge
25:Portrait of Clive Bell by
1711:
397:"History of Cleeve House"
190:Interior at Gordon Square
578:10.3389/fnhum.2013.00730
65:Early life and education
38:Arthur Clive Heward Bell
1663:Evolutionary aesthetics
1613:The Aesthetic Dimension
515:S.P. Rosenbaum (2003).
112:, the artist sister of
1593:Avant-Garde and Kitsch
1543:Lectures on Aesthetics
210:conscientious objector
156:Deceived with Kindness
34:
2072:People from Wiltshire
1915:Lady Ottoline Morrell
1738:Philosophy portal
664:Bell, Clive (2015) .
642:, Hachette UK, 2010;
116:. They had two sons,
92:Bell was educated at
24:
1995:Charleston Farmhouse
1683:Philosophy of design
1563:In Praise of Shadows
1553:The Critic as Artist
769:, 20 September 1964.
559:Zeki, Semir (2013).
542:Bell, Clive (1916).
176:Soon after Bell met
145:Charleston Farmhouse
2077:Writers from London
2057:Stephen-Bell family
2052:English art critics
1930:Vita Sackville-West
1874:Saxon Sydney-Turner
1819:John Maynard Keynes
1693:Philosophy of music
1668:Mathematical beauty
743:Works by Clive Bell
94:Marlborough College
1855:Cambridge Apostles
1688:Philosophy of film
1678:Patterns in nature
1648:Applied aesthetics
1623:Why Beauty Matters
1409:Life imitating art
1270:Art for art's sake
766:The New York Times
44:, associated with
35:
2029:
2028:
1985:33 Fitzroy Square
1978:Notable Addresses
1920:Frances Partridge
1888:Associated Others
1824:Desmond MacCarthy
1746:
1745:
1698:Psychology of art
1573:Art as Experience
747:Project Gutenberg
687:Gutenberg Project
528:978-0-230-50512-4
375:978-0-297-76264-5
270:Enjoying Pictures
130:Spanish Civil War
69:Bell was born in
2094:
2062:Bloomsbury Group
1990:46 Gordon Square
1905:Angelica Garnett
1780:Bloomsbury Group
1773:
1766:
1759:
1750:
1736:
1735:
1734:
1628:
1618:
1608:
1598:
1588:
1578:
1568:
1558:
1548:
1538:
1528:
1518:
1508:
1498:
797:
790:
783:
774:
756:Internet Archive
711:
699:
696:Clive Bell's Eye
679:
651:
638:Lawrence James,
636:
630:
615:
609:
608:
598:
580:
556:
550:
549:
539:
533:
532:
512:
506:
499:
490:
489:
487:
485:
470:
464:
463:
461:
459:
445:
439:
433:
427:
426:
415:
409:
408:
403:. Archived from
393:
387:
386:
384:
382:
356:
350:
349:
347:
345:
306:
182:significant form
172:significant form
166:Significant form
152:Angelica Garnett
120:(1908–1937) and
54:significant form
50:Bloomsbury Group
32:
2104:
2103:
2097:
2096:
2095:
2093:
2092:
2091:
2032:
2031:
2030:
2025:
2004:
1973:
1964:Omega Workshops
1939:
1925:Ralph Partridge
1900:Dora Carrington
1883:
1843:
1829:Lytton Strachey
1782:
1777:
1747:
1742:
1732:
1730:
1707:
1631:
1626:
1616:
1606:
1603:Critical Essays
1596:
1586:
1576:
1566:
1556:
1546:
1536:
1526:
1516:
1506:
1496:
1480:
1253:
1167:Ortega y Gasset
960:
872:
806:
801:
739:
718:
716:Further reading
708:
691:
676:
663:
660:
655:
654:
637:
633:
617:Susan Sellers,
616:
612:
558:
557:
553:
541:
540:
536:
529:
514:
513:
509:
500:
493:
483:
481:
472:
471:
467:
457:
455:
447:
446:
442:
434:
430:
417:
416:
412:
395:
394:
390:
380:
378:
376:
358:
357:
353:
343:
341:
339:
308:
307:
303:
298:
286:
281:
229:
206:First World War
202:
200:Political views
174:
168:
110:Vanessa Stephen
106:
67:
62:
17:
12:
11:
5:
2102:
2101:
2098:
2090:
2089:
2084:
2079:
2074:
2069:
2064:
2059:
2054:
2049:
2044:
2034:
2033:
2027:
2026:
2024:
2023:
2018:
2012:
2010:
2006:
2005:
2003:
2002:
1997:
1992:
1987:
1981:
1979:
1975:
1974:
1972:
1971:
1966:
1961:
1956:
1947:
1945:
1941:
1940:
1938:
1937:
1932:
1927:
1922:
1917:
1912:
1907:
1902:
1897:
1891:
1889:
1885:
1884:
1882:
1881:
1879:Mary MacCarthy
1876:
1871:
1866:
1864:Adrian Stephen
1861:
1851:
1849:
1848:Old Bloomsbury
1845:
1844:
1842:
1841:
1839:Virginia Woolf
1836:
1831:
1826:
1821:
1816:
1811:
1806:
1801:
1796:
1790:
1788:
1784:
1783:
1778:
1776:
1775:
1768:
1761:
1753:
1744:
1743:
1741:
1740:
1728:
1723:
1718:
1712:
1709:
1708:
1706:
1705:
1700:
1695:
1690:
1685:
1680:
1675:
1673:Neuroesthetics
1670:
1665:
1660:
1655:
1653:Arts criticism
1650:
1645:
1639:
1637:
1633:
1632:
1630:
1629:
1619:
1609:
1599:
1589:
1579:
1569:
1559:
1549:
1539:
1529:
1523:On the Sublime
1519:
1509:
1499:
1488:
1486:
1482:
1481:
1479:
1478:
1473:
1468:
1463:
1458:
1453:
1448:
1443:
1436:
1431:
1426:
1421:
1416:
1411:
1406:
1401:
1394:
1389:
1387:Interpretation
1384:
1379:
1374:
1369:
1364:
1359:
1354:
1349:
1344:
1339:
1334:
1329:
1324:
1319:
1314:
1309:
1304:
1303:
1302:
1297:
1287:
1282:
1280:Artistic merit
1277:
1272:
1267:
1261:
1259:
1255:
1254:
1252:
1251:
1244:
1239:
1234:
1229:
1224:
1219:
1214:
1209:
1204:
1199:
1194:
1189:
1184:
1179:
1174:
1169:
1164:
1159:
1154:
1149:
1144:
1139:
1134:
1129:
1124:
1119:
1114:
1109:
1104:
1099:
1094:
1089:
1084:
1079:
1074:
1069:
1064:
1059:
1054:
1049:
1044:
1039:
1034:
1029:
1024:
1019:
1014:
1009:
1004:
999:
994:
989:
984:
979:
974:
968:
966:
962:
961:
959:
958:
951:
946:
941:
936:
931:
929:Psychoanalysis
926:
921:
916:
911:
906:
901:
896:
891:
886:
880:
878:
874:
873:
871:
870:
865:
860:
855:
850:
845:
840:
835:
830:
825:
820:
814:
812:
808:
807:
802:
800:
799:
792:
785:
777:
771:
770:
758:
749:
738:
737:External links
735:
734:
733:
731:978-1408894446
721:Hussey, Mark,
717:
714:
713:
712:
706:
689:
680:
674:
659:
656:
653:
652:
631:
610:
551:
534:
527:
507:
503:Virginia Woolf
501:Hermione Lee,
491:
465:
440:
428:
410:
388:
374:
351:
337:
300:
299:
297:
294:
293:
292:
285:
282:
280:
279:
273:
267:
261:
255:
249:
243:
237:
230:
228:
225:
214:Philip Morrell
201:
198:
170:Main article:
167:
164:
114:Virginia Woolf
105:
102:
79:Merthyr Tydfil
66:
63:
61:
58:
15:
13:
10:
9:
6:
4:
3:
2:
2100:
2099:
2088:
2085:
2083:
2080:
2078:
2075:
2073:
2070:
2068:
2065:
2063:
2060:
2058:
2055:
2053:
2050:
2048:
2045:
2043:
2040:
2039:
2037:
2022:
2019:
2017:
2014:
2013:
2011:
2007:
2001:
1998:
1996:
1993:
1991:
1988:
1986:
1983:
1982:
1980:
1976:
1970:
1967:
1965:
1962:
1960:
1959:Hogarth Press
1957:
1955:
1953:
1949:
1948:
1946:
1942:
1936:
1935:Thoby Stephen
1933:
1931:
1928:
1926:
1923:
1921:
1918:
1916:
1913:
1911:
1910:David Garnett
1908:
1906:
1903:
1901:
1898:
1896:
1893:
1892:
1890:
1886:
1880:
1877:
1875:
1872:
1870:
1869:Karin Stephen
1867:
1865:
1862:
1860:
1856:
1853:
1852:
1850:
1846:
1840:
1837:
1835:
1834:Leonard Woolf
1832:
1830:
1827:
1825:
1822:
1820:
1817:
1815:
1812:
1810:
1807:
1805:
1804:E. M. Forster
1802:
1800:
1797:
1795:
1792:
1791:
1789:
1785:
1781:
1774:
1769:
1767:
1762:
1760:
1755:
1754:
1751:
1739:
1729:
1727:
1724:
1722:
1719:
1717:
1714:
1713:
1710:
1704:
1703:Theory of art
1701:
1699:
1696:
1694:
1691:
1689:
1686:
1684:
1681:
1679:
1676:
1674:
1671:
1669:
1666:
1664:
1661:
1659:
1656:
1654:
1651:
1649:
1646:
1644:
1641:
1640:
1638:
1634:
1625:
1624:
1620:
1615:
1614:
1610:
1605:
1604:
1600:
1594:
1590:
1584:
1580:
1575:
1574:
1570:
1565:
1564:
1560:
1554:
1550:
1545:
1544:
1540:
1535:
1534:
1530:
1525:
1524:
1520:
1515:
1514:
1510:
1505:
1504:
1500:
1495:
1494:
1493:Hippias Major
1490:
1489:
1487:
1483:
1477:
1474:
1472:
1469:
1467:
1464:
1462:
1459:
1457:
1454:
1452:
1449:
1447:
1444:
1442:
1441:
1437:
1435:
1432:
1430:
1427:
1425:
1422:
1420:
1417:
1415:
1412:
1410:
1407:
1405:
1402:
1400:
1399:
1395:
1393:
1390:
1388:
1385:
1383:
1380:
1378:
1375:
1373:
1370:
1368:
1365:
1363:
1360:
1358:
1355:
1353:
1352:Entertainment
1350:
1348:
1345:
1343:
1340:
1338:
1335:
1333:
1330:
1328:
1325:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1301:
1298:
1296:
1293:
1292:
1291:
1288:
1286:
1283:
1281:
1278:
1276:
1275:Art manifesto
1273:
1271:
1268:
1266:
1265:Appropriation
1263:
1262:
1260:
1256:
1250:
1249:
1245:
1243:
1240:
1238:
1235:
1233:
1230:
1228:
1225:
1223:
1220:
1218:
1215:
1213:
1210:
1208:
1205:
1203:
1200:
1198:
1195:
1193:
1190:
1188:
1185:
1183:
1180:
1178:
1175:
1173:
1170:
1168:
1165:
1163:
1160:
1158:
1157:Merleau-Ponty
1155:
1153:
1150:
1148:
1145:
1143:
1140:
1138:
1135:
1133:
1130:
1128:
1125:
1123:
1120:
1118:
1115:
1113:
1110:
1108:
1105:
1103:
1100:
1098:
1095:
1093:
1090:
1088:
1085:
1083:
1080:
1078:
1075:
1073:
1070:
1068:
1065:
1063:
1060:
1058:
1055:
1053:
1050:
1048:
1045:
1043:
1040:
1038:
1035:
1033:
1030:
1028:
1025:
1023:
1020:
1018:
1015:
1013:
1010:
1008:
1005:
1003:
1000:
998:
995:
993:
990:
988:
985:
983:
980:
978:
975:
973:
972:Abhinavagupta
970:
969:
967:
963:
957:
956:
952:
950:
947:
945:
942:
940:
937:
935:
932:
930:
927:
925:
924:Postmodernism
922:
920:
917:
915:
912:
910:
907:
905:
902:
900:
897:
895:
892:
890:
887:
885:
882:
881:
879:
875:
869:
866:
864:
861:
859:
856:
854:
851:
849:
846:
844:
841:
839:
836:
834:
831:
829:
826:
824:
821:
819:
816:
815:
813:
809:
805:
798:
793:
791:
786:
784:
779:
778:
775:
768:
767:
763:
759:
757:
753:
750:
748:
744:
741:
740:
736:
732:
728:
724:
720:
719:
715:
709:
707:9780814315347
703:
698:
697:
690:
688:
686:
681:
677:
675:9781514244715
671:
667:
662:
661:
657:
649:
645:
641:
635:
632:
628:
624:
620:
614:
611:
606:
602:
597:
592:
588:
584:
579:
574:
570:
566:
562:
555:
552:
547:
546:
538:
535:
530:
524:
520:
519:
511:
508:
504:
498:
496:
492:
479:
475:
469:
466:
453:
450:
444:
441:
437:
432:
429:
424:
420:
414:
411:
406:
402:
398:
392:
389:
377:
371:
367:
366:
361:
360:Bell, Quentin
355:
352:
340:
338:9780199754694
334:
330:
326:
322:
318:
315:. Continuum.
314:
313:
305:
302:
295:
291:
288:
287:
283:
277:
274:
271:
268:
265:
262:
259:
256:
253:
250:
247:
246:Since Cézanne
244:
241:
238:
235:
232:
231:
226:
224:
222:
218:
215:
211:
207:
199:
197:
195:
191:
187:
183:
179:
173:
165:
163:
159:
157:
153:
148:
146:
142:
138:
133:
131:
127:
123:
119:
115:
111:
103:
101:
99:
95:
90:
88:
84:
80:
76:
72:
71:East Shefford
64:
59:
57:
55:
51:
47:
43:
39:
28:
23:
19:
2000:Monk's House
1951:
1895:Quentin Bell
1814:Duncan Grant
1799:Vanessa Bell
1793:
1787:Core Members
1621:
1611:
1601:
1571:
1561:
1541:
1531:
1521:
1511:
1501:
1491:
1438:
1414:Magnificence
1396:
1246:
1212:Schopenhauer
1047:Coomaraswamy
1021:
965:Philosophers
953:
884:Aestheticism
764:
722:
695:
684:
665:
639:
634:
618:
613:
568:
564:
554:
544:
537:
517:
510:
502:
482:. Retrieved
477:
468:
456:. Retrieved
451:
443:
431:
422:
413:
405:the original
401:Cleeve House
400:
391:
379:. Retrieved
364:
354:
344:17 September
342:. Retrieved
311:
304:
275:
269:
263:
257:
252:Civilization
251:
245:
239:
233:
220:
203:
194:Duncan Grant
189:
185:
175:
160:
155:
149:
141:Duncan Grant
134:
128:side in the
107:
91:
68:
37:
36:
18:
2087:1964 deaths
2082:1881 births
1969:Memoir Club
1952:Dreadnought
1859:G. E. Moore
1507:(c. 335 BC)
1497:(c. 390 BC)
1476:Work of art
1429:Picturesque
1285:Avant-garde
1242:Winckelmann
1117:Kierkegaard
1042:Collingwood
1012:Baudrillard
939:Romanticism
909:Historicism
843:Mathematics
329:11693/51028
276:Old Friends
240:Pot-boilers
221:War Mongers
137:World War I
2036:Categories
1794:Clive Bell
1446:Recreation
1424:Perception
1317:Creativity
1017:Baumgarten
1007:Baudelaire
889:Classicism
804:Aesthetics
648:0748125353
629:, (p. 23).
627:0521896940
381:6 February
365:Bloomsbury
296:References
126:Republican
42:art critic
1809:Roger Fry
1451:Reverence
1357:Eroticism
1327:Depiction
1300:Masculine
1202:Santayana
1162:Nietzsche
1107:Hutcheson
1097:Heidegger
1082:Greenberg
1037:Coleridge
1002:Balthasar
987:Aristotle
949:Theosophy
944:Symbolism
919:Modernism
904:Formalism
650:(p. 620).
587:1662-5161
178:Roger Fry
60:Biography
46:formalism
27:Roger Fry
1944:Projects
1726:Category
1658:Axiology
1527:(c. 500)
1517:(c. 100)
1392:Judgment
1347:Emotions
1342:Elegance
1322:Cuteness
1295:Feminine
1258:Concepts
1227:Tanizaki
1207:Schiller
1192:Richards
1182:Rancière
1152:Maritain
1087:Hanslick
1027:Benjamin
899:Feminism
868:Theology
848:Medieval
838:Japanese
833:Internet
683:Text of
605:24273502
362:(1968).
284:See also
158:(1984).
48:and the
1721:Outline
1636:Related
1503:Poetics
1471:Tragedy
1461:Sublime
1434:Quality
1419:Mimesis
1377:Harmony
1362:Fashion
1337:Ecstasy
1332:Disgust
1248:more...
1217:Scruton
1142:Lyotard
1077:Goodman
1057:Deleuze
992:Aquinas
982:Alberti
955:more...
934:Realism
914:Marxism
894:Fascism
877:Schools
863:Science
818:Ancient
754:at the
658:Sources
596:3824150
571:: 730.
122:Quentin
96:and at
87:Devizes
85:, near
2009:Topics
1627:(2009)
1617:(1977)
1607:(1946)
1597:(1939)
1587:(1935)
1577:(1934)
1567:(1933)
1557:(1891)
1547:(1835)
1537:(1757)
1404:Kitsch
1382:Humour
1312:Comedy
1290:Beauty
1232:Vasari
1222:Tagore
1197:Ruskin
1137:Lukács
1127:Langer
1072:Goethe
997:Balázs
977:Adorno
858:Nature
823:Africa
729:
704:
672:
646:
625:
603:
593:
585:
525:
484:24 May
458:24 May
372:
335:
278:(1956)
272:(1934)
266:(1931)
260:(1929)
258:Proust
254:(1928)
248:(1922)
242:(1918)
236:(1914)
208:was a
118:Julian
1716:Index
1485:Works
1466:Taste
1456:Style
1237:Wilde
1177:Plato
1172:Pater
1132:Lipps
1092:Hegel
1062:Dewey
1052:Danto
1032:Burke
853:Music
828:India
811:Areas
480:. ONS
454:. ONS
227:Works
83:Seend
33:1924)
1954:hoax
1857:and
1440:Rasa
1398:Kama
1372:Gaze
1307:Camp
1187:Rand
1122:Klee
1112:Kant
1102:Hume
1022:Bell
727:ISBN
702:ISBN
670:ISBN
644:ISBN
623:ISBN
601:PMID
583:ISSN
523:ISBN
486:2016
460:2016
383:2023
370:ISBN
346:2018
333:ISBN
75:Cory
1367:Fun
1147:Man
1067:Fry
745:at
685:Art
666:Art
591:PMC
573:doi
545:Art
325:hdl
317:doi
234:Art
192:by
186:Art
135:By
2038::
1595:"
1585:"
1555:"
599:.
589:.
581:.
567:.
563:.
494:^
476:.
421:.
399:.
331:.
323:.
217:MP
196:.
56:.
31:c.
1772:e
1765:t
1758:v
1591:"
1581:"
1551:"
796:e
789:t
782:v
760:"
710:.
678:.
607:.
575::
569:7
531:.
488:.
462:.
385:.
348:.
327::
319::
29:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.