402:
I went to visit an Indian scholar to know about their language. I study their language for just about ten months. I watch again from the ritual and I was very enjoyed. Their comedy is rare from our style of comedy where jesters went to the stage and make funny jokes about someone who is in the place. And there is strange part in this ritual where an Indian stands himself and tell jokes not about someone like teasing him or her but telling stories. These kind of ritual must be preserved for future generations to come.
715:
137:
239:
96:
301:
643:, produced independently from the studios that had dominated the movie industry during much of the 20th century. Comedy was a dominant genre among commercial films of the time, so the early films of the Filipino New Wave tended to be dramas. But as independent producers and directors became more established, Filipino New Wave Comedies began to arise.
19:
546:
Many bodabil shows during the war incorporated subtle anti-Japanese and pro-American messages. Pugo and Togo had a popular routine where they portrayed
Japanese soldiers wearing multiple wristwatches on both of their arms, and they were soon briefly incarcerated for that spoof. There were comedic and
401:
Many of the
Indians who watch the ritual, laugh so loud that they enjoy and love the ritual so much unlike our European counterpart of ritual. Maybe it's not a ritual, it's a comedy entertainment. Maybe the ancestors of these Indians already know comedy. I ask an Indian but he never understand me, so
786:
Among the most prominent comedy acts of the
Philippine diaspora, commonly explored themes include immigrant experiences, especially the humorous interactions of second generation immigrants with their first generation immigrant parents. Another common theme is to poke fun of the racism they observe
494:
began joining these vaudeville acts in the mid 1910s, and in 1920, a
Filipino entertainer named Luis Borromeo (who renamed himself "Borromeo Lou" after a brief stay in North America) organized what became the first Filipino bodabil company. Segments of these variety shows included humorous elements
519:
The
Japanese invasion of the Philippines in late 1941 led to a halt in film production in the country, at the insistence of the Japanese who were not keen to allow Western influences to persist within the country. Bodabil however was permitted, and it became the predominant form of entertainment in
415:
Carina
Chotirawe traces Pinoy humor to the Filipino peoples' history of colonization, alienation, and tragedy: "Humor and pathos are two sides to the same coin of the human experience, alternating in ways that speak of enduring tragedy and turmoil yet interminable light-heartedness and optimism."
611:
The ouster and eventual exile of
Ferdinand Marcos and his family in 1986 led to the reopening of previously-shuttered radio and television stations, allowing comedians to express themselves freely once again. Political satire became a mainstay of Philippine television, with programs such as the
795:
The
Philippines performing arts have a long history of using comedy to comment on various aspects of Philippine life. Political satire became part of the scene early on, allowing writers to poke fun at Spain and other colonial powers, and later on the Japanese. Poverty has also been a common
796:
satirical theme, providing incisive commentary about inequality in
Philippine society. Gender and LGBT issues have also been a prominent theme in Philippine comedies, with flamboyant LGBT characters such as Facifica Falayfay becoming a mainstay of commercial Filipino comedies.
396:
created these comedic dances. However, the
Spanish outlawed the practices to prevent the rise of anti-Spanish propaganda and revolts. The only record of Filipino ritual comedy is from Legazpi's sailor, "Roque", written in his diary:
35:
Although there are very few contemporaneous descriptions of early Philippine performance arts, the prominent use of humor is evident in documented folkloric forms as the salawikain (proverb), and oral epics such as
752:
administrations. As a result, Filipino immigrants have established themselves around the world, with second and even third generations of ethnic Filipinos in many western and middle eastern countries, notably the
620:
taking obvious potshots at contemporary issues such as corruption, feudalism, the irrational aspects of Philippines' legislative process, foreign intervention in local politics, and election cheating.
757:, which has long-held cultural ties with the Philippines. Among these immigrants and their descendants, a new subset of comedians has arisen, reflecting the experiences of the Philippine diaspora.
49:
saw the introduction of new forms of entertainment, which included comedic performances in these new formats. The Spanish introduced the comedic anti-Muslim propaganda play called the "
571:, he also ordered the shutdown of media and performance venues. Some radio and television stations were eventually allowed to return to air, but these were mostly stations belonging to
412:"Roque" was the first Spaniard to study the Tagalog language but his identity is unclear as records of Legazpi's crew list five sailors named Roque and two with this as their nickname.
740:
While emigration from the Philippines started becoming a phenomenon early in the Nation's history, it grew began to grow significantly in light of labor export policies during the
486:
American vaudeville acts were originally brought by the Americans to the Philippines to entertain locally stationed American troops. Local performers such as Zarsuelista
591:, who were known for their comedic impersonations of Ferdinand and Imelda Marcos. Nepomuceno would later reveal that he would regularly be approached by generals of the
1528:
617:
32:
has had a significant presence in Philippine culture for as long as Filipinos have had mediums of entertainment, and has transformed to reflect changing Filipino life.
1563:
1413:
1503:
1130:
651:
1075:
1017:
388:
and his men colonized the Philippines, a comedy theatre already existed in the form of ethnic rituals of dances and jokes. Local ethnic groups including the
1291:
478:
brought a new format of comedy to the Philippines as part of variety shows called "Bodabil" – the predecessor of today's Filipino noontime variety shows.
46:
154:
109:
603:. Nepumoceno says that he still did the impersonations because he felt that was the only way he was able to serve the country during the dictatorship.
639:
The ready availability of digital cameras in the early 2000s gave birth to a new generation of Philippine movies which have come to be referred to as
75:
1389:
1012:
858:
781:
719:
583:, and other key figures could be criticized within the political mainstream. A number of comedians became very popular for this, notably
201:
1364:
1208:
568:
173:
79:
1216:
1166:
1047:
358:
340:
282:
220:
123:
70:
Political satire has played an important role in Philippine life, especially during times of repression and censorship, such as the
42:. Oral epics notably contain prominent instances of physical humor, such as the incident of Lam-ang's bath in the Amburayan river.
1538:
180:
592:
432:
in 1765 and onwards, brought about the dominance of European modes of entertainment. The most comedic of these forms was the
1486:
1263:
318:
249:
158:
115:
187:
555:'s promise, "I shall return." Even guerilla members attended bodabil shows, and when word reached the performers that the
461:
1421:
1313:
799:
Sarcasm and observational comedy is also a recurring theme in Filipino comedy in recent years, with comedians such as
572:
169:
559:
were due to arrive, they'd break out into a special song that served as code to the guerillas to leave the premises.
1336:
1067:
1593:
816:
640:
634:
322:
311:
371:
Japanese merchants travelled to the Philippines to trade and immigrants settled in what is now called the city of
695:
655:
60:
467:
663:
471:
264:
616:
taking a satirical look at current events. Satire became a big part of comedy films as well, with films like
429:
385:
260:
147:
71:
687:
760:
Among the standup comedians who broke out in the US Comedy scene during the 1990s were stand-up comedians
727:
448:
55:
520:
the country. Many film actors whose careers had been stalled became regular performers in bodabil shows.
532:
1233:
194:
691:
671:
475:
507:. Bodabil remained a dominant form of entertainment during the "pistaym" ("Peacetime") years before
1097:
659:
613:
674:. Comedic elements found their way even into documentaries like Ramona S. Diaz' 2003 documentary
82:, when serious dissent was suppressed but comedy was allowed for a greater freedom of expression.
990:
981:
735:
647:
425:
683:
600:
1482:
1212:
1162:
1043:
878:
584:
552:
446:
in the Iberian peninsula. Another form with significant comedic elements was the tragi-comic
1478:
1471:
1200:
1159:
Monarchy, political culture, and drama in seventeenth-century Madrid: theater of negotiation
741:
576:
487:
714:
1269:
1239:
976:
903:
893:
828:
500:
496:
491:
38:
543:, who started under the stage name "Golay" as a comic dance partner of Bayani Casimiro.
986:
848:
838:
823:
745:
1473:
Globalization and International Political Economy: The Politics of Alternative Futures
442:
propaganda arising from the Spanish colonizer's long history of hatred for the Muslim
1587:
1533:
943:
933:
888:
883:
873:
804:
769:
765:
754:
679:
675:
580:
536:
524:
424:
The advent of European colonialism in the Philippines, beginning with the arrival of
389:
1504:"WATCH: Comedian Jo Koy waxes funny about having Pinoy heritage in Netflix special"
928:
868:
777:
667:
588:
508:
439:
372:
706:
Stand-up comedy began to grow in the Philippines at the turn of the 21st century.
1443:
833:
749:
528:
381:, until the Spanish replaced local entertainments with European-style theatres.
136:
938:
918:
913:
908:
800:
787:
within Filipino culture, aside from the racism they experience as immigrants.
923:
898:
853:
567:
When Ferdinand Marcos announced on September 23, 1972, that he had declared
523:
Among the performers whose careers were jumpstarted during this period were
434:
59:. The American occupation and the industrial age brought new forms such as
50:
682:. More successful than these were a new wave of romantic comedies such as
776:
as an online media platform later saw the rise of YouTube comedians like
556:
504:
575:. Comedic performances soon became one of the few venues through which
1390:"Pillars of Philosophy and Gowns for the Poor; Ramona Diaz on "Imelda""
773:
723:
161: in this section. Unsourced material may be challenged and removed.
64:
1292:"Philippine New Wave: Home-grown, all-natural, no preservatives added"
863:
843:
761:
540:
393:
377:
22:
267:. Statements consisting only of original research should be removed.
678:, which brought up some of the more absurd character traits of the
1131:"7 Fascinating Ways Filipinos Amused Themselves Before Television"
443:
18:
17:
1358:
1356:
294:
232:
130:
89:
1042:. Diliman, Quezon City: University of the Philippines Press.
803:
earning a polarizing reputation for their use of mockery and
646:
Some of the experimental works included metacomedies such as
375:. They entertained Filipinos with a form of comedy, called
1258:
1256:
547:
dramatic skits that referred to the impending return of "
1557:
1555:
599:" (because he's the president) and he is supposed to be
452:, three-act play combining dramatic and comic elements.
256:
25:, considered by Filipinos as the King of "Pinoy" Comedy
1194:
1061:
1059:
970:
968:
966:
964:
962:
960:
1192:
1190:
1188:
1186:
1184:
1182:
1180:
1178:
1176:
1174:
1068:"Martial Law, the dark chapter in Philippine history"
321:. Please help to ensure that disputed statements are
1414:"The 25 best Filipino rom-coms of the last 25 years"
1125:
1123:
1470:
1199:Doreen Fernandez (1994). "Philippine Theater". In
618:Juan Tamad at Mister Shooli sa Mongolian Barbecue
53:" and the tragicomic three-act play known as the
428:in 1521 and the largely successful conquista of
1365:"Movie review: No distance from Lilia Cuntapay"
1264:"Reflections from Jun Urbano, Shooli & FPJ"
399:
1153:
1151:
1477:. Lanham: Rowman & Littlefield. pp.
652:Six Degrees of Separation from Lilia Cuntapay
8:
1018:National Commission for Culture and the Arts
124:Learn how and when to remove these messages
1564:"Fil-Am comedians skewer Pinoy prejudices"
1337:"New Filipino films challenge status quo"
1314:"Philippine film industry eyes new stage"
359:Learn how and when to remove this message
341:Learn how and when to remove this message
283:Learn how and when to remove this message
221:Learn how and when to remove this message
1207:. Vol. VII (1st ed.). Manila:
713:
317:Relevant discussion may be found on the
1363:Stuart Santiago, Katrina (2012-11-23).
1316:. Agence France-Presse. 15 October 2009
956:
569:martial law throughout the Philippines
420:Comedy during the Spanish colonial era
76:Japanese Occupation of the Philippines
1469:Rupert, Mark; Solomon, Scott (2006).
666:, and deadpan mockumentaries such as
607:Comedy in the immediate Post-EDSA era
563:Comedy during the Marcos dictatorship
7:
1529:"A Filipina's Happy Slip is Showing"
694:and (Antoinette Jadaone's 2014 film
680:former First Lady of the Philippines
629:Comedy in Philippine New Wave cinema
511:despite the introduction of cinema.
474:which came about as a result of the
159:adding citations to reliable sources
1294:. Makati. Philippine Daily Inquirer
1290:de la Cruz, Khavn (June 21, 2012).
718:Filipino-American YouTube Comedian
1209:Cultural Center of the Philippines
1205:CCP Encyclopedia of Philippine Art
1066:Francisco, Katerina (2016-09-22).
975:De Veyra, Lourd (April 12, 2016).
80:Martial Law under Ferdinand Marcos
14:
1335:Landreth, Jonathan (2008-11-08).
1040:A Handbook of Philippine Folklore
710:Comedy of the Philippine Diaspora
105:This article has multiple issues.
1038:Lopez, Mellie Leandicho (2006).
299:
237:
135:
94:
1078:from the original on 2016-09-23
993:from the original on 2021-12-15
977:"Political Satire sa Pilipinas"
807:directed towards other people.
593:Armed Forces of the Philippines
146:needs additional citations for
113:or discuss these issues on the
1562:Ortuoste, Jenny (2017-12-31).
859:Christine "Happy Slip" Gambito
782:Christine "Happy Slip" Gambito
720:Christine "Happy Slip" Gambito
595:to stop impersonating Marcos "
1:
1013:"Early Philippine Literature"
462:Vaudeville in the Philippines
1420:. 2017-08-04. Archived from
730:in Virginia Beach, Virginia.
573:cronies of Ferdinand Marcos
515:Bodabil during World War II
495:such as the acts of dancer
263:the claims made and adding
170:"Comedy in the Philippines"
1610:
1502:Takumi, Rie (2017-03-24).
1232:Chanco, Boo (2017-04-03).
1096:Chotirawe, Carina (2010).
817:List of Filipino comedians
814:
811:Notable Filipino comedians
733:
690:, Dan Villegas' 2014 film
641:Philippine New Wave cinema
635:Philippine New Wave Cinema
632:
459:
1527:Jet Damazo (2007-04-13).
1011:QuindozaSantiago, Lilia.
696:That Thing Called Tadhana
597:dahil siya ang presidente
30:Comedy in the Philippines
1388:Indiewire (2004-06-08).
664:Ang Babae Sa Septic Tank
472:American colonial period
1157:Campbell, Jodi (2006).
499:, and the magician and
456:The advent of "Bodabil"
430:Miguel Lopez de Legaspi
386:Miguel Lopez de Legazpi
72:Philippine American War
1341:The Hollywood Reporter
731:
728:Washington Square Park
410:
26:
1234:"Blame the messenger"
1161:. Ashgate Publishing.
717:
688:I’m Drunk, I Love You
21:
692:English Only, Please
672:Bayaning Third World
601:treated with respect
476:1898 Treaty of Paris
468:Spanish–American War
310:factual accuracy is
155:improve this article
1568:The Manila Standard
624:Contemporary comedy
1448:www.britannica.com
1098:"Humor and Pathos"
982:History with Lourd
736:Overseas Filipinos
732:
648:Antoinette Jadaone
551:", an allusion to
426:Ferdinand Magellan
248:possibly contains
27:
1594:Philippine comedy
1444:"Stand-up comedy"
1442:Zoglin, Richard.
879:Willie Nepomuceno
724:YouTube gathering
585:Willie Nepomuceno
553:General MacArthur
482:"Pistaym" Bodabil
369:
368:
361:
351:
350:
343:
293:
292:
285:
250:original research
231:
230:
223:
205:
128:
1601:
1578:
1577:
1575:
1574:
1559:
1550:
1549:
1547:
1546:
1537:. Archived from
1524:
1518:
1517:
1515:
1514:
1499:
1493:
1492:
1476:
1466:
1460:
1459:
1457:
1455:
1439:
1433:
1432:
1430:
1429:
1410:
1404:
1403:
1401:
1400:
1385:
1379:
1378:
1376:
1375:
1360:
1351:
1350:
1348:
1347:
1332:
1326:
1325:
1323:
1321:
1310:
1304:
1303:
1301:
1299:
1287:
1281:
1280:
1278:
1277:
1260:
1251:
1250:
1248:
1247:
1229:
1223:
1222:
1201:Nicanor Tiongson
1196:
1169:
1155:
1146:
1145:
1143:
1142:
1127:
1118:
1117:
1115:
1113:
1102:Thammasat Review
1093:
1087:
1086:
1084:
1083:
1063:
1054:
1053:
1035:
1029:
1028:
1026:
1025:
1008:
1002:
1001:
999:
998:
972:
742:Ferdinand Marcos
614:Sic O'Clock News
577:Ferdinand Marcos
535:, the tandem of
488:Atang de la Rama
408:
364:
357:
346:
339:
335:
332:
326:
323:reliably sourced
303:
302:
295:
288:
281:
277:
274:
268:
265:inline citations
241:
240:
233:
226:
219:
215:
212:
206:
204:
163:
139:
131:
120:
98:
97:
90:
1609:
1608:
1604:
1603:
1602:
1600:
1599:
1598:
1584:
1583:
1582:
1581:
1572:
1570:
1561:
1560:
1553:
1544:
1542:
1526:
1525:
1521:
1512:
1510:
1508:GMA News Online
1501:
1500:
1496:
1489:
1468:
1467:
1463:
1453:
1451:
1441:
1440:
1436:
1427:
1425:
1418:CNN Philippines
1412:
1411:
1407:
1398:
1396:
1387:
1386:
1382:
1373:
1371:
1362:
1361:
1354:
1345:
1343:
1334:
1333:
1329:
1319:
1317:
1312:
1311:
1307:
1297:
1295:
1289:
1288:
1284:
1275:
1273:
1270:Philippine Star
1262:
1261:
1254:
1245:
1243:
1240:Philippine Star
1231:
1230:
1226:
1219:
1198:
1197:
1172:
1156:
1149:
1140:
1138:
1129:
1128:
1121:
1111:
1109:
1095:
1094:
1090:
1081:
1079:
1065:
1064:
1057:
1050:
1037:
1036:
1032:
1023:
1021:
1010:
1009:
1005:
996:
994:
985:(in Filipino).
974:
973:
958:
953:
948:
904:Tado (comedian)
894:Rene Requiestas
829:Bayani Casimiro
819:
813:
793:
772:. The rise of
738:
712:
704:
702:Stand-up comedy
637:
631:
626:
609:
565:
517:
497:Bayani Casimiro
492:Katy de la Cruz
484:
464:
458:
422:
409:
406:
365:
354:
353:
352:
347:
336:
330:
327:
316:
308:This article's
304:
300:
289:
278:
272:
269:
254:
242:
238:
227:
216:
210:
207:
164:
162:
152:
140:
99:
95:
88:
39:Biag ni Lam-ang
12:
11:
5:
1607:
1605:
1597:
1596:
1586:
1585:
1580:
1579:
1551:
1519:
1494:
1487:
1461:
1434:
1405:
1380:
1352:
1327:
1305:
1282:
1252:
1224:
1217:
1170:
1147:
1119:
1088:
1055:
1048:
1030:
1003:
955:
954:
952:
949:
947:
946:
941:
936:
931:
926:
921:
916:
911:
906:
901:
896:
891:
886:
881:
876:
871:
866:
861:
856:
851:
849:Eugene Domingo
846:
841:
839:Lourd de Veyra
836:
831:
826:
824:Ramon Bautista
820:
815:Main article:
812:
809:
792:
791:Comedic themes
789:
746:Corazon Aquino
711:
708:
703:
700:
656:Chris Martinez
633:Main article:
630:
627:
625:
622:
608:
605:
564:
561:
516:
513:
483:
480:
460:Main article:
457:
454:
421:
418:
404:
367:
366:
349:
348:
331:September 2018
307:
305:
298:
291:
290:
245:
243:
236:
229:
228:
143:
141:
134:
129:
103:
102:
100:
93:
87:
84:
13:
10:
9:
6:
4:
3:
2:
1606:
1595:
1592:
1591:
1589:
1569:
1565:
1558:
1556:
1552:
1541:on 2007-09-19
1540:
1536:
1535:
1534:Asia Sentinel
1530:
1523:
1520:
1509:
1505:
1498:
1495:
1490:
1484:
1480:
1475:
1474:
1465:
1462:
1449:
1445:
1438:
1435:
1424:on 2017-10-22
1423:
1419:
1415:
1409:
1406:
1395:
1391:
1384:
1381:
1370:
1366:
1359:
1357:
1353:
1342:
1338:
1331:
1328:
1315:
1309:
1306:
1293:
1286:
1283:
1272:
1271:
1265:
1259:
1257:
1253:
1242:
1241:
1235:
1228:
1225:
1220:
1218:971-8546-30-8
1214:
1210:
1206:
1202:
1195:
1193:
1191:
1189:
1187:
1185:
1183:
1181:
1179:
1177:
1175:
1171:
1168:
1167:0-7546-5418-4
1164:
1160:
1154:
1152:
1148:
1136:
1132:
1126:
1124:
1120:
1107:
1103:
1099:
1092:
1089:
1077:
1073:
1069:
1062:
1060:
1056:
1051:
1049:9789715425148
1045:
1041:
1034:
1031:
1020:
1019:
1014:
1007:
1004:
992:
988:
984:
983:
978:
971:
969:
967:
965:
963:
961:
957:
950:
945:
944:Vhong Navarro
942:
940:
937:
935:
934:Redford White
932:
930:
927:
925:
922:
920:
917:
915:
912:
910:
907:
905:
902:
900:
897:
895:
892:
890:
889:Pugo and Togo
887:
885:
884:Panchito Alba
882:
880:
877:
875:
874:Rex Navarette
872:
870:
867:
865:
862:
860:
857:
855:
852:
850:
847:
845:
842:
840:
837:
835:
832:
830:
827:
825:
822:
821:
818:
810:
808:
806:
805:insult comedy
802:
797:
790:
788:
784:
783:
779:
775:
771:
770:Rob Schneider
767:
766:Rex Navarette
763:
758:
756:
755:United States
751:
747:
743:
737:
729:
725:
721:
716:
709:
707:
701:
699:
697:
693:
689:
686:'s 2017 film
685:
681:
677:
673:
669:
665:
661:
660:Marlon Rivera
657:
653:
649:
644:
642:
636:
628:
623:
621:
619:
615:
606:
604:
602:
598:
594:
590:
586:
582:
581:Imelda Marcos
578:
574:
570:
562:
560:
558:
554:
550:
544:
542:
538:
537:Pugo and Togo
534:
530:
526:
525:Panchito Alba
521:
514:
512:
510:
506:
502:
498:
493:
489:
481:
479:
477:
473:
469:
463:
455:
453:
451:
450:
445:
441:
437:
436:
431:
427:
419:
417:
413:
403:
398:
395:
391:
387:
382:
380:
379:
374:
363:
360:
345:
342:
334:
324:
320:
314:
313:
306:
297:
296:
287:
284:
276:
266:
262:
258:
252:
251:
246:This section
244:
235:
234:
225:
222:
214:
203:
200:
196:
193:
189:
186:
182:
179:
175:
172: –
171:
167:
166:Find sources:
160:
156:
150:
149:
144:This section
142:
138:
133:
132:
127:
125:
118:
117:
112:
111:
106:
101:
92:
91:
86:Early history
85:
83:
81:
77:
73:
68:
66:
62:
58:
57:
52:
48:
43:
41:
40:
33:
31:
24:
20:
16:
1571:. Retrieved
1567:
1543:. Retrieved
1539:the original
1532:
1522:
1511:. Retrieved
1507:
1497:
1472:
1464:
1452:. Retrieved
1450:. Britannica
1447:
1437:
1426:. Retrieved
1422:the original
1417:
1408:
1397:. Retrieved
1393:
1383:
1372:. Retrieved
1368:
1344:. Retrieved
1340:
1330:
1318:. Retrieved
1308:
1296:. Retrieved
1285:
1274:. Retrieved
1267:
1244:. Retrieved
1237:
1227:
1204:
1158:
1139:. Retrieved
1137:. 2017-01-09
1134:
1110:. Retrieved
1105:
1101:
1091:
1080:. Retrieved
1071:
1039:
1033:
1022:. Retrieved
1016:
1006:
995:. Retrieved
980:
929:Joey De Leon
869:Leo Martinez
798:
794:
785:
778:Mikey Bustos
759:
739:
705:
668:Mike de Leon
645:
638:
610:
596:
589:Tessie Tomas
566:
548:
545:
522:
518:
509:World War II
485:
465:
447:
438:, a form of
433:
423:
414:
411:
400:
383:
376:
373:Paco, Manila
370:
355:
337:
328:
309:
279:
270:
247:
217:
208:
198:
191:
184:
177:
165:
153:Please help
148:verification
145:
121:
114:
108:
107:Please help
104:
69:
54:
47:colonial era
44:
37:
34:
29:
28:
15:
1320:10 February
1298:10 February
834:Ethel Booba
750:Fidel Ramos
722:at the 777
579:, his wife
549:Mang Arturo
529:Anita Linda
490:and singer
440:anti-Muslim
273:August 2018
211:August 2018
1573:2018-12-27
1545:2007-08-21
1513:2018-12-27
1488:0742529436
1428:2018-10-22
1399:2018-10-22
1374:2018-10-22
1346:2018-10-22
1276:2018-10-04
1246:2018-09-09
1141:2018-10-05
1135:FilipiKnow
1082:2018-06-29
1024:2018-09-14
997:2018-10-04
951:References
939:Vice Ganda
919:Tito Sotto
914:Michael V.
909:Jun Urbano
801:Vice Ganda
734:See also:
684:J.P. Habac
257:improve it
181:newspapers
110:improve it
1454:18 August
1394:IndieWire
1112:18 August
924:Vic Sotto
899:Tim Tayag
854:Ron Josol
503:imitator
435:Moro-moro
319:talk page
261:verifying
116:talk page
51:Moro-moro
1588:Category
1369:GMA News
1076:Archived
991:Archived
557:Kempetai
533:Rosa Mia
505:Canuplin
470:and the
405:—
312:disputed
63:and the
1203:(ed.).
1108:(1): 74
1072:Rappler
774:YouTube
501:Chaplin
449:Comedia
255:Please
195:scholar
65:Bodabil
56:Comedia
1485:
1215:
1165:
1046:
864:Jo Koy
844:Dolphy
762:Jo Koy
748:, and
676:Imelda
541:Dolphy
539:, and
394:Ibaloi
390:Ifugao
378:rakugo
197:
190:
183:
176:
168:
78:, and
74:, the
67:show.
61:cinema
23:Dolphy
444:moors
407:Roque
384:When
202:JSTOR
188:books
1483:ISBN
1456:2018
1322:2017
1300:2017
1268:The
1238:The
1213:ISBN
1163:ISBN
1114:2018
1044:ISBN
780:and
768:and
658:and
654:and
587:and
466:The
392:and
174:news
45:The
987:TV5
726:in
670:'s
662:'s
650:'s
259:by
157:by
1590::
1566:.
1554:^
1531:.
1506:.
1481:.
1479:88
1446:.
1416:.
1392:.
1367:.
1355:^
1339:.
1266:.
1255:^
1236:.
1211:.
1173:^
1150:^
1133:.
1122:^
1106:14
1104:.
1100:.
1074:.
1070:.
1058:^
1015:.
989:.
979:.
959:^
764:,
744:,
698:.
531:,
527:,
119:.
1576:.
1548:.
1516:.
1491:.
1458:.
1431:.
1402:.
1377:.
1349:.
1324:.
1302:.
1279:.
1249:.
1221:.
1144:.
1116:.
1085:.
1052:.
1027:.
1000:.
362:)
356:(
344:)
338:(
333:)
329:(
325:.
315:.
286:)
280:(
275:)
271:(
253:.
224:)
218:(
213:)
209:(
199:·
192:·
185:·
178:·
151:.
126:)
122:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
