787:
1681:
889:, as ghostly electronic washes sky-write phrases over an unsettling, distorted disco pulse". Lyrically, Pop described "Nightclubbing" as "my comment on what it was like hanging out with him every night" and "about the incredible coldness and deathly feeling you have after you've done something like that and how much you enjoy it. It could be Los Angeles or Paris or New York or anywhere, really."
1407:
1369:
1269:
1219:
536:), the first takes often becoming part of the final mix. Bowie dismissed Santangeli at the end of the second day, leading him to believe his playing was inadequate, and he would not appear on the album; Santangeli later expressed regret over the final drum sound. Subsequently, Bowie began adding guitar parts. Overall, Bowie contributed guitar, electric piano,
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482:. By this point, Bowie also wanted to rid himself of his drug addiction. During the tour, Pop was impressed with Bowie's work ethic, later stating that he learned all of his self-help techniques through Bowie on the tour. There were further talks of Pop recording a solo album with Bowie as producer. Bowie and the guitarist
1820:. The box set, released on May 29, includes remastered versions of both albums along with outtakes, alternate mixes, and a 40-page booklet. The two original albums were also re-released individually, each paired with an additional album of live material to create separate stand-alone two-disc deluxe editions.
474:... not even my so-called friends in LA. But David came." Pop and Bowie reunited in mid-1975 and attempted to record a few tracks, but both men were deep into their drug addictions, so the sessions were mostly unproductive. Bowie commented, "He'll never make it to the recording studios in time. Iggy's doomed."
910:
and less
Krautrock. Lyrically, it is about a relationship that is soon to fail. Unlike the next track, Pop cautions the listener to "stay clean, stay young, and not cry, because he's already done it all". Originally called "Borderline", "China Girl" is the most upbeat track on the album. The song is
633:
was already in line to co-produce Bowie's next album, Bowie called upon him to help mix the record, so as to familiarize him with Bowie's new way of working. Given the almost demo quality of the tapes, the post-production work was, in
Visconti's words, "more of a salvage job than a creative mixing".
486:
had written a new song, "Sister
Midnight", and offered it to Pop; Bowie occasionally performed it live on the tour. Toward the end of the tour, both Bowie and Pop knew they wanted to avoid the drug culture of Los Angeles, and decided to move to Europe. At its conclusion, Bowie was initially keen to
965:
number. Lyrically, Pop's ideal is getting a "tiny girl" with "no past" and "no tricks". Both Pegg and
Seabrook consider Bowie's saxophone performance on the track one of his finest. The final track, "Mass Production", is an eight-minute epic. Seabrook compares it to the Stooges' "Dirt" and Bowie's
367:
two months later. Upon its release, the album received divided, albeit largely positive reviews from music critics, many of whom noted a change in musical tone from Pop's earlier work with the
Stooges. It charted in the US, the UK, and Australia. It was accompanied by the release of two singles,
1096:
on bass and drums, respectively. Rehearsals for The Idiot tour began in mid-February 1977 and, according to
Gardiner, went very well. He said Bowie was fine with restricting his involvement, not appearing to "undermine" Pop at all. The tour, Pop's first since the demise of the Stooges, began on
981:. Bowie suggested the lyrics to Pop, who later recalled: "He just said, 'I want you to write a song about mass production, because I would always talk to him about how much I admired the beauty of the American industrial culture that was rotting away where I grew up."
1492:
for the first time, noting the major difference between it and Pop's work with the
Stooges. Calling it "a very strange, morbid, obscure and unsettling ", Needs praised the record, stating he listened to it on repeat for hours at a time, and it "chill to the marrow".
927:
In 1997, Pop explained the origins of "Dum Dum Boys": "I only had a few notes on the piano, I couldn't quite finish the tune. Bowie said, 'Don't you think we could make a song with that? Why don't you tell the story of the
Stooges?' He gave me the concept of the song
560:, Pop wrote most of the lyrics on the studio floor, often in response to the music Bowie was composing. Pop was also keen to improvise some of his lyrics while standing next to the microphone, something that fascinated Bowie, who later used this method when recording
1716:
as a "re-affirmation that our suspicions were true – the man was a genius and what a voice! The sound and production is so direct and uncompromised." The album has been cited as a major influence on post-punk, industrial, and gothic rock artists, including
1675:
Poor , in a way, became a guinea pig for what I wanted to do with sound. I didn't have the material at the time, and I didn't feel like writing at all. I felt much more like laying back and getting behind someone else's work, so that album was opportune,
3461:
905:
and his crew". Bowie's backing vocals were mixed almost as high as Pop's lead ones. Pop called it his "love song" in 1977. "Baby" is primarily led by bass and synthesizer rather than drums. While it is German influenced, Seabrook considers the song more
1605:
good in its own right, Pop's fans have criticized the album as unrepresentative of his repertoire and as evidence of his being "co-opted" by Bowie for the latter's own ends. In his contemporary review of the record, Riegel comments, "As the star of
1126:
and his subsequent tour earned Pop greater fame and success than he had ever achieved with the
Stooges. However, during interviews, he was often asked about Bowie more than his own work. As a result, Pop took a more direct approach when making
444:. Soon after its release, the band broke up in 1974 because of infighting, lack of major label support, and Pop's drug addiction, causing Pop and Bowie to stop collaborating. After the break-up, Pop recorded tracks with fellow Stooges member
892:
Originally titled "Fun Fun Fun", Hugo
Wilcken describes "Funtime" as a "proto-gothic number". Pegg writes that the guitar and drum sounds exhibit Bowie's interest in German bands such as Neu! Some reviewers have compared the song's style to
477:
Pop's stints in rehab in 1974 and 1976 were unsuccessful, and Bowie's biographer, Thomas Jerome Seabrook, described Pop as reaching his "lowest point" in 1976. Knowing he had to become sober, Pop accepted an invitation to join Bowie on his
1029:
by August 1976, Bowie wanted to be sure he had his own album in stores before the release. Thibault opined that " didn't want people to think he'd been inspired by Iggy's album, when in fact it was all the same thing". Bowie recorded
1017:
photograph taken by photographer Andy Kent, it depicts Pop striking what Pegg calls a "tortured, stiff-limbed pose" based on the figure in the painting. Bowie would later use the same painting as inspiration for the cover artwork for
1613:... Iggy Pop seems more under David Bowie's manipulative thumb than ever before, a condition that can be taken as positive or negative." Furthermore, Jones described it as his "second favorite David Bowie album". When reviewing
389:
has continued to be received positively, with many noting Pop's artistic evolution. However, because Bowie largely created it, fans do not generally consider the album as being representative of Pop's output. It has influenced
1432:
was largely positive, although it did confuse a number of reviewers. Doggett writes that listeners' perceptions of Pop generally influenced their views on the record. In a contemporary review of the album, John Swenson of
1563:
stands as a dark, dense and desolate display of an artist confronting his demons head-on, and growing up in the process. It was bleakly revolutionary then, and it is now." Reviewing the album as part of the 2020 box set
848:
described as a "defiantly futuristic ambience". Bowie wrote the first lyrics of the opening verse of "Sister Midnight" while on tour; Pop completed them in the studio. Reviewers have compared Pop's vocal performance to
911:
led primarily by a distorted guitar and synthesizer. Production-wise, it is raw and unpolished compared to Bowie's 1983 remake. It is a tale of unrequited love inspired by Kuelan Nguyen, partner of French actor-singer
649:
sound of the Stooges, reflecting a more subdued, inward-looking sound featuring elements such as "fragmented guitar figures, ominous basslines, and discordant, high-relief keyboard parts" as well as his "world-weary
543:
After the backing tracks were composited with guitar, keyboards, and drums, Bowie had Thibault add bass to them with little guidance. In July 1976, Bowie brought in his own rhythm section consisting of the bassist
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1121:
reported, "If you wanted David, you also got the band." Pop's stage presence was praised, although some, including Nick Kent, believed that Bowie was still in charge. The tour lasted until April 16, 1977.
1001:
which Bowie, Pop, and Visconti were all familiar with. In a 1985 interview, Pop said Bowie was the one who titled it. Pop knew it was a reference to the novel but also felt his friend was simply insulting him.
613:
for backing. When Pop pronounced himself happy with the result, Bowie protested they needed real drums to finish it. Pop insisted on keeping the drum machine, saying "it kicks ass, it's better than a drummer".
329:
in August. Bowie composed most of the music and contributed a major portion of the instrumentation. Pop wrote most of the lyrics in response to the music Bowie was creating. The album's title was taken from
1526:
said he enjoyed the record, due to its "completely schizophrenic" nature. He called "China Girl" the highlight of the album, but felt other tracks were not among Pop's finest: "It's a mixture of bluff
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s Nick Kent described the music as "totally rivetted and fettered to a thoroughly unhealthy aroma of evil and twilight zone zombie-time unease". Bowie biographer David Buckley called
41:
517:
Bowie and Pop arrived at Château d'Hérouville in June 1976 to record an album. Bowie bonded with the studio's new owner, Laurent Thibault, the former bassist of the French band
3817:
1578:
may lack fury, but it compensates with sardonic humor and perfectly tuned melodrama – both tools that would become wildly popular across all artistic media in the 1980s."
430:
for the band. During their tenure, the band had little commercial success and almost all members, including Pop, suffered from drug addictions. In 1971, Pop met musician
1457:... he sounds automated." He further complimented Pop's lyricism, stating, "Iggy's got the tainted charisma of a dead poet." Like Strick, Riegel noted the difference in
844:", described by Seabrook and O'Leary as the song most representative of Bowie's pre-Berlin period. Its lack of overtly electronic instrumentation belied what the critic
2847:
1073:
in Australia. RCA released the singles "Sister Midnight" and "China Girl" in February and May 1977, respectively; both had the same B-side—"Baby", and failed to chart.
1516:
Jim Evans found "little emotion" in Pop's vocal performances but considered the music innovative and compulsive, particularly on side two, which he deemed borderline
589:
who, like Santangeli and Thibault, re-recorded some of Bowie's guitar parts with little guidance. Palmer described the creative collaboration with Pop and Bowie as "
2185:
919:..." was a direct quote from Nguyen after Pop confessed his feelings for her one night. Pop improvised most of the lyrics while standing at a studio microphone.
5169:
4079:
3924:
1115:(1977). Bowie was adamant about not taking the spotlight away from Pop, often staying behind his keyboard and not addressing the audience; Giovanni Dadomo of
593:" because he never saw the artists during the daytime and the collaboration was stimulating but disquieting. Bowie's original choice for guitarist was former
521:, and asked him to play bass and act as engineer; Thibault hired the Frenchman Michel Santangeli to play drums. Bowie began composing tracks that ended up on
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writes the identity of "Sister Midnight" is irrelevant, explaining that "she was merely a cipher, who could send soaring to the moon or falling to Earth
805:
1751:(1979) drew heavily on the "industrial soundscapes" and "relentless percussion" of tracks like "Nightclubbing" and "Mass Production", also noting that
901:, like a bitch who wants to make money". Lyrically, the song evokes both Bowie and Pop's final days living in Los Angeles, with lines like "talkin' to
509:, he instead decided to produce an entire album for Pop there. Bowie booked two months of studio time at the château for later in the summer of 1976.
3452:"Iggy Pop: Friar's, Aylesbury; Cherry Vanilla, Johnny Thunders & The Heartbreakers, Wayne Country, Siouxsie & The Banshees: The Roxy, London"
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4024:
2218:
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2715:
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954:(1970). Bowie originally played all the guitar parts himself, but feeling his playing was subpar, he ultimately had Palmer overdub some parts.
4634:
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4577:
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4477:
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4423:
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would be classified as an album that was "more respected than loved", but acknowledged its influence on the "soul" of post-punk. Writing for
467:
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number 96 in its list of the 100 Best Albums of the 1970s in 2004. The album was also included in the 2018 edition of Robert Dimery's book
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298:
in 1974 and a period of drug addiction for both Pop and Bowie, after which the two moved to Europe in an effort to kick their addictions.
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804:
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379:
with a tour in March and April 1977, with Bowie as his keyboardist. Afterward, the two collaborated again on Pop's second studio album,
4151:
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magazine noted the "less frantic" pace of Pop's earlier efforts and found Bowie's parts make the record more "commercially palatable".
562:
4951:
4719:
1698:
454:, credited jointly to Pop and Williamson). Pop tried to establish himself as a solo artist and auditioned to join other bands such as
3160:
932:... the title", originally "Dum Dum Days". Likewise a tribute/lament for Pop's former Stooges bandmates, the spoken intro references
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878:
4997:
682:, with the album described as "totally out of step" with the punk sound birthed by the Stooges and credited with having "invented"
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album of freedom. I'm not saying that it's a great album or some fantastic work of art, but I love it and it means a lot to me.
4792:
796:
1080:, Bowie opted instead to further support Pop on his own tour. With Bowie playing keyboards, he assembled a band that included
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381:
201:
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in Los Angeles for help to get sober; Bowie was one of Pop's few visitors during his stay. Pop recalled: "Nobody else came
435:
496:
287:
91:
3910:
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1522:
2195:
1545:, it "made it clear" that Pop had evolved: "it's a flawed but powerful and emotionally absorbing work." The biographer
5159:
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445:
321:
overtones. Recording for it began at the château in June 1976 and continued into July. Further sessions took place at
3695:
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invented post-punk. The album particularly influenced Joy Division, who formed in the months between the releases of
4087:
819:. Pop's lyrics reflect him hanging out with Bowie "every night", further displaying Bowie's influence on the record.
5149:
4118:
3039:
372:", in February and May 1977, respectively; Bowie later issued his own version of "China Girl" as a single in 1983.
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967:
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on a few tracks, including "Sister Midnight" and "Mass Production". While Bowie composed much of the music for
545:
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4813:
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2101:
1892:
1808:
On April 10, 2020, Pop released an alternate mix of "China Girl" to promote the forthcoming release of
1533:
Retrospective reviews have been largely positive, with many noting Pop's artistic evolution. Mark Deming of
841:
752:
713:
351:
1453:
to Pop's prior work with the Stooges, noting the difference in his vocal performance: " doesn't sound alive
479:
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4712:
4536:
4366:
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termed it "the most savage indictment of rock posturing ever recorded" and "a necrophiliac's delight". In
894:
845:
578:
500:
291:
95:
4014:
2228:
585:. Here, Pop recorded most of his vocals, along with additional guitar overdubs provided by the guitarist
5032:
5004:
4869:
4820:
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praised the record as a "disturbingly pertinent expression of modern music". Strick positively compared
1050:" were commercial successes. The success of "Sound and Vision" allowed Bowie to persuade RCA to release
945:
526:
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2987:
2148:
5081:
5057:
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4223:
3812:
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1877:
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532:. For two days, with minimal guidance, Santangeli played to the rough tracks (which he assumed were
5011:
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4542:
The Dark Reign of Gothic Rock: In the Reptile House with the Sisters of Mercy, Bauhaus and the Cure
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Richard Riegel called it "professional studio metal, with occasional German-electronic overtones".
1541:
showcased a different side of Pop that had yet to be seen, and if fans at the time were expecting
4263:
4231:
3853:
3635:
1499:
733:, the album's "mechanistic grooves, brittle drums and harsh guitar textures" anticipated Bowie's
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4657:
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994:
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addiction was destroying him, Pop checked himself into the Neuropsychiatric Institute at the
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was released in January 1977 and was a commercial success, compelling RCA Records to release
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on keyboard and guitar. After Santangeli's arrival, Bowie played the tracks for him using a
318:
1473:
puts Iggy right out in front as a kind of rarefied, continent-seasoned singer-songwriter."
1069:, reaching number 30, marking Pop's first top 40 album. It also peaked at number 88 on the
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2710:
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1046:, the label feared it would not sell well. Nevertheless, the former and its first single "
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and allowed Bowie to explore his fascination with German electronic sounds inspired by
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869:-influenced "Nightclubbing" is considered a forerunner to what Bowie would explore on
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2007:
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2004: – keyboards, synthesizer, guitar, piano, saxophone, xylophone, backing vocals
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called it "a powerful record", describing Pop's vocals as a blend of Morrison and
977:. It begins with a minute of "proto-industrial noises", created by Thibault using
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915:, who was also recording at the château at the same time. The protagonist's "Shhh
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2013:
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3386:"Blondie reveal what they learned from touring with David Bowie in the '70s"
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978:
866:
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812:
811:
Bowie composed the music to "Nightclubbing", which exhibits an influence of
683:
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455:
450:
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391:
335:
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17:
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Bowie later re-worked "Sister Midnight" with new lyrics as "Red Money" on
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2623:
1995:
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1105:. Songs played included popular Stooges numbers, a couple of tracks from
944:, and Williamson. O'Leary considers it Pop's equivalent to Bowie's song "
898:
693:
671:
651:
415:
275:
177:
123:
54:
1812:, a seven-disc deluxe box set featuring expanded remastered versions of
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In addition, Seabrook cites "Mass Production" as an influence on modern
1065:
chart, spending 13 weeks on the chart. It also spent three weeks on the
625:(not, as is often incorrectly reported, the bigger Studio 2 by the
609:
was "Nightclubbing" with Bowie playing the melody on piano using an old
4691:
4686:
962:
907:
590:
505:
865:... without either journey seeming to register on his emotions". The
618:
574:
488:
463:
426:. He became known for his wild on-stage behavior and helped garner a
326:
105:
349:
After the album was completed, Bowie began recording his next album
3489:"Iggy Pop: Iggy Said It, Iggy Had The Power, Iggy Had The Disease"
2815:
1679:
970:". Wilcken describes the song as a harsh, grinding piece of early
886:
757:
751:
magazine described the music as "mechanized", similar to Bowie's "
49:
4144:"Iggy Pop Box Set to Focus on First Two David Bowie-Produced LPs"
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suffered from "being a part of Bowie's come down," calling it "a
1559:
magazine on the record's 35th anniversary, Amanda Arber stated: "
1469:
represented the final apotheosis of the Detroit-metal rock band,
1101:, who Bowie and Pop invited after the pair heard the band's 1976
2706:"Between 'Fun House' & 'Funtime': Iggy Pop in the Seventies"
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2330:
2328:
2326:
2324:
2322:
837:
738:
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2665:; Peisner, David; Raftery, Brian; Robbins, Ira (October 2007).
4015:"'The Idiot': How Iggy Pop And David Bowie Invented Post-Punk"
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688:
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2914:
2912:
2910:
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1651:(1979), O'Leary argues the true "Berlin Trilogy" consists of
1131:, resulting in a sound more reminiscent of his earlier work.
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a Bowie album just as much as a Pop one. Although Bowie's "
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957:"Tiny Girls", sequenced between the two longest tracks on
3419:"What Debbie Harry Learned from David Bowie and Iggy Pop"
2547:
2545:
755:", but "with rhythms keyed off a quickened pulse", while
1755:
was still playing on the turntable of the band's singer
617:
When recording was completed, Bowie and Pop traveled to
317:
of the Stooges to a more subdued, mechanical sound with
294:, France. The album followed the break-up of Pop's band
4202:
Strange Fascination – David Bowie: The Definitive Story
1507:
and Bowie's music as "Germano‐British progressivisms".
873:. The riff has been described as a mischievous take on
503:, France, the same place Bowie recorded his 1973 album
4259:
Christgau's Record Guide: Rock Albums of the Seventies
3302:
3300:
2931:
2929:
2532:
2530:
2528:
2526:
645:
marks a drastic departure for Pop from the aggressive
577:, which was owned by Bowie's future collaborator, the
462:, but these ventures were unsuccessful. Realizing his
4332:
The Man Who Sold the World: David Bowie and the 1970s
3629:
3627:
3551:"Pop On Pop: Iggy Rates His Own Music (And So Do We)"
3096:
3094:
3092:
2468:
2466:
2464:
2462:
2460:
2458:
2456:
2248:
2246:
1097:
March 1. The opening act was American rock band
1034:
between September and October, and released through
5074:
5042:
4961:
4936:
4911:
4890:
4742:
4735:
4656:. London: Flame Tree Publishing. pp. 166–167.
1945:
1937:
1856:
1848:
948:". Musically, Seabrook compares it to the Stooges'
218:
176:
164:
152:
136:
115:
84:
76:
61:
48:
34:
4591:
4416:Ashes to Ashes: The Songs of David Bowie 1976–2016
4047:"Killing Joke's Youth on His 13 Favourite Records"
3846:
2388:"The world was not ready for Iggy and the Stooges"
1759:when he was found having died by suicide in 1980.
721:described it as "a stepping stone between Bowie's
666:". Retrospectively, commentators have categorized
4927:Roadkill Rising: The Bootleg Collection 1977–2009
1109:, and songs that would appear on Pop's follow-up
1076:Although RCA was hoping he would tour to support
897:. For the track, Bowie advised Pop to sing "like
815:, a genre Bowie would further experiment with on
4293:Coleman, Mark; Kemp, Rob (2004). "Iggy Pop". In
3689:
3687:
2752:
2750:
2748:
4566:David Bowie – Starman: The Definitive Biography
4399:(5th concise ed.). London: Omnibus Press.
2978:
2976:
2974:
2800:
2798:
2796:
2794:
1837:, except "Sister Midnight", by Pop, Bowie, and
1673:
1586:
434:and the two became friends. Bowie was hired to
3033:
3031:
3029:
3027:
3025:
3023:
1520:. In a more mixed review, Stephen Demorest of
540:, saxophone, and backing vocals to the album.
4713:
2675:. Vol. 23, no. 10. pp. 67–70.
2142:
2140:
2138:
2136:
1671:an "epilogue". Bowie himself later admitted:
885:described it as "the bleak sound of the 1985
654:." At the time of its release, Pop described
448:, but these were not released until 1977 (as
8:
1384:
1346:
1308:
1246:
1201:
1163:
4489:Bowie in Berlin: A New Career in a New Town
3725:
2696:
2694:
2366:
1688:during the Lust for Life tour in late 1977.
278:, released on March 18, 1977, through
4887:
4739:
4720:
4706:
4698:
3606:Swift, David (April 14, 1990). "Iggy Pop:
3283:
3281:
3244:
3242:
2739:
2065:
1482:Similar to other reviewers, Kris Needs of
1138:
1010:inspired the album's cover photo. It is a
40:
31:
3581:
2578:
2576:
2574:
2572:
1054:, which they did on March 18, 1977.
775:"a funky, robotic Hellhole of an album".
4439:(Revised and Updated ed.). London:
4113:(Revised and Updated ed.). London:
4111:1001 Albums You Must Hear Before You Die
3758:
3521:
3354:
3209:
2920:
2648:
2313:
1931:
1842:
1797:1001 Albums You Must Hear Before You Die
414:From the late 1960s to the early 1970s,
4375:. St Ives, NSW: Australian Chart Book.
4280:from the original on September 17, 2016
4154:from the original on September 28, 2020
4109:Dimery, Robert; Lydon, Michael (2018).
3988:
3927:from the original on September 24, 2020
3896:
3884:
3499:from the original on September 10, 2021
3221:
3083:
3052:from the original on September 24, 2020
2846:Kent, Nick; Bell, Max (April 2, 1977).
2563:
2551:
2447:
2435:
2132:
1696:, while his version of "China Girl" on
3976:
3861:from the original on February 21, 2018
3823:from the original on November 22, 2022
3593:
3563:from the original on December 26, 2016
3464:from the original on February 26, 2021
3330:
3266:from the original on November 17, 2021
3233:
2667:"The 30 Essential Punk Albums of 1977"
2595:from the original on December 30, 2014
2472:
2418:
2264:
826:
711:sound had been "pioneered" on Bowie's
674:, but have also noted the presence of
569:Recording continued in August 1976 at
4945:Nude & Rude: The Best of Iggy Pop
4353:from the original on October 11, 2020
4059:from the original on December 8, 2014
3741:
3674:(Summer 2020). "The Berlin Stories".
3384:Goodman, Jessica (January 12, 2016).
3163:from the original on January 21, 2021
3040:"From Russia with Love: Bowie's Iggy"
3004:from the original on January 13, 2022
2868:from the original on January 28, 2021
2823:from the original on January 28, 2021
2679:from the original on October 20, 2020
2217:Petrusich, Amanda (August 26, 2019).
2184:Hedegaard, Erik (December 11, 2003).
1991:According to Thomas Jerome Seabrook:
1144:
301:Described by Pop as "a cross between
7:
5170:Post-punk albums by American artists
4000:
3785:from the original on January 7, 2015
3533:
3371:
3342:
3318:
3306:
3197:
3185:
3136:
3124:
3112:
3100:
2935:
2536:
2517:
2505:
2252:
1488:magazine was perplexed upon hearing
1084:on guitar, with brothers and future
840:style of Bowie's tracks "Fame" and "
836:"Sister Midnight" is similar to the
355:, which features a sound similar to
5165:Art rock albums by American artists
4179:Gimme Danger: The Story of Iggy Pop
3450:Dadomo, Giovanni (March 12, 1977).
2959:from the original on August 7, 2014
2165:from the original on March 22, 2015
2019:Laurent Thibault – bass guitar
4952:A Million in Prizes: The Anthology
4458:Rubin, Mike (1995). "Stooges". In
4080:"The 100 Best Albums of the 1970s"
4027:from the original on July 29, 2022
3909:Makowski, Pete (August 20, 1977).
3831:– via worldradiohistory.com.
3715:– via worldradiohistory.com.
2775:from the original on March 3, 2021
1786:as one of his 13 favorite albums.
1629:disco platter". O'Leary considers
25:
4396:The Encyclopedia of Popular Music
4304:The New Rolling Stone Album Guide
4078:Schreiber, Ryan (June 23, 2004).
3652:from the original on June 6, 2020
2718:from the original on July 9, 2020
2630:from the original on June 1, 2015
2186:"Iggy Pop's Trail of Destruction"
1537:praised the record, writing that
1386:
1348:
1310:
1248:
1203:
1165:
4487:Seabrook, Thomas Jerome (2008).
4288:– via robertchristgau.com.
3417:Kielty, Martin (March 9, 2020).
3038:Demorest, Stephen (April 1977).
2147:Arber, Amanda (March 16, 2012).
2057:Laurent Thibault – engineer
1405:
1400:
1395:
1390:
1385:
1367:
1362:
1357:
1352:
1347:
1329:
1324:
1319:
1314:
1309:
1267:
1262:
1257:
1252:
1247:
1217:
1212:
1207:
1202:
1184:
1179:
1174:
1169:
1164:
827:Problems playing this file? See
801:
4654:A Brief History of Album Covers
4372:Australian Chart Book 1970–1992
4307:(4th ed.). New York City:
4142:Deriso, Nick (April 10, 2020).
4013:Peacock, Tim (March 18, 2022).
3294:. Retrieved November 17, 2021.
3288:"Official Albums Chart Top 100"
2757:Strick, Wesley (May 12, 1977).
629:). Because his former producer
601:, who later worked with him on
5155:Albums produced by David Bowie
3816:. March 26, 1977. p. 78.
3634:Geffen, Sasha (June 6, 2020).
2953:""Sister Midnight" – Iggy Pop"
2028:Michel Santangeli – drums
1938:
1849:
1058:peaked at number 72 on the US
605:. The last track recorded for
286:and primarily recorded at the
1:
4465:Spin Alternative Record Guide
3771:Swenson, John (May 5, 1977).
3694:Evans, Jim (March 12, 1977).
3507:– via Rock's Backpages
3487:Kent, Nick (March 12, 1977).
3472:– via Rock's Backpages
3171:– via Rock's Backpages
3060:– via Rock's Backpages
3012:– via Rock's Backpages
2848:"IG and Super IG — Iggy Pop:
2831:– via Rock's Backpages
2805:Riegel, Richard (June 1977).
2783:– via Rock's Backpages
1417:Spin Alternative Record Guide
1379:The Rolling Stone Album Guide
1241:Encyclopedia of Popular Music
487:produce "Sister Midnight" in
27:1977 studio album by Iggy Pop
4228:Bowie: An Illustrated Record
3680:. No. 413. p. 108.
2149:"Classic Albums: Iggy Pop –
2106:
1733:'s Tim Peacock later argued
1601:Although reviewers consider
961:, is reminiscent of a 1950s
491:, Germany, for release as a
4594:Iggy Pop: Open Up and Bleed
2067:1977 chart performance for
1702:(1983) became a major hit.
729:". According to the critic
313:marks a departure from the
5186:
4998:Real Wild Child (Wild One)
4511:The Great Rock Discography
2219:"The Survival of Iggy Pop"
1829:All tracks are written by
4570:Little, Brown and Company
4491:. London: Jawbone Press.
2111:
2096:
2084:
1972:
1961:
1950:
1942:
1913:
1902:
1887:
1872:
1861:
1853:
1710:Siouxsie and the Banshees
1684:Pop performed songs from
1152:
1149:
1038:in January 1977. Because
717:(1977), whereas in 2016,
385:(1977). Retrospectively,
274:by the American musician
259:
229:
214:
184:
39:
5117:Post Pop Depression Tour
4436:The Complete David Bowie
4337:HarperCollins Publishers
4204:. London: Virgin Books.
4200:Buckley, David (2005) .
1637:" is said to consist of
1229:Christgau's Record Guide
468:University of California
418:was the frontman of the
65:March 18, 1977
4462:; Marks, Craig (eds.).
4433:Pegg, Nicholas (2016).
4414:O'Leary, Chris (2019).
3956:; Bowie, David (1989).
3940:(subscription required)
3726:Coleman & Kemp 2004
3509:(subscription required)
3474:(subscription required)
3292:Official Charts Company
3173:(subscription required)
3149:O'Brien, Glenn (1985).
3062:(subscription required)
3014:(subscription required)
2881:(subscription required)
2833:(subscription required)
2785:(subscription required)
1549:writes that over time,
1042:had a sound similar to
1025:Although Pop completed
368:"Sister Midnight" and "
238:Released: February 1977
5123:Teatime Dub Encounters
4652:Draper, Jason (2008).
4617:Wilcken, Hugo (2005).
3696:"Idiot uses his brain"
2740:Carr & Murray 1981
1689:
1678:
1590:
1574:praised it, stating: "
1428:Critical reception to
999:novel of the same name
895:the Velvet Underground
790:
579:electronic dance music
438:the band's 1973 album
346:inspired its artwork.
336:novel of the same name
5033:I Wanna Be Your Slave
4821:Naughty Little Doggie
4564:Trynka, Paul (2011).
4254:"Iggy Pop: The Idiot"
4224:Murray, Charles Shaar
4177:Ambrose, Joe (2004).
4148:Ultimate Classic Rock
3424:Ultimate Classic Rock
2854:The Stooges/Fun House
1768:the Smashing Pumpkins
1683:
985:Release and promotion
789:
495:. After visiting the
282:. It was produced by
4418:. London: Repeater.
4393:(2011). "Iggy Pop".
4309:Simon & Schuster
3391:Entertainment Weekly
2852:(RCA); The Stooges:
1745:. Their debut album
1582:Influence and legacy
1140:Professional ratings
698:Charles Shaar Murray
658:as "a cross between
621:to mix the album at
497:Château d'Hérouville
288:Château d'Hérouville
92:Château d'Hérouville
5012:Well, Did You Evah!
4863:Post Pop Depression
3991:, pp. 360–361.
3979:, pp. 234–237.
3899:, pp. 273–274.
3887:, pp. 175–178.
3617:New Musical Express
3524:, pp. 144–147.
3374:, pp. 570–571.
3357:, pp. 136–137.
3345:, pp. 61, 245.
3333:, pp. 815–816.
2508:, pp. 487–488.
2450:, pp. 162–164.
2438:, pp. 302–304.
2400:on February 5, 2021
2085:Australian Albums (
2071:
2044:David Bowie –
2025: – bass guitar
1934:
1845:
1804:2020 deluxe edition
1667:a "supplement" and
1617:, Pete Makowski of
1279:New Musical Express
1141:
745:. Wesley Strick of
623:Hansa Studio 1
5160:RCA Records albums
4937:Compilation albums
4694:(list of releases)
4264:Ticknor and Fields
4232:Eel Pie Publishing
4090:on August 27, 2021
4055:. March 29, 2011.
3966:. RCD 90120/21/22.
3962:(CD liner notes).
3854:The New York Times
3845:(March 11, 1977).
2386:(March 11, 2010).
2198:on August 20, 2021
2117:Top LPs & Tape
2066:
1932:
1843:
1690:
1568:, Sasha Geffen of
1500:The New York Times
1465:, writing: "Where
1139:
1135:Critical reception
1063:Top LPs & Tape
968:Station to Station
791:
723:Station to Station
251:Released: May 1977
5150:1977 debut albums
5132:
5131:
4907:
4906:
4886:
4885:
4636:978-0-8264-1684-1
4625:. New York City:
4609:978-0-7679-2319-4
4598:. New York City:
4579:978-0-316-03225-4
4568:. New York City:
4556:978-1-900924-48-1
4528:978-1-84195-312-0
4507:Strong, Martin C.
4498:978-1-906002-08-4
4479:978-0-679-75574-6
4468:. New York City:
4450:978-1-78565-365-0
4425:978-1-912248-30-8
4406:978-0-85712-595-8
4382:978-0-646-11917-5
4346:978-0-06-202466-4
4335:. New York City:
4318:978-0-743-20169-8
4273:978-0-899-19026-6
4250:Christgau, Robert
4241:978-0-380-77966-6
4211:978-0-7535-1002-5
4192:978-1-84449-328-9
4128:978-1-78840-080-0
3805:"Top Album Picks"
3549:(July 22, 1990).
3431:on April 21, 2021
3086:, pp. 37–58.
3045:Phonograph Record
2923:, pp. 89–95.
2316:, pp. 75–88.
2231:on April 21, 2021
2125:
2124:
2087:Kent Music Report
1983:
1982:
1976:"Mass Production"
1928:
1927:
1865:"Sister Midnight"
1748:Unknown Pleasures
1530:... and beauty."
1523:Phonograph Record
1426:
1425:
1071:Kent Music Report
995:Fyodor Dostoevsky
806:
638:Styles and themes
571:Musicland Studios
332:Fyodor Dostoevsky
323:Musicland Studios
263:
262:
235:"Sister Midnight"
210:
209:
16:(Redirected from
5177:
5092:The Prime Movers
5075:Related articles
4920:TV Eye Live 1977
4893:James Williamson
4888:
4786:Zombie Birdhouse
4740:
4722:
4715:
4708:
4699:
4675:
4640:
4613:
4597:
4583:
4560:
4532:
4513:(6th ed.).
4502:
4483:
4454:
4429:
4410:
4386:
4362:
4360:
4358:
4322:
4299:Hoard, Christian
4295:Brackett, Nathan
4289:
4287:
4285:
4245:
4215:
4196:
4164:
4163:
4161:
4159:
4139:
4133:
4132:
4106:
4100:
4099:
4097:
4095:
4086:. Archived from
4075:
4069:
4068:
4066:
4064:
4043:
4037:
4036:
4034:
4032:
4010:
4004:
3998:
3992:
3986:
3980:
3974:
3968:
3967:
3950:
3944:
3943:
3941:
3937:Rock's Backpages
3934:
3932:
3915:(RCA AFLI 2488)"
3906:
3900:
3894:
3888:
3882:
3871:
3870:
3868:
3866:
3850:
3839:
3833:
3832:
3830:
3828:
3822:
3809:
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3795:
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3768:
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3756:
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3691:
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3668:
3662:
3661:
3659:
3657:
3631:
3622:
3621:
3603:
3597:
3591:
3585:
3579:
3573:
3572:
3570:
3568:
3543:
3537:
3531:
3525:
3519:
3513:
3512:
3510:
3506:
3504:
3484:
3478:
3477:
3475:
3471:
3469:
3447:
3441:
3440:
3438:
3436:
3427:. Archived from
3414:
3408:
3407:
3405:
3403:
3398:on March 3, 2021
3394:. Archived from
3381:
3375:
3369:
3358:
3352:
3346:
3340:
3334:
3328:
3322:
3316:
3310:
3304:
3295:
3285:
3276:
3275:
3273:
3271:
3246:
3237:
3231:
3225:
3219:
3213:
3207:
3201:
3195:
3189:
3183:
3177:
3176:
3174:
3170:
3168:
3146:
3140:
3134:
3128:
3122:
3116:
3110:
3104:
3098:
3087:
3081:
3066:
3065:
3063:
3059:
3057:
3035:
3018:
3017:
3015:
3011:
3009:
2980:
2969:
2968:
2966:
2964:
2945:
2939:
2933:
2924:
2918:
2885:
2884:
2882:
2878:Rock's Backpages
2875:
2873:
2843:
2837:
2836:
2834:
2830:
2828:
2802:
2789:
2788:
2786:
2782:
2780:
2754:
2743:
2737:
2728:
2727:
2725:
2723:
2704:(July 7, 2020).
2698:
2689:
2688:
2686:
2684:
2658:
2652:
2646:
2640:
2639:
2637:
2635:
2611:
2605:
2604:
2602:
2600:
2580:
2567:
2561:
2555:
2549:
2540:
2534:
2521:
2515:
2509:
2503:
2480:
2470:
2451:
2445:
2439:
2433:
2422:
2416:
2410:
2409:
2407:
2405:
2396:. Archived from
2384:Petridis, Alexis
2380:Hodgkinson, Will
2376:
2370:
2364:
2317:
2311:
2268:
2262:
2256:
2250:
2241:
2240:
2238:
2236:
2227:. Archived from
2214:
2208:
2207:
2205:
2203:
2194:. Archived from
2181:
2175:
2174:
2172:
2170:
2144:
2072:
1940:
1935:
1851:
1846:
1764:alternative rock
1612:
1597:
1529:
1515:
1456:
1410:
1409:
1408:
1404:
1403:
1399:
1398:
1394:
1393:
1389:
1388:
1372:
1371:
1370:
1366:
1365:
1361:
1360:
1356:
1355:
1351:
1350:
1334:
1333:
1332:
1328:
1327:
1323:
1322:
1318:
1317:
1313:
1312:
1272:
1271:
1270:
1266:
1265:
1261:
1260:
1256:
1255:
1251:
1250:
1222:
1221:
1220:
1216:
1215:
1211:
1210:
1206:
1205:
1189:
1188:
1187:
1183:
1182:
1178:
1177:
1173:
1172:
1168:
1167:
1142:
1048:Sound and Vision
931:
918:
864:
808:
807:
788:
770:
763:
706:
548:and the drummer
480:1976 Isolar Tour
473:
446:James Williamson
402:acts, including
252:
249:
239:
236:
186:
185:
148:
147:
143:
80:June–August 1976
72:
70:
44:
32:
21:
5185:
5184:
5180:
5179:
5178:
5176:
5175:
5174:
5145:Iggy Pop albums
5135:
5134:
5133:
5128:
5070:
5038:
4957:
4932:
4903:
4882:
4814:American Caesar
4731:
4726:
4682:
4664:
4651:
4648:
4646:Further reading
4643:
4637:
4616:
4610:
4586:
4580:
4563:
4557:
4535:
4529:
4519:Canongate Books
4505:
4499:
4486:
4480:
4457:
4451:
4432:
4426:
4413:
4407:
4389:
4383:
4365:
4356:
4354:
4347:
4325:
4319:
4292:
4283:
4281:
4274:
4248:
4242:
4218:
4212:
4199:
4193:
4176:
4172:
4167:
4157:
4155:
4141:
4140:
4136:
4129:
4108:
4107:
4103:
4093:
4091:
4077:
4076:
4072:
4062:
4060:
4045:
4044:
4040:
4030:
4028:
4012:
4011:
4007:
3999:
3995:
3987:
3983:
3975:
3971:
3952:
3951:
3947:
3939:
3930:
3928:
3908:
3907:
3903:
3895:
3891:
3883:
3874:
3864:
3862:
3841:
3840:
3836:
3826:
3824:
3820:
3807:
3803:
3802:
3798:
3788:
3786:
3770:
3769:
3765:
3757:
3748:
3740:
3736:
3724:
3720:
3710:
3708:
3698:
3693:
3692:
3685:
3670:
3669:
3665:
3655:
3653:
3638:The Bowie Years
3633:
3632:
3625:
3605:
3604:
3600:
3592:
3588:
3580:
3576:
3566:
3564:
3556:Chicago Tribune
3545:
3544:
3540:
3532:
3528:
3520:
3516:
3508:
3502:
3500:
3486:
3485:
3481:
3473:
3467:
3465:
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3444:
3434:
3432:
3416:
3415:
3411:
3401:
3399:
3383:
3382:
3378:
3370:
3361:
3353:
3349:
3341:
3337:
3329:
3325:
3317:
3313:
3305:
3298:
3286:
3279:
3269:
3267:
3248:
3247:
3240:
3232:
3228:
3220:
3216:
3208:
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3196:
3192:
3184:
3180:
3172:
3166:
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3148:
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3143:
3135:
3131:
3123:
3119:
3111:
3107:
3099:
3090:
3082:
3069:
3061:
3055:
3053:
3037:
3036:
3021:
3013:
3007:
3005:
2982:
2981:
2972:
2962:
2960:
2947:
2946:
2942:
2934:
2927:
2919:
2888:
2880:
2871:
2869:
2845:
2844:
2840:
2832:
2826:
2824:
2804:
2803:
2792:
2784:
2778:
2776:
2756:
2755:
2746:
2738:
2731:
2721:
2719:
2702:Reynolds, Simon
2700:
2699:
2692:
2682:
2680:
2660:
2659:
2655:
2647:
2643:
2633:
2631:
2613:
2612:
2608:
2598:
2596:
2582:
2581:
2570:
2562:
2558:
2550:
2543:
2535:
2524:
2516:
2512:
2504:
2483:
2471:
2454:
2446:
2442:
2434:
2425:
2417:
2413:
2403:
2401:
2378:
2377:
2373:
2365:
2320:
2312:
2271:
2263:
2259:
2251:
2244:
2234:
2232:
2216:
2215:
2211:
2201:
2199:
2183:
2182:
2178:
2168:
2166:
2146:
2145:
2134:
2130:
2079:
2064:
1989:
1984:
1929:
1826:
1810:The Bowie Years
1806:
1723:Nine Inch Nails
1610:
1599:
1592:
1584:
1566:The Bowie Years
1527:
1513:
1454:
1406:
1401:
1396:
1391:
1368:
1363:
1358:
1353:
1330:
1325:
1320:
1315:
1268:
1263:
1258:
1253:
1218:
1213:
1208:
1196:Chicago Tribune
1185:
1180:
1175:
1170:
1137:
1067:UK Albums Chart
1012:black-and-white
993:was taken from
987:
929:
925:
916:
913:Jacques Higelin
862:
834:
833:
825:
823:
822:
821:
820:
809:
802:
799:
797:"Nightclubbing"
792:
786:
781:
768:
761:
704:
700:suggested that
680:industrial rock
640:
583:Giorgio Moroder
515:
471:
412:
255:
250:
243:
242:
237:
234:
233:
205:
196:
145:
141:
140:
111:
68:
66:
57:
28:
23:
22:
15:
12:
11:
5:
5183:
5181:
5173:
5172:
5167:
5162:
5157:
5152:
5147:
5137:
5136:
5130:
5129:
5127:
5126:
5119:
5114:
5109:
5104:
5099:
5094:
5089:
5084:
5078:
5076:
5072:
5071:
5069:
5068:
5061:
5054:
5046:
5044:
5040:
5039:
5037:
5036:
5029:
5022:
5015:
5008:
5001:
4994:
4987:
4980:
4973:
4965:
4963:
4959:
4958:
4956:
4955:
4948:
4940:
4938:
4934:
4933:
4931:
4930:
4923:
4915:
4913:
4909:
4908:
4905:
4904:
4897:
4895:
4884:
4883:
4881:
4880:
4873:
4866:
4859:
4852:
4845:
4838:
4831:
4824:
4817:
4810:
4807:Brick by Brick
4803:
4796:
4793:Blah-Blah-Blah
4789:
4782:
4775:
4768:
4761:
4754:
4746:
4744:
4737:
4733:
4732:
4727:
4725:
4724:
4717:
4710:
4702:
4696:
4695:
4681:
4680:External links
4678:
4677:
4676:
4662:
4647:
4644:
4642:
4641:
4635:
4619:David Bowie's
4614:
4608:
4600:Broadway Books
4584:
4578:
4561:
4555:
4547:Helter Skelter
4537:Thompson, Dave
4533:
4527:
4503:
4497:
4484:
4478:
4460:Weisbard, Eric
4455:
4449:
4430:
4424:
4411:
4405:
4387:
4381:
4363:
4345:
4327:Doggett, Peter
4323:
4317:
4290:
4272:
4246:
4240:
4216:
4210:
4197:
4191:
4173:
4171:
4168:
4166:
4165:
4134:
4127:
4101:
4070:
4038:
4020:uDiscoverMusic
4005:
3993:
3981:
3969:
3959:Sound + Vision
3945:
3901:
3889:
3872:
3848:"The Pop Life"
3843:Rockwell, John
3834:
3796:
3763:
3761:, p. 143.
3746:
3744:, p. 378.
3734:
3718:
3683:
3672:Goddard, Simon
3663:
3623:
3598:
3586:
3582:Christgau 1981
3574:
3538:
3536:, p. 489.
3526:
3514:
3479:
3442:
3409:
3376:
3359:
3347:
3335:
3323:
3311:
3309:, p. 236.
3296:
3277:
3254:Chart History"
3238:
3236:, p. 324.
3226:
3224:, p. 272.
3214:
3212:, p. 116.
3202:
3200:, p. 384.
3190:
3188:, p. 392.
3178:
3141:
3139:, p. 182.
3129:
3127:, p. 284.
3117:
3105:
3088:
3067:
3019:
2986:(April 1977).
2970:
2949:Thompson, Dave
2940:
2938:, p. 245.
2925:
2886:
2838:
2790:
2744:
2742:, p. 118.
2729:
2711:Tidal Magazine
2690:
2653:
2641:
2618:Blah-Blah-Blah
2614:Deming, Mark.
2606:
2583:Deming, Mark.
2568:
2566:, p. 175.
2556:
2554:, p. 273.
2541:
2539:, p. 198.
2522:
2520:, p. 390.
2510:
2481:
2452:
2440:
2423:
2421:, p. 282.
2411:
2371:
2318:
2269:
2267:, p. 152.
2257:
2255:, p. 487.
2242:
2224:The New Yorker
2209:
2176:
2131:
2129:
2126:
2123:
2122:
2119:
2109:
2108:
2105:
2094:
2093:
2090:
2082:
2081:
2076:
2063:
2060:
2059:
2058:
2055:
2049:
2036:
2035:
2029:
2026:
2020:
2017:
2016: – guitar
2011:
2010: – guitar
2005:
1999:
1998: – vocals
1988:
1985:
1981:
1980:
1977:
1974:
1970:
1969:
1966:
1963:
1959:
1958:
1955:
1954:"Dum Dum Boys"
1952:
1948:
1947:
1944:
1941:
1930:
1926:
1925:
1922:
1915:
1911:
1910:
1907:
1904:
1900:
1899:
1896:
1889:
1885:
1884:
1881:
1874:
1870:
1869:
1866:
1863:
1859:
1858:
1855:
1852:
1827:
1825:
1822:
1805:
1802:
1731:uDiscoverMusic
1706:Siouxsie Sioux
1635:Berlin Trilogy
1621:magazine felt
1593:– Iggy Pop on
1585:
1583:
1580:
1424:
1423:
1420:
1412:
1411:
1382:
1374:
1373:
1344:
1336:
1335:
1306:
1298:
1297:
1294:
1286:
1285:
1282:
1274:
1273:
1244:
1236:
1235:
1232:
1224:
1223:
1199:
1191:
1190:
1161:
1155:
1154:
1151:
1147:
1146:
1136:
1133:
1082:Ricky Gardiner
986:
983:
946:Ziggy Stardust
938:Dave Alexander
924:
921:
824:
810:
800:
795:
794:
793:
784:
783:
782:
780:
777:
735:Berlin Trilogy
731:Simon Reynolds
639:
636:
530:electric piano
514:
511:
428:cult following
411:
408:
375:Pop supported
261:
260:
257:
256:
254:
253:
240:
230:
227:
226:
216:
215:
212:
211:
208:
207:
198:
189:
182:
181:
174:
173:
168:
162:
161:
156:
150:
149:
138:
134:
133:
132:
131:
126:
119:
113:
112:
110:
109:
99:
88:
86:
82:
81:
78:
74:
73:
63:
59:
58:
53:
46:
45:
37:
36:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5182:
5171:
5168:
5166:
5163:
5161:
5158:
5156:
5153:
5151:
5148:
5146:
5143:
5142:
5140:
5125:
5124:
5120:
5118:
5115:
5113:
5110:
5108:
5105:
5103:
5100:
5098:
5095:
5093:
5090:
5088:
5085:
5083:
5080:
5079:
5077:
5073:
5066:
5062:
5059:
5058:Nightclubbing
5055:
5052:
5048:
5047:
5045:
5041:
5034:
5030:
5027:
5023:
5020:
5016:
5013:
5009:
5006:
5002:
4999:
4995:
4992:
4988:
4985:
4984:The Passenger
4981:
4978:
4977:Lust for Life
4974:
4971:
4967:
4966:
4964:
4960:
4954:
4953:
4949:
4947:
4946:
4942:
4941:
4939:
4935:
4929:
4928:
4924:
4922:
4921:
4917:
4916:
4914:
4910:
4902:
4901:
4896:
4894:
4889:
4879:
4878:
4874:
4872:
4871:
4867:
4865:
4864:
4860:
4858:
4857:
4853:
4851:
4850:
4849:Préliminaires
4846:
4844:
4843:
4839:
4837:
4836:
4832:
4830:
4829:
4825:
4823:
4822:
4818:
4816:
4815:
4811:
4809:
4808:
4804:
4802:
4801:
4797:
4795:
4794:
4790:
4788:
4787:
4783:
4781:
4780:
4776:
4774:
4773:
4769:
4767:
4766:
4762:
4760:
4759:
4758:Lust for Life
4755:
4753:
4752:
4748:
4747:
4745:
4741:
4738:
4736:Studio albums
4734:
4730:
4723:
4718:
4716:
4711:
4709:
4704:
4703:
4700:
4693:
4689:
4688:
4684:
4683:
4679:
4673:
4669:
4665:
4663:9781847862112
4659:
4655:
4650:
4649:
4645:
4638:
4632:
4628:
4624:
4620:
4615:
4611:
4605:
4601:
4596:
4595:
4589:
4585:
4581:
4575:
4571:
4567:
4562:
4558:
4552:
4548:
4544:
4543:
4538:
4534:
4530:
4524:
4520:
4516:
4512:
4508:
4504:
4500:
4494:
4490:
4485:
4481:
4475:
4471:
4470:Vintage Books
4467:
4466:
4461:
4456:
4452:
4446:
4442:
4438:
4437:
4431:
4427:
4421:
4417:
4412:
4408:
4402:
4398:
4397:
4392:
4391:Larkin, Colin
4388:
4384:
4378:
4374:
4373:
4368:
4364:
4352:
4348:
4342:
4338:
4334:
4333:
4328:
4324:
4320:
4314:
4310:
4306:
4305:
4300:
4296:
4291:
4279:
4275:
4269:
4265:
4261:
4260:
4255:
4251:
4247:
4243:
4237:
4233:
4229:
4225:
4221:
4217:
4213:
4207:
4203:
4198:
4194:
4188:
4184:
4183:Omnibus Press
4180:
4175:
4174:
4169:
4153:
4149:
4145:
4138:
4135:
4130:
4124:
4120:
4116:
4112:
4105:
4102:
4089:
4085:
4081:
4074:
4071:
4058:
4054:
4053:
4048:
4042:
4039:
4026:
4022:
4021:
4016:
4009:
4006:
4003:, p. 61.
4002:
3997:
3994:
3990:
3985:
3982:
3978:
3973:
3970:
3965:
3961:
3960:
3955:
3949:
3946:
3938:
3926:
3922:
3921:
3916:
3914:
3913:Lust For Life
3905:
3902:
3898:
3893:
3890:
3886:
3881:
3879:
3877:
3873:
3860:
3856:
3855:
3849:
3844:
3838:
3835:
3819:
3815:
3814:
3806:
3800:
3797:
3784:
3780:
3779:
3778:Rolling Stone
3774:
3767:
3764:
3760:
3759:Seabrook 2008
3755:
3753:
3751:
3747:
3743:
3738:
3735:
3731:
3727:
3722:
3719:
3706:
3705:
3704:Record Mirror
3697:
3690:
3688:
3684:
3679:
3678:
3673:
3667:
3664:
3651:
3647:
3646:
3641:
3639:
3630:
3628:
3624:
3620:. p. 34.
3619:
3618:
3613:
3612:Lust For Life
3609:
3602:
3599:
3595:
3590:
3587:
3583:
3578:
3575:
3562:
3558:
3557:
3552:
3548:
3542:
3539:
3535:
3530:
3527:
3523:
3522:Seabrook 2008
3518:
3515:
3498:
3494:
3490:
3483:
3480:
3463:
3459:
3458:
3453:
3446:
3443:
3430:
3426:
3425:
3420:
3413:
3410:
3397:
3393:
3392:
3387:
3380:
3377:
3373:
3368:
3366:
3364:
3360:
3356:
3355:Seabrook 2008
3351:
3348:
3344:
3339:
3336:
3332:
3327:
3324:
3321:, p. 31.
3320:
3315:
3312:
3308:
3303:
3301:
3297:
3293:
3289:
3284:
3282:
3278:
3265:
3261:
3260:
3255:
3253:
3245:
3243:
3239:
3235:
3230:
3227:
3223:
3218:
3215:
3211:
3210:Seabrook 2008
3206:
3203:
3199:
3194:
3191:
3187:
3182:
3179:
3162:
3158:
3157:
3152:
3145:
3142:
3138:
3133:
3130:
3126:
3121:
3118:
3115:, p. 81.
3114:
3109:
3106:
3103:, p. 95.
3102:
3097:
3095:
3093:
3089:
3085:
3080:
3078:
3076:
3074:
3072:
3068:
3051:
3047:
3046:
3041:
3034:
3032:
3030:
3028:
3026:
3024:
3020:
3003:
2999:
2998:
2993:
2991:
2985:
2979:
2977:
2975:
2971:
2958:
2954:
2950:
2944:
2941:
2937:
2932:
2930:
2926:
2922:
2921:Seabrook 2008
2917:
2915:
2913:
2911:
2909:
2907:
2905:
2903:
2901:
2899:
2897:
2895:
2893:
2891:
2887:
2879:
2867:
2863:
2862:
2857:
2855:
2851:
2842:
2839:
2822:
2818:
2817:
2812:
2810:
2801:
2799:
2797:
2795:
2791:
2774:
2770:
2769:
2764:
2763:(RCA Victor)"
2762:
2753:
2751:
2749:
2745:
2741:
2736:
2734:
2730:
2717:
2713:
2712:
2707:
2703:
2697:
2695:
2691:
2678:
2674:
2673:
2668:
2664:
2657:
2654:
2650:
2649:Thompson 2002
2645:
2642:
2629:
2625:
2621:
2619:
2610:
2607:
2594:
2590:
2588:
2579:
2577:
2575:
2573:
2569:
2565:
2560:
2557:
2553:
2548:
2546:
2542:
2538:
2533:
2531:
2529:
2527:
2523:
2519:
2514:
2511:
2507:
2502:
2500:
2498:
2496:
2494:
2492:
2490:
2488:
2486:
2482:
2478:
2474:
2469:
2467:
2465:
2463:
2461:
2459:
2457:
2453:
2449:
2444:
2441:
2437:
2432:
2430:
2428:
2424:
2420:
2415:
2412:
2399:
2395:
2394:
2389:
2385:
2381:
2375:
2372:
2368:
2363:
2361:
2359:
2357:
2355:
2353:
2351:
2349:
2347:
2345:
2343:
2341:
2339:
2337:
2335:
2333:
2331:
2329:
2327:
2325:
2323:
2319:
2315:
2314:Seabrook 2008
2310:
2308:
2306:
2304:
2302:
2300:
2298:
2296:
2294:
2292:
2290:
2288:
2286:
2284:
2282:
2280:
2278:
2276:
2274:
2270:
2266:
2261:
2258:
2254:
2249:
2247:
2243:
2230:
2226:
2225:
2220:
2213:
2210:
2197:
2193:
2192:
2191:Rolling Stone
2187:
2180:
2177:
2164:
2160:
2159:
2154:
2152:
2143:
2141:
2139:
2137:
2133:
2127:
2120:
2118:
2116:
2110:
2103:
2099:
2095:
2091:
2088:
2083:
2077:
2075:Chart (1977)
2074:
2073:
2070:
2061:
2056:
2054: – mixer
2053:
2052:Tony Visconti
2050:
2047:
2043:
2042:
2041:
2040:
2034: – drums
2033:
2030:
2027:
2024:
2023:George Murray
2021:
2018:
2015:
2012:
2009:
2008:Carlos Alomar
2006:
2003:
2000:
1997:
1994:
1993:
1992:
1986:
1978:
1975:
1971:
1967:
1964:
1960:
1956:
1953:
1949:
1936:
1923:
1920:
1916:
1912:
1908:
1905:
1901:
1897:
1894:
1890:
1886:
1882:
1879:
1878:Nightclubbing
1875:
1871:
1867:
1864:
1860:
1847:
1841:
1840:
1839:Carlos Alomar
1836:
1832:
1824:Track listing
1823:
1821:
1819:
1818:Lust for Life
1815:
1811:
1803:
1801:
1799:
1798:
1793:
1790:later ranked
1789:
1785:
1781:
1777:
1773:
1769:
1765:
1760:
1758:
1754:
1750:
1749:
1744:
1740:
1736:
1732:
1728:
1724:
1720:
1715:
1711:
1707:
1703:
1701:
1700:
1695:
1687:
1682:
1677:
1672:
1670:
1666:
1665:Lust for Life
1662:
1658:
1654:
1650:
1649:
1644:
1640:
1636:
1632:
1628:
1624:
1620:
1616:
1615:Lust for Life
1609:
1604:
1598:
1596:
1589:
1581:
1579:
1577:
1573:
1572:
1567:
1562:
1558:
1557:
1552:
1548:
1544:
1543:Raw Power 2.0
1540:
1536:
1531:
1525:
1524:
1519:
1512:
1511:
1510:Record Mirror
1506:
1502:
1501:
1496:
1495:John Rockwell
1491:
1487:
1486:
1480:
1478:
1477:
1472:
1468:
1464:
1460:
1452:
1448:
1444:
1443:
1438:
1437:
1436:Rolling Stone
1431:
1421:
1419:
1418:
1414:
1413:
1383:
1381:
1380:
1376:
1375:
1345:
1343:
1342:
1341:Record Mirror
1338:
1337:
1307:
1305:
1304:
1300:
1299:
1295:
1293:
1292:
1288:
1287:
1283:
1281:
1280:
1276:
1275:
1245:
1243:
1242:
1238:
1237:
1233:
1231:
1230:
1226:
1225:
1200:
1198:
1197:
1193:
1192:
1162:
1160:
1157:
1156:
1148:
1145:Review scores
1143:
1134:
1132:
1130:
1129:Lust for Life
1125:
1120:
1119:
1114:
1113:
1112:Lust for Life
1108:
1104:
1100:
1095:
1091:
1087:
1083:
1079:
1074:
1072:
1068:
1064:
1062:
1057:
1053:
1049:
1045:
1041:
1037:
1033:
1028:
1023:
1021:
1016:
1015:flopped image
1013:
1009:
1005:
1000:
996:
992:
989:The title of
984:
982:
980:
976:
973:
969:
964:
960:
955:
953:
952:
947:
943:
942:Scott Asheton
939:
935:
922:
920:
914:
909:
904:
900:
896:
890:
888:
884:
880:
879:Rock and Roll
876:
872:
868:
860:
859:Peter Doggett
857:. The author
856:
852:
847:
846:Dave Thompson
843:
839:
832:
830:
818:
814:
798:
778:
776:
774:
767:
760:
759:
754:
750:
749:
744:
740:
736:
732:
728:
724:
720:
719:Nicholas Pegg
716:
715:
710:
703:
699:
695:
691:
690:
685:
681:
677:
673:
670:primarily as
669:
665:
661:
657:
653:
648:
644:
637:
635:
632:
631:Tony Visconti
628:
624:
620:
615:
612:
608:
604:
600:
596:
592:
588:
584:
580:
576:
572:
567:
565:
564:
559:
555:
551:
547:
546:George Murray
541:
539:
535:
531:
528:
524:
520:
512:
510:
508:
507:
502:
498:
494:
490:
485:
484:Carlos Alomar
481:
475:
469:
465:
461:
457:
453:
452:
447:
443:
442:
437:
433:
429:
425:
421:
417:
409:
407:
405:
401:
397:
393:
388:
384:
383:
382:Lust for Life
378:
373:
371:
366:
362:
358:
354:
353:
347:
345:
341:
337:
333:
328:
324:
320:
316:
312:
308:
304:
299:
297:
293:
289:
285:
281:
277:
273:
270:is the debut
269:
268:
258:
247:
241:
232:
231:
228:
225:
221:
217:
213:
204:
203:
202:Lust for Life
199:
195:
194:
190:
188:
187:
183:
179:
175:
172:
169:
167:
163:
160:
157:
155:
151:
139:
135:
130:
127:
125:
122:
121:
120:
118:
114:
107:
103:
100:
97:
93:
90:
89:
87:
83:
79:
75:
64:
60:
56:
51:
47:
43:
38:
33:
30:
19:
5121:
4950:
4943:
4925:
4918:
4898:
4875:
4868:
4861:
4854:
4847:
4840:
4833:
4826:
4819:
4812:
4805:
4798:
4791:
4784:
4777:
4770:
4763:
4756:
4750:
4749:
4685:
4653:
4622:
4618:
4593:
4588:Trynka, Paul
4565:
4541:
4517:, Scotland:
4510:
4488:
4464:
4435:
4415:
4395:
4371:
4357:February 27,
4355:. Retrieved
4331:
4303:
4282:. Retrieved
4258:
4227:
4201:
4178:
4156:. Retrieved
4147:
4137:
4110:
4104:
4094:September 1,
4092:. Retrieved
4088:the original
4083:
4073:
4061:. Retrieved
4050:
4041:
4031:November 27,
4029:. Retrieved
4018:
4008:
3996:
3989:Doggett 2012
3984:
3972:
3958:
3948:
3935:– via
3929:. Retrieved
3918:
3912:
3904:
3897:Buckley 2005
3892:
3885:Ambrose 2004
3865:November 27,
3863:. Retrieved
3852:
3837:
3827:November 27,
3825:. Retrieved
3811:
3799:
3787:. Retrieved
3776:
3766:
3737:
3721:
3709:. Retrieved
3707:. p. 14
3702:
3675:
3666:
3654:. Retrieved
3643:
3637:
3615:
3611:
3607:
3601:
3589:
3577:
3565:. Retrieved
3554:
3541:
3529:
3517:
3503:February 28,
3501:. Retrieved
3492:
3482:
3468:February 28,
3466:. Retrieved
3455:
3445:
3433:. Retrieved
3429:the original
3422:
3412:
3400:. Retrieved
3396:the original
3389:
3379:
3350:
3338:
3326:
3314:
3268:. Retrieved
3257:
3251:
3229:
3222:Buckley 2005
3217:
3205:
3193:
3181:
3165:. Retrieved
3154:
3144:
3132:
3120:
3108:
3084:Wilcken 2005
3056:February 28,
3054:. Retrieved
3043:
3008:February 28,
3006:. Retrieved
2995:
2989:
2961:. Retrieved
2955:. AllMusic.
2943:
2876:– via
2870:. Retrieved
2859:
2853:
2849:
2841:
2827:February 28,
2825:. Retrieved
2814:
2808:
2779:February 28,
2777:. Retrieved
2766:
2760:
2720:. Retrieved
2709:
2681:. Retrieved
2670:
2663:Kenny, Glenn
2661:Brod, Doug;
2656:
2644:
2632:. Retrieved
2617:
2609:
2597:. Retrieved
2591:. AllMusic.
2586:
2564:Ambrose 2004
2559:
2552:Buckley 2005
2513:
2448:Ambrose 2004
2443:
2436:Doggett 2012
2414:
2404:February 16,
2402:. Retrieved
2398:the original
2393:The Guardian
2391:
2374:
2367:O'Leary 2019
2260:
2233:. Retrieved
2229:the original
2222:
2212:
2200:. Retrieved
2196:the original
2189:
2179:
2167:. Retrieved
2156:
2150:
2114:
2068:
2038:
2037:
2032:Dennis Davis
1990:
1965:"Tiny Girls"
1828:
1817:
1813:
1809:
1807:
1795:
1791:
1787:
1783:
1776:Killing Joke
1761:
1752:
1746:
1742:
1738:
1734:
1727:Joy Division
1719:Depeche Mode
1713:
1704:
1697:
1693:
1691:
1685:
1674:
1668:
1664:
1660:
1656:
1652:
1646:
1642:
1638:
1630:
1626:
1622:
1618:
1614:
1607:
1602:
1600:
1594:
1591:
1587:
1575:
1569:
1565:
1560:
1554:
1550:
1542:
1538:
1532:
1521:
1508:
1498:
1489:
1483:
1481:
1474:
1470:
1466:
1462:
1458:
1450:
1442:Melody Maker
1440:
1434:
1429:
1427:
1415:
1377:
1339:
1301:
1289:
1277:
1239:
1227:
1194:
1128:
1123:
1116:
1110:
1106:
1077:
1075:
1060:
1055:
1051:
1043:
1039:
1031:
1026:
1024:
1019:
1007:
1006:'s painting
1004:Erich Heckel
990:
988:
958:
956:
949:
934:Zeke Zettner
926:
891:
875:Gary Glitter
870:
851:Jim Morrison
835:
816:
772:
765:
756:
746:
726:
722:
712:
701:
687:
667:
655:
642:
641:
616:
611:drum machine
606:
602:
599:Robert Fripp
595:King Crimson
568:
561:
557:
550:Dennis Davis
542:
522:
516:
504:
476:
449:
439:
413:
404:Joy Division
386:
380:
376:
374:
364:
360:
356:
350:
348:
343:
342:'s painting
340:Erich Heckel
310:
300:
272:studio album
266:
265:
264:
223:
200:
192:
191:
50:Studio album
29:
18:Dum Dum Boys
5107:Sable Starr
5102:David Bowie
5097:The Stooges
5087:The Iguanas
5082:Discography
5043:Other songs
4912:Live albums
4877:Every Loser
4835:Beat 'Em Up
4441:Titan Books
4367:Kent, David
4284:December 8,
4063:December 8,
4052:The Quietus
3977:Trynka 2007
3954:Loder, Kurt
3931:October 15,
3911:"Iggy Pop:
3789:December 8,
3773:"The Idiot"
3636:"Iggy Pop:
3594:Larkin 2011
3567:November 4,
3331:Strong 2002
3234:Trynka 2011
2988:"Iggy Pop:
2984:Needs, Kris
2963:December 8,
2807:"Iggy Pop:
2759:"Iggy Pop:
2683:October 15,
2620:– Iggy Pop"
2599:December 8,
2589:– Iggy Pop"
2475:, pp.
2473:Trynka 2007
2419:Trynka 2011
2265:Trynka 2007
2169:December 8,
2014:Phil Palmer
2002:David Bowie
1835:David Bowie
1774:. In 2011,
1699:Let's Dance
1676:creatively.
1547:Paul Trynka
1518:heavy metal
1447:Allan Jones
1103:debut album
1086:Tin Machine
1036:RCA Records
975:electronica
686:. In 1981,
676:gothic rock
660:James Brown
627:Berlin Wall
587:Phil Palmer
552:to provide
538:synthesizer
432:David Bowie
424:the Stooges
303:James Brown
296:the Stooges
284:David Bowie
280:RCA Records
171:David Bowie
5139:Categories
5112:The Trolls
4970:China Girl
4842:Skull Ring
4765:New Values
4545:. London:
4262:. Boston:
4230:. London:
4181:. London:
4117:. p.
3742:Rubin 1995
3728:, p.
3270:August 24,
3151:"Iggy Pop"
2856:(Elektra)"
2369:, chap. 1.
2235:August 19,
2202:August 19,
2128:References
2048:, arranger
1919:China Girl
1782:described
1766:acts like
1757:Ian Curtis
1712:described
1094:Hunt Sales
1088:bandmates
979:tape loops
972:industrial
883:Kris Needs
829:media help
709:electronic
647:proto-punk
501:Hérouville
420:proto-punk
410:Background
396:industrial
370:China Girl
319:electronic
315:proto-punk
292:Hérouville
246:China Girl
224:The Idiot
180:chronology
159:RCA Victor
96:Hérouville
69:1977-03-18
4991:Bang Bang
4900:Kill City
4751:The Idiot
4687:The Idiot
4672:227198538
4627:Continuum
4515:Edinburgh
4220:Carr, Roy
4158:April 13,
4084:Pitchfork
4001:Pegg 2016
3813:Billboard
3645:Pitchfork
3608:The Idiot
3547:Kot, Greg
3534:Pegg 2016
3372:Pegg 2016
3343:Pegg 2016
3319:Pegg 2016
3307:Kent 1993
3259:Billboard
3252:The Idiot
3198:Pegg 2016
3186:Pegg 2016
3156:Interview
3137:Pegg 2016
3125:Pegg 2016
3113:Pegg 2016
3101:Pegg 2016
2990:The Idiot
2936:Pegg 2016
2850:The Idiot
2809:The Idiot
2761:The Idiot
2587:The Idiot
2537:Pegg 2016
2518:Pegg 2016
2506:Pegg 2016
2253:Pegg 2016
2151:The Idiot
2115:Billboard
2098:UK Albums
2080:position
2069:The Idiot
2039:Technical
1987:Personnel
1814:The Idiot
1792:The Idiot
1788:Pitchfork
1784:The Idiot
1772:Radiohead
1753:The Idiot
1743:The Idiot
1735:The Idiot
1714:The Idiot
1686:The Idiot
1653:The Idiot
1631:The Idiot
1623:The Idiot
1608:The Idiot
1603:The Idiot
1595:The Idiot
1576:The Idiot
1571:Pitchfork
1561:The Idiot
1551:The Idiot
1539:The Idiot
1490:The Idiot
1476:Billboard
1471:The Idiot
1467:Raw Power
1463:Raw Power
1459:The Idiot
1451:The Idiot
1430:The Idiot
1291:Pitchfork
1124:The Idiot
1107:The Idiot
1061:Billboard
1056:The Idiot
1052:The Idiot
1044:The Idiot
1027:The Idiot
1008:Roquairol
991:The Idiot
959:The Idiot
951:Fun House
867:Krautrock
855:the Doors
813:Krautrock
773:The Idiot
702:The Idiot
684:post-punk
668:The Idiot
664:Kraftwerk
656:The Idiot
643:The Idiot
607:The Idiot
581:producer
558:The Idiot
523:The Idiot
513:Recording
456:the Doors
451:Kill City
441:Raw Power
392:post-punk
387:The Idiot
377:The Idiot
365:The Idiot
357:The Idiot
344:Roquairol
311:The Idiot
307:Kraftwerk
267:The Idiot
193:The Idiot
129:post-punk
102:Musicland
35:The Idiot
5026:Gardenia
4828:Avenue B
4800:Instinct
4729:Iggy Pop
4623:(33 1/3)
4590:(2007).
4539:(2002).
4509:(2002).
4369:(1993).
4351:Archived
4329:(2012).
4301:(eds.).
4278:Archived
4252:(1981).
4226:(1981).
4152:Archived
4057:Archived
4025:Archived
3964:Rykodisc
3925:Archived
3859:Archived
3818:Archived
3783:Archived
3711:June 28,
3650:Archived
3561:Archived
3497:Archived
3462:Archived
3264:Archived
3167:March 5,
3161:Archived
3050:Archived
3002:Archived
2957:Archived
2872:March 1,
2866:Archived
2821:Archived
2773:Archived
2716:Archived
2677:Archived
2634:July 15,
2628:Archived
2624:AllMusic
2593:Archived
2163:Archived
2046:producer
1996:Iggy Pop
1933:Side two
1844:Side one
1831:Iggy Pop
1661:"Heroes"
1643:"Heroes"
1535:AllMusic
1505:Lou Reed
1159:AllMusic
1090:Tony Fox
1020:"Heroes"
923:Side two
899:Mae West
779:Side one
694:Roy Carr
692:editors
672:art rock
652:baritone
603:"Heroes"
591:vampiric
566:(1977).
563:"Heroes"
554:overdubs
416:Iggy Pop
338:, while
276:Iggy Pop
178:Iggy Pop
166:Producer
124:Art rock
77:Recorded
62:Released
55:Iggy Pop
52: by
5065:Tonight
5051:Funtime
5019:Kick It
4962:Singles
4772:Soldier
4692:Discogs
4170:Sources
4115:Cassell
3656:June 6,
3435:July 4,
3402:July 4,
2722:July 8,
2477:242–250
1893:Funtime
1663:, with
1099:Blondie
963:doo-wop
908:cabaret
903:Dracula
743:Cluster
597:member
527:Baldwin
506:Pin Ups
220:Singles
206:(1977)
197:(1977)
67: (
4670:
4660:
4633:
4606:
4576:
4553:
4525:
4495:
4476:
4447:
4422:
4403:
4379:
4343:
4315:
4270:
4238:
4208:
4189:
4125:
3920:Sounds
3457:Sounds
2997:ZigZag
2811:(RCA)"
2768:Circus
2062:Charts
1946:Length
1906:"Baby"
1857:Length
1725:, and
1694:Lodger
1669:Lodger
1659:, and
1648:Lodger
1645:, and
1619:Sounds
1611:
1528:
1514:'s
1485:ZigZag
1455:
1296:8.6/10
1153:Rating
1150:Source
1118:Sounds
930:
917:
863:
762:'s
748:Circus
619:Berlin
575:Munich
493:single
489:Munich
472:
464:heroin
400:gothic
398:, and
327:Munich
137:Length
106:Munich
85:Studio
5005:Candy
4891:with
4856:Après
4779:Party
3821:(PDF)
3808:(PDF)
3699:(PDF)
2816:Creem
2158:Clash
1943:Title
1854:Title
1780:Youth
1556:Clash
887:disco
769:'
758:Creem
705:'
534:demos
519:Magma
422:band
222:from
154:Label
117:Genre
4870:Free
4743:Solo
4668:OCLC
4658:ISBN
4631:ISBN
4604:ISBN
4574:ISBN
4551:ISBN
4523:ISBN
4493:ISBN
4474:ISBN
4445:ISBN
4420:ISBN
4401:ISBN
4377:ISBN
4359:2021
4341:ISBN
4313:ISBN
4286:2014
4268:ISBN
4236:ISBN
4206:ISBN
4187:ISBN
4160:2020
4123:ISBN
4096:2021
4065:2014
4033:2022
3933:2020
3867:2022
3829:2022
3791:2014
3713:2022
3658:2020
3569:2020
3505:2021
3470:2021
3437:2021
3404:2021
3272:2021
3169:2021
3058:2021
3010:2021
2965:2014
2874:2021
2829:2021
2781:2021
2724:2020
2685:2020
2672:Spin
2636:2015
2601:2014
2406:2018
2237:2021
2204:2021
2171:2014
2078:Peak
1979:8:24
1968:2:59
1957:7:12
1924:5:08
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