Knowledge (XXG)

Comma splice

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165:, and other forms of literature to convey a particular mood or informal style. Some authors use commas to separate short clauses only. The comma splice is more commonly found in works from the 18th and 19th century, when written prose mimicked speech more closely. 411:
published writing, such as commercially published works, where someone other than the author has proofread the work before it is published. Self-published works, if carefully examined and corrected by someone with language skills, can qualify as professionally
231:, she says: "Done knowingly by an established writer, the comma splice is effective, poetic, dashing. Done equally knowingly by people who are not published writers, it can look weak or presumptuous. Done ignorantly by ignorant people, it is awful." 206:'s use of the comma splice, "Tastes in punctuation are not constant. It makes no sense to accuse Jane Austen of incorrect use of the comma, as no one would have levelled this charge against her at the time. Her conventions of usage were not ours." 185:
We are all accustomed to the ... conjoined sentences that turn up from children or from our less literate friends... Curiously, this habit of writing comma-joined sentences is not uncommon in both older and present-day fiction. Modern examples:
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ost usage authorities accept comma splices when (1) the clauses are short and closely related, (2) there is no danger of a miscue, and (3) the context is informal ... But even when all three criteria are met, some readers are likely to
118:, etc. Sometimes the two types of sentences are treated differently based on the presence or absence of a comma, but most writers consider the comma splice a special type of run-on sentence. According to 87:
notes an exception to the semicolon rule, preferring a comma when the clauses are "very short and alike in form," or when the sentence's tone is "easy and conversational." For example:
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that "so many highly respected writers observe the splice comma that a rather unfair rule emerges on this one: only do it if you're famous." Citing
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The comma splice is sometimes used in literary writing to convey a particular mood of informality. It is usually considered an error in
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consider comma splices appropriate in limited situations, such as informal writing or with short similar phrases.
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Marcus ... was of course already quite a famous man, Ludens had even heard of him from friends at Cambridge
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Comma splices are rare in most published writing, but are common among inexperienced writers of English.
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I have the bed still, it is in every way suitable for the old house where I live now
178: 149:) to separate two independent clauses instead of using a coordinating conjunction. 584: 523:
Accidence Will Happen: A Recovering Pedant's Guide to English Language and Style
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This example is adapted from the online, public-domain 1918 edition of
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The gate swung apart, the bridge fell, the portcullis was drawn up.
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It is nearly half past five, we cannot reach town before dark.
556:(3rd ed.). Oxford: Oxford University Press. p.  407:
By "published writing," this article is referring to
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describes the use of the comma splice by the authors
341:. New York: Harcourt, Brace and Company – via 465:(fourth ed.). Needham Heights, Massachusetts: 493:Checkmate : a writing reference for Canadians 83:, or writing the clauses as separate sentences. 284:The Columbia Guide to Standard American English 183: 126: 89: 37: 8: 157:Comma splices are also occasionally used in 133:Comma splices often arise when writers use 287:. Columbia University Press. p. 102. 16:Use of a comma to join independent clauses 579: 577: 433:. Oxford University Press. p. 803. 422: 420: 418: 308:Follett, Wilson; Wensberg, Erik (1998). 276: 274: 272: 515: 513: 268: 240: 461:(2000) . "Elementary Rules of Usage". 553:The New Fowler's Modern English Usage 496:. Scarborough, Ont.: Thomson Nelson. 170:The New Fowler's Modern English Usage 7: 671:: full text of Strunk's 1918 edition 382:"Comma Splice—Learn How to Avoid It" 629:Harry Potter's World Wide Influence 14: 631:. Cambridge Scholars Publishing. 595:. London: Profile Books. p.  526:. Pegasus Books. p. 152. 311:Modern American Usage: A Guide 81:grammatically complete clauses 1: 627:. In Patterson, Diana (ed.). 430:Garner's Modern English Usage 357:"To Splice or Not to Splice?" 121:Garner's Modern English Usage 103:without any punctuation or a 95:Comma splices are similar to 19:In written English usage, a 625:"The S.P.L.I.C.E. of Life?" 79:, not a comma, to join two 706: 647:"The dreaded comma splice" 314:. Macmillan. p. 269. 209:The author and journalist 202:wrote in 2016 of novelist 593:Eats, Shoots & Leaves 427:Garner, Bryan A. (2016). 216:Eats, Shoots & Leaves 623:Bridge, Deborah (2009). 490:Buckley, Joanne (2003). 335:Strunk, William (1918). 281:Wilson, Kenneth (2005). 105:coordinating conjunction 196: 131: 93: 47:. Some authorities on 41: 668:The Elements of Style 520:Kamm, Oliver (2016). 463:The Elements of Style 338:The Elements of Style 250:The Elements of Style 85:The Elements of Style 64:The Elements of Style 45:English writing style 361:The MLA Style Center 589:"That'll do, comma" 135:conjunctive adverbs 101:independent clauses 33:independent clauses 655:. 10 January 2012. 255:William Strunk Jr. 69:William Strunk Jr. 548:Burchfield, R. W. 467:Allyn & Bacon 343:Project Gutenberg 99:, which join two 697: 656: 642: 611: 610: 581: 572: 571: 544: 538: 537: 517: 508: 507: 487: 481: 480: 469:. pp. 5–7. 451: 445: 444: 424: 413: 405: 399: 398: 396: 395: 378: 372: 371: 369: 368: 353: 347: 346: 332: 326: 325: 305: 299: 298: 278: 257: 245: 229:Somerset Maugham 175:Elizabeth Jolley 97:run-on sentences 75:advises using a 27:is the use of a 705: 704: 700: 699: 698: 696: 695: 694: 685:English grammar 675: 674: 663: 645: 639: 622: 619: 617:Further reading 614: 607: 583: 582: 575: 568: 546: 545: 541: 534: 519: 518: 511: 504: 489: 488: 484: 477: 455:Strunk, William 453: 452: 448: 441: 426: 425: 416: 406: 402: 393: 391: 380: 379: 375: 366: 364: 355: 354: 350: 334: 333: 329: 322: 307: 306: 302: 295: 280: 279: 270: 266: 261: 260: 246: 242: 237: 155: 57: 35:. For example: 17: 12: 11: 5: 703: 701: 693: 692: 687: 677: 676: 673: 672: 662: 661:External links 659: 658: 657: 643: 637: 618: 615: 613: 612: 605: 573: 566: 550:, ed. (1996). 539: 532: 509: 502: 482: 475: 446: 439: 414: 409:professionally 400: 373: 348: 327: 320: 300: 293: 267: 265: 262: 259: 258: 239: 238: 236: 233: 221:Samuel Beckett 154: 151: 56: 53: 15: 13: 10: 9: 6: 4: 3: 2: 702: 691: 688: 686: 683: 682: 680: 670: 669: 665: 664: 660: 654: 653: 652:The Economist 648: 644: 640: 638:9781443816281 634: 630: 626: 621: 620: 616: 608: 606:1-86197-612-7 602: 598: 594: 590: 586: 580: 578: 574: 569: 567:0-19-869126-2 563: 559: 555: 554: 549: 543: 540: 535: 533:9781681771892 529: 525: 524: 516: 514: 510: 505: 503:0-176-22440-8 499: 495: 494: 486: 483: 478: 476:0-205-30902-X 472: 468: 464: 460: 456: 450: 447: 442: 440:9780190491482 436: 432: 431: 423: 421: 419: 415: 410: 404: 401: 389: 388: 383: 377: 374: 362: 358: 352: 349: 344: 340: 339: 331: 328: 323: 321:9780809001392 317: 313: 312: 304: 301: 296: 294:9780585041483 290: 286: 285: 277: 275: 273: 269: 263: 256: 252: 251: 244: 241: 234: 232: 230: 226: 225:E. M. Forster 222: 218: 217: 212: 207: 205: 201: 195: 194:(I. Murdoch). 193: 190:(E. Jolley); 189: 182: 180: 176: 172: 171: 166: 164: 160: 153:In literature 152: 150: 148: 144: 140: 136: 130: 125: 123: 122: 117: 114: 110: 106: 102: 98: 92: 88: 86: 82: 78: 74: 70: 66: 65: 60: 54: 52: 50: 49:English usage 46: 40: 36: 34: 30: 26: 22: 667: 650: 628: 592: 585:Truss, Lynne 552: 542: 522: 492: 485: 462: 459:White, E. B. 449: 429: 408: 403: 392:. Retrieved 390:. 2016-09-26 385: 376: 365:. Retrieved 363:. 2017-03-28 360: 351: 337: 330: 310: 303: 283: 248: 243: 214: 208: 197: 191: 187: 184: 179:Iris Murdoch 168: 167: 156: 146: 142: 138: 132: 127: 119: 115: 112: 108: 94: 90: 84: 62: 61: 58: 42: 38: 31:to join two 24: 21:comma splice 20: 18: 690:Punctuation 211:Lynne Truss 204:Jane Austen 200:Oliver Kamm 198:Journalist 139:furthermore 73:E. B. White 55:Description 25:comma fault 679:Categories 394:2020-12-10 367:2020-12-10 264:References 213:writes in 387:Grammarly 137:(such as 77:semicolon 587:(2003). 147:moreover 107:such as 159:fiction 143:however 129:object. 635:  603:  564:  530:  500:  473:  437:  318:  291:  227:, and 163:poetry 412:done. 235:Notes 145:, or 29:comma 633:ISBN 601:ISBN 562:ISBN 528:ISBN 498:ISBN 471:ISBN 435:ISBN 316:ISBN 289:ISBN 177:and 71:and 558:163 253:by 116:for 113:but 109:and 67:by 23:or 681:: 649:. 599:. 597:88 591:. 576:^ 560:. 512:^ 457:; 417:^ 384:. 359:. 271:^ 223:, 181:: 161:, 141:, 124:: 111:, 641:. 609:. 570:. 536:. 506:. 479:. 443:. 397:. 370:. 345:. 324:. 297:.

Index

comma
independent clauses
English writing style
English usage
The Elements of Style
William Strunk Jr.
E. B. White
semicolon
grammatically complete clauses
run-on sentences
independent clauses
coordinating conjunction
Garner's Modern English Usage
conjunctive adverbs
fiction
poetry
The New Fowler's Modern English Usage
Elizabeth Jolley
Iris Murdoch
Oliver Kamm
Jane Austen
Lynne Truss
Eats, Shoots & Leaves
Samuel Beckett
E. M. Forster
Somerset Maugham
The Elements of Style
William Strunk Jr.

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