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to a family of craftsmen. His musical ability must have become apparent early, for he received an excellent training with the support of aristocratic patrons. In 1447 he became the official town organist of
Nuremberg, and the councilors even issued orders for him not to leave without their
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Anno 1473, on the evening of St. Paul's conversion died and was here buried the most ingenious master of all instruments and music, Cunrad Pauman , knight, born blind at
Nuremberg, God have mercy upon him.
142:. A blind musician, he was one of the most talented musicians of the 15th century, and his performances created a sensation wherever he went. He is grouped among the composers known as the
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for the lute in
Germany; while it cannot be proven, it seems reasonable both because of Paumann's influence, and because of the ease with which music can be dictated using tablature.
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While exact records of his travels do not remain, they were clearly extensive, and everywhere he went he was greeted with astonishment; his renown as a performer and composer grew.
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idiom that it follows that
Paumann knew the music of the Franco-Flemish composers. Most likely he encountered it on his travels, for instance when he went to Milan.
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as court organist, who also gave him a house. Munich was officially his home for the remainder of his life, although he began to travel extensively.
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family was beginning to build their chapel into the most impressive singing and composition establishment in Europe:
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and others were all there; some of them may have heard him play, and may have exchanged musical ideas with him. In
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Most of his music is instrumental, and some of it considerably virtuosic. Only one vocal composition survives, a
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As rebellious as he was talented, Paumann left what was probably a stifling environment, traveling secretly to
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of approximately the same date; the double source is housed in the Berlin
Staatsbibliothek.
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Paumann's gift, his disability, his instrument, and his influence are all reminiscent of
360:(Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986.
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of 1452, an instruction manual for improvisation, was combined with the
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Paumann, being blind, never wrote down his music, and may have been an
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for three voices; stylistically it is so close to the contemporary
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above all. He has been credited with inventing the system of
126:(c. 1410 – January 24, 1473) was a German
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both made him attractive job offers. His travels in
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389:International Music Score Library Project
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46:Paumann (later 19th? century engraving)
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256:composer of a hundred years before.
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385:Free scores by Conrad Paumann
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415:German Renaissance composers
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52:Background information
315:"Conrad Paumann", in
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219:Emperor Frederick III
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217:he performed for
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109:Pipe organ
278:tenorlied
270:tablature
240:reads:
223:J.S. Bach
156:Nuremberg
144:Colorists
70:, Germany
68:Nuremberg
215:Ratisbon
207:Landshut
136:composer
132:lutenist
128:organist
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387:at the
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203:Mantua
187:Sforza
179:Naples
164:Munich
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