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Dunedin sound

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84: 596: 146: 43: 592:, helping to increase the popularity and availability of the music around the city. Christchurch student radio station RDU, popular in student flats at the time, was already playing plenty of Dunedin music as early as 1981, while commercial radio stations in New Zealand barely featured any "homegrown" music until a voluntary code was introduced in 2002. 712:
89.7 FM, an American college radio station based in Los Altos Hills, California, broadcast all six nights of the Dunedin sound showcase live to the San Francisco Bay Area via its FM signal and worldwide over the internet. The following year, a double CD documenting these broadcasts was produced for
480:, Dunedin sound "was typically marked by the use of droning or jangling guitars, indistinct vocals and often copious quantities of reverberation." Many Dunedin sound bands drew inspiration from punk rock, as well as pop, rock, and psychedelic music of the 1960s. 619:
contributed to growth in the popularity of the Dunedin sound on college radio in the USA and Europe. The heyday of the movement was in the mid-to-late 1980s, although music in the style is still being recorded and released.
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In 2000, a "Dunedin sound" showcase was presented as part of the Otago Festival of the Arts, held in Dunedin. This showcase featured performances by The Clean, The Chills,
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as a musical influence in New Zealand in the late 1970s. Isolated from the country's main punk scene in
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A 2009 tribute album to Chris Knox (who suffered a major stroke that year) included contributions from
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EP, from which the term "Dunedin sound" was first coined). Many artists gained a dedicated "
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The Dunedin sound influenced many overseas bands, including American indie rock groups
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This article is about the style of music. For the body of water at Dunedin, see
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included covers of tracks by The Clean, The Bats, and Chris Knox, among others.
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championed the Dunedin sound, starting with its earliest releases (including
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cite the Dunedin sound as an influence, and other overseas artists, such as
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For the record: A history of the recording industry in New Zealand.
1768: 1736: 1723: 1696: 1674: 1610: 594: 387: 572:, the three axes of the international indie-pop underground were 730:"Dunedin Sound - the sound of honesty? - Article | AudioCulture" 709: 1141: 756:"Flying Nun Records: 10 of the best songs of the Dunedin sound" 139: 77: 36: 512:), developed a sound more heavily influenced by artists like 1137: 524:-influenced guitar work reminiscent of 1960s bands such as 488:
The Dunedin sound can be traced back to the emergence of
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Stranded in paradise: New Zealand rock'n'roll 1955–1988.
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The development of parallel musical trends such as the
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magazine suggested that "before the mp3 replaced the
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Martin Phillipps & The Chills' official homepage
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The scene is associated with 248:Learn how and when to remove this message 230:Learn how and when to remove this message 128:Learn how and when to remove this message 91:This article includes a list of general 1101:Heavenly pop hits: The Flying Nun story 1087:Flying Nun 25th anniversary edition of 952:Cat Power has covered Peter Jefferies' 721: 382:was a musical and cultural movement in 1124:In Love With Those Times – Article on 1064:Nelson, NZ: Craig Potton Publishing. 1029:Davey, T. & Puschmann, H. (1996) 7: 754:Stafford, Andrew (27 January 2017). 615:in California and the resurgence of 168:adding citations to reliable sources 1047:Wellington: Paradise Publications. 866:"New Zealand music quota for radio" 520:. This was complemented by jangly, 713:the station's annual fund-raiser. 500:), Dunedin's punk groups, such as 97:it lacks sufficient corresponding 25: 1033:Dunedin: Kiwi Rock Publications. 899:Three decades under the influence 552:!" and the four-band compilation 52:This article has multiple issues. 144: 82: 41: 1095:Flying Nun: Anything can happen 1076:The Clean and the Dunedin Sound 155:needs additional citations for 60:or discuss these issues on the 1: 955:The Fate of the Human Carbine 1290:Contemporary Christian music 1114:Flying Nun history 1980–1995 1019:Auckland: David Bateman Ltd 2086:New Zealand styles of music 1986: 982:Sources and further reading 820:Understanding popular music 2127: 1133:Dunedin music in the press 29: 992:Positively George Street. 855:issue 146, July 2009, p81 835:Auckland: David Bateman. 360: 1006:Great still sounds great 27:Genre of indie pop music 2091:Alternative rock genres 112:more precise citations. 2011:Popular music pedagogy 994:Auckland: Reed Books. 734:www.audioculture.co.nz 608: 514:The Velvet Underground 2016:Rockism and poptimism 1084:magazine, April 1982. 924:19 April 2014 at the 598: 453:, among many others. 2006:Pop music automation 905:23 July 2013 at the 897:Williamson, laura, " 788:Bannister, Matthew. 536:Reception and legacy 369:Music of New Zealand 164:improve this article 1996:Honorific nicknames 1243:Paisley Underground 1074:Higgins, M. (1982) 1015:Chapman, I. (2016) 613:Paisley Underground 602:in 1989, promoting 590:University of Otago 435:Look Blue Go Purple 364:Paisley Underground 2101:Culture in Dunedin 1211:Adult contemporary 870:New Zealand Herald 800:on 28 October 2017 694:Alastair Galbraith 659:The Mountain Goats 609: 542:Flying Nun Records 540:New Zealand-based 396:Flying Nun Records 2073: 2072: 2055:Verse–chorus form 2001:Music and fashion 1953: 1952: 1660:Hong Kong English 1506:Regional variants 1176:Stylistic origins 1025:978-1-86953-895-8 1010:Otago Daily Times 872:. 26 March 2002. 478:Matthew Bannister 431:Straitjacket Fits 400:independent label 376: 375: 287:Stylistic origins 258: 257: 250: 240: 239: 232: 214: 138: 137: 130: 75: 16:(Redirected from 2118: 2111:1980s in Dunedin 1989: 1789:Balkan pop-folk 1510: 1162: 1155: 1148: 1139: 976: 965: 959: 950: 944: 937:Manning's album 935: 929: 917:Superchunk have 915: 909: 895: 889: 888: 886: 884: 862: 856: 850: 844: 829: 823: 816: 810: 809: 807: 805: 796:. 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Dunedin Sound
Otago Harbour
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Alternative rock
jangle pop
punk rock
post-punk
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surf rock
garage rock
psychedelic pop

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