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Scholars who consider the text to be autobiographical base their interpretation on connecting aspects of the text to events in the author's life. The opposing view accepts the author's own reference to the work as a "trattato", or a philosophical treatment. As stated by scholar
Anthony K. Cassell,
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The spirit then begins to tell him of his own experiences with the woman, drawing attention to all of her shortcomings. After hearing the story told by the spirit, the protagonist declares himself convinced and says that he wants to remedy his mistake. The spirit therefore invites him to revenge
57:
The protagonist, desperate because of the unreturned love of a widow, calls on Death, falls asleep and dreams. In his dream appears a man who declares himself to be the deceased husband of the widow, who says he has come, sent by God and through the intercession of Our Lady, to free him from the
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himself by using his skills as a writer to "unmask" the true nature of women. Still in the dream, the protagonist promises to do so and when he wakes up, in his room he finds himself healed of his troubles. The author concludes his work by warning the young against "female wickedness".
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The work is narrated in the first person and opens with a justification (it is not a real prologue) in which the author declares that he wishes his narrative to be a consolation to those who read it, such as he found thanks to God and the intercession of Our Lady.
97:"the formal elements of the treatise are part of a wide artistic tradition and contest autobiographical intention and interpretation". The work is regarded by some scholars as late medieval in character, others as early renaissance.
93:, whether the novel's theme of misogyny is a detailed study of the attitude or a direct misogynistic expression of the author has long been a subject of debate.
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The protagonist tells the story of his love to the spirit, who warns him against women who, with their lust, endanger men.
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83:(completed c. 1351–2), another work of ambiguous interpretation regarding the
139:. Trans. and ed. Anthony K. Cassell, University of Pennsylvania Press, 1975.
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89:and the antifeminist counter argument. Regarding
34:, or "The Crow", is an Italian literary work by
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77:Boccaccio is most famous as the author of
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16:1355 book by Giovanni Boccaccio
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221:De Casibus Virorum Illustrium
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326:Works by Giovanni Boccaccio
316:Medieval Italian literature
270:Genealogia Deorum Gentilium
249:Elegia di Madonna Fiammetta
113:Elegia di Madonna Fiammetta
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62:into which he has fallen.
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25:Author Giovanni Boccaccio
153:July 24, 2009, at the
38:, traditionally dated
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135:Boccaccio, Giovanni.
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228:De Mulieribus Claris
306:Culture in Florence
195:Giovanni Boccaccio
36:Giovanni Boccaccio
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60:labyrinth of love
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31:Il Corbaccio
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321:1355 books
300:Categories
120:References
73:Background
284:Zibaldoni
214:Corbaccio
193:Works by
151:Archived
101:See also
277:Teseida
241:summary
49:Plot
302::
128:^
45:.
40:c.
186:e
179:t
172:v
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