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to a family of craftsmen. His musical ability must have become apparent early, for he received an excellent training with the support of aristocratic patrons. In 1447 he became the official town organist of
Nuremberg, and the councilors even issued orders for him not to leave without their
210:. During this time he also had numerous students. Unquestionably his influence had much to do with the subsequent development of a culture of organ-playing and composition in Germany, a tradition which culminated in the 18th century with the work of
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Anno 1473, on the evening of St. Paul's conversion died and was here buried the most ingenious master of all instruments and music, Cunrad Pauman , knight, born blind at
Nuremberg, God have mercy upon him.
131:. A blind musician, he was one of the most talented musicians of the 15th century, and his performances created a sensation wherever he went. He is grouped among the composers known as the
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for the lute in
Germany; while it cannot be proven, it seems reasonable both because of Paumann's influence, and because of the ease with which music can be dictated using tablature.
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While exact records of his travels do not remain, they were clearly extensive, and everywhere he went he was greeted with astonishment; his renown as a performer and composer grew.
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idiom that it follows that
Paumann knew the music of the Franco-Flemish composers. Most likely he encountered it on his travels, for instance when he went to Milan.
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as court organist, who also gave him a house. Munich was officially his home for the remainder of his life, although he began to travel extensively.
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family was beginning to build their chapel into the most impressive singing and composition establishment in Europe:
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and others were all there; some of them may have heard him play, and may have exchanged musical ideas with him. In
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Most of his music is instrumental, and some of it considerably virtuosic. Only one vocal composition survives, a
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As rebellious as he was talented, Paumann left what was probably a stifling environment, traveling secretly to
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of approximately the same date; the double source is housed in the Berlin
Staatsbibliothek.
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Paumann's gift, his disability, his instrument, and his influence are all reminiscent of
349:(Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986.
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of 1452, an instruction manual for improvisation, was combined with the
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Paumann, being blind, never wrote down his music, and may have been an
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for three voices; stylistically it is so close to the contemporary
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Techniques and Repertoire, Vol. 3: Late-Medieval
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above all. He has been credited with inventing the system of
115:(c. 1410 – January 24, 1473) was a German
363:. Colfax, North Carolina. Wayne Leupold Editions, 2000.
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both made him attractive job offers. His travels in
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306:The New Grove Dictionary of Music and Musicians
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174:were probably around 1470, when the Milanese
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378:International Music Score Library Project
347:Music in the Middle Ages and Renaissance
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35:Paumann (later 19th? century engraving)
16:German organist, lutenist and composer
198:he performed for the Burgundian duke
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245:composer of a hundred years before.
345:Harold Gleason and Warren Becker,
221:Relief of Paumann with the epitaph
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439:German male classical organists
434:German male classical composers
429:Burials at Munich Frauenkirche
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374:Free scores by Conrad Paumann
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404:German Renaissance composers
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409:German classical organists
225:Paumann's epitaph in the
89:Instrumentalist, composer
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424:Musicians from Nuremberg
333:Music in the Renaissance
282:Fundamentum organisandi
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41:Background information
304:"Conrad Paumann", in
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208:Emperor Frederick III
194:he was knighted; in
399:German blind people
359:Kimberly Marshall,
286:Lochamer-Liederbuch
249:Music and influence
227:Munich Frauenkirche
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188:Alexander Agricola
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206:he performed for
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71:(aged 62–63)
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129:Renaissance
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53: 1410
388:Categories
323:References
255:improvisor
98:Pipe organ
267:tenorlied
259:tablature
229:reads:
212:J.S. Bach
145:Nuremberg
133:Colorists
59:, Germany
57:Nuremberg
204:Ratisbon
196:Landshut
125:composer
121:lutenist
117:organist
380:(IMSLP)
376:at the
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192:Mantua
176:Sforza
168:Naples
153:Munich
76:Genres
292:Notes
202:; in
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164:Milan
351:ISBN
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310:ISBN
280:His
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139:Life
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102:lute
64:Died
46:Born
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