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Cristóvão de Morais

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278: 263: 233: 217:, Lisbon. The portrait of Madrid, full-body, is signed and dated "1565 Christoforus Morales faciebat", while Lisbon was probably performed in 1571 at the request of D. Catherine, grandmother of Sebastian. In these works the young king is represented with a cold and challenging, befitting his personality, and wears a splendid armor. According to Vítor Serrão, the portrait of the King "is one of the most transcendent landmarks of the 248: 22: 209:
When he was young, Morais studied in Antwerp. In 1554, he was appointed examiner of painters, an indicator of the degree of esteem in which he was taken by the court. In 1551, he decorated a bed for the queen's chamber D. Catherine, wife of D. John III, which was lost. In 1567 he painted the
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Lamas-Delgado, Eduardo (2018). "The Dukes of Medina Sidonia and Netherlandish Art: On the Artistic Patronage of a Sixteenth-Century Iberian Court".
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His best known works are the two portraits of King Sebastian, one located in Madrid and the other, very similar to the first, now located in the
86: 58: 65: 370: 105: 72: 318: 214: 43: 54: 32: 79: 297: 247: 151: 283: 268: 253: 198: 171: 194: 167: 131: 141: 349: 190: 340: 201:. He painted numerous portraits for the kings, queens, and princes of Portugal. 21: 210:
altarpiece of the church of the Convent of the Conception of Beja, also lost.
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Netherlandish Art and Luxury Goods in Renaissance Spain
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"Cristóvão de Morais"
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Portuguese
Renaissance art
Portuguese Renaissance
John III of Portugal
Sebastian I of Portugal
Portuguese
court painter
John III of Portugal
Sebastian I of Portugal
National Museum of Ancient Art
mannerist
Joanna of Austria; 1551
Joanna of Austria
Sebastian; 1565
Sebastian
Sebastian; 1565
Sebastian
Sebastian; 1571
Sebastian

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