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Crash Landing (Jimi Hendrix album)

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560:, none of whom had ever even met Hendrix, to re-record or overdub guitar, bass, drums, and percussion on the album, erasing the contributions of the original musicians and changing the feel of the songs (Hendrix' vocals and guitar contributions were retained). This was evidently done to give a finish to songs that were works in progress or may have been recorded as demos. Douglas also added female backing vocals to the title track. The album peaked at numbers five in the US and 35 in the UK, the highest chart positions since 76: 1973: 138: 35: 425: 420: 415: 410: 405: 467:
Before Hendrix died in 1970, he was in the final stages of preparing what he intended to be a double studio LP, which was given various titles such as 'First Rays of the New Rising Sun', 'People, Hell & Angels', and 'Strate Ahead' . Most of the tracks intended for
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was hired to evaluate hundreds of hours of remaining material that was not used on earlier posthumous albums. "Peace in Mississippi," "Somewhere," and "Stone Free" were recorded with the original Jimi Hendrix Experience line up, while the rest of the material used on
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Hendrix had amassed a great deal of time in the studio in 1969 and 1970, resulting in a substantial number of songs, some close to completion, that were available for potential release. After the death of Hendrix, his manager in 1973,
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claimed co-writer credits on "Somewhere Over the Rainbow," "Crash Landing," "Come Down Hard on Me," "Peace in Mississippi," and "Captain Coconut" on the original release. Most post-1990 CD releases omit Douglas' co-writing
490:(1972). In the case of the last two of these LPs, a demo track, a live track, and unreleased studio tracks were used to fill out the releases. In late 1973, his international label prepared to issue an LP titled 2007: 895: 434: 1447: 48: 2012: 1602: 616: 1595: 1490: 1377: 1953: 469: 1926: 497: 1483: 1419: 1384: 506: 1567: 2017: 1588: 1398: 1581: 1440: 496:
which contained eight tracks, six of which were generally regarded as incomplete or substandard (the only two "finished" tracks on this release were "
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was the first release produced by Douglas, and immediately caused controversy. The liner notes of the album indicated that Douglas used several
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was not released in the USA by Reprise because they considered the quality of the tracks to be subpar.
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which had been released in the original mono mix on the 1968 European and Japanese versions of the
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uses the title "Ezy Ryder/MLK jam"; the "Captain Coconut" segment is at 13:50–17:20.
796: – bass guitar on tracks 1, 6 and 8, backing vocals on tracks 1 and 6 1880: 1850: 1835: 1454: 1123: 812: 781: 576: 452: 332: 296: 237: 566:. The album reached number 5 in Canada, and was number 38 in the year-end chart. 1870: 1219: 827: 799: 787: 542: 268: 1184: 486: 273: 1865: 793: 534: 224: 1280:
Historic Performances Recorded at the Monterey International Pop Festival
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were spread out over three posthumous single LP releases:
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is a posthumous compilation album by American guitarist
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Christgau's Record Guide: Rock Albums of the Seventies
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Songs for Groovy Children: The Fillmore East Concerts
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consisted of recordings Hendrix originally made with
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Index

Die Toten Hosen
Crash-Landing (Die Toten Hosen album)
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Compilation album
Jimi Hendrix
Genre
Rock
Label
Polydor
Reprise
Producer
Alan Douglas
Tony Bongiovi
Jimi Hendrix
Loose Ends
Midnight Lightning

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