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became in vogue within the opera world. In the mid-1970s, the company founded Opera
Express, an award-winning touring company that focused on bringing operatic programs to more than 3 million youths, seniors, and disadvantaged citizens in the region. During the early 1980s, Connecticut Opera received national and international recognition through pioneer arena productions of
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In the spring of 1999, the board of trustees embarked on an aggressive path of growth and re-invention for the company. This change in direction was marked by a change in management structure as well. The artistic and administrative activities of the company were split. A single
General Director was
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After
Pandolfi left the company, Connecticut Opera shifted direction, moving away from the star system towards hiring young and talented rising artists. The company also became interested in cutting-edge theatrical sets, lighting, costumes, and other technical areas of theater before such a move
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and was the sixth oldest professional opera company in the United States. Pandolfi served as general manager of the company for 32 years and brought most of the major international opera stars of that time to
Hartford. The first opera produced was
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By its final season, Connecticut Opera had a yearly budget of about $ 2 million and 2,000 subscribers. Ticket prices for its performances ranged from $ 25 to $ 100. Their last production was
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replaced with a management team headed by
Artistic Director, Willie Anthony Waters, and managing director, Maria Levy (a position later held by Linda Jackson).
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In
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Winifred Heidt in the title role. Connecticut Opera went on to feature opera stars such as
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Opera
Companies and Houses of the United States: A Comprehensive, Illustrated Reference
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was a professional, non-profit, opera company based in
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174:Zietz, Karyl Lynn (1995). "Connecticut Opera".
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203:Connecticut Opera: About Us — Our History
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