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drew complaints. A second series was not commissioned; as
Channel 4 had, unusually, produced the series in-house, the channel bore the full cost. This made it one of the most expensive failures in the company's history. Some elements such as 'Buygones' were recycled as stand-alone programmes or
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The Club X format was intended to blend items on relatively high-brow arts with the kind of quirky stories and items that had been features of
Network 7, such as feminist pornography. Club X was broadcast live over 23 weeks from 26 April to 27 September 1989 in a Wednesday night 90-minute slot
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though the constant background music made it impossible for the presenters to hear cues and studio interviews were often inaudible while members of the audience occasionally interfered with the set ups. Each week was themed around an avant-garde art movement, Dada, Surrealism etc.
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An edited version of the
Wednesday broadcast was shown at 14:00 the following Sunday. Although the edited version tidied up the presentation and removed the more graphic elements, the content remained the same and an off-colour remark about the dead comedian
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greatest hits compilations. Charlie
Parsons went on to set up a production company with Waheed Ali, which then merged with Planet Pictures, which subsequently produced several shows including The Big Breakfast and "The Word".
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Martina Attille had live experience yet struggled bravely with the often spurious chaotic direction. The other presenters included drag artist
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whose stand-alone segment
Buygones featured humorous takes on withdrawn consumer items such as the Aztec Bar and OMO washing powder.
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was attempting to make the channel's cultural programming more accessible, a process regarded by some as
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and Fou Fou L Hunter. Hunter died mid-series (11 August 1989). In a reference to the then current
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This article is about the short-lived
British TV show. For the San Francisco nightclub, see
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The production and presentation team was largely taken from the earlier
Channel 4 success
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arts and music magazine programme that is often cited as an example of
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scene the programme's set was modelled on the nightclub
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scheduled directly against BBC2's new arts magazine
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