291:, supervising the hostage exchange, sees the parting looks of the two lovers and guesses the truth. But he falls in love with Criseida, and seduces her. She misses the appointment with Troilo who dreams of a boar which he recognises as a symbol of Diomede. Troilo rightly interprets the dream to mean that Cressida has switched her affections to the Greek. But Pandaro persuades him that this is his imagination. Cressida, meanwhile, sends letters that pretend a continuing love for Troilo.
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suggests it. The atmosphere of the poem is reminiscent of that of the court of Naples, and the psychology of the characters is portrayed with subtle notes. There is no agreement on the date of its composition: according to some, it may have been written in 1335, whereas others consider it to date
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277:), a cousin of Criseida, senses something is distressing him. He calls on Troilo, finding him in tears. Eventually Pandarus finds out the reason and agrees to act as go-between. Troilo, with Pandaro's help, eventually wins Criseida's hand.
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Troilo, infuriated, goes into battle to seek out
Diomedes, killing a thousand men. He and Diomedes fight many times, but never manage to kill each other. Instead Troilo's life and his suffering are ended by
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Calcas, a Trojan prophet, has foreseen the fall of the city and joined the Greeks. His daughter, Criseida, is protected from the worst consequences of her father's defection by
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Boccaccio also used the name for one of the three men occurring in the character of narrators in
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Although its setting is Trojan, Boccaccio's story is not taken from Greek myth, but from the
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This article incorporates material from the
Spanish Knowledge (XXG) article
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Troilo has his fears confirmed when his brother Deífobo (
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47:adding citations to reliable sources
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716:The pot calling the kettle black
157:. It is itself loosely based on
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342:The Oxford Companion to Chaucer
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34:needs additional citations for
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418:De Casibus Virorum Illustrium
219:Historia destructionis Troiae
804:Works by Giovanni Boccaccio
794:Medieval Italian literature
467:Genealogia Deorum Gentilium
446:Elegia di Madonna Fiammetta
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147:and, through Chaucer, the
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686:The Testament of Cresseid
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344:. Oxford University Press
696:Linguistic contributions
233:of Boccaccio's love of "
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709:The Oak and the Reed
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529:Troilus and Criseyde
425:De Mulieribus Claris
334:Douglas Gray (ed.).
154:Troilus and Cressida
144:Troilus and Criseyde
43:improve this article
767:Amoryus and Cleopes
728:At sixes and sevens
703:Words first used in
214:Guido delle Colonne
789:14th-century poems
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392:Giovanni Boccaccio
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99:October 2011
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41:Please help
36:verification
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348:24 November
242:from 1340.
184:ottava rima
149:Shakespeare
783:Categories
537:Characters
310:References
227:Filostrato
69:newspapers
604:Deiphobus
589:Cassandra
481:Zibaldoni
411:Corbaccio
390:Works by
296:Deiphobus
268:Palladium
235:Fiammetta
579:Pandarus
554:Achilles
549:Cressida
304:Achilles
289:Diomedes
275:Pandarus
193:Cressida
738:Related
722:Cowbell
569:Diomede
564:Calchas
559:Antenor
544:Troilus
474:Teseida
438:summary
282:Antenor
263:alone.
197:Calchas
189:Troilus
133:writer
131:Italian
129:by the
125:" is a
83:scholar
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670:(1602)
651:(1954)
640:Operas
613:Source
594:Hector
261:Hector
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599:Paris
584:Priam
574:Helen
239:proem
151:play
90:JSTOR
76:books
350:2017
127:poem
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