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When
Bischoff was removed from power in September 1999, Leathers would continue to direct the show for the remainder of the year, but with creative restrictions put upon him. With new management in charge, they wanted to change WCW's format to resemble WWF (now, WWE)'s style of broadcast. Changes in
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broadcast, Leathers resumed position of television director around the time
Bischoff regained some control of the company. With WCW up for sale, Bischoff and his investors' deal to purchase the company failed when Turner executives canceled WCW's timeslots. Eventually, WWF(now, WWE) would go on to
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from the entranceway to be replaced by a standard hand held camera zoomed in from ringside. Although that change in angle may not have been as visually pleasing to some, the new management did so to better emulate the look and feel of WWF (now, WWE)'s Monday Night program.
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Bischoff and
Leathers came up with the idea that many commercial breaks should be taken during live matches. While some fans at the time found it distressing, this gave the matches an unpredictable feeling to the show. Many times
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to the
Steadicam, the operator would tilt up and quickly move towards the subject. This would prove to be a stylish wipe sequence between both cameras, and in effect gave the JIB more time to swing out of view.
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and in close proximity on the set, there was a high risk of one camera capturing another. Depending on the position of the JIB, Leathers would sometimes have the
Steadicam frame a shot on the ground. When cross
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in the television ratings, and held the highest ratings in cable for 83 consecutive weeks. Bischoff, along with
Leathers, Annette Yother,
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telecast include: a stationary camera (with surrounding crowd) high in the rafters giving a wide panning view of the arena - a
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purchase several assets of WCW in late March 2001, forcing many employees, including
Leathers, to be laid off.
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would go overtime when ratings were high, sometimes even up to 15 minutes past their scheduled timeslot on
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for many years during the mid to late 1990s. In 1995, Leathers was hired as television director for
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program that included well-known wrestlers and a few original crew members from the show.
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wrote the majority of the storylines and content for Nitro and WCW pay-per-views.
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shots following wrestlers to the ring. With the JIB and
Steadicam both having
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Bischoff, E: "Controversy
Creates Cash". World Wrestling Entertainment, 2006
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production included tinkering of camera angles, such as the removal of the
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framed on props and pieces of equipment on the set that would boom or
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brought an intense rivalry between WCW's Monday night program and the
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from the article and its talk page, especially if potentially
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411:"Bischoff out, Busch in and Flair, once again may be the man"
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is a wrestling director and producer best known working for
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316:A few interesting shots from the 1995-1998
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